3:09

4:07

hard driving Rock, like we're "driving" around the States, LOL
4:44

Outlaw country rock, satirical political humor, storytelling lyrics, gritty male vocals with attitude, twangy electric and acoustic guitars, pedal steel, driving mid-tempo beat, live band feel, humorous and sarcastic tone, raw production, slight Southern rock edge, like a mix of old-school country rock and modern satirical songwriting
4:13

5:41

thrash metal, hard rock, rap rock, Michigan blues rock, spoken intro, distorted baritone guitar, downpicked palm mutes, gang vocals, punchy snare, sub drop accents, abrupt stop-start breaks, call and response hooks, arena compression, spring reverb, tape saturation, 162 BPM, driving urgency, weather-shift dynamics
3:41

5:02

3:24

spoken intro, Americana pop, folk rock, female lead vocals, close-mic verse, projected chorus belt, acoustic guitar strums, banjo rolls, pedal steel swells, upright bass, brushed snare, handclap chorus, call and response, sparse verses, dynamic lift, plate reverb, tape saturation, 96 BPM, bittersweet resignation
3:58

So Tired
v5.5
pop rock, hard driving rock, male belt vocals, intimate close mic, distorted baritone guitar, punchy snare, dry room drums, analog tape saturation, 1970s live tracking, minor key riff, tense power chords, stripped arrangement, weary frustration, Monday dread, midtempo stomp
3:53

Pulled Me Under
v5.5
disonence reverberating distorted guitars, nu metal, 98 BPM, gang chant chorus, male barked vocals, doubled unison hooks, palm muted low strings, drop tuned seven string, distorted baritone guitar, punchy snare, floor tom stomps, bass drum gallop, tape saturation, drum bus compression, stadium backing vocals, minor key, bruised euphoria, gravel vocals
