✩₊˚.⋆☾⋆⁺OBSESJA ⸜(｡˃ ᵕ ˂ )⸝♡

Upbeat children's television theme song featuring a bright pop-rock arrangement, The instrumentation consists of a driving acoustic guitar strumming rhythmic chords, a punchy electric bass, and a standard drum kit with a crisp snare and active hi-hats, A prominent synthesizer melody with a clean, bell-like lead tone plays the main hook, The vocals are performed by a clear, energetic male tenor with a friendly and inviting tone, The song is in a major key with a fast tempo of approximately 140 BPM, The structure follows a verse-chorus format with a high-energy transition into the chorus, Production is polished and radio-ready, with light reverb on the vocals and a balanced mix that emphasizes the rhythmic drive

electric guitar +pop +trap +cumbia, cowbells, biesiadny, zwrotki tak jakby rapowane lol, humorous, 440Hz, professional produtcion, nowoczesne, 119bpm, adoración, czemu gitary? bo mam wizję hehe, [hook 2] Najpierw śpiewa bohater, a nawiasy śpiewa chór, Chłop jest przerażony, [cowbell] ya know, real cowbell sound, 5% comedy, nierówna perkusja, czyli nierównomierny rytm, nieregularny beat, uplifting yup, 90% MALE VOICE, [hook 2]BRACKETS - CHOIR

DARK K-POP, DARK, DEEP K-POP, disturbing, toxic, glitched

❤️LoveSong, Rap, Love Madness❤️

brr brrrrrrrr brrrrrrrrrrrrr brrrrrrrrrrrrrr - bass UC KAC - the beat, cyńcyńcyńcyń - hihat, płin płinpłinpłin - synths [WSZYSTKO MOŻNA OPISAĆ ONOMATOPEIĄ] the hidden one: niech oni słyszą FUNK

rap, beat, bass, pop, synth, synthwave heavy metal, drum

432hz, dixieland, dembow, drain, synthwave

Aggressive Industrial Punk Rock, high-velocity mechanical 160 BPM beats, distorted gritty bassline, abrasive screaming female vocals, sharp metallic guitar riffs, raw punk rage, rhythmic foley sound design: heavy office stamp thuds (BUM! BUM!), high-speed paper shredder white noise, rapid stapler clicks like a machine gun, cold bureaucratic atmosphere, AUDIO SPACE: 3D binaural positioning, extreme stereo panning of paper rustling, glitchy office equipment malfunction sounds, electric feedback screeches, PRODUCTION: Bitcrushed vocal distortion, clinical isolation, no warmth, dry room reverb, mechanical percussion, bone-conduction sub-bass pulses, high-tension cinematic industrial noir textures, alarming sirens, sudden stop-start edits, raw and complex mastering, chaotic energy mixed with machine-like precision, rhythmic clanging of steel bank vault doors, crushing wall of sound, nihilistic atmosphere

Explosive 90s Ragga Jungle tear-out, 140 BPM, ABSOLUTE LEAD: Frantic, high-pitched folk-punk violin, aggressive staccato bowing, rapid-fire ethnic runs, double-stop folk drones, raw acoustic wooden texture, chaotic virtuosic energy, DRUMS: Complex chopped Amen science, mutating breakbeat edits every 4 bars, crisp high-hats, heavy jungle snare, BASS: Deep snarling Reese swells, sub-heavy weight for soundsystem impact, VOCALS: Male Ragga MC, double-time rhythmic delivery, dry intimate spoken word in bridge, forward in mix with slapback delay, FX: Classic rave sirens, dubby filtered delays, tape-style feedback tails, 3D binaural audio space, high-tension atmospheric pads, STRUCTURE: Violent violin solos in [Interlude], heavy sub-bass drops, abrupt stop-start transitions, MASTERING: Loud but rounded, warm analog saturation, high-velocity folk-jungle chaos, cinematic industrial textures, raw and complex

