2510

[A tight, relentless Industrial Dance-Punk track, The absolute focus is a monstrous, legendary fuzzed-out funk bassline, the 'Bulldron', played with an impossibly groovy, hypnotic swagger, The beat is a powerful, danceable fusion of a cold industrial drum machine and a thick, punchy live snare hit, A ghostly theremin and sharp, minimalist synth stabs cut through the mix, Lead vocals are a low, sensual, and playful female spoken-word/rap, delivered in English with a thick, cool Russian movie villain accent, The vibe is a deeply unsettling, absurdly fun, and powerfully tender musical number from a lost episode of FLCL about a cosmic entity playfully teaching someone how to dissolve, It's sinister, cute, and you can't stop dancing to it, ]

alt-pop, emo trap, rock, punk, acidd jazz, blues, slap guitar + cracked whisper vocal + analog pad, no soft piano intro, Drums: distorted 808s, trap hi-hats, snapping snares, glitch fills that feel unstable, Bass:wood deep sub-bass, sidechain with kick, heavy but warm, Guitar: sharp slap rhythms, tremolo walls in verse, overdrive punch in chorus, dreamy washed layers in bridge and final, Piano: cinematic, hard attack but imperfect and slightly detuned in bridge and break, FX: reversed delays, pads, voice echoes, tape hiss, vinyl crackle, breath left in, short moments of silence, Female vocal: hard raspy and husky, breathy, hard vibrato, raw, frantic, explosive, voice must crack, break, miss notes, let the voice collapse mid-line, then recover, then shatter again

Music style is A Flow Of Meditative Images, Like 1980’s MPB and Fusion Jazz, The lead vocalist is a woman, whose voice transcends all tonal boundaries, and is versatile, ranging from a young girl to a mature woman and even an elderly woman, Her striking high-pitched vibrato is like a string of threads, Supporting members: 2 fretless guitars, fretless double bass, drums, complex percussion, ambient keyboards, Add Four-woman chorus, Natural Headroom’s Sound, Acoustic Atmosphere, Add Two fretless acoustic guitars Solo Improvisation, Add Multi-layered complex percussion playing, Add Upright Bass, Add Ambience Play Electric Keyboard, Music Is Relax Ending The tempo of the music progresses with a shuffling walk

Classic Brit metal explodes at 146 BPM with relentless galloping drums and driving bass, Twin lead guitars interlock chugging riffs and harmonized solos, Dramatic group shouts punctuate marching rhythms, Battlefield sound effects—clashing swords, distant horns—amplify the intensity

cinematographic, metallic echoes, industrial, symphonic metal, cyberpunk

Rocking pub-rock track with a driving shuffle rhythm, punchy snare, and tight, swinging drums, Electric guitars should be front and center, featuring clean, twangy rockabilly riffs, Albert Lee–style solo full of double-stops and lightning-fast runs, bluesy licks, and energetic power-chord chords reminiscent of late 1970s rock, Add a warm, slightly overdriven bass line that locks with the drums to give a tight groove, Include honky-tonk piano, Welsh male vocals should be lively, cheeky, and confident, delivered with a playful swagger and slight rasp, as if telling a humorous story with charm and irony, The overall tone should be upbeat, fun, and energetic, with a vintage rock ’n’ roll feel, Aim for a sound that captures catchy hooks, infectious rhythm, and guitar solos that are melodic but punchy, suitable for a rollicking pub performance, The production should feel warm, live, and slightly raw, not over-polished, to emphasize authenticity and energy, Memorable

