猫。

A gruff male vocalist, reggae rhythms and live performance of ska blues with traditional Japanese instruments, shamisen and koto, and a sad melody, At the end, the audience claps and cheers

[Japanese Male Vocal], [Raw Vocal], [Rough Voice], [Shouting Vocal], [Aggressive], [Emotional], [Distorted Guitar], [Heavy Drums], [Rock], [Punk], [Grunge], [Garage Rock], [Energetic]

Male vocals, Japanese Enka with a strong fist, shamisen, Japanese drums

Male vocals, Japanese Enka with a strong fist, shamisen, Japanese drums, Live concert ending with massive audience applause and cheering, Final chorus should fade out into a stadium-wide standing ovation with clapping and loud cheers

A quirky, slightly eerie indie-folk live performance driven by gently strummed guitar and harmonica, with loose, expressive vocals that convey whimsical yet haunting imagery, The arrangement is intimate and raw, with unexpected lyrical twists hinting at vintage supernatural themes, The overall pacing wavers between nostalgic off-tempo folk and subtle theatrical suspense

Shakuhachi, Kokyu, GLITCH, Clapping, A quirky, slightly eerie indie-folk live performance driven by gently strummed guitar and harmonica, with loose, expressive vocals that convey whimsical yet haunting imagery, The arrangement is intimate and raw, with unexpected lyrical twists hinting at vintage supernatural themes, The overall pacing wavers between nostalgic off-tempo folk and subtle theatrical suspense

[Chiptune solo], [Melodica], [humorous interlude], [SOOTHING], [SPOKEN]

A nostalgic early‑20th‑century Tokyo street‑song with a marching undercurrent, featuring harmonica or muted trumpet as lead melody, gentle strings and woodwinds in the background, medium tempo with swing and bounce, playful nonsense chorus (“ra‑me chan tara…”) weaving between verses, evoking old Tokyo street scenes, kabuki theaters, lantern lights and cheerful crowds