For the Heart

[genre: classic french chanson] [key: C minor] [tempo: 64 BPM] [vocal: male, intimate soft baritone, low dynamics, breathy delivery, no background choir] [instrumentation: solo piano only, no additional instruments, no bass, no drums, no orchestra] [mix: dry studio sound, lo-fi tape warmth, mono recording style, natural room tone] [length: 4-5 min]

[Style: Experimental Pop, Modern Flamenco, Ethereal & Warm] [Lead Vocal: Female; Andalusian flair; warm timbre; soft chest resonance; airy top notes; gentle vibrato; mystical intimacy] [Backing Vocals: Female Andalusian chorus; warm, earthy, slight rasp, natural breath; 3 voices; soft blend; vowel syllables only] [Vocal Texture: “ha—”, “aah—”, “ya—ah”, “ahh—ah” melodic ornaments, floating and natural] [Rhythm Feel: Flamenco-influenced but subtle; intimate movement, no heavy groove] [Percussion: Cajón heartbeat pattern; very soft; low center tone; no slap] [Rhythm Pattern: dum… (pause) … dum… (pause) … dum… ; breath-led timing] [Instruments: Flamenco guitar arpeggios, soft palmas, ambient synth pads, warm bass] [Reverb: Long, soft, cathedral-like tail with close vocal presence] The vocal tone should feel like someone singing by candlelight in a quiet Andalusian patio at night

[style: nordic folk acoustic unplugged duet, male and female vocals, warm close-mic singing, wooden flutes, soft acoustic guitar, low hand drums, subtle frame drum pulses, gentle drone tones, airy natural reverb, intimate harmonies, deep calm spoken words, Scandinavian atmosphere, no electric instruments, organic and earthy]

experimental pop song, powerful, tempo 120 bmp, modern flamenco influences, The lead vocal is female, passionate and vibrant, with an Andalusian flair, The vocal style features melismas, emotional inflections, and rhythmic clapping (palmas), blended with subtle electronic harmonies, Instrumentation includes flamenco guitar, handclaps, cajón, ambient synths, and slow reggaeton or trap-inspired beats, The production is avant-garde, with dynamic contrasts between intimate, stripped-down sections and powerful rhythmic moments, The overall vibe is intense, elegant, and mystical

Andalusian experimental pop and modern flamenco, 120 BPM, slow reggaeton trap groove, fragile emotional male lead vocal with Andalusian flair, occasional distant female harmonies, melismatic lines, audible breaths and broken phrases, mystical nocturnal mood of wind and moon around “tu silencio”, rhythmic palmas and cajón, expressive flamenco guitar, subtle avant-garde electronic textures and ambient synth pads, deep reverb, dynamic contrasts between whispered intimate sections and powerful rhythmic peaks, space for silences and introspective pauses, focus on heartache, doubt and unanswered reasons of a lost love

[genre: German, sacred chorale, hopeful] [style: Mahler chorale, solemn, sung homophonically] [vocal_style: four-part mixed choir (soprano, alto, tenor, bass), cantabile, clear phrasing] [harmony_style: Bach-inspired voice leading with romantically expanded harmonies] [instrumentation: main focus on choir, delicate organ or soft piano, no drums] [tempo: 72 bpm, solemn] [key: A major]

emotional performance-pop, restrained intro; close-mic female lead always forward; intimate, confessional verses; choruses lift with controlled power (not loud); piano + warm strings primary; sparse soft percussion (brushy kick, muted snaps if any); [no reverb], [no haze]; midrange-focused, tight understated low-end; slow-to-mid tempo, unhurried delivery; clear consonants; generous micro-pauses and breaths; smooth phrasing and paced line transitions; balanced stereo; [no male vocals], [no distortion], [no heavy drums], [no claps/stomps], [no cinematic swells], [no wall-of-sound], [no pumping compression], [no glossy pop sheen], [no guitar-forward], [no sub-bass/heavy bass], [no muddy reverb], [no hollow clicky percussion]

