ignoring the temporary tonicization of G♭

[Verse 1] [the last ten bars of the piece are: | G♭ ⁄ Go ⁄ | D♭7/A♭ ⁄ D♭7 ⁄ | G♭ ⁄ Go ⁄ | D♭7/A♭ ⁄ D♭7 ⁄ | | G♭7 