
Listening Cafe&Bar ---Bar Time vol.2
リスニングカフェ&バー「Lounge-K」は架空のリスニングバーです。音楽好きが集まるカフェは昼間は静かに読書や店内のアートブックを楽しみながらリラックスする時間でお過ごしください。夜はバータイムとして、時にはダンサブルな曲、時にはしっとりとリザクゼーションの曲に身を委ねて日常の喧騒から離れた時をお過ごしください。
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30 songs
2:20

Cinematic Silent Super Dub, Impressionistic Modal Jazz, 24-step Raga dembow, Wonky Trip-Hop, 75 BPM, Vocal: Lo-Fi Cassette warped androgynous child, ASMR close-mic wet whisper, extreme vocal fry, heavy breathing, glitching child choir, unstable pitch fluctuation, ghostly treble, murmuring, degraded analog tape voice, half-asleep delivery, Sound detail: Bill Evans style rootless piano chords, Silent Super Dub Tape Echo, Spring Reverb Rimshot, Extreme deep swaying bass lines, extremely low register resonance, Holographic 360° Panning, Pinpoint Stereo Imaging, LUFS -10, ‑clear vocal, ‑adult voice, ‑clean mix, ‑generic pop, ‑classical music, ‑opera, ‑upbeat, ‑fast, ‑diatonic
5:01

[super-driving breakcore hybrid world music jam suite, underground IDM x avant-garde jazz, 210 BPM, tech precision with bebop nerve]
[short song]
[CORE: groove-first, timbre-first, long-form collage, unpredictable yet coherent, dangerous, elegant, dark]
[PROTAGONISTS: evil horns, Rhodes/piano shadows, bass system, acoustic guitar/vibes, world music / percussion jewels everywhere]
[INSTRUMENTS: glossy evil horns, upright + fretless bass, muted acoustic guitar offbeats, Rhodes, dry piano clusters, vibraphone, rare low flute]
[HARMONY: dark modal minor, Dorian→Phrygian shifts, rootless 9th/11th voicings, semitone inner drift, flat-VII gravity, no major bloom]
[RHYTHM: broken swing, chopped breaks, ghost-note lace, offbeat kick pressure, rare 5/4 or 15/16 feints, asymmetric repetition]
[AUDIO: dry cracked snare, chopped breaks + live kit, mono sub, tactile room tone, controlled grit]
[MIX: punchy transients, clear sub, tape glue, dry front image, anti-mud, no lounge softness]
2:33

Before It Turns
v5.5
minimal ambient neo-soul, soft husky intimate vocal, close-mic low reverb, drifting gray-blue atmosphere, sparse texture, gentle air movement, unresolved mood, subtle glitch dust, leftfield quiet tension
3:54

Create a spacious cinematic pop piece with vulnerable breath-close female vocals that tremble between whisper and breaking point in infinite darkness
3:49

J-Pop and Future Core fusion, Features high-pitched female vocals, rapid-fire breakbeats, and heavy synth bass, Instrumentation includes arpeggiated harp, bright piano chords, distorted electric guitar power chords, and digital synth leads, The track utilizes frequent tempo shifts, glitch effects, and tape stops, Percussion consists of a crisp snare, rapid hi-hat rolls, and a punchy kick drum, The arrangement alternates between melodic piano-driven sections and aggressive, distorted electronic drops, Key of G major, 175 BPM
4:18

[Category] Nordic Contemporary Jazz, Cinematic Ambient, Minimalist Post-Jazz [Voiceprint] High-pitched ethereal female, theatrical poetic recital style, breath-heavy whispers, intimate stage-play delivery, erratic micro-inflections, raw and vulnerable, close-miked [Sound Kit] e, s, t, inspired piano trio, resonant grand piano with long decay, bowed upright bass, minimalist brush percussion, vast spatial reverb [Form] Subdued narrative structure, non-climactic, two prominent melodic piano solos, flat dynamics, hypnotic repetition [Atmosphere/Aura] Dreamy cosmic stillness, zero-gravity, immersive nocturnal void, surreal starlight, calm and solitary [Essence Notes] 140 BPM, rich stereophonic depth, emphasis on the resonance of the piano, high-fidelity, "shittori" ending, absolute silence at end, ‑loud, ‑explosive, ‑dramatic climax, ‑epic crescendo, ‑aggressive, ‑heavy drums, ‑fast tempo, ‑upbeat, ‑bright, ‑distorted, ‑electric guitar, ‑brass section, ‑shouting, ‑belting vocals, ‑operatic, ‑vibrato, ‑pop structure, ‑anthem, ‑energetic, ‑techno, ‑house, ‑metal, ‑lo-fi, ‑muffled, ‑mono, ‑chaotic, ‑messy, ‑over-produced
3:39

