Wishperiments

‑1-10, ‑11-20, ‑21-30, ‑31-40, ‑41-50, ‑51-60, ‑61-70, ‑71-80, ‑81-90, ‑91-100, ‑101-110, ‑111-120, ‑121-130, ‑131-140, ‑141-150, ‑151-160, ‑161-170, ‑171-180, ‑181-190, ‑191-200, ‑201-210, ‑211-220, ‑221-230, ‑231-240, ‑241-250, ‑251-260, ‑261-270, ‑271-280, ‑281-290, ‑291-300, ‑301-310, ‑311-320, ‑321-330, ‑331-340, ‑341-350, ‑351-360, ‑361-370, ‑371-380, ‑381-390, ‑391-400, ‑401-410, ‑411-420, ‑421-430, ‑431-440, ‑441-450, ‑451-460, ‑461-470, ‑471-480, ‑481-490, ‑491-500, ‑501-510, ‑511-520, ‑521-530, ‑531-540, ‑541-550, ‑551-560, ‑561-570, ‑571-580, ‑581-590, ‑591-600, ‑601-610, ‑611-620, ‑621-630, ‑631-640, ‑641-650, ‑651-660, ‑661-670, ‑671-680, ‑681-690, ‑691-700, ‑701-710, ‑711-720, ‑721-730, ‑731-740, ‑741-750, ‑751-760, ‑761-770, ‑771-780, ‑781-790, ‑791-800, ‑801-810, ‑811-820, ‑821-830, ‑831-840, ‑841-850, ‑851-860, ‑861-870, ‑871-880, ‑881-890, ‑891-900, ‑901-910, ‑911-920, ‑921-930, ‑931-940, ‑941-950, ‑951-960, ‑961-970, ‑971-980, ‑981-990, ‑991-1000, ‑1001-1010, ‑1011-1020, ‑1021-1030, ‑1031-1040, ‑1041-1050, ‑1051-1060, ‑1061-1070, ‑1071-1080, ‑1081-1090, ‑1091-1100, ‑1101-1110

[Genres: music] [1, Intro: collage/plunderphonics (1991)], [2, Verse 1: collage/plunderphonics (1992)], [3, Pre-Chorus 1: collage/plunderphonics (1993)], [4, Chorus 1: collage/plunderphonics (1994)], [5, Verse 2: collage/plunderphonics (1995)], [6, Pre-Chorus 2: collage/plunderphonics (1996)], [7, Chorus 2: collage/plunderphonics (1997)], [8, Bridge: collage/plunderphonics (1998)], [9, Final Chorus: collage/plunderphonics (1999)]

1-10, 11-20, 21-30, 31-40, 41-50, 51-60, 61-70, 71-80, 81-90, 91-100, 101-110, 111-120, 121-130, 131-140, 141-150, 151-160, 161-170, 171-180, 181-190, 191-200, 201-210, 211-220, 221-230, 231-240, 241-250, 251-260, 261-270, 271-280, 281-290, 291-300, 301-310, 311-320, 321-330, 331-340, 341-350, 351-360, 361-370, 371-380, 381-390, 391-400, 401-410, 411-420, 421-430, 431-440, 441-450, 451-460, 461-470, 471-480, 481-490, 491-500, 501-510, 511-520, 521-530, 531-540, 541-550, 551-560, 561-570, 571-580, 581-590, 591-600, 601-610, 611-620, 621-630, 631-640, 641-650, 651-660, 661-670, 671-680, 681-690, 691-700, 701-710, 711-720, 721-730, 731-740, 741-750, 751-760, 761-770, 771-780, 781-790, 791-800, 801-810, 811-820, 821-830, 831-840, 841-850, 851-860, 861-870, 871-880, 881-890, 891-900, 901-910, 911-920, 921-930, 931-940, 941-950, 951-960, 961-970, 971-980, 981-990, 991-1000, 1001-1010, 1011-1020, 1021-1030, 1031-1040, 1041-1050, 1051-1060, 1061-1070, 1071-1080, 1081-1090, 1091-1100, 1101-1110

