3:04

Mysterious, ccr, creedence, vietnam war rock, Psychedelic motown doo wop wave
2:37

Funky, bass-driven trap beat with minimalist production, Groovy 808 bass, playful percussion (rimshots, claps, woodblocks), dry kick, and a sparse use of synths—mainly short, cartoon-like stabs or quirky FX, The track should feel airy, with pauses that leave space for flow and attitude, BPM between 95–105, The vibe is self-ironic, cheeky, and cool—perfect for a laid-back, almost talk-rapped delivery with high entertainment value
4:09

9:32

Old-school Boom Bap Hip-Hop with dusty drums, vinyl crackle, slow BPM (~85), melancholic jazz sample in the background
2:29

stoner, dub, hip-hop, 90s hip-hop, catchy hooks, west coast hip hop, 70s, retro funk, Transformer Scratch, Chirp Scratch, Crab Scratch
2:28

gangster beat, dubstep, glitchy synths, gangster, riddim, aggressiv, heavy drops, high-quality, steel drum, dolby atmos mix, [dark electropop], hyper pop, freestyle rap, dungeon synth
2:18

Midnight Smoke
v4.5
trap, urbano, seductive, 808 bass, layered percussion, vocal effects, pop urbano, electronic elements, electro drug, auto-tune, auto-tune
2:58

Style:
Aggressive metalcore meets pounding Eurodance and driving hardstyle – a brutal crossover with fast BPM (~160), heavy synths, and breakdown-heavy guitar riffs, Intense screams clash with ironic party vocals, electronic build-ups lead into destructive drops, Vibes:
🏖️ Beach party with a bench press in the sand
💥 Trash meets testosterone – tongue-in-cheek but dead serious about the gains
🔥 Somewhere between protein shakes and mosh pits
👊 Ironically motivational: “You’re weak? Not for long!”
Inspiration:
Metal guitars with 8-string breakdowns
2000s-style Eurodance choruses
Hardstyle kicks in the chorus
Electro build-ups with synth arpeggios
Spoken-word intros like action movie trailers (“One man, One beach, One mission, ”)
Keywords for the producer:
"High BPM", "Gym Motivation", "Ironic Seriousness", "Metal meets Rave", "Hardstyle Breakdown", "Summer Gymcore", "Beach Moshpit", "From Twig to Titan"
3:03

Darksynth, Cyberpunk, Rap, Calm Voice, Experimental, Ambient, Trance, Futuristic, Cyber Ambient, Cyberpunk Synth, Glitching Beat, Stutter
4:34

Trance
v4
[Bio-synths] [Organic] [Squelchy] [Wet] [Liquid Gurgling] [Hollow Reverberations] [Viscous Squelching] [Bubbling Pops] [Ossiclicks] [Bone-Cracking] [Cartilage Snapping] [Dripping] [Slimy Overtones]
2:47

trap, urbano, seductive, 808 bass, layered percussion, vocal effects, pop urbano, electronic elements, electro drug, auto-tune, auto-tune
2:43

2:39

3:38

1:50

4:10

Cinematic opener, 00's rap, Chicago rap, Chipmunk soul, Neo-Soul Hip-Hop, Chipmunk vocal samples, dj scratch, soulful, 90's R&B
4:49

8bit, chiptune, speedup, Arpeggio, fatbass, Hardbass, FemaleVocals, synthesizer, Electronic, speedup
4:41

Trap, schranz, linguistic dope rhyme, japanese trap, miami bass, bachata, trip, rapid 3 beat, g string, Smooth voice singing
3:49

The piece is an instrumental electronic dance music track with a strong emphasis on a driving, rhythmic bassline and a melodic synth lead, The tempo is fast, creating an energetic and dynamic feel, The primary instruments are synthesizers, drums, and a prominent bass, The drum programming features a consistent four-on-the-floor kick drum pattern, a snare on beats two and four, and a high-hat pattern that varies between eighth and sixteenth notes, providing rhythmic complexity, The bassline is highly active and syncopated, often featuring arpeggiated patterns that contribute to the melodic content, The lead synth melody is catchy and repetitive, evolving slightly throughout the piece with subtle variations in phrasing and timbre, Production elements include significant use of reverb and delay on the synth leads, creating a spacious and expansive sound, There are also filter sweeps and volume automation on various synth elements, building tension and release, The overall mix is clean and powerful, with the bass and drums providing a solid foundation for the melodic elements, The structure follows a typical EDM build-up and breakdown format, with sections of increasing intensity leading to a more sparse, atmospheric interlude before returning to the main theme, There are no vocal elements present in this piece
4:19

4:30

Stuttercore, Anti-808-Trap, Bass-Stutter-Voice+Stem, Demon-Pitched Bass Voice, Music, Disturbed Pronunciation, Bass Vocals, Slithering pronunciation, Genre, Stutter-707, Scratching Switches, Rasping Drops, Black LFO*33
5:05

