未完成カリキュラム/Unfinished Curriculum

Minimal electronic intro track, tempo 120 bpm, Instrumental-focused with sparse female Japanese whispers, Use soft synth arpeggios, filtered pads, deep sub bass pulses, and glitchy percussive textures, Begin with faint ambient noise resembling a classroom before class (chalk, chairs, faint chatter), Gradually add opening synth filters, syncopated hi-hats, and sidechained chords to build tension, Vocals are minimal and whisper-like, processed with long reverb and delay, limited to short phrases such as “ベルが鳴るまで” or “あと5秒, ” No full singing, Structure: Intro16 (ambient + filtered arps) → Verse16 (subtle beat + whispers) → Short Chorus8 (drums enter softly) → Drop16 (instrumental focus with glitch textures) → Outro8 (fade with whispers), Overall mood is dreamy, fragile, and tense, like waiting for the school bell to start the day

Japanese post-hardcore/math rock with minimal electronic glitch textures, tempo 154 bpm, Female Japanese vocal only, bright mix-belt with youthful tone, minimal vibrato, Verses dry, close-mic, layered with faint whispers and playful phrasing like adolescent inner monologue, Choruses doubled with subtle harmonies, syllable-forward delivery, Drums: tight crack snare, sharp hi-hats, syncopated bursts, sudden silences, Bass: pick-driven, distorted, anchoring pedal notes, Guitars: unison staccato riffs, palm-muted slides, later harmonized in short 3rds; energetic but tense, Signature 2-bar riff (guitars + mono synth) recurring every 8 bars, building with density and filter sweeps, Synth: short mono lead, dotted-eighth delay, glitch stutters, no pads, Arrangement: Intro8 → V16 → Pre8 → C16 → V16 → Break8 → Final C24 → Outro, Bridge with fragmented, delayed vocal chops and silence, dropping into minimal bass/beat before explosive final chorus

Fast-paced Japanese post-hardcore/math rock with minimal electronic accents and djent, tempo 150 bpm, Female Japanese vocal only, sharp and edgy delivery with youthful urgency, Verses are rhythmic, close-mic, and playful with math-term wordplay; choruses open wide with doubled harmonies, Drums with crack snare, rapid hi-hats, syncopated kick bursts, and occasional irregular bars to mimic math-like rhythm, Bass is pick-driven, distorted in parallel, anchoring shifting pedal tones, Guitars use angular staccato riffs, tritone slides, palm-muted chugs, with unison parts that diverge into short harmonies, A recurring 2-bar guitar and synth riff intensifies every 8 bars with glitch fills, filter sweeps, and stutter edits, Synth adds glitch stutters, short mono leads with dotted-eighth delay, and digital bleeps reminiscent of calculator sounds, Mood is tense, mechanical yet emotional, combining mathematical imagery with teenage frustration and contradictions

Mid-tempo Japanese math rock infused with minimal electronic textures, tempo 132 bpm, Female Japanese vocal only, lyrical and fast-paced phrasing with playful delivery, minimal vibrato, Verses feature rapid-fire wordplay and overlapping phrases, intimate and dry in the mix, Choruses expand with layered harmonies, melodic yet slightly chaotic to mirror grammar “errors, ” Drums are steady mid-tempo with syncopated hi-hats and ghost-note snare fills, creating jittery motion, Bass provides warm low-end with light distortion, occasionally dropping out to emphasize vocals, Guitars use bright staccato riffs, clean arpeggios in verses, and more saturated chords in choruses, sometimes muted for dynamic contrasts, Electronics add subtle glitch stutters, reversed vocal samples, and bitcrushed textures, enhancing the sense of fragmented communication, A short recurring motif of three-note guitar+synth unison appears every 8 bars, evolving with filter sweeps

