WTF Series

hard driving Rock, like we're "driving" around the States, LOL

Outlaw country rock, satirical political humor, storytelling lyrics, gritty male vocals with attitude, twangy electric and acoustic guitars, pedal steel, driving mid-tempo beat, live band feel, humorous and sarcastic tone, raw production, slight Southern rock edge, like a mix of old-school country rock and modern satirical songwriting

thrash metal, hard rock, rap rock, Michigan blues rock, spoken intro, distorted baritone guitar, downpicked palm mutes, gang vocals, punchy snare, sub drop accents, abrupt stop-start breaks, call and response hooks, arena compression, spring reverb, tape saturation, 162 BPM, driving urgency, weather-shift dynamics

spoken intro, Americana pop, folk rock, female lead vocals, close-mic verse, projected chorus belt, acoustic guitar strums, banjo rolls, pedal steel swells, upright bass, brushed snare, handclap chorus, call and response, sparse verses, dynamic lift, plate reverb, tape saturation, 96 BPM, bittersweet resignation

pop rock, hard driving rock, male belt vocals, intimate close mic, distorted baritone guitar, punchy snare, dry room drums, analog tape saturation, 1970s live tracking, minor key riff, tense power chords, stripped arrangement, weary frustration, Monday dread, midtempo stomp

disonence reverberating distorted guitars, nu metal, 98 BPM, gang chant chorus, male barked vocals, doubled unison hooks, palm muted low strings, drop tuned seven string, distorted baritone guitar, punchy snare, floor tom stomps, bass drum gallop, tape saturation, drum bus compression, stadium backing vocals, minor key, bruised euphoria, gravel vocals

1960s cartoon jazz, novelty pop, boogie woogie piano, clarinet glissandos, upright bass pizzicato, brushed snare, xylophone stabs, muted trumpet hits, call and response chorus, slapback echo, mono tape saturation, quick-cut arrangement, frantic comic energy, 168 BPM, stop-start breaks

thrash metal, accusation chant, 190 BPM, gang-shout chorus, shouted male vox, palm-muted power chords, downpicked double-time riffs, snare-on-two-four, kick drum barrage, bass guitar grit, stop-start breakdowns, low-tuned guitar chugs, tape echo slap, analog console drive, 1980s live room, confrontational defiance, kinetic rage

spoken word, underlying old 1930's radio style track music