#бухлоромантизм (18+)

Opening with a walking double bass and muted jazz guitar, the song eases into bluesy piano licks and soft brushed drums with a swinging feel, Lush horns add warmth in the chorus, while a gentle clarinet solo adds a tender touch to the bridge, keeping the groove relaxed yet expressive

Russian lyrics Male vocals, cinematic, Atmospheric doom metal, dark tones, distorted low bass, slow tempo, Instrumental, dark, Orchestra

groovy, raggae, beat, punk, twist, swing

groovy, raggae, beat, punk, twist, swing

Upbeat 1960s Russian swedish disco track with a vintage Soviet pop flavor, Groovy electric guitar riffs, warm analog bassline, steady four-on-the-floor drums, and retro organ chords, Add brass section stabs and shimmering vibraphone accents for sparkle, Tempo lively and danceable, with lush vocal harmonies in a playful and optimistic tone, Mood joyful, nostalgic, and slightly kitschy, combining traditional Russian melodic motifs with Western disco rhythm, Expression is energetic, inviting listeners onto the dancefloor under colorful lights, capturing the charm of Soviet-era dance halls [mastering: old vinyyl ABBA]

folk rock, Americana, soul, core genre is Roots Rock, blending Blues, Country, and Folk influences within a Rock framework, Unique identity stems overwhelmingly from the fingerstyle guitar work – characterized by its clean tone, fluidity, melodic lyricism, and intricate interplay, Combined with tight, minimalist grooves, cinematic storytelling lyrics, distinctive vocals, and clean, dynamic production/arrangements, they created a sophisticated and instantly recognizable sound that evolved from pub rock roots to global AOR superstardom, understated intensity and musical storytelling

[Genre: Garage Rock, Punk Core, Japanese Indie Rock] [Vocal: Male, Raw, Whisper, Urgent, Slightly off-pitch, No vibrato] [Lyrics: Fragmented, Poetic, Direct address to abstract entity, No resolution] [Guitar: Fuzzy, Riff-driven, Feedback allowed] [Guitar (Alt): Feedback layers, Harmonic noise bursts] [Drums: Fast, Dry, Minimal fills] [Bass: Distorted, Melodic counterpoint] [Piano: Syncopated comping] [Drums (Alt): Swing groove, Breakbeats] [Bass (Alt): Walking bass] [Synth: Minimal use — ambient pads only, low in mix] [Vocal FX: Distortion, Tape saturation, Reverse fragments] [FX: Amp hiss, Tape warble, Bass drops, Hi-hat rolls, Non-verbal sounds] [Mood: Urgent, Reckless, Nostalgic, Emotionally unstable] [Notes: Preserve imperfections, Avoid clarity, Maintain tension]

Genre: Dark Folk, Indie Folk, Singer-Songwriter Instruments: Clean acoustic guitar (nylon strings), melancholic cello, ethereal flute, subtle pedal steel guitar, warm piano (Rhodes) Tempo: Andante (moderate, walking pace) 90 BPM Mood: Melancholic, haunting, lonely, yet with a beautiful melodic hook Song Structure: [Intro] -> [Verse] -> [Chorus] -> [Instrumental Break] -> [Verse] -> [Chorus] -> [Outro] Vocal Style: Male baritone voice, clear but slightly raspy and emotional, close-mic'd, with a sense of intimacy and sorrow, On the word "Delirium" use a subtle echo/distortion effect, Key Elements: - A clear, memorable and beautiful main melody for the chorus on the words "Belochka-belochka", - The music should contrast a gentle, almost music-box-like beauty (for the squirrel) with a deep, resonant sadness (for the narrator's loneliness), - Clean, high-quality sound production

Psychedelic garage rock × krautrock × experimental electronic Hypnotic, trance-like groove with sudden time signature shifts (4/4 ⇄ 7/8) Lo-fi, raw, slightly detuned, surreal atmosphere [Instruments] Fuzz guitars with reverb Driving repetitive bass Loose hypnotic drums Retro analog synths, vintage electronic blips

A high-energy rock track with a driving tempo of 128 BPM in the key of E minor, The song features a prominent male vocalist with a powerful, slightly raspy delivery, often employing a call-and-response technique with backing vocals, The instrumentation includes a distorted electric guitar playing a riff-based melody, a strong bass guitar providing a rhythmic foundation, and a dynamic drum kit with a consistent kick and snare pattern, punctuated by cymbal crashes, The song structure is verse-chorus, with an instrumental break featuring a guitar solo, Production elements include a tight mix with a focus on the lead vocals and guitar, and a slight reverb on the vocals to add depth, The chord progression is primarily E minor to C major, with occasional G major and D major chords, creating a classic rock feel, The melody is catchy and anthemic, designed for audience participation

upbeat pop romance, playful mood, female sassy vocals, acoustic guitar, bright synths, dynamic rhythm, humorous storytelling, witty dialogue, modern production