Shoegaze-influenced Japanese post-hardcore with minimal electronic textures, tempo 145 bpm, Female Japanese vocal only, fragile yet edgy delivery with airy highs, Verses use clean delay-driven guitars like faint pencil lines, surrounded by reverb for an empty classroom feel, Choruses explode with layered distorted guitars creating dense, colorful sound walls that blur like smeared paint, Drums are steady mid-tempo with wide crashes and syncopated snare accents, giving a sense of turbulence, Bass sustains distorted pedal tones, adding weight beneath shifting chords, Guitars alternate between delicate arpeggios and saturated chords, sometimes bending notes or sliding to mimic distortion of colors, Electronics add glitch textures, filtered white noise, and reversed tones that bleed like paint spills, Recurring two-bar riff between guitar and synth returns with greater density each time, symbolizing layers of paint stacking, Mood is vivid yet unstable, portraying teenage emotions

High-energy Japanese post-hardcore with glitchy electronic textures and Vocaloid song and hyperflip and techcore and djent, tempo 160 bpm, Female Japanese vocal only, intense and theatrical, with strong chest voice and powerful low-to-mid range, Verses are dry and mechanical, using staccato phrasing with layered whispers for robotic effect, Choruses explode with wide distorted guitars and vocal doubles, emphasizing vowel-forward hooks, Drums feature rapid double-kick bursts, syncopated fills, and abrupt breaks that mimic unstable reactions, Bass is heavily distorted, driving with pick attack, creating low-end turbulence, Guitars alternate between palm-muted chugs, angular unison riffs, and dissonant slides, while synths provide glitch stutters, distorted bursts, alarm-like risers, and filtered sweeps to mimic lab chaos, Recurring two-bar riff of guitar and synth builds intensity like a chain reaction spiraling

Mid-tempo Japanese emotional post-hardcore with post-rock influence, tempo 128 bpm, Female Japanese vocal only, emotional and restrained, moving from whisper-like phrases in verses to soaring belts in choruses, Verses use clean guitar arpeggios with delay and reverb, creating spacious atmosphere, Choruses expand into layered distorted guitars and wide ambient textures, evoking warped map projections, Drums are steady with syncopated toms and dynamic crashes, giving rolling motion, Bass provides sustained distorted low tones, grounding harmonic shifts, Guitars alternate between delicate arpeggios, saturated chords, and tremolo-picked lines for tension, Electronics add subtle glitches, filtered sweeps, and static noise to symbolize cartographic distortion, A recurring short guitar+synth motif repeats and grows denser, like redrawing the same map in different projections, Mood is expansive, melancholic, and reflective, portraying teenage struggles with identity and belonging

Fast Japanese post-hardcore with math rock precision, tempo 160 bpm, Female Japanese vocal only, sharp and emotional, alternating shouted bursts, rapid phrases, and soaring belts, Verses are tight and percussive with dry vocals, palm-muted guitars, and minimal synth glitches, Choruses explode with layered distorted guitars, octave leads, and doubled vocals for maximum lift, Drums are relentless: tight snare, syncopated kick bursts, rolling tom fills, and constant forward drive like sprinting footsteps, Bass is pick-driven, distorted, locked tightly to drums, adding turbulent low-end, Guitars deliver angular unison riffs, sudden tritone slides, and harmonic dissonances, then break into wide open chords for contrast, A recurring two-bar guitar+synth motif races forward each cycle, intensifying with added layers to mimic building speed, Electronics are minimal but cutting, with glitch stutters, risers, and digital noise fragments reinforcing error and struggle imagery

Fast Japanese post-hardcore/math rock with minimal electronic accents, tempo 152 bpm, Female Japanese vocal only; bright, edgy mix-belt (A3–E5), minimal vibrato, Delivery alternates rapid staccato syllables and soaring hooks; sprinkle short English keywords; no male, no duet, no choir, no vocoder, Dry, transient-forward mix, Drums: crack snare, tight hats, syncopated kick bursts, brief double-kick, sudden rests, Bass: pick attack, parallel distortion, pedal tones, Guitars: angular staccato unisons evolving to short 3rd harmonies, palm-mutes, tritone slides, Synth: short mono lead with dotted-eighth delay, glitch stutters, filtered noise; no pads, Signature 2-bar guitar+synth unison riff every 8 bars, each repeat denser and brighter, Post-chorus = riff-only, Mood: restless, bilingual miscommunication, urgent and kinetic