Nu-Funk, Electro-Pop, Modern Children's Dance Music, Tempo: 120 BPM (Bouncy and fast), Mood: Joyful, mysterious but friendly, encouraging, high-energy, Vocals: Charismatic male voice, theatrical delivery, rhythmic with emphasized "Sssss" sounds, smiling tone, Instrumentation: Funky synth bass, rattlesnake shakers, rhythmic drums, upbeat electric guitar riffs, Special Features: Heavy emphasis on sibilance (the "S" sound) as a rhythmic element, Structure: Verse-Chorus-Hook-Outro, Clean, polished radio-pop production

A theatrical, dark, and grotesque Psychodelic Orchestral Rock, Psychodelic Surf Rock, Instruments: Commodore 64 SID hip-hop chip sounds, wind instruments, string instruments and struck chordophones, The vocals are extremely expressive: shifting from a low, cynical spoken word to a maniacal, operatic scream, The lyrics are a biting satire on stupidity and propaganda, Complex structure, dramatic pauses, high artistic value

Polish post-punk, cold wave, 1980s underground rock energy, aggressive driving bassline, raw acoustic drums, passionate male vocals (Andrej Nebb style), frantic folk violin accents, 140 BPM, gritty and rebellious atmosphere

High-energy Modern Polish Teen-Pop / Trap-Cumbia crossover, Instrumentation: Punchy 808 bass, crisp digital drums, vibrant synth leads, melodic accordion accents, The groove is fast-paced and danceable, Vocals: Youthful, charismatic female voice, confident, sassy, rhythmic, Clear articulation of Polish and English slang: 'slay', 'cringe', 'lit', 'delulu', Structure: Dynamic transitions: rhythmic verses, a melodic catchy hook, and a wide, anthemic chorus with layered harmonies, Bridge features percussion breakdown, rhythmic clapping, and deep sub-bass pulses, Mood: "Boss-like", playful, celebratory, Production: Clean, high-fidelity studio sound, wide stereo field, Influences: Modern Polish Pop-Rap and global Teen-Anthems, High energy build-ups before the chorus, Car engine revving sound effects in the outro, Festive brass flourishes in the background, 90 BPM

1995 Hardcore Underground Hip-Hop, Heavy Boom-Bap beat 88 BPM, Gritty vinyl crackle, massive lo-fi sub-bass, melancholic jazz piano loop, Male vocals: Raw, aggressive Polish rap with a nervous, stuttered "scat" delivery, The word "Pocieszki" and numbers "Three-One-Three" are whispered and stuttered with intense anxiety, Atmosphere: gritty urban noir, Kielce Poland 90s aesthetic, Dark, cinematic production with realistic street sound effects (distant sirens, trains), No upbeat pop, Focus on the contrast between rapid stuttering and slow, crushing rhythms, Instrumental outro with a fading trumpet

1997, Dark Industrial Synth-Pop, A haunting collision of melancholic boyband lyrics with a bleak, gritty sonic landscape, Tempo: 85 BPM, Heavy, distorted analog basslines and slow, powerful industrial drums with metallic percussive hits, Distorted, screeching vintage synths in the style of mid-90s electronic rock, Male vocals: a mix of deep, breathy baritone whispers and desperate, melancholic melodic delivery, Production: thick, atmospheric, cinematic gloom with high-contrast audio textures, Lo-fi analog grit, Verse is minimalist and cold; Chorus is a massive, slow-burning wall of sound with grinding electronic leads and stadium-sized reverb, Moody and ominous atmosphere, No upbeat dance rhythms, no happy vibes, The sound of a colorful dream decaying into a dark mechanical nightmare, Ending with a long, fading feedback loop of a broken synthesizer and a single rhythmic metal clank

Aggressive Brazilian Phonk, Heavy Punchy Bass, Syncopated Cowbell, Distorted Gritty Synths, DARK ELECTRO, VOCALS: Robotic Binary Whispers, Distorted Meow sound effects as percussion, Cat hiss glitches, Atmospheric UFO signals, pulsing pads, Comic melancholic tone, 128 BPM, Intense, chaotic energy, #DanceChallenge, #01challenge

