[Tempo: 85–95 BPM] [Swing: MPC 16 Swing preset (~55–60%)] [Meter: 4/4] [Key: C Minor] [SCRATCH DECK A (Audio Track)] [Real-time scratching] [Looping off, punch in for live feel] [FX: EQ Eight (HPF), Vinyl Distortion, Simple Delay] [SCRATCH DECK B (Audio Track)] [Alternate scratch phrases] [FX: Saturator, Reverb, Auto Filter (build/transition)] [DRUM RACK (MIDI Track)] [Classic MPC-style one-shots (kick, snare, hat, perc, clap)] [Sample Pack: Boom Bap kits] [FX: Drum Buss, Glue Compressor] [Group to “DRUM BUS”] [DRUM BUS (Group)] [Contains all rhythm layers] [FX Chain: Drum Buss > Vinyl Distortion > Saturator > EQ] [SAMPLE CHOPS (Audio Track)] [One-shots from records] [Simpler in “Slice Mode”] [FX: Redux, RC-20-style plugin (Reverb combo)] [BASSLINE (MIDI Track)] [Operator with sine/square-based sub bass] [Sidechained to kick] [FX: Amp, EQ Eight (low cut/high shelf)] [TEXTURE FX (MIDI Track)] [Vinyl crackle, field recordings, tape hiss, crowd murmurs] [Set to low volume] [FX: Auto Pan, Phaser, Reverb] [HOOKS / VOCALS (Audio Track)] [Slice + warp for rhythmic edits] [FX: Reverb, Delay Ping Pong, Beat Repeat] [MASTER BUS] [Mastering Chain: EQ Eight (High pass @ 20Hz, mild dip at 300–400Hz if muddy)] [Glue Compressor (2:1, slow attack, auto release)] [Vinyl Distortion] [Limiter] [Return Tracks (Send FX)] [A: Reverb Plate — for snares, scratches] [B: Delay Dub — tempo-synced delay for samples] [C: Lo-Fi Crush — Redux + Chorus, sent sparingly] [D: Tape Echo — Echo with modulation and warmth]