Mid-tempo Japanese post-hardcore with post-rock influence, tempo 140 bpm, Female Japanese vocal only, emotional and dynamic, moving from whispered verses to soaring choruses, Verses feature clean delay-driven guitar arpeggios, sparse tom hits, and bass pedal tones, evoking fragile space, Choruses expand with layered distorted guitars, octave leads, and doubled vocals for dramatic lift, Drums alternate between steady beats and half-time accents with dynamic crashes, Bass provides warm low sustain with light distortion, anchoring harmony, Guitars shift between shimmering arpeggios, ringing chords, and tremolo-picked figures for tension, Electronics minimal: faint glitch textures, reversed tones, filtered sweeps, suggesting distortion of memory, A recurring two-bar guitar motif reappears throughout, slightly altered each time to mirror history repeating

Fast Japanese electro pop with post hardcore & glitchcore accents, tempo 152 bpm, Female Japanese vocal only, dynamic and expressive, shifting between playful rhythmic phrasing and soaring belts, Verses mix staccato guitar riffs with pulsing synth bass and glitch percussion for tension, Quirky choruses burst with distorted guitars, bright synth arpeggios, and layered vocal doubles, balancing aggression and pop catchiness, Guitars: sharp unison riffs, angular slides, tremolo bursts, occasional 3rd harmonies, Bass: distorted, melodic, anchoring shifting chords, Drums: crack snare, syncopated kick bursts, half-time crashes, blended with electronic hats and sidechained loops, Synths add rhythmic arps, filtered sweeps, and glitch stutters for dance-like pulse, A two-bar guitar+synth riff recurs each cycle, layered denser with harmonics and pads, Bridge drops to minimal electronic beat, whisper vocals, and reversed textures, then explodes into final chorus with full band and shimmering synth

Mid-tempo Japanese post-hardcore with post-rock influence, tempo 148 bpm, Female Japanese vocal only, fragile yet powerful, alternating whispered verses and soaring belts, Verses feature clean delay guitar arpeggios and sparse piano chords, evoking empty music room atmosphere, Choruses explode with distorted guitars, octave melodies, and layered vocal doubles, emphasizing unresolved dissonance, Drums steady but dynamic, syncopated snare hits, rolling tom fills, and dramatic crash bursts, Bass distorted, sustaining pedal tones beneath shifting harmonies, Guitars alternate between delicate arpeggios, dense chord walls, and short tremolo figures, often using dissonant intervals, Electronics minimal: reversed piano samples, filtered noise, glitch fragments, adding tension, A recurring two-bar guitar+piano riff returns each cycle, gradually thickening, symbolizing echoing resonance

Slow Japanese post-rock/ambient hybrid, tempo 95 bpm, Mostly instrumental with sparse female Japanese whispers only, Guitars use clean delay arpeggios, swelling chords, and occasional tremolo picking to create wide space, Drums minimal: soft kick pulses, brushed snare, cymbal swells, Bass subtle, sustaining warm pedal tones, Piano adds simple motifs with long reverb, evoking classroom emptiness, Synth textures: airy pads, reversed tones, faint glitch noise, like echoes fading, A recurring two-bar guitar+piano riff repeats with slight variations, gradually dissolving, Vocals minimal, whispering fragments such as “未完のままで” or “またあした, ” heavily processed with reverb and delay, Mood is spacious, melancholic yet hopeful, portraying the end of adolescence as lessons left unfinished, continuing quietly beyond the classroom