Upbeat humorous summer song with male vocal, playful and light, tempo around 100 BPM, Acoustic guitar, bass, drums, light percussion, brass accents for a fun holiday vibe, Use beach party atmosphere with reggae influence in Verse 2 (relaxed groove), then return to energetic playful pop-rock with hints of cabaret, Style: ironic chanson-pop mixed with beach rock, playful delivery, relaxed but with drive in choruses, Vocals should sound like a slightly tipsy storyteller, cheerful and mischievous, singing about beer, shrimp, and vacation life, Add backing “la-la” or “oh-oh” vocals in choruses for party feel, Outro should repeat chorus in a playful drunk style fading out, Atmosphere: fun, ironic, holiday all-inclusive mood with Caribbean summer colors, Vocal reggae

ballad, deep baritone, emotional, acoustic, theatrical pauses, harsh, deep, strong, tavern atmosphere

[Style: Georgian folk music, duduk, panduri, authentic Caucasian folk instruments, male vocal baritone with heavy Georgian accent, comedic recitative, female raspy crow voice, female sly high-pitched fox voice, wide stereo mix, natural reverb, clear narration over instruments, background sounds of waterfall, wind, pouring wine, festive toasting and laughter at the end, celebration] [Tags: Georgian, folk, comedy, fable, storytelling, duduk, baritone, crow, fox, feast, celebration, toasting, Chito Gvrito] [Instrumental: Authentic Georgian folk melody, duduk solo, panduri, chonguri, slow tempo, then festive and fast tempo at the end], Для музыки: Georgian folk, duduk, panduri, Caucasian folk music, authentic folk instruments, slow tempo, fast tempo, festive lezginka, celebratory music, · Для голосов: Male baritone vocal, heavy Georgian accent, comedic recitative, storytelling, female raspy voice, female squeaky sly voice, animated narration

A fusion of raw punk and post-punk rhythm guitars in A-major drives the energy, layered with gritty male vocals, Baroque violin riffs cut through rebellious psychobilly bass lines, while mento-influenced percussion adds a tropical touch, Dynamic breakdowns accentuate emotional peaks

Shamanic male hoarse voice, Shamanic male raspy voice, Bagpipes in background, Punk fusion beats, Trumpet, Female background vocal

Irish folk, E major key, female vocal, a cappella back vocal, drums, stomping, flute

punk, upright bass, country, country punk, raw, driving; twangy electric guitars, gritty male vocals, fast-paced drums

This Russian chanson acoustic guitar arpeggios, joined by expressive accordion and a warm, understated upright bass, Sparse, brushed snare creates a gentle rhythmic bed, Smoky, hoarse low male vocals lead

[Funny song], [Russian folk, post-folk, pop dance], cheerful], [folk A rude female Low-pitched vocals with hoarseness sining all track], [accordion], [juicy melody, catchy motif], [clear studio product ]

This musical number opens with light piano and upright bass, brushed drums setting a calm jazz groove, Woodwinds and muted brass add playful flourishes, while vocals employ dramatic phrasing and comedic timing, The arrangement remains theatrical but restrained, inviting sly humor throughout

alternative rock, post-grunge, melancholic high-pitched male vocals, indie

uplifting trance, electronic

Russian ska-punk folk-rock, 145 BPM, accordion, brass, male choir

male voice, balalaika, accordion, guitar, drums

The piece opens with staccato strings and cutting percussion creating suspense, Raspy vocals weave around nimble violin lines, Brass and woodwinds bring growing intensity, harp glissandos swirl, and timpani accents mark transitions, driving everything to a soaring orchestral climax

Punk rock, reggae, and ska punk, punk rock, alternative rock, a tenor with a hoarse voice and a characteristic manner of performance, often with elements of fairy-tale and dramatic tension, Pipe, saxophone, cheerful voices, calmly lyrical song, alternative rock

A bold UK indie-rock track fuses driving guitars, punchy drums, and art rock tension, Cinematic strings—cellos and violas—deliver suspenseful stabs and sweeping lines, Staccato brass bursts add spy-pop flair, Male vocalist, Hoarse male vocals, Dramatic shifts and tightly syncopated breaks heighten adrenaline, led by vocals in a distinct English accent

Funk, bouncy EDM, bells and claps, festive and cheerful, theatrical male tenoretto comic vocal, irritated and demanding tone santa Klaus, male vocals, guitar, emotional, rock-and-roll, 80s, hip hop