Techno magic, edm, halloween, spirits, otherworldly

Western, Modern Country, Spaghetti Western, Electro Swing, Dark Disco, Funky Pop, Tropical Bass, Instruments: twangy slide and acoustic guitars, rhythmic banjo patterns, harmonica riffs, Western percussion such as spurs, whip snaps, hand claps, and stomps, upright or electronic basslines, cinematic string stabs, lush atmospheric pads, subtle synth layers, arpeggiated leads, playful melodic plucks, digital glitch textures, reversed piano motifs, and occasional percussive fills for tension, Vocal effects: warm, expressive male vocals with slight rasp, subtle vibrato, dynamic stutters, pitch bends, light echo and reverb, chopped harmonies, whispered interjections, occasional robotic textures, and layered vocal doubling for depth, The combination creates a cinematic, adventurous, energetic, and slightly quirky Western-modern fusion, with both acoustic charm and modern electronic flair, suitable for a playful, danceable, and immersive soundscape

This instrumental piece is a lo-fi hip-hop track with a relaxed, downtempo feel, The primary instruments are a drum machine providing a steady, understated beat with a prominent kick and snare, a bass guitar laying down a simple, repetitive root-note pattern, and a clean electric guitar playing a melodic, arpeggiated chord progression, A synth pad provides a warm, sustained background texture, The production features a subtle vinyl crackle effect throughout, contributing to the lo-fi aesthetic, The tempo is slow, around 70-80 BPM, The overall mood is calm and reflective, The song structure is cyclical, with the main instrumental loop repeating throughout the track

Cheerful Hrad rock, punk rock, catchy, male voice, piano, chorus by the choir

rock, male vocals, raw rock energy with distorted guitars and a driving drumbeat; a mix of grit and pride

A cinematic demonic rap track: fast, percussive 808s and pounding drums lead, thunder and distorted bass drop in sync with rapid-fire low vocals, Broken glass, warped laughter and reversed whispers swirl in the background, The hook erupts with ghostly choirs, skeletal percussion, tolling bells, and syncopated lightning FX, Abrasive synth stabs match spinning camera energy; sudden silences and ritualistic choral chants add drama, The finale cuts to hush, one whispered line atop fading sub bass

hard rock, rock, metal, heavy metal

A lush orchestral intro swells with strings and subtle brass, then drops into a spacious, pulsating Erodance groove, Danish vocals cut clear and crisp atop a bright synth-bassline, punctuated by airy pads and rhythmic percussion, A cinematic bridge heightens drama before the beat returns

male narator, ambient, electric guittar riffs, blues rock, alternativ, soft singing, expressive

symphony orchestra samples, dance music, electronic, up-beat, polyphonic, pulsing beats, insane

drinking song imitating real medieval songs in the style of "In Taberna", short fast prelude, flute guitar lute, sung by a male voice alternating with a male choir, quick and lively, humorous text

Blazing at 170 BPM, this electronica fusion kicks off with punchy four-on-the-floor drums, ecstatic synth arpeggios, and meticulously chopped vocals, Verses blend lush piano, syncopated, shoegaze-treated guitars, lively synth lines, and an EDM-pop duet, all pulse-locked to relentless grooves, The breakdown unveils warped synths, booming reggae-tinged sub-bass, deft glitch percussion, and a brisk comedy skit post-drop, Choruses burst with stacked synths, bold vocal harmonies, and towering pop hooks, The outro cascades into fuzzy piano, warped glitches, field sounds, distant sirens, and vinyl static, peaking with a euphoric bass drop, group chants, swelling crowd noise, frenetic percussion, then dissolving into a retuned, dreamlike echo of the main motif, punk, skater punk, strong vocal, reverbed, multiple vocals, soulful melody, techno pop, very emotional, emotive vocal harmonies, echoing

studio production post-hardcore punk track opens with sparse, fuzzy electric guitar washed in room noise, accompanied by distant, inconsistent percussion, Verses are delivered by a low, emotional male vocal—raw, textured, The chorus features a profound, airy female whistle-register melody, floating above minimal guitar and soft, distorted bass, Production is lo-fi with fluctuating clarity, unpredictable mic levels, and audible imperfections, wrapped in a late-night mood, Instrumentation remains skeletal and subdued, spotlighting the unique vocal interplay and haunting atmosphere