Carnival Drum Rolls, Barrel Organ, Parody Rap, Zesty Delivery, Calliope Organ, Old Man Vocals, Electric Accordio, Marching Band, Boom Bap Bang, Shitrap, Grime-Tuba, Stretched-808, Schalger/Hip Hop, Narrator, Female
3:20

Grip-Hop, Nihilism, Church Organ type beat, Tuba Kick, Boom Bap Rhythm, Off-key Violin Wobbles, Jazz Samples, DIY Beat, Harsh 808 Line, Xylophone, Minimal, Stuttercore, Instrumental Dubstep, Southern-Rap, Goofy Delivery, Pots and Pans
2:37

[Music Style: Brazilian Funk-Hop, Old School Hip Hop, Baile Funk, 90s Hip Hop, Contagious Groove, Funky Bassline, Baritone Male Vocals, Sensual, Party Anthem]
3:23

2:35

Yes
v4.5
#GlitchHop #BebopJazz #TrapBeats #JazzTrapFusion #ChoppedSamples #808Basslines #FastHornRiffs #SwingFeel #ExperimentalGroove #OffbeatEnergy #JazzImprovisation #VinylCrackle #BrokenRhythms #SkitteringHiHats #BoomBapGlitch #SaxophoneLeads #RhythmicSwitchUps #SyncopatedDrums #LiveFeel #JazzClubEnergy #ElectronicEdge #MaleSpokenWordFlow #ScatStyleHooks #BeatSwitchDrop #AbstractGroove
2:28

#hypertrap #tripletflow #streetcomedy #realflex #rawdelivery #funnyaggression
Vocal: High-energy male voice, mischievous and punchy, uses triplet flows and pop culture punchlines, Lyrics are dense with internal rhyme, cartoon/metaphor violence, and internet-brain references, Ad-libs, stop-start flow switches, and humor-driven bars, Production: 145 BPM bounce-trap with detuned synths, video game FX, overcompressed 808s, vocal chops, and glitch fills, Embrace chaos and precision, Think SNES boss fight meets drill carnival
3:40

1 republic and benson Boone feat X ambassadors, sound collage, quirky indie folktronica track with staccato percussion, distorted basslines, and experimental vocal layering, Lead vocals should be slightly nasal, expressive, and occasionally break into whispered or shouted phrases, Use shifting dynamics to build tension—quiet, soothing verses and chaotic, explosive, upbeat choruses, Incorporate subtle folktronica textures and off-kilter harmonies to create an unsettling yet catchy atmosphere, Male Vocals, massive vocal runs, impressive breathy falsetto
3:08

4:10

Dark Pop, Horrorcore, Knife Scraping, 3D Audio, Buzzing Bass, Glitchcore, Soothing Female Voice, Electric Guitar
3:23

Undertow
v4.5
Raw, emotional Alternative Rock with a 90s grunge-pop aesthetic, built around the quiet-loud-quiet structure, Verses use sparse, clean but gritty guitars and restrained bass with laid-back drums, Choruses erupt into fuzzy, distorted layers, thunderous bass and explosive live drums, with raw, raspy female vocals that shift from numb restraint to unleashed scream
3:41

ambiente space melodie mit Blubber FX, Pop, Hyperpop, Melodie sampling glitchcore FX, Techno FX
2:58

Electric guitar-driven rock ballad energy pairs with lush future bass synths, playful funk grooves, and jazzy chords, Verses are sparse: syncopated guitars, subtle keys, dusty lo-fi beats, clattering kitchen samples, and quirky textures, Raspy, spoken-sung vocals intertwine trumpet stabs, Choruses explode with chopped vocal samples, bold future bass drops, funk-infused rhythms, punchy drums, and soulful, jazz-tinged bass—all wrapped in bedroom pop and indie electronic layers
3:11

Alternative rock, 90s grunge-pop, female vocals, moody and atmospheric, Distorted electric guitars with clean melodic breaks, heavy bass lines, dynamic drums with electronic elements, Dark yet catchy melodies, introspective lyrics delivered with attitude, Think Shirley Manson meets PJ Harve* - sultry, confident vocals over brooding instrumentation, Mid-tempo groove with emotional intensity, polished production mixing organic and electronic sounds, Melancholic but empowering tone, perfect for late-night drives
3:17

