COME//CLOSER

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth, alt-rock

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth, alt-rock

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth, alt-rock

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth, alt-rock

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth

Dark industrial trip-hop goth alt-rock ballad with slow, pulsing sub bass and distant distorted synth textures, Minimal but heavy drums, restrained and heartbeat-like instead of aggressive, Cinematic and intimate, like the aftermath of a breakdown at 4 AM under fluorescent kitchen light, Female vocals low, smoky, emotionally exhausted in the verses, fragile without sounding soft, Chorus swells into raw, cracked intensity rather than full screaming, Imperfect vocal takes left in intentionally for realism: audible breaths, vocal strain, slight pitch instability, Layered ghostlike backing vocals in the chorus and bridge, almost like intrusive thoughts bleeding through the mix, Mood is dissociative, lonely, physically vulnerable, tired but still dangerous, Influences from industrial trip-hop, slow goth rock, dark dream pop, and gritty alt-rock, Sparse arrangement with huge atmosphere and emotional weight, Should feel like trying to hold yourself together quietly while your body gives up

Dark industrial trip-hop goth alt-rock track with heavy sub bass, distorted synths, gritty slow drums, stalking rhythm, cinematic and moody, Female vocals, low and smoky in verses, emotionally raw, snarling and screaming in the chorus, imperfect takes for realism, layered backing vocals in the hook, Mood is tired but dangerous, bitter, seductive, late-night city energy, cigarette smoke and streetlights, industrial, trip-hop, goth, alt-rock

Dark industrial trip-hop goth alt-rock track with aggressive sub bass, blown-out distorted synths, filthy basslines, chaotic punk energy, and heavy, slamming drums, Fastest and most explosive track on the album, Female vocals low and venomous in the verses, snarling and half-laughed delivery, escalating into screamed choruses that sound genuinely unhinged instead of polished, Imperfect takes left in intentionally: clipped vocals, breath strain, distortion, crowd bleed, mic overload, Layered gang vocals and shouted backing vocals in the chorus for live-show riot energy, Mood is reckless, confrontational, adrenaline-drunk, self-destructive, sweaty and violent in a late-night club way, Feels like strobe lights, busted knuckles, cigarette smoke, spilled drinks, bathroom fights, blown speakers, and somebody finally snapping in public, Industrial, trip-hop, goth, alt-rock, with hardcore punk aggression underneath

Dark industrial trip-hop goth alt-rock closer with massive distorted sub bass, blown speakers, aggressive synth textures, pounding drums, and hypnotic club energy, Cinematic, loud, chaotic, and euphoric in a dangerous way, Female vocals low, smoky, and commanding in the verses, escalating into feral, emotionally raw shouted choruses with crowd chants underneath, Imperfect vocal takes left in intentionally for realism: clipped screaming, breath strain, distortion, mic overload, The track should feel like the entire album collapsing inward while somehow getting bigger and louder instead of softer, Mood is adrenaline-drunk, seductive, self-destructive, triumphant, toxic, and overwhelming, Feels like strobe lights, sweat, cigarettes, packed bodies, glitter, bloodshot eyes, blown-out club speakers, and dancing hard enough to forget your own name, Industrial, trip-hop, goth, alt-rock with aggressive electronic and punk influence underneath, The outro should spiral

Dark industrial metal, witch house, industrial rock, trip-hop and gothic alt-rock, Massive sub bass, crushing detuned guitars, distorted synth walls, mechanical percussion, slow but punishing groove, oppressive atmosphere, cinematic tension, abrasive textures, feedback, glitches, tape saturation, walls of noise that bloom into silence, Female lead vocals, Verses are low, restrained and venomous, almost spoken through gritted teeth, Every line feels controlled, intimate and threatening, Pre-chorus builds with increasing desperation and contempt, Choruses explode into full-throated screaming, snarling and raw emotional breakdowns, Harsh screams layered with melodic doubles, gang-style backing vocals, vocal distortion, clipping, breath sounds and imperfections preserved, Dynamic contrast is essential—quiet restraint collapsing into absolute fury

Make it sound like it was recorded in an apartment, traffic sounds, room noise, creaks, all that, Lo fi goth ballad acoustic guitar recorded in a small apartment, Sparse, gritty fingerpicked acoustic guitar with natural mic imperfections—creaks, breaths, room noise, Female vocals are breathy, emotionally raw, with slight vocal fry and cracks that feel unfiltered and real, Tone is melancholic, sensual, and resigned, evoking loneliness and unspoken longing, Minimal processing—let the pain sit in the silence, Style influenced by early Mazzy demos, Daughter, and stripped-back Chelsea Wolfe, Lyrics are confessional, bittersweet, and laced with quiet desperation about a complicated, emotionally unavailable lover, The sound should feel like a secret recording never meant to be heard—intimate, bruised, and beautiful