Genre: Turntablism (complex / simple, FX-focused)

s-o-u-l e-d-m a-m-b-i-e-n-t, ‑unwanted noise, ‑unwanted element, ‑metal, ‑heavy metal, ‑death metal

s-o-u-l b-l-u-e-s s-w-i-n-g, ‑unwanted noise, ‑unwanted element, ‑metal, ‑heavy metal, ‑death metal

Duh-duh-duh-duh-Soul, Duh-duh-duh-duh-Baroque, Duh-duh-duh-duh-Classical

!cello vocalism -, ¶hum, (¬oh-), hm•-, !violin vocalism -, ¶hum, (¬hm-), oh•-, !drum vocalism -, ¶hm, (hum¬-), oh•-, !synth vocalism -, ¶hm, (hum¬-), oh•-

!cello vocalism -, ¶hum, (¬oh-), hm•-, !violin vocalism -, ¶hum, (¬hm-), oh•-, !drum vocalism -, ¶hm, (hum¬-), oh•-, !synth vocalism -, ¶hm, (hum¬-), oh•-

!cello vocalism -, ¶humah, (¬oh-), hm•-, !violin vocalism -, ¶humahoh, (¬hm-), oh•-, !drum vocalism -, ¶ahmah, (hum¬-), oh•-, !synth vocalism -, ¶hm, (hum¬-), ohhmah•-

!a cappella vocalism -, ¶humah, (¬oh-), hm•-, !violin vocalism -, ¶humahoh, (¬hm-), oh•-, !cello vocalism -, ¶ahmah, (hum¬-), oh•-, !choir vocalism -, ¶hm, (hum¬-), ohhmah•-

a cappella breakbeat (----__, -, --__-, --_-_, _-_-, _, -, --___, _-_-, _---)

a cappella breakbeat (----__, -, --__-, --_-_, _-_-, _, -, --___, _-_-, _---)

[djent vocalism:, -(, --___, _-)_-, _, -(, -_-, _, -, --)_-, _, _] [riff vocalism: (, _)-, -, --___, _--, -(, --___, _-)_-] [distortion vocalism: _(----__, -, --__-, --_-_, _-_-, _, -, --___, _-_-, _---, ), -, -] [slide vocalism:, -, --___, _, ---, -, -(, __)_]

Genre: Turntablism (complex / simple, Groove-focused)

Genre: Turntablism (complex / simple, Groove-focused)

Acid-classical, Distorted-binaural, Chopped-baroque

Genre: Turntablism (complex / simple, FX-focused)

Genre: Turntablism (complex / simple, multiphonics-focused)

Genre: Turntablism (complex / simple, muzak-focused)

Highly-soul, Mostly-house, Simply-synthwave

Genre: Turntablism (complex / simple, Groove-focused), ‑unwanted noise

Highly-synth, Basically-flute, Simply-drum

Genre: Distorted-jazz, Minimalist-house, Chopped-breaks, Acid-plunderphonics (production-design, Masterism-focused), ‑algorithm, ‑algorithmic elements, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity, ‑metal, ‑heavy metal, ‑death metal, ‑Unrealistic Instrument Usage, ‑Washed-Out Sound, ‑Excessive Loudness, ‑collapse in mono, ‑Narrow Stereo Field, ‑Poor Dynamics Control, ‑Clipping, ‑parasite noise, ‑Bad Panning, ‑Frequency Overlaps, ‑Dynamics Fatigue, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Overcrowded Arrangements, ‑Muddy Sound, ‑Masking

alter adjust adapt improve modify convert revise recast reform reshape refashion redesign restyle revamp rework remake remodel remould redo reconstruct reorganize reorder refine reorient reorientate vary transform transfigure transmute metamorphose evolve customize tweak permute, ‑unwanted noise, ‑unwanted element, ‑unwanted style, ‑unwanted genre, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity, ‑metal, ‑heavy metal, ‑death metal, ‑Unrealistic Instrument Usage, ‑Washed-Out Sound, ‑Excessive Loudness, ‑collapse in mono, ‑Narrow Stereo Field, ‑Poor Dynamics Control, ‑Clipping, ‑Distortion, ‑Bad Panning, ‑Frequency Overlaps, ‑Dynamics Fatigue, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Overcrowded Arrangements, ‑Muddy Sound, ‑Masking