H₂O, CO₂, CO, NH₃, CH₄, O₂, N₂, H₂, NaCl, HCl, H₂SO₄, HNO₃, CaCO₃, CaO, NaOH, KOH, Fe₂O₃, Al₂O₃, SiO₂, NaHCO₃, FeO, CuO, MgO, ZnO, PbO, Ag₂O, CaO, K₂O, Na₂O, C₂H₅OH, CH₃COOH, CH₃COCH₃, HCHO, C₆H₁₂O₆, CH₄, C₂H₆, C₃H₈, C₄H₁₀, C₂H₄, C₂H₂, C₆H₆, H₃PO₄, H₂CO₃, HF, Ca(OH)₂, Mg(OH)₂, KNO₃, AgCl, BaSO₄, H₂O… CO₂… FeO… CuO… MgO… C₂H₅OH… CH₃COOH… Tlen… azot… wodór… węgiel… Żelazo… miedź… srebro… złoto… H₂O… CO₂…

High-energy Fast Upbeat Synth-Punk and Garage Rock fusion, 165 BPM, Instrumentation: Aggressive distorted electric guitars, fast driving punk-rock drums with rapid hi-hats, gritty analog synth bassline, Sound design: rapid mechanical keyboard typing sound effects in the intro, a teapot whistling sound, electric sparks, Vocals: Frantic, slightly gravelly male vocals, shifting between rapid-fire recitation and energetic shouting in the chorus, Raw, emotionally expressive, "in-your-face" delivery, Production: Lo-fi garage aesthetic with high-energy modern punch, Fast-paced, nervous energy, build-up in the bridge with vocal distortion, Final sudden stop after a sharp electronic glitch

Pop, bubblegum pop, EDM, dance, upbeat synthwave, cheerful country, mainstream rock, hip-hop, rap, trap, autotune, dubstep, funk, jazz, cinematic strings, choirs, gospel, children’s music, lo-fi, video game music, reggae, ska, punk, hyperpop, vocaloids, anime melodies — anything overly melodic, polished, or lighthearted, Not a party track, comedy, or radio hit, Avoid clean production, bright tones, major keys, No whistling, handclaps, or upbeat percussion, Mood: raw, claustrophobic, introspective, Focus on dissonance, space, decay, and emotional weight, Let silence speak, Voice should feel lived-in, not performative, Not musical theatre, not a love song, not a banger, It’s a lament wrapped in satire — a creature’s cry in the age of spectacle, ‑Pop, ‑bubblegum pop, ‑EDM, ‑dance, ‑upbeat synthwave, ‑cheerful country, ‑mainstream rock, ‑hip-hop, ‑rap, ‑trap, ‑autotune-heavy vocals, ‑dubstep, ‑funk, ‑jazz, ‑orchestral film score, ‑cinematic strings, ‑choirs, ‑gospel, ‑children’s music, ‑lo-fi hip-hop, ‑video game music, ‑reggae, ‑ska, ‑punk rock, ‑hyperpop, ‑vocaloids, ‑anime-style melodies, ‑electronic pop, ‑commercial pop, ‑party music, ‑comedy music, ‑musical theatre, ‑karaoke style, ‑cheerful acoustic, ‑radio-friendly production, ‑major-key resolutions, ‑bright tones, ‑clean vocals, ‑handclaps, ‑whistling, ‑upbeat percussion, ‑polished mix, ‑overproduced sound

Fast, chaotic garage punk with a touch of holiday madness, Tempo: 170 BPM, A raw, distorted guitar riff (lo-fi, blown amp), aggressive drums with crashing cymbals, sleigh bells – slightly off-key and irregularly ringing, Male lead vocals: shouty, energetic, funny, slightly raspy – like a man losing control in a flour-covered kitchen, Backing vocals: chaotic gang shouts in the chorus, intentionally off-key for comedic effect, Mood: frantic, joyful, unbalanced domestic chaos, Imagine the Devil coming home for a Christmas celebration gone wrong, Sound effects: the sound of an oven, a fire alarm, crunchy gingerbread, a whispered "Help!", and the final fade-out of a fire alarm and sleigh bell, No synths – just live, chaotic instruments, Polish lyrics full of absurd humor about burnt gingerbread, kitchen disasters, and holiday stress, Keep the production raw, unpolished, with tape saturation and room reverb, Wide stereo, but vocals in the foreground, #garagepunk #christmashaos #polishhumor, ‑Pierniczki #ŚwiątecznePierniczenie