Studio recorded cabaret folk performance, female vocal, loud, playful, half-drunken and ironic, Strong folk cabaret vibe with accordion, balalaika, bayan, piano and contrabass, Atmosphere of bawdy village cabaret: mix of traditional Russian folk song parody, vulgar humor, and drunken chorus, Audience claps, laughs, and sings along like in a rowdy tavern

Живо, дерзко, с гитарой и балалайкой, Как будто группа с пивом на сцене поёт про твой букет как про подвиг

A intro with nylon guitar section, hand claps and jigging dance sounds and subtle keys sets the mood, Verses feature raw raspy male vocal over atmospheric textures, gradually layered with soft percussion and melodic bass, The chorus swells with harmony-rich pads and understated electric banjo, flowing to a calming outro, melodic whispering at finishing choruses

A studio-recorded female vocal in a fun, slow, cabaret-style trash pop sound with a summer dacha party atmosphere, Mid-to-slow tempo groovy beat with a heavy, bouncy bassline, simple punchy drums, playful synths, and warm, slightly tipsy textures, The mood is loud, carefree, humorous, and celebratory, like a wild outdoor party with friends, food, and drinks, Vocal delivery is confident, low, slightly raspy, and expressive, with stretched phrasing and playful attitude, The chorus should be repetitive, chant-like, and easy to shout together, The production should feel full, warm, and character-driven, embracing joyful chaos, irony, and bold cabaret energy without sounding rushed or polished

The male vocalist performs a blues-style song with a melancholy yet hopeful tone, The main instrumentation is electric guitar, providing a soft, arpeggiated accompaniment, The vocals are clear and expressive, reaching into the baritone range, The song features a simple, repeating chord progression that supports the vocal melody, The tempo is slow, creating a reflective atmosphere, There are no noticeable percussion or bass elements, focusing on the guitar and vocals, The sound is clear, with the electric guitar and vocals well balanced in the mix, The melody is diatonic and easy to understand, with a slight modal undertone, The song's structure is verse-based, with a recurring melodic theme

children's voices, funny children's song, [Style: upbeat children's pop, eurodance, bubblegum pop] [Instrumentation: bright synth lead, simple drum machine beat, funky bassline, clean electric guitar chords, children's choir backing vocals] [Mood: joyful, energetic, optimistic, playful, naive], male vocals, female vocals

Low, rough, male voice expressing mockery, Pop, chanson, dance-pop, 95 BPM, Synthesizers (lead synth, pads, bass), drum machine, claps, guitar (rhythm section), acoustic guitar, Cheerful, light, danceable atmosphere, Intro: ABSOLUTELY NO vocals, NO hums, NO breaths, NO ad-libs, NO background voices

Style: Modern Russian festive ballad in the spirit of Alexander Rosenbaum — urban, witty, elegant, celebratory, NOT chanson, NOT sad, NOT epic, Think: "Ballad of the Old Captain" meets a refined New Year's toast Vocal: Male baritone — [Clear], [Crisp], [Spoken-word], [Wry], [Deadpan], [Radiant], NO melismas, NO drawn-out vowels, NO falsetto Mood: Begins elegantly and ironically → evolves into a joyful, communal celebration, Warm masculinity, gratitude, and delight in life's simple joys, Tempo: 108 BPM →rises to 115 BPM by final chorus → strong, crisp finish - Core: acoustic guitar (riff + strumming), hang drum, upright bass - Accent: lyrical accordion (melodic fills, never dominant) - Rhythm: light snare on 2 & 4 from first chorus onward Backing vocals: Only rhythmic “A!” on last line of each chorus — single male voice, NO harmonies, NO choir, NO gospel Structure: Intro → Verse → Verse → Chorus → Verse → Verse → Chorus → Verse → Verse → Final Chorus → Outro Duration: ~2 min 59sec

Indie Folk, Grunge, Electropop, Male Vocals, Raw Emotional Vocals, Russian Lyrics, Melancholic Verse, Explosive Angry Chorus, Sarcastic Tone, Verse: Slow Tempo, Clean Melancholic Electric Guitar Arpeggio, Soft Bassline, Intimate And Vulnerable Whispering Male Vocals, Atmospheric Synths, Chorus: Dynamic Shift, Powerful Punchy Drums, Overdriven Bass, Distorted Gritty Electric Guitar Riff, Energetic And Angry Vocals, Anthemic Feel, Structure: Verse — Chorus — Verse — Chorus — Bridge — Chorus — Outro

Russian folk song; melodic; sing-song; pure Russian pronunciation and a deep, sensual male voice; emotions of happiness and hope for a bright future; a mix of folk, folktronic, lo-fi styles, folk romance, ethno rock and punk rock; accordion, balalaika

vibrant; layered synths with sharp beats and soaring vocaloid melodies, vocaloid, futuristic, electronic