[Genre: Flamenco caliente (bulería con guiños a tangos)] [Voice: Female, smokey/raspy, muy pasional; quejío; ataques secos y silencios] [Tempo map: Intro libre → Versos (medio) → Estribillo (bulería, rápido) → Puente (baja, íntimo) → Final (bulería arriba)] [Dynamics: íntimo → rabia contenida → estalla → cae → cierre intenso] [Instrumentation (tradicional): guitarra flamenca (rasgueo/picado/alzapúa), cajón, palmas (sordas+claras), jaleos/coros (2–3 voces), nudillos o pitos discretos, zapateado ocasional] [Arrangement: muchos interludios instrumentales; solo de guitarra largo; breaks de 1 compás] [Adlibs: “¡Ay!”, “¡Olé!”, “¡Arsa!”, “¡Toma!”, “¡Vamos allá!”]

[Italian early-1960s Sanremo-style orchestral ballad, romantic and bittersweet, classic songwriting, clear singable melody, big cinematic feelings without kitsch, Tempo slow 6/8 (≈72–80 BPM), verse intimate then gradual build, chorus hymnic and soaring, Lush orchestra: strings (legato + tremolo swells), harp, piano, oboe/clarinet, warm brass (horns/trumpet soft), upright bass, light timpani/brushes, occasional choir “ah” pads in final chorus, Vintage production: mono/early-stereo vibe, plate reverb, warm tape saturation, gentle room ambience, natural dynamics, Lead vocal: expressive Italian female (Sanremo-era), clean diction, controlled vibrato on long notes, emotional restraint in verses, full belt in chorus, Arrangement: orchestral intro, verse 1–2 sparse, pre-chorus rising string lift, chorus with full orchestra + brass accents, mid-song orchestral interlude, dramatic bridge hush + swell, final outro fades with strings, Lyrics language: Italian, ]

Cinematic romantic pop ballad / K-drama OST vibe, bittersweet, warm and intimate, ~82 BPM half-time (or 164 double-time), minor key, soaring melody, Piano-led intro, soft pads, gentle strings that grow each section, subtle low drums (deep kick, soft snare), airy percussion, clean electric guitar swells, Optional delicate East-Asian color plucks (koto/guzheng-style) in interludes, Modern wide mix, lush reverb, emotional dynamics building to a powerful final outro, Lead vocal: clear, tender, slightly breathy; harmonies in choruses; tasteful ad-libs only near the end, [Vocal / Mood:] heartfelt, restrained, no cheesy clichés, short lines, intimate verses → bigger chorus → cathartic outro peak

Andalusian experimental pop, modern flamenco, slow reggaeton trap influences, avant-garde electronic, intense elegant mystical, 120 BPM, powerful emotional, female passionate vibrant vocals with Andalusian flair, melismatic vocal inflections, rhythmic palmas clapping, subtle electronic harmonies, flamenco guitar, handclaps, cajón, ambient synths, dynamic contrasts between intimate stripped-down sections and powerful rhythmic peaks A mid-tempo powerful emotional Andalusian experimental pop flamenco song with slow reggaeton and trap influences about a mystical forbidden night of transformation under the moon, where desire, freedom, and inner fire awaken, and the lyrics should represent the verbiage and style of an Andalusian experimental pop and modern flamenco song with subtle electronic and urban touches

Soft, warm romantic singer, the lyrics are fragile, introspective and emotional, slow swaying rhythm, a tender, nostalgic atmosphere, cozy, romantic, nighttime, city lights, Asian indie, intimate

soulful folk, Appalachian slow waltz, fingerpicked guitar, upright bass soft pulse, rough baritone male vocal, close-mic vocal harmony on choruses, sparse arrangement, nostalgic dusk mood

soulful folk, Appalachian slow waltz, fingerpicked guitar, rough baritone male vocal, soft upright bass pulse, light harmony in final chorus, intimate live take feel, dusk-nostalgic

soulful folk, Appalachian slow waltz (3/4), high-fidelity studio recording, fingerpicked guitar front and center, upright bass gentle heartbeat, subtle fiddle or mandolin swells, intimate rough baritone male vocal, group harmony choruses close-mic, airy but clean room tone, sparse instrumentation, melancholic nostalgic dusk atmosphere, smooth mastering, NO noise floor, NO tape hiss, NO digital artifacts, NO distortion, NO end-of-track hiss/fauch noise, clean fade-out, dead-silent tail