J-Pop, Psychedelic Garage Punk, 2-Tone Ska, Dub Wise, NY Illbient, Neo-Soul Swing, Grandiose Big Band Horns, Hammond Organ, Jazz-Reggae Piano, Shakuhachi, Complex Turntablism, Taiko Drums, Experimental, Drunk Beat, 135 BPM
3:57

super-dreamy melodic underground IDM x French electro live x avant-garde jazz rock x dark disco break x hybrid world music, 135BPM, compact noir suite, groove-first, motif-first, DJ-friendly 4/4 grid with broken swing, chopped dry breaks, live kit friction, clear mono sub, GOD bass system, Rhodes/piano shadows, evil horns, acoustic guitar, vibes, kora, kalimba, restrained world percussion jewels, dark modal minor, Dorian to Phrygian color, rootless 9th/11th voicings, elegant danger, metallic luxe gloss, punchy transients, dry front image, tactile room tone, tape glue, anti-mud, sample-ready 2-bar cells
[A masterpiece that offers a DJ-style solution to a philosophical question of the performing arts, where the exquisite aesthetics of subtlety intertwine with high-level sound design]
[With an arpeggiator producing a sound as soft and powerful as sunlight, the track launches into an epic intro that immediately grabs the listener’s attention and captivates them from the very first notes, ], ‑long song
2:50

cool jazz, modal jazz, piano trio, instrumental, beautiful and lyrical piano (prominent, playing a memorable, bittersweet, and repetitive melodic theme with sophisticated chord voicings and delicate touch, improvisational fills), upright bass (melodic, conversational, walking lines, providing a warm, resonant foundation, intricate interplay with piano), drums (subtle, atmospheric, primarily brushed snare and ride cymbal, creating texture and a gentle, swinging pulse, very nuanced and dynamic, supporting the piano), high fidelity audio, intimate recording, pristine clarity, warm analog sound, deep soundstage, wide stereo image with distinct instrument placement (piano, bass, drums), studio mastering quality, spacious reverb, melancholic, introspective, sophisticated, cool, gentle, beautiful, contemplative, late-night mood, smoky jazz club atmosphere, focus on interplay, nuanced dynamics, emotional depth, timeless beauty, memorable and sweet repetitive melody, Love
3:11

[Category: Neo Jazz Club / Cinematic Mallet Electronica][Voiceprint: No vocals — fully instrumental finale][Sound Kit: 4-mallet Marimba high-speed melodic lead, Vibraphone L/R polyrhythmic stabs, Deep Analog Sub-Bass, broken beats drum machine, complex glitch layer][Spatial Architecture: Marimba absolute center foreground dominant, Vibraphone full L/R split aggressive, Bass sub-center deep, Drums tight punchy][Form: Broken beats explode → Marimba high-speed phrases unleashed → Vibraphone L/R polyrhythm ignites → Full release climax → Marimba alone final phrase → Silence][Atmosphere/Aura: Jazz Club Peak Release, Euphoric Groove Explosion, Sophisticated Frenzy][Essence Notes: 142BPM, Marimba unleashed high-speed 4-mallet runs, broken beats polyrhythm, voice gone — Wood alone dominates, Vibraphone rhythmic weapon maximum, Wood Explodes], ‑singing, ‑lyrics, ‑words, ‑spoken word, ‑rap, ‑chants, ‑heavy kick, ‑crash cymbals, ‑busy beats, ‑full-time four-on-the-floor, ‑pop structure, ‑EDM build-up, ‑noise, ‑lo-fi, ‑piano, ‑guitar, ‑strings, ‑horn, ‑trumpet, ‑saxophone, ‑voice melody, ‑vocal lead
4:09

カットシザース
v5.5
Female vocal with a fragile yet piercing tone, crystal-clear upper register, haunting falsetto, expressive vibrato, dramatic phrasing, Dark melancholic alternative rock, deep melodic bass, spacious clean guitars, organic drums, slow emotional build, gothic atmosphere, poetic sadness, longing and loss, cinematic reverb, elegant and heartbreaking, ‑300Hz-500Hz mud, ‑boxiness, ‑phase cancellation, ‑monophonic sub, ‑frequency masking, ‑vocal gasps, ‑humming, ‑artifacts, ‑hiss, ‑noise
3:05