rasta rap, pełna duszy, jamajski

Emotional symphonic metal ballad with cinematic orchestration, powerful male soprano vocals, dramatic and haunting atmosphere, Slow build with piano and strings, rising into a powerful chorus with full orchestra, choirs and electric guitars, Song about a surreal world where everything is red, exploring love, perception, and loss of contrast, Deep, poetic, melancholic mood, dynamic vocal performance, epic and emotional climax

This dark-electro/metal piece at 128 BPM launches with detuned piano and eerie wind FX; sudden silence smashes into pounding four-on-the-floor kick, razor snare, crisp hats, snarling Moog bass, and clipped metallic guitar, Chorus erupts with brutal industrial hits, jaw harp pops, Drumla shakes, syncopated pulses, kept raw in a dry mix, Bridge collapses into silence, then swells with reverbed footsteps and a slamming door, Siren sweeps and metal accents build final tension before an unyielding finish—record scratch into ghostly static

Banjo, flute

Slow Viking metal, happy choir, electric violins, cello

Dark country, dark rock, dark choir, electronic instruments, electric violins

Hardcore punk, very fast tempo, raw and aggressive sound, distorted guitars, punchy bass, short explosive drum beats, shouty male vocals, sarcastic and rebellious attitude, live club energy, minimal production polish, chaotic but tight performance, 90s hardcore punk vibe, high intensity, energetic crowd feel, very high audio quality, Polish language

Polish rap, dark trap beat, gritty oldschool hip-hop vibe, Cypress Hill inspired, heavy bass, slow tempo, melancholic and ominous atmosphere, street rap vocals, raw and aggressive delivery, minimal melodic hook, underground hip-hop style, warning tone, ironic and dark mood

reggae, catchy beat, goofy

skapunk, oi

This musical style is a raw fusion of punk rock intensity and tribal rhythmic power, It thrives on primal energy, channeling the spirit of rebellion through pounding drums, distorted guitars, and shouted vocals that feel more like war cries than melodies, The rhythm is hypnotic, almost ritualistic, evoking ancient dances around fire and invoking a sense of collective awakening, Lyrics are minimalistic but potent—often built around repetition, invoking mythological figures, natural forces, and spiritual archetypes, Each line is a declaration, a chant, a pulse of belief and defiance, The vocal delivery is aggressive yet spiritual, as if the singer is both preacher and revolutionary, There’s no room for subtlety; everything is bold, visceral, and urgent, The soundscape is stripped down but thunderous, with a relentless tempo that drives the message forward, It’s a style that doesn’t just entertain—it mobilizes, It speaks to the wildness within, the untamed soul that resists conformity

Electro industrial disco polo reggae, disco polo rock, disco polo nu metal, Glam Rock Metal, rhythmic high-energy male vocals, 80's rock, CATCHY ELECTRIC GUITAR RIFFS

Jumpstyle, hardstyle melodic punk rap nu metal

New German Hardness, industrial metal, gothic metal, hard rock

street rap, dark, orkiestra, choir

Light rap / spoken word with groove, Tempo: mid-tempo (85–95 BPM), Mood: ironic, reflective, slightly humorous, everyday philosophy, Male vocal, natural Polish pronunciation, half-rap half-melody, Minimalistic beat: lo-fi hip-hop / boom bap lite, soft kick, snare, subtle hi-hat swing, Warm bass, simple piano or electric keys, occasional vinyl crackle, Flow conversational, storytelling-focused, clear lyrics in front, No autotune, no trap aggression, Urban but calm, barbershop / bathroom ritual vibe, Chorus optional, can be spoken or lightly sung, Intimate, personal, slightly cinematic but grounded