Deutsch, männlicher Bariton solo, verletzlich, atemgeführt, Strophen fast gesprochen/halb gesungen, intime Ballade, Filzklavier, minimale Besen-Drums, warme Streicher, ruhiger Refrain, on-beat entry, straight phrasing, syllabic, no vocal runs, Spoken Bleib

Style: Deutsch Neo-Folk / Singer-Songwriter (cinematic minimal) Tempo: 78 BPM, 6/8 (wiegende Meer-Bewegung) Instrumentation: Nylon-Gitarre (Fingerpicking), Upright-Piano oder Rhodes (luftig), Kontrabass (gezupft) oder Cellodrone, sehr feine Percussion (Shaker + Brush-Snare), Cello/Viola-Lines als kurze Antworten nach Hooks Vocals: Lead sehr erzählerisch und warm, Refrain mit Doppelung (tight), Bridge optional als fast gesprochenes „Confessional“-Take, wenig Vibrato, klare Artikulation Mood: Nostalgisch, poetisch, nachts am Strand - und am Ende ein Lichtstreif Production Notes: Viel Raum über Delays statt Hall (kurz, ping-pong dezent), Intro mit Meeres-Field-Recording möglich (sehr leise), Dynamik groß halten (nicht zu stark komprimieren), Cello nur punktuell für „Wellen“-Crescendos, letztes Chorus leicht „lift“ durch zusätzliche Oktav-Gitarre oder Handclaps ganz hinten im Mix

Philly Soul / Silent Storm DUET (male+female), 86 BPM, 4/4, Warm Rhodes, muted guitar replies, round bass, soft pocket drums + light congas, lush strings, subtle horn pads, gentle tape warmth, Male lead: Verse 1 + Pre1, Female lead: Verse 2 + Pre2, Choruses: both voices (male low harmony, female high harmony) with call/response echoes: “Breathe”, “Stays with me”, “Line by line”, “That light”, “So free” (opposite voice answers), Bridge: intimate spoken-sung, alternating lines, Breakdown: thin, close-mic, Final chorus: biggest lift, stacked Philly harmonies, long holds on “breathe/light/free”, fade outro

Philly Soul / Silent Storm DUET (male+female), 86 BPM, 4/4, Warm Rhodes, muted guitar replies, round bass, soft pocket drums + light congas, lush strings, subtle horn pads, gentle tape warmth, Male lead: Verse 1 + Pre1, Female lead: Verse 2 + Pre2, Choruses: both voices (male low harmony, female high harmony) with call/response echoes: “Breathe”, “Stays with me”, “Line by line”, “That light”, “So free” (opposite voice answers), Bridge: intimate spoken-sung, alternating lines, Breakdown: thin, close-mic, Final chorus: biggest lift, stacked Philly harmonies, long holds on “breathe/light/free”, fade outro

Symphonic progressive rock, warm analog 70s/80s vibe, slow-tempo ballad 82 BPM, organic live drums and melodic bass, piano-led verses, lush strings and choir pads in chorus, clean arpeggiated electric guitars with delay and plate reverb, subtle Hammond, wide cinematic but intimate mix, melancholic minor verses with uplifting major-leaning chorus, poetic German lyrics, mature male vocal, emotional but restrained, no cheesy phrasing, 4 minutes, big hymn-like chorus, gentle instrumental bridge with flute/oboe motif

German neo-folk indie, 88 BPM, fingerpicked acoustic guitar, upright bass, brushed drums, gentle piano, airy ambient swells, intimate storytelling vocal, big soaring chorus with gang-style harmonies, emotional build, organic dynamic mix

Cinematic indie folk ballad, 85 bpm, D major, 4/4, 12-string fingerpicked + open strums, upright bass, brushed drums, airy piano pads, subtle pedal steel, sparse mandolin, warm tape + reverb; male baritone vocal, close-mic, breathy laid-back behind-the-beat phrasing, wide uplifting choruses with light harmonies; half-time bridge

