5:22

Dandelion Wine
v4.5-all
Organic Appalachian jam band blending psychedelic folk, southern rock, and jazz rock, Acoustic guitars, mandolin, banjo, fiddle, Hammond B3, Fender Rhodes, upright bass, brushed-to-driving drums, and electric guitar improvisation with slide, phaser, tape echo, and rotary speaker, Loose, communal arrangement with word-choice-only tension rising into extended instrumental interplay
5:31

Energy • Frequency • Vibration
v4.5-all
Psychedelic rock reimagined with a 528 Hz-centered tonal palette, warm mid-tempo groove, gently detuned guitars and shimmering overtones layered around a droning analog bass; hypnotic tambourine and tom patterns support airy Mellotron choirs and reverse-texture swells, Vocals sit intimate and saturated with spring reverb blooms, long stereo delays, and subtle harmonic resonance emphasizing soothing, uplifting frequencies for a meditative, trance-like energy
5:02

Ride the Rocket
v4.5-all
vintage analog synthesizer space-ambient track, slow build-up, warm saw and square lead over lush stereo pads, simple repeating arpeggios, gentle filter sweeps, soft tape delay and plate reverb, melancholic but hopeful atmosphere, long evolving chords, no vocals, inspired by late 70s French electronic space music, soundtrack vibe for science documentary
3:42

I Wanna Be Wit'cha
v4.5-all
Space pop, vintage lounge, cocktail jazz, 1980s, chillwave, exotica lounge, relaxing cosmic vibes, synth, chill lounge, retro-futuristic, cosmopolitan, 1980s pop, space jazz
3:15

The State That I'm In
v4.5-all
Sophisticated chamber pop with indie and post-punk edge, sunny but understated, Fingerpicked acoustic guitars, upright bass, and brushed drums over warm string quartet voicings and glockenspiel doubles, Clean bassline, tight toms, muted chorus guitar, subtle tape delay, and bright major-key harmony for a polished, slightly restless groove
3:15

Kick to the Head
v4.5-all
coldwave, dark surf, shoegaze, neo-punk, 142 BPM, swung sixteenth groove, motorik bass drum, muted surf guitar, tremolo bar chords, chorus-drenched guitar harmonics, baritone synth lead, dub delay stabs, analog pad drones, slapback snare, gated room reverb, tape saturation, minor key, nocturnal urgency
5:14

Summer Rain
v4.5-all
Lush dream pop, jangle rock, and indie pop with bittersweet, late-summer texture: chiming 12-string electric guitars, chorus-drenched clean guitars, airy synth pads, and a pulsing picked bassline, Tight live drums with bright snare, splashy ride, and tape delay on vocals; hazy reverb, light tremolo, and a glowing, wistful hook
5:11

Come Together
v4.5-all
Dark disco, neo-disco, post-punk, darkwave, ethereal ambient, dream pop textures, cosmic soul, warm analog but slightly degraded sound, hypnotic groove, minor key, deep bass, spacious and shadowy atmosphere, intimate sensual male vocal, airy distant female vocals, modern but organic
4:44

I'm Not Here
v4.5-all
Slowcore, trip-hop, lo-fi chill, lush production with soft brushed drums, dusty breakbeats, sub-bass underfelt, muted electric piano, tremolo guitar, and hazy synth pads, Close-mic breathy vocals with doubled harmonies, tape wobble, vinyl crackle, long delay tails, and low-pass filtering for a blurred, dissolving texture, Ghostly female vocals in whispers, Nocturnal drift
3:47

Between the Cracks in the Night
v4.5-all
Madchester
Bass funk protagonist
Drums baggy loose
Organic Breakbeat
Psychedelic funk rock
Dance-rock British
Alternative groove rock
Acid indie grounding chaos with organic texture hand bells voiceover Megaphone
3:39

Crystalline Caroline
v4.5-all
Madchester groove with jangly 12-string guitar riffs, psychedelic funk bass slaps, and alt-dance breakbeats at a relentless 128 BPM, Big beat kicks hit hard, shoegaze guitars blur into reverse delay and wall-of-fuzz textures, with tambourine snaps, filtered synth stabs, and roomy tom fills driving a breathless, forward-pushing mix
3:42

Boots on the Ground
v4.5-all
Gothic folk soul fused with southern gothic gospel and rhythmic americana: fingerpicked acoustic guitar, tremolo baritone electric, pump-organ drone, gospel piano, upright bass, brushed-to-stomping drums, handclaps, slide guitar, and mournful choir backups, Gravelly male vocal with call-and-response, room reverb, and raw, dirt-floor grit
3:56