3:07

5:00

[Genre: Acoustic Fingerstyle x Atmospheric Rock x Modern Folk]
[Structure: Intro – Verse – Pre-Chorus – Chorus – Verse 2 – Bridge – Chorus – Outro]
[Lead Vocal: Male English with Nederlands accent / Soft Grit / Slightly Raspy / Patrick Kelly Inspired]
[Instruments: Only use accoustic Guitar and Cajon]
[Guitar: unclean Percussive Fingerstyle – Slapping – Tapping – Guitar Drumming]
[FX: Reversed Delay – Stereo Spread – Binaural FX – Atmospheric Pads]
[Tempo: Adagio Dynamic Speed – Freeform Flow]
[Mood: Emotional – Progressive – Introspective – Organic – Cinematic], ‑Violin, ‑E-guitar
4:05

The Retcon
v4.5+
Raw 90’s Introspective Punk, Distinct Voice, Melodic Electric Guitar, Experimental Cymbal Crashes, focused bass guitar
3:02

dark hip hop beat, fuck off vibe, arrogant, 808-Basslines, arrogant young female rap, clean, rhythm, big bass, powerfull, very clean, clean Audio, 3D-Audio, Surround Sound, wide vocal range
2:42

Epic dark trap with cinematic tension, thunderous low-end, grim orchestral layers, distorted vocals, glitchy textures, haunting choirs, dramatic pauses, heartbeat-like kick drums, no synths, cold reverb spaces, god-tier lyrical atmosphere, like a divine execution anthem, rap, female arrogant rap, rap rap, hiphop rap
3:17

A dark Drum and Bass foundation powers the track with heavy breakbeats and throbbing sub-bass, layered with crisp, perfectly EQ’d hip-hop elements and playful dark kawaii synth textures, Twangy guitar licks punctuate the verse, supporting razor-sharp, emotional female rap flowing over a pristine, 3D-audio master mix
2:29

3:20

DiggerMC style, leck mich, ‑-mol
6:26

Musikstil-Beschreibung für Suno:
Genre: Deutscher Hip-Hop / Trap
Stimmung: Selbstbewusst, energisch, urban, lässig
Elemente:
Beat: Moderner Trap-Beat mit tiefen Bässen, scharfen Hi-Hats und einem treibenden Rhythmus, Instrumentierung: Synthesizer-basierte Melodien, harte 808-Basslines, minimalistische Percussion, Vokale: Rap-Verses mit einem entspannten, aber selbstsicheren Flow, möglicherweise mit gelegentlichen melodischen Hooks oder Ad-libs (wie „bang bang“, „ah“), Themen: Street-Vibes, Crew-Loyalität („homies“), Erfolg und Swagger, inspiriert von westküstlichem Hip-Hop („Cali“-Referenz), Tempo: Mittel bis schnell, ca, 80–100 BPM, typisch für Trap und modernen Rap, Produktion: Klarer, polierter Sound mit Fokus auf Bass und Drums, ähnlich aktuellen deutschen Hip-Hop-Produktionen, Zusätzliche Hinweise für Suno:
Verwende einen modernen, urbanen Sound, oder die Ästhetik von leichte Westcoast-Einflüsse
4:44

Female glitch-rock fused with alt-R&B croon and a DnB backbone, Sleazy fuzz bass, glassy darkwave pads, rhythmic vocal-chop gates, metallic ride patterns, halftime→doubletime flips, Pre-chorus tightens with dissonant post-hardcore voicings; Chorus detonates with soaring emo-pop topline over grinding guitars, Short Amen solo after Chorus 2, then a cinematic string-stab bridge with glitch-freeze and drop-in scream pickup, Vocal style: seductive, breathy female lead with erotic “mmh” ad-libs and soft gasps (non-lexical), close-mic intimacy, light lip/tongue clicks on downbeats, sultry vibrato in choruses, micro-growls on line-ends
3:52

lull
v4.5
[vocal: gender: female: glitch, high-pitch], dissonant, retrograde, reversed, horror, music box, liminal, Opening with a detuned music box melody over cavernous reverb, glitchstep, vox glitch, rainstorm, thunder claps, spooky, halloween edm, ethereal phonk, strained synth, howling pads, Thunder, rainstorm, storm sfx, lighting, vinyl, bass-heavy dubstep drops, IDM, neuro trap, wobblestep, final boss, dissonant transitions, rich instruments, complex arrangement, ambient layering, dynamic audio, panning, multi-layered, reduce crackling, polyphony, dolby atmos, archival grade audio, balance EQ
4:04

A warped, psychedelic sonic carnival — swirling detuned synths and glitchy calliope fragments dissolving into reverb-soaked echoes, heavy sub-bass and slow, hypnotic trap 808s pulsing underneath, shimmering reverse guitar loops bending like liquid, warped vocal samples fluttering like ghosts in a funhouse mirror, The lead voice is an unhinged yet inviting storyteller — smooth and warm one moment, snapping into manic laughter or cryptic whispers the next — pulling the listener deeper into a kaleidoscopic maze of sound, Beats stagger and melt, melodies twist into fractals, and the entire mix feels like stepping into a dream where the circus is underwater, lit only by neon reflections




