Acid-classical, Distorted-downtempo, Chopped-baroque

16-bit era soundtrack, realistic instrument timbres, lush reverb, and sweeping melodies, Mixolydian Mode, Counterpoint – Layered melodies, Wavetable Sound chip: Sony SPC700 (8 channels, sample-based PCM synthesis), Tracker Music – digital sequencer (ProTracker), MIDI Sequencing, Duty Cycle Modulation – Changing pulse width dynamically

breaks chopped, turntablism sharp cuts, breakdowns isolate DJ tricks hip hop

Genre: Avant-garde / Jazz 1999-2005 (unconventional instrumental patterns and unpredictable soundscape at 7121 Hz), Key: (D minor), Feel: Atmospheric, punchy, dynamic, Layered Drums: Use parallel compression and transient shaping, Sub-Bass Clarity: Sidechain cleanly from kick, low-passed around 90Hz, Stereo Atmospherics: Use mid/side EQ and subtle auto-panning, Surgical EQ: Carve space for each instrument—especially in overlapping frequencies, Bit Depth & Sample Rate: Produce at 24-bit/48kHz or higher, Mix Bus Processing: Light saturation, gentle compression, and maybe stereo widening, ‑1-999999

The track features a pure 40Hz binaural beat as its foundation for a steady brainwave-inducing pulse, Layered over this, a rhythmic element pulses at 174Hz in the left ear and 214Hz in the right for complex beat interaction, creating a hypnotic, immersive, meditative auditory texture, 77% instrumental kick kick kick kick, 77% instrumental snare snare snare, 77% instrumental hi-hats hi-hats, 77% instrumental brush, ‑PARASITES, ‑NOISES, ‑excessive brass presence, ‑excessive percussive elements, ‑Feedback, ‑poor composition, ‑poor quality, ‑low clarity, ‑metal, ‑heavy metal, ‑death metal, ‑Unrealistic Instrument Usage, ‑Washed-Out Sound, ‑Excessive Loudness, ‑collapse in mono, ‑Narrow Stereo Field, ‑Poor Dynamics Control, ‑Clipping, ‑Distortion, ‑Bad Panning, ‑Frequency Overlaps, ‑Dynamics Fatigue, ‑Over-Compression, ‑Overuse of Artificial Effects, ‑Resonance Peaks, ‑Overcrowded Arrangements, ‑Muddy Sound, ‑Masking

Intro (20% Pads fade in slowly, ambient field recordings, No rhythm yet) Build (20% Introduce glitchy percussion + sub-bass pulses) Main (30% Full IDM section: leads, rhythmic complexity, FX layers) Bridge (15% Pads and flute textures—spacey, minimal, drifting) Outro (15% Deconstruct to pads and reverbs fading into silence)

[organic: (organ tuba], Audio: (low-end frequencies clean, headroom dynamics and transients clean, Clean layering, low-pass filter)

the house track is classy+pristine+sampled+modulated, [House] ( Dry Bass)] Feelings move ( (through people) - The small voice ( (that says), Try to be better ( (than we were) -

the house track is classy+pristine+sampled+modulated, [House] ( Dry Bass)] Feelings move ( (through people) - The small voice ( (that says), Try to be better ( (than we were) -