SLOW UK GARAGE R&B, DOWNTEMPO 2-STEP SOUL, ELECTRONIC ALT R&B BALLAD, MODERN NEO SOUL, SLOW TWO-STEP GROOVE, RELAXED GARAGE SWING, SPACIOUS SKIP-BEAT POCKET, WIDE KICK GAPS, SOFT RIM CLICKS, ROUNDED CLOSED HATS, LOW-INTENSITY GROOVE, STATIC DYNAMICS, FLAT DYNAMIC CEILING, NO LATE BUILD, SAME-INTENSITY VERSES, RESTRAINED LAYERING, OVER-BAR LEGATO VOCAL, LONG-BREATH PHRASING, FLOATING VOCAL TIMING, JAZZY CHORD COLOR, BITTER SUSPENDED HARMONY, COOL SENSUALITY, DETACHED INTIMACY, WET CLOSE-MIC, GLASSY, UNSWEETENED, SMOOTH ANALOG PAD, SOFT ELECTRIC KEYS, SINE SUB BASS, AIRY SYNTH CHOIR, ROUNDED GARAGE DRUMS, NEUMANN U67, FABFILTER PRO-R 2 SHORT ROOM, VALHALLA ROOM COLD PLATE, POLYPHONIC, 68-76 BPM FEEL, HALF-TIME FEEL, AIRY, BREATHY, SILKY, [LF] SMOOTH DRY SINE SUB WIDE 2-STEP GAPS, [LMF] SOFT ELECTRIC KEYS SHORT ROOM, [MF] CLOSE U67 VOCAL COLD SHORT PLATE, [HMF] GLASSY SYNTH PAD LOW SEND, [HF] CLEAN SODA AIR SMOOTH SHORT REVERB, ‑FAST TEMPO, ‑GLITCH, ‑STUTTER, ‑4-STEP
4:32

[Category: Hypnagogic Alternative R&B, Neo-Psychedelic Soul, Future Garage][Voiceprint: Soulful Female, Melismatic, Airy yet Passionate, Introspective, Emotional Diva][Sound Kit: Vintage Rhodes, Jangle Electric Guitar, Warm Melodica, Cinematic Strings, Deep Sub-bass, Skittery Garage Percussion, Low-pass Filter][Form: Dynamic shifts from Minimalist Verses to Lush Orchestral Choruses, Extended Solos][Atmosphere: Cosmic, Ethereal, Meditative, Surreal, Maternal Warmth, Existential Glow][Essence Notes: 85BPM, Analog Tape Hiss, Radio Sound, Muffled texture, ‑Telephone effect, Dreamy high-fidelity], ‑Upbeat, ‑Bright, ‑Happy, ‑Aggressive, ‑Heavy Metal, ‑Hard Rock Solo, ‑Fast Tempo, ‑Techno, ‑Eurobeat, ‑Operatic, ‑Amateur, ‑Low Quality, ‑Crowded, ‑Shouting, ‑Noisy, ‑Bright Piano, ‑Plastic sound, ‑Saxophone, ‑Brass, ‑Cowbell
3:39

{
"critical": [
"Instrumental, solo shamisen only", "No other instruments, no pads, no effects instruments", "Absolute minimalism, nothing beyond shamisen sound", "Sustained shamisen notes as the main musical core", "Shamisen solo carries melody, harmony, and rhythm alone"
], "mood_and_style": [
"Cinematic and atmospheric", "Slow evolving phrases", "Dark and emotional mood"
], "sound_design": [
"Spacious natural reverb emphasizing resonance and decay"
]
}
3:42

-UNHΘLY-0 甦生
v5.5
male vocals, mid-low thick voice, warm magnetic tone, slight raspiness, clear diction, expressive singing, powerful delivery, natural emotional peaks, melodic phrasing, steady rhythm, male tenor falsetto, emotional chorus, elongated final syllables, slight descending contour, wide layered vocals, overdriven electric guitar, prominent electric guitar riff, no acoustic guitar, no clean guitar, no light guitar, no electronic drums, no synth beatsprogrammed percussion, no four-on-the-floor, no club beats, acoustic drum kit only, no electronic blips, no synthesized tones, no digital artifacts, organic instrumentation only
4:17

Future bass with heavy dubstep influences, A female vocal with heavy reverb and pitch-shifting effects repeats a melodic hook, The track features a prominent supersaw synth pad that sidechains heavily to the kick drum, A syncopated sub-bass follows the kick pattern, Percussion consists of a crisp snare on the backbeat, a punchy kick, and rapid-fire trap-style hi-hat rolls, A bright, arpeggiated synth lead enters during the build-up, The drop features aggressive, metallic FM synth growls and wobbles characteristic of brostep, layered with melodic synth chords, 150 BPM, F minor
4:23