Soft acoustic 1970s folk-ballad with gentle 3-part harmonies, Warm male lead vocal, soft airy backing voices, Acoustic fingerpicking guitar, light brush percussion, mellow bass, Calm, introspective CSN-like vibe (but not copying), Emphasize harmony blends, open chords, natural room ambience, peaceful mood

A delicate, intimate contemporary-classical / cinematic minimalist piece for solo grand piano with a tender, vulnerable tenor vocal, Tempo ~70 BPM in 6/8 (or 3/4), gently swaying, Left hand: flowing arpeggiated pattern as steady pulse; right hand: lyrical, melancholic melody with tasteful rubato, Harmony: primarily minor, moving between tonic/subdominant with occasional suspended tones and soft, unresolved cadences, Vocal: close-mic breathy tenor, fragile and warm, minimal vibrato, natural phrasing, emotionally restrained (no belting), leaving space between lines, Dynamics: pp to mf, gradual swell to a single modest peak, then recede, Production: clean, intimate, natural piano resonance, light hall reverb, subtle vocal room, no heavy compression, no obvious percussion, Structure: through-composed evolution from simple motif to slightly denser midsection, returning to quiet reflective ending, Optional: faint felt-piano texture or very subtle string pad only in the climax

Anime score / Japanese soundtrack, romantic & bittersweet ballad, 82 BPM, 4/4, mostly major with gentle wistful turns, Follow the provided audio reference: lead piano stays front and dominant; keep the original piano motif unchanged, Gentle orchestral support only: warm legato strings (soft pad, low in mix), occasional soft solo violin answers, delicate harp, sparse quiet koto, rare shakuhachi breath tones, No big crescendos or “epic swells”; keep dynamics intimate (mp max), especially in Verse 3, Very restrained taiko heartbeat extremely low, minimal warm electronic pulse (barely-there), Clean modern cinematic mix, dreamy reverb, anime ending-theme mood, Do not end early: sing through the Outro vocal lines, then fade after the last lyric line

Minimalist 70s singer-songwriter acoustic folk (Joni Mitchell-inspired), Repetitive fingerpicked acoustic guitar loop with 3–4 layered acoustics, warm close-mic tone, slight fret noise, wide but gentle stereo, 85 BPM, Fragile intimate female vocal, soft reflective phrasing, No drums, no percussion, no bass, no synths, no piano, no strings

Live concert recording in a large theater hall (warm, elegant, seated audience), Intimate blues-rock ballad with orchestral backing, 72–84 BPM, 4/4, Audible audience: soft hall murmur before start, polite applause at intro and after choruses, occasional restrained cheers (rare), Stage sound: professional multi-track live mix with clear close-mics + spacious hall ambience (not lo-fi), long but controlled hall reverb, wide stereo room mics, clean separation, Arrangement: warm overdriven electric guitar (optional slide), Hammond/organ + piano, warm bass; string section as lush sustained pads + swells behind band (romantic, not cinematic/trailer), Drums extremely restrained: kick + snare/side-stick + toms, soft sticks/brush feel, minimal or no cymbals, Dynamics: whisper-intimate opening → slow build to big warm chorus “bed” filling the hall → final chorus emotional lift → outro drops to near-silence with audience hush, then gentle applause, Vocals: male raspy soulful baritone, grateful-war, ‑lo-fi, ‑tape hiss, ‑vinyl crackle, ‑static, ‑harsh highs, ‑sibilance, ‑clipping, ‑feedback squeal, ‑mic dropouts, ‑muddy hall wash, ‑boomy reverb, ‑overcompressed mix, ‑bright modern pop drums, ‑trap hats, ‑hi-hats, ‑rides, ‑cymbal wash, ‑shakers, ‑tambourine, ‑overly loud crowd, ‑crowd chanting, ‑stadium/arena vibe