In My Silk Sheets
v4.5-all
studio R&B session, Tight drums, funky rhythmic bass, melodic synth leads, A gritty, raw male vocal showcasing extreme vocal skill, transitioning from a hushed whisper to a powerful gospel belt, Soulful ad-libs, rhythmic vocal delivery, high fidelity, 100 BPM, funky and smooth
4:22

High On My Own Supply
v4.5-all
Psybient roots reggae with 808 dub weight: laid-back one-drop drums, deep spring-reverb snare, dub delay throws, wobbling sub-bass, offbeat skanking guitar, organ bubbles, and funktronica clavinet syncopation, Sunny, dreamy synth pads, experimental glitch edits, tape echo, filtered vocal chops, and spacious stereo movement
4:03

Guilty Pleasure
v4.5-all
space age pop, 92 BPM, brushed drum kit, upright bass walking line, vibraphone comping, theremin lead motif, analog synth pads, Rhodes chord stabs, tape echo delays, plate reverb, stereo panning, brushed swing groove, moonlit nostalgia, playful nocturne, lounge waltz, syncopated cabaret, warm tube saturation
3:24

Come Swim With Me
v4.5-all
vintage swing, traditional Hawaiian hula, 128 BPM, brushed jazz drums, slack-key guitar harmonics, ukulele tremolo strum, upright bass walk, vibraphone comping, muted trumpet riffs, steel guitar glides, syncopated swing groove, cascading call and response, chamber reverb, tape saturation, sparse intro, midtrack breakdown, full-band crescendo, warm analog mix
6:59

Cellar Door
v4.5-all
dark ambient, cinematic drone, atmospheric electronic, slow-build, deep sub-bass, ethereal swells, shimmering synth pads, minimal glitch, analog warmth, immersive reverb, meditative, spacious, contemporary ambient, 60 BPM
5:45

Are We Gone?
v4.5-all
60s psychedelic space rock, instrumental, touches of spy soundtrack mood, soaring melodic guitar themes, exotic turns, echo-drenched guitar phrases, cavernous spring reverb, swirling tape delay trails, warm analog organ textures, subtle vibraphone accents, melodic rolling bassline, relaxed but driving vintage drum groove, cool cinematic tension, cosmic spacerock atmosphere, floating yet energetic feel, retrofuturistic optimism, hypnotic melodic phrasing, warm tape saturation
8:38

You Light The Match
v4.5-all
Psychedelic progressive track with swirling phaser guitar arpeggios, Mellotron choirs, odd-meter drums, and a wandering bassline that shifts between 7/8 and 4/4, Analog synth drones, tape delay throws, reverse reverb, and layered tom fills create a drifting, evolving texture with expansive dynamic builds, Vocals swap between ominous whispers and angry protests
4:19

Have We Gone Too Far?
v4.5-all
Laid-back slacker rock groove with loose, behind-the-beat drums and lazy, overdriven guitars, blended with psychedelic pop melodies and hazy, dreamlike harmonies, Hypnotic trance undercurrent built from looping bass patterns and repetitive, mantra-like chord cycles, Prominent vintage Minimoog synth leads and warm analog arpeggios weave through the mix, entwined with expressive theremin-style Moog lines that glide and wail in the upper register, Duo vocals trade verses and merge into airy, reverb-soaked harmonies, creating a drifting, narcotic atmosphere that slowly swells and pulses with subtle dynamic builds
5:04

Help Me Understand
v4.5-all
60s psychedelic rock, vintage fuzz guitar, swirling phaser effects, jazzy drum shuffle, melodic retro bassline, ethereal male vocals, lo-fi indie, melancholic groove
3:55

Stay Golden
v4.5-all
Dark disco, neo-disco, post-punk, darkwave, ethereal ambient, dream pop textures, cosmic soul, warm analog but slightly degraded sound, hypnotic groove, minor key, deep bass, spacious and shadowy atmosphere, intimate sensual male vocal, airy distant female vocals, modern but organic
5:19

She Brings Me Sunshine
v4.5-all
shoegaze, Madchester, psychedelic funk, hypnotic, jangle guitar stabs, phaser bassline, wah clavinet riffs, tambourine backbeat, tape echo guitar, drum break loops, reverse guitar swells, analog synth pulses, spring reverb, stereo chorus, sub bass bloom, halftime bridge, syncopated vocal chops, spiraling outro, restless groove
3:29

Never Greener On My Side
v4.5-all
alt country, indie rock, acoustic banjo fingerpicking, steel-string flatpicking, mandolin tremolo, fiddle double-stops, upright bass pulse, brushed snare kit, spring reverb, tape saturation, lo-fi room sound, verse chorus build, half-time chorus lift, bittersweet nostalgia, restless drive, 92 BPM, swung backbeat
3:19