Electronic male and female duet vocals with androgynous tone blending, Neo-Jazz-inspired sensual phrasing, intimate ASMR-style breathy whispers, seductive and ambiguous delivery, Japanese-English mixed vocals, layered harmonies morphing across male and female ranges, subtle K-Trap influence, soft glitch textures, slight detuning, immersive 3D/4D binaural spatial imaging, dynamic dual-channel interaction, deep atmospheric reverb, cinematic theater-grade mastering, hypnotic, elegant, dreamlike and emotionally restrained, no screaming, no aggressive belting, no harsh raspy vocals
2:39

寂然転輪
v5.5
avant-garde free jazz, shoegaze, harsh noise wall, odd time signature, chaotic drum and trumpet, massive fuzz, distorted feedback, experimental vocal
2:45

Plunderphonics, Acid Jazz, micro-sampled jazz breaks, cut-up horn section, warm human female whisper, 6-string slap bass, chopper bass execution, Holographic 360° Panning, Pinpoint Stereo Imaging(Sample chops L/R fast panning, Chopper bass Center_Close, Vocal Center_Ultra_Close), High Dynamic Range, Loudness, Clean Mix, polyphonic counterpoint, --no glitch, robotic, cold, lo-fi, noisy, neon, concrete
2:22

Blue in Five
v5.5
french impressionism, raw dusty deep house groove, gritty analog drums, fast staccato strings, rapid string arpeggios, syncopated 2-step beat, delicate whisper vocal, solo piano intro, deep sub bass, chunky vinyl crackle, elegant and melancholic, extreme dynamic contrast
3:18

[zera — ALT, 300 // OBSERVED SIGNAL broadcast]
Style: broken-beat, future-soul, nu-jazz, afro-jazz, French electro, 77 BPM half-time
Groove: alive and moving, broken-beat swing tumbling forward, syncopated live drums with real propulsion, pocket that never sits still
Bass: fingerstyle bass protagonist, slap accents, melodic walking, warm round, upfront and driving
Keys: moody Rhodes, bittersweet voicings, Dorian/Phrygian, hook-grade arpeggio
Jewels: brass stabs, celesta, marimba, harp — jewels call out but the answering jewel never returns; reply-seat left open, negative space where the response should be
Voice: female, dry close whisper, deadpan radio delivery, floating off the beat, never locking to the groove, in its own slower time, one word only, late and alone, English
Mood: nocturnal, elegant, driving yet cold, restrained heat, groove-first
Artifacts: distant airport hum, muffled PA, tape hiss, radio static, lighter flick
Mix: warm analog, punchy and clear, wide stereo, deep sub, ‑lounge jazz, ‑smooth jazz, ‑elevator music, ‑easy listening, ‑upbeat swing, ‑bright lounge piano, ‑applause, ‑crowd noise, ‑audience, ‑cheering, ‑wall of sound, ‑muddy low end, ‑glossy over-produced sheen, ‑EDM drop, ‑four-on-the-floor, ‑big belting vocals, ‑stacked choir harmonies, ‑bright pop polish, ‑riser, ‑sidechain pump, ‑autotune, ‑answered resolved call-and-response, ‑sleepy downtempo, ‑static ambient bed, ‑beatless
3:11

Cold Glass
v5.5
Summer night chill neo-soul, cool and intimate late-night atmosphere, smooth laid-back pocket groove, soft glassy Rhodes piano, clean muted electric guitar, deep rounded bass, gentle crisp drums, subtle rimshots and brushed hi-hats, airy synth pads, delicate sparkling textures like ice in a glass, smooth breathy male vocal, English and Japanese lyrics, quiet midnight workspace, condensation running down a cold glass, brief pause from working, refreshing and reflective mood, sophisticated urban sound, minimal spacious arrangement, catchy but restrained chorus, no dramatic build, no explosive climax, subtle chill R&B and mellow city pop influence, BPM 82
intimate breathy female vocal, low and warm register, cool understated delivery, soft smoky tone, subtle sensuality, relaxed phrasing, airy harmonies, no belting, no powerful high notes
3:59

Tremolo Organ Rock organ Organ Clear female vocal, Prominent bouncing hammond organ as the melodic and rhythmic lead, Sparkling glistening electric guitars with crisp shimmering tone, Warm rounded electric bass and simple tight drums, Subtle airy reverb on guitars and organ for a luminous spacious feel, Slight stereo panning of guitars and organ to create a wide open soundstage, Light room ambience on drums to keep them present but not overpowering, Moderately brisk, around 120–125 BPM, creating a lively yet unhurried groove, Luminous nostalgic slightly dreamlike and poetic wistfully bright indie-pop vibe
4:09

