1:27

Vengeance
v5.5
dark metal, choral metal, gothic hard rock, war chant, growling male vocals, low tuned riffing, tremolo picked guitars, octave bass drive, tom heavy barrages, brushed snare intro, upright bass pulse, found sound hits, gang shouts, cathedral reverb, tape hiss, pre chorus lift, halftime breakdown, revenge fury, apocalyptic menace
5:43

5:01

5:30

Pinhead Pikachu
v5.5
dark alternative rock, melodic metal, detuned electric guitar chugs, fuzz octave riffing, brooding bass, tom-heavy drum fills, choral backing vocals, baritone lead vocal, tape hiss intro, analog saturation, plate reverb, wide stereo guitars, gated snare, halftime breakdown, ominous menace, midtempo pulse
3:02

The Grim Pika
v5.5
gothic hard rock, choral metal, 88 BPM, gregorian chant choir, baritone spoken lead, horror pipe organ, detuned electric guitar, tom-heavy march, upright bass ostinato, brushed snare, found-sound hits, tape hiss, cathedral reverb, analog saturation, halftime chorus, apocalyptic menace
3:42

gothic rock, choral metal, baritone spoken word, pipe organ drones, gothic choir swells, string ostinato, brushed snare, upright bass, tape hiss, tube saturation, cathedral reverb, mono center vocal, ritual march, apocalyptic menace, 72 BPM, minor key, found-sound clicks
3:24

4:44

spoken word rap rock, baritone monologue, cyberpunk rock, industrial chrome rock, distorted electric guitar, palm muted riffing, synth bass drones, brushed snare, tom tom marches, tape hiss intro, overdriven bass guitar, gated reverb, radio static samples, ominous defiance, dystopian urgency, midtempo stomp, chant refrains, breakdown stops
5:11

spoken word rap rock, baritone monologue, cyberpunk rock, industrial chrome rock, distorted electric guitar, palm muted riffing, synth bass drones, brushed snare, tom tom marches, tape hiss intro, overdriven bass guitar, gated reverb, radio static samples, ominous defiance, dystopian urgency, midtempo stomp, chant refrains, breakdown stops
2:04

true metal, angry stalking beat, bass guitar solo, dark alternative, gradual build-up
4:52

2:33

Center Ring
v5.5
dark carnival rock, gothic choral metal, baritone spoken word, harlequin chorus chants, calliope counterpoint, upright bass melody, detuned carousel organ, distorted banjo stabs, brushed snare groove, tape hiss ambience, spring reverb, analog delay throws, 1970s live room, minor key waltz, macabre defiance, mock-heroic, 92 BPM, circus march, ominous swagger
4:47

Deadly Sins
v5.5
new metal, bass guitar solo, drum solo, dark alternative, powerful drum, christian choral motifs, gregorian background vocals
1:39

0:50

2:18

My City Burns
v5.5
Low spoken-word rock with intimate baritone recitation over dry kick, tom accents, and muted electric guitar stabs, Sparse verses use fretless bass, brushed snare, tape hiss, and roomier reverb on clipped vocals, Midtrack adds overdriven guitar drones, tom fills, and harmonized spoken phrases, building to a raw full-band climax with cymbal crashes and feedback tails
3:49

4:12

Pikathullu
v5.5
Dark horror soundtrack with detuned piano clusters, bowed metal drones, sub-bass rumble, and eerie string harmonics, Sparse taiko hits, reversed cymbal hits, and granular synth whispers creep under a melody-first chorus carried by ghostly choirs, tape echo, and sudden silence for tension
4:37

Spare cowboy ballad with ghostly western atmosphere, slow 6/8 pulse, fingerpicked acoustic guitar, mournful harmonica, brushed snare, upright bass, and distant pedal steel with long spring reverb, Hollow baritone vocal, room tone, sparse harmony drones, and a dusty outlaw-country feel with open space and fading echoes
6:48

Cthullu Rises
v5.5
doom rock, funeral march groove, pounding, heavy walking base beat, deep base solo, base drum of doom solo
2:32

4:24

Pika Vorhees
v5.5
dark horror rock, doom metal, industrial metal, base spoken lead, whispered Pi-pi-pi-ka-ka-ka, brushed snare, upright bass, distorted bass guitar, electric guitar chugs, detuned power chords, tape hiss intro, found sound hits, analog synth drones, hockey mask percussion, gated reverb snare, sidechain pumping, midtempo march, funeral groove, bleak menace, electric knife edge
4:27

dark pop, operatic chorus, 96 BPM, cathedral reverb, industrial synth bass, distorted drum machine, tom-heavy march, baritone synth lead, choir stabs, gated snare, tape-hiss texture, minor key, breakdown drop, call-and-response hooks, apocalyptic menace
2:09

My Zombie Love
v5.5
a playful Vaudeville / British dance hall track written in the key of \(D\flat\) Major at roughly 138 BPM, The song relies on ragtime syncopation, a bouncy homophonic piano line, and a distinct clarinet trio to create a nostalgic, cabaret-style bounce
3:59

Machine man
v5.5
heavy electro synth and techno, no other instruments, voice is robotic and modulated
3:09

3:37

2:51

4:17

3:24

3:35

funk soul, 1974 studio funk, deep base lead, call and response chorus, clavinet stabs, Rhodes comping, percussive electric bass, tight horn section, rimshot backbeat, syncopated guitar chanks, tape saturation, spring reverb, mono drum bus, 96 BPM groove, swaggering uplift, menacing charm
3:29

Hungry Animal
v5.5
funk soul, 1974 studio funk, deep base lead, call and response chorus, clavinet stabs, Rhodes comping, percussive electric bass, tight horn section, rimshot backbeat, syncopated guitar chanks, tape saturation, spring reverb, mono drum bus, 96 BPM groove, swaggering uplift, menacing charm
3:59

5:39

2:54

5:14

4:12

Pika Meyers
v5.5
dark and brooding, building dread and anxiety, minimalist, electronic horror instrumental Soundtrack-Universe, it relies heavily on an eerie, repetitive synthesizer lead and staccato piano, Written in a rare and asymmetrical 5/4 time signature (felt as a 3+3+2+2 subdivision), Features a stark, three-note piano motif layered with sliding dissonant tones and wavering triangle wave synths, "simple and unsophisticated"
3:19

7:01

Progressive rock, triumphant and mysterious, synth- pipe organ, haunting choir background vocals