Are You Out There?
v4.5-all
dark disco, cosmic dub, 118 BPM, dub synth bass, dirty didgeridoo drone, gated snare, 16th-note hi-hats, tape echo delays, spring reverb, analog saturation, broken kick pattern, syncopated percussion, wide stereo mix, 1980s club sheen, anxious release, nocturnal drive, looped robotic voice repeating "hello", "transmission lost", "hello"
4:40

5:13

Crazy Without You
v4.5-all
coldwave, dark surf, shoegaze, neo-punk, 142 BPM, swung sixteenth groove, motorik bass drum, muted surf guitar, tremolo bar chords, chorus-drenched guitar harmonics, baritone synth lead, dub delay stabs, analog pad drones, slapback snare, gated room reverb, tape saturation, minor key, nocturnal urgency
5:12

Down To The River
v4.5-all
southern gospel, deep funk, jam band, Hammond B3 organ, gospel choir, electric guitar jabs, slap bass, live drum room, tambourine backbeat, call and response, church-clap groove, extended vamp, analog tape saturation, plate reverb, stereo horn bleed, 4/4 midtempo, communal uplift, late 70s soul
6:03

3:25

I Want More
v4.5-all
darkwave, synth-pop, 1980s drum machine, Juno-106 stabs, Prophet-5 bassline, gated snare reverb, chorus-soaked guitar, analog delay echoes, sidechain pumping, tape saturation, minor key, half-time pulse, brooding, nocturnal, male baritone, coldwave pads, club tempo, neon noir
3:14

L'Amour on the Floor
v4.5-all
Experimental French house, ambient Italian disco, electropop
6:03

Something About Those Blues
v4.5-all
This track opens with a slow, walking upright bass and gently brushed drums, setting a late-night jazz club mood, A mournful, blues-inflected piano weaves through muted trumpet licks, The male vocals are aching and soulful, floating over a velvety haze of warm guitar chords
4:25

4:14

Drifting On The Deep Blue Sea
v4.5-all
Intro washes in with lush, reverb-heavy guitars, soft synth pads, and distant male vocal layers, The verse unfolds over jangly, chorused guitars, crisp indie rock drums, and melodic bass, The chorus expands into an airy, psychedelic haze—ethereal vocals float atop swirling stereo textures and vibrant melodies
5:04

Dreamlike
v4.5-all
The track opens with spacious, reverb-soaked pads and a deep, pulsating dub bassline, Sparse, echoing percussion intertwines with gentle synth arpeggios, building a swirling, layered mix, Ambient textures and subtle tape delay effects evolve slowly, creating a dreamlike, cosmic atmosphere
4:57

Room For You
v4.5-all
Starts with atmospheric pads, swirling synth textures, and deep, spacious echoes, Minimal dub beat enters—slow, with crisp snares and heavy, driving bass, Percussive elements pulse in and out, processed through delays and reverb, creating a mesmerizing, cosmic soundscape
4:29

Think Twice
v4.5-all
This track fuses trip-hop grooves with 1960s soul textures, Opening with vinyl crackle and lush strings, layers of brass and orchestral hits create a powerful wall-of-sound effect, Vintage keys and guitar riffs sit atop deep, laid-back hip-hop beats, crafting an immersive, retro-modern vibe
4:41

Ripping Off The Band-Aid
v4.5-all
trip hop, drum n bass, analog synthesizers, pedal steel guitar, glitter rock drums, fuzz guitar, vintage synth bass, lush harmonies, fender rhodes, hammond b3 organ, analog delay effects, mid-tempo stomp, drum machine, vocoder, arpeggiator, sequenced basslines, neo-soul hip-hop
3:29

3:45

Heart on a Wire
v4.5-all
Alternative, hip-hop, rap rock, downtempo, smooth, trip-hop, indie, eclectic, funk pop, syncopated, chill, vintage vibes
4:22

4:59

5:04

4:26

Thief of My Heart
v4.5-all
Haunting trip-hop, 1960s spy jazz, exotica lounge, suspicion, acid jazz, retro-futuristic, intrigue, mysterious, downtempo
5:16

Beautiful Day
v4.5-all
Space pop, vintage lounge, cocktail jazz, 1980s, chillwave, exotica lounge, relaxing cosmic vibes, synthwave, chill lounge, retro-futuristic, cosmopolitan, 1980s pop, whimsical, quirky
5:06

Breathe You In
v4.5-all
Space disco, 1980s, futuristic, synthwave, cosmic vibes, clear vocals, space pop
5:17

3:34

Saints & Demons
v4.5-all
gothic folk soul, southern gothic gospel, psychedelic americana
5:27

You Got The Push, I Got The Pull
v4.5-all
electronic, trip hop, haunting, alternative, loops, samples
4:25

See Me Falling
v4.5-all
alternative trip-hop, lush, loops, eerie samples, Madchester, bounce, eclectic, mellow