BPM 52, A laid-back, slow-tempo jazz track performed in an intimate medium-sized live hall, Highest-quality live recording with a smooth, warm tone and a natural sense of stage depth, Capture gentle early reflections from the hall, soft room ambience, and a refined, moderately long natural reverb tail, The instruments and vocal should feel physically present on the same stage, with realistic air, distance, and acoustic cohesion, Preserve clarity and detail while creating the impression of a quiet late-night jazz performance in front of a seated audience, Vocal: Flat, relaxed, even vocal delivery with restrained dynamics and minimal emotional emphasis, Soft spoken-sung jazz phrasing, naturally blended into the hall acoustics, Use smooth consonant articulation, gentle projection, and consistent volume, The voice should remain centered and clear, with subtle stage ambience and natural hall reflections, ‑finger-snap
5:50

Fracture HALO Ⅲ
v4.5+
[RabbitCore ESP: Exposed Indietronic × Urban Glitch × Shadow R&B × Future Garage × Broken Lucifer × Experimental IDM]
[EXPANDED SOUND PALETTE: Granular Bloom × Memory Static × Ghost Sitar Plucks × Bowed String Harmonics × Percussive Physical Synths × Heartbeat Sub Pulses × Micro-Sampled Sitar Harmonics × Sub Pulse Bass]
[ENGINE: Glitch Bloom Architecture × Stereo Emotion Mapping × Signal Anticipation × Memory Fragmentation × Perceptual Drift × Continuous Forward Motion × Organic Momentum × Progressive Motif Evolution]
[JEWEL LOGIC: Every return reveals another self, ]
[MIX TYPE: Technical Kaleidoscope × Post-Emotional Mix × Deep Spatial × Rotational Stereo Motion × Dynamic × LUFS -4]
[BPM: 110 ↔ 160, Broken BPM, Organic Groove, Micro-Rhythm Variations]
[CONCEPT: What breaks is never lost, Every return reveals another self, ]
[NEGATIVE, ‑Formulaic, ‑Pop, ‑Formulaic Hooks, ‑Predictable Chorus, ‑Static Arrangement, ‑Static Atmosphere, ‑Loop-Based Arrangement, ‑Uniform Vocal Interpretation, ‑Front-Only Vocal Placement, ‑Constant Full Energy, ‑Loss of Groove, ‑Loss of Motif Development, ‑Genre Drift, ‑Energy Collapse, ‑Future Bass, ‑Generic Trap Drops, ‑Formulaic Industrial, ‑Ritual Ambient, ‑Abstract Noise Collage, ‑Metalcore, ‑Generic House, ‑Acoustic Folk, ‑Lo-Fi Hip Hop, ‑Brass, ‑Orchestral Strings, ‑Slow Ambient]
3:29

3:14

Genre: Retro disco, cosmic disco, space funk remix
Instrumentation: Four-on-the-floor disco drums, deep round bassline, shimmering analog synth arpeggios, funky rhythm guitar, orchestral strings stabs, retro synth brass hits
Sound Design/Spatial: Wide spherical stereo image, sounds orbiting and bouncing across the mix like a rotating disco ball, deep reverb tails, echo delays panning left to right, 3D immersive soundstage, spacious and expansive mix, live disco hall ambience, raw room reverb
Dynamics/Mix: Powerful and loud, raw unpolished dynamics, not overly compressed or clean, live concert energy, punchy hard-hitting drums, gritty analog warmth, wall of sound feel, immersive full-body bass presence, like standing inside a real disco hall bathed in sound
Tempo: 120-124 BPM, driving disco groove
Song Length: 3 to 4 minutes
Mood/Atmosphere: Retro-futuristic, glittery and euphoric, nostalgic yet cosmic, dancefloor energy, nueretro-futuristic, glittery and euphoric, ‑Generic Pop Structure, ‑Predictable Melodic Phrases, ‑Formulaic Arrangement, ‑Mainstream Pop Polish, ‑Sterile Digital Sound, ‑Plastic Synthetic Texture, ‑Static Stereo Image, ‑Flat Dynamics, ‑Over Compression, ‑Excessive Loudness, ‑Harsh High Frequencies, ‑Artificial Brightness, ‑Robotic Vocal Artifacts, ‑Unnatural Pitch Correction, ‑Generic Drum Patterns, ‑Predictable Drops, ‑Forced Epic Build Up, ‑Random Chaos, ‑Uncontrolled Distortion, ‑Loss Of Organic Warmth, ‑Generic Female Pop Vocal, ‑Childlike Vocal, ‑Overly Mature Vocal, ‑Oversized Power Vocal
