Permanent-wave art-pop / experimental pop, 96–104 BPM, tight 4/4 with a hard, forward beat (punchy kick, crisp snare, minimal cymbals), Bright major-key harmony (Ionian / Lydian feel), simple uplifting chords with curious melodic turns, Use the imported coffee-machine motor as a constant "world-hum" loop: rhythmic, sidechained to the kick, filtered (bandpass), subtly pitched so it sings, Texture: glassy synth pulses, warm analog pads, small percussive clicks (found objects), occasional gated choir-like vowels, Arrangement: verses sparse and intimate, choruses wider and more luminous, bridge breaks down to motor + voice + pulse, Vocals: fragile female, close-mic, airy head-voice, soft vibrato, intimate whisper-to-clear tone, doubles only in chorus, emotional but restrained, Mix: clean, modern, wide, no harsh highs, keep the motor present but not fatiguing, ‑lo-fi crackle, ‑heavy distortion, ‑harsh sibilance, ‑bright hi-hat wash, ‑noisy cymbals, ‑exaggerated glitch, ‑trap drums, ‑EDM risers, ‑huge drops, ‑metallic screech

Mystic ambient / meditative handpan ballad, 72–78 BPM, Handpan is the main instrument (warm, resonant, steady repeating motif), supported by airy evolving synth pads and gentle sub drones, Minimal organic percussion only (soft frame drum / distant shaker), no cymbals, no bright hi-hats, Female vocal: intimate, fragile, close, breathy, calm, emotionally wise, lots of space and silence between lines, Production: pristine modern studio quality, clean mix, clear high-end, controlled low-end, wide stereo pads, no harshness

Bossa nova, BPM 92, mellow intimate female vocal, close-mic whispery but clear, nylon-string guitar fingerpicking with classic bossa rhythm, upright bass, Light percussion - agogô, shakers - fills out the texture, soft Rhodes chords, dry indoor room ambience, gentle swing, minimal arrangement, smooth dynamics, fade-out outro

cinematic minimal folk ballad, 4/4, 78–84 BPM, fingerstyle acoustic guitar + soft felt piano (simple chords, lots of space), male intimate vocal (close-mic, calm, emotional restraint), cello/strings only as very soft sustained pad in choruses (no swells, no bow noise), OPTIONAL very quiet whistled motif only in intro/outro, DRY studio sound, ZERO reverb, ZERO hall, ZERO delay, no room ambience, hard-gated silence between phrases, ultra-clean noise floor, no hiss, no crackle, no clicks, smooth dynamics, clean mastering, clean fade-out, dead-silent tail, ‑reverb, ‑hall, ‑echo, ‑delay, ‑room tone, ‑ambience, ‑hiss, ‑tape hiss, ‑vinyl crackle, ‑static, ‑hum, ‑buzz, ‑wind noise, ‑background chatter, ‑mouth clicks, ‑heavy breaths, ‑sibilance spikes, ‑digital artifacts, ‑clipping, ‑distortion, ‑chorus/phaser/flanger, ‑random percussion, ‑cymbals, ‑bright highs, ‑noisy tail

cinematic minimal folk ballad, 4/4, ~78–82 BPM, fingerstyle acoustic guitar + soft felt piano (simple chords, lots of air), intimate male baritone (close, breath controlled), cello enters only in choruses (long warm notes, no swells), very subtle string pad in final chorus only, no percussion, ultra-clean studio tone, wide but natural ambience, gentle mastering, clean fade-out, dead-silent tail, ‑reverb wash, ‑room noise, ‑tape hiss, ‑distortion, ‑percussion artifacts, ‑cymbals, ‑bright transients, ‑vocal doubling except in chorus

ambient art-rock orchestral hybrid ballad, 4/4, STRICT 72–78 BPM, slow majestic evolution built on simple consonant harmony (C major centered), warm analog synth pads and soft tape-like textures, sparse piano notes, orchestral strings in long legato layers, very restrained French horn swells, minimal steady electric bass, distant low tom pulses only (very sparse), electric guitar volume swells and sustained ambient lines (no shredding), spacious atmospheric mix, gradual continuous crescendo, contemplative but uplifting, intimate mature male lead vocal centered and clear, slow even delivery, long held notes, low syllable density, same vocal speed throughout, no accelerando, chorus melody repeated exactly, include full bridge and both final choruses, do not skip sections, long instrumental interlude and long instrumental outro, no busy percussion, no bright cymbal wash, no hi-hats, clean high-fidelity production, long fade-out, dead-silent tail