Style: IDM × Space Ambient Mood: Futuristic, ethereal, introspective Tempo: ~90–110 BPM (IDM side) with floating ambient pads, Taiko / O-daiko Main accent drum Low cutoff, wide room, Snare Ensemble Military/jazz hybrids Tight room reverb, Timpani Dynamic swells Layer w/ taiko for hybrid impact, Cymbals / Gongs Washes + hits Reverse hits for tension, Woodblocks / Shime-daiko Subtle pulse EQ emphasize 3–5kHz transient, Trumpets Legato + Short Keep velocity responsive, Horns Layer for warmth Slight stereo spread, Trombones Stabs & gliss Assign macro to gliss time, Tuba Low brass support Tight EQ for clarity, Shamisen Short & plucked Use dynamic filter automation, Shakuhachi Breath + emotion Pitch bends ±200 for realism, Koto Layer arpeggios Light delay and reverb, Bells / Suzu / Mokugyo FX coloration Automate pan for movement

(99 bars) woodwind (distorted, vibrating, vocalism), ‑seed:1-99999999

SID (MOS 8580) chip, Voice 1 – Bass/Lead Mono, Instrument: Operator / Wavetable / TAL-Sampler with SID waveforms, MIDI FX: Pitch, Scale, Arpeggiator (mode: “Random”), Audio FX: Bitcrusher, Saturator, EQ Eight (bandpass), Voice 2 – Pulse Width Mod Lead, Instrument: TAL-Noisemaker, Automation lane: PWM mod (LFO), Voice 3 – Noise/Drums, Instrument: Simpler with SID-style noise sample (one-shots), Trigger SID snares, hi-hats, and toms

‑metal, ‑heavy metal, ‑death metal, ‑FX, ‑1-9999999, ‑voice, ‑word1, ‑word2, ‑word3, ‑word4, ‑word5, ‑word6, ‑word7, ‑word8, ‑word9, ‑word10, ‑word11, ‑word12, ‑word13, ‑word14, ‑word15, ‑a, ‑b, ‑c, ‑d, ‑e, ‑f, ‑g, ‑h, ‑i, ‑j, ‑k, ‑l, ‑m, ‑n, ‑o, ‑p, ‑q, ‑r, ‑s, ‑t, ‑u, ‑v, ‑w, ‑x, ‑y, ‑z

‑metal, ‑heavy metal, ‑death metal, ‑FX, ‑1-9999999, ‑voice, ‑word1, ‑word2, ‑word3, ‑word4, ‑word5, ‑word6, ‑word7, ‑word8, ‑word9, ‑word10, ‑word11, ‑word12, ‑word13, ‑word14, ‑word15, ‑a, ‑b, ‑c, ‑d, ‑e, ‑f, ‑g, ‑h, ‑i, ‑j, ‑k, ‑l, ‑m, ‑n, ‑o, ‑p, ‑q, ‑r, ‑s, ‑t, ‑u, ‑v, ‑w, ‑x, ‑y, ‑z

Samples: plunderphonics / mash-up (orchestral bursts), ‑metal, ‑heavy metal, ‑death metal, ‑FX, ‑1-9999999, ‑voice, ‑word1, ‑word2, ‑word3, ‑word4, ‑word5, ‑word6, ‑word7, ‑word8, ‑word9, ‑word10, ‑word11, ‑word12, ‑word13, ‑word14, ‑word15, ‑a, ‑b, ‑c, ‑d, ‑e, ‑f, ‑g, ‑h, ‑i, ‑j, ‑k, ‑l, ‑m, ‑n, ‑o, ‑p, ‑q, ‑r, ‑s, ‑t, ‑u, ‑v, ‑w, ‑x, ‑y, ‑z

Sinister-IDM, Syncopated-downtempo, Chopped-atmospheric, Acid-ambient, (orchestral bursts), ‑metal, ‑heavy metal, ‑death metal, ‑1-9999999, ‑voice, ‑word1, ‑word2, ‑word3, ‑word4, ‑word5, ‑word6, ‑word7, ‑word8, ‑word9, ‑word10, ‑word11, ‑word12, ‑word13, ‑word14, ‑word15, ‑a, ‑b, ‑c, ‑d, ‑e, ‑f, ‑g, ‑h, ‑i, ‑j, ‑k, ‑l, ‑m, ‑n, ‑o, ‑p, ‑q, ‑r, ‑s, ‑t, ‑u, ‑v, ‑w, ‑x, ‑y, ‑z