Raw, fragile yet intense, trembling with emotion, Wavering female with amazing voice hitting easy, effortless highs notes, Dark indie rock x punk rock, melancholic mood, slow tempo, stripped down to a piano, bass, guitar, light drums

TITLE: SOFT BITE GENRE: Halloween dance-pop / disco zombie rom-com / spooky-funny viral BPM: 123 KEY: G minor VIBE: flirty panic, glittery undead chaos, Shaun of the Dead energy, but club-ready HOOK MOVE: tilt head zombie-style, slow body roll, then pretend bite someone’s shoulder on beat (extremely duet-able) [Overall production notes: four-on-the-floor kick, bouncy disco bassline, funky clean guitar plucks, handclap snare, Layer Halloween SFX tastefully: goofy “gnarrr” zombie moans panned L/R, crowd party noise, one dramatic B-movie scream stinger before drops, Vocals: playful, dramatic, a little exasperated, not horror-serious, Keep it glossy pop, ], ‑boring, ‑amateur, ‑undanceable, ‑glitchy, ‑off-key vocals, ‑robotic singing, ‑distorted vocals, ‑muffled voice, ‑over-compressed vocals, ‑unnatural vibrato, ‑clipping, ‑sibilance, ‑metallic voice, ‑flat emotion, ‑monotone delivery, ‑awkward phrasing, ‑random ad-libs, ‑background crowd noise

* Instrumentation: Bright, modern, and theatrical (e, g, punchy brass, playful synths, strong drums/percussion), Vocals: * Lead Vocal: Child or female vocalist (clear, expressive, and dynamic), * Backing Vocals/Choir: Featured children's and female choir, prominent in the chorus, * Language: MUST BE SUNG IN CZECH using the provided lyrics, Specific Instructions: 1, Ensure the verses, while containing a touch of sadness, maintain the underlying rhythmic and theatrical structure, 2, The chorus should be an energetic, memorable, and fast-paced dance section that contrasts strongly with the more narrative/introspective verses, 3, The overall sound should be highly entertaining, catchy, and suitable for a modern children's musical or theatrical performance

Postižené, Indie afrika

[Genre: Indie Rock / Dance Punk / Post-Punk Revival] [Style: energetic male vocal, rhythmic talk-sing, witty attitude, British nuance] [Tempo: 142 BPM | Key: Dm | Mood: confident, danceable, sarcastic] [Guitars: clean bright tone 2–6kHz, staccato muted verses, open wide chorus ±70°, light drive, short plate 0, 6s] [Bass: picked groove 100–250Hz, tight transient, mono center, sync with kick] [Drums: kick 80Hz punch, snare 3, 5kHz crack, dry hi-hat 9kHz, short room 0, 3s, tom rolls stereo] [Vocals: close-mic dynamic, compressed 3:1, plate 0, 7s, slap 80ms 20%, doubled -10dB, presence +2dB 4kHz] [FX: subtle 8D orbit radius 10–12% 0, 12Hz, guitars counter-pan L/R, toms rear→front, crowd -30dB rear, hall 1, 0s chorus] [Mix: wide stereo, low-cut 40Hz, gentle bus 1, 5:1, tape warmth, transient +4%, vocal clarity focus, -8, 5 LUFS] [Output: deep low end, crisp highs, vivid stage depth, live-studio balance, natural echo tail]

Step Team Percussion, Chanting dark hiphop, psychedelic rap, Conscious Hip-Hop, Gospel Soul Fusion, Cinematic Trap, Alt Hip-Hop, West Coast Revival, Industrial Drum Design, Layered Analog Texture, Tape Saturation Bass, Gritty Sample Chops, Stereo Delay Washes, Aggro Boom Bap, Experimental Rap Instrumentals, Dark Soul Sample Flip, Punchy Drum Buss Compression, Mono Synth Layers, Dusty Vinyl Texture, Harmonic Distortion FX

[Heavy metal with clear gritty male vocals, powerful guitar riffs, solid drum groove, and dark atmosphere, Anthem of miners’ hard life, strength, and defiance, Catchy and intense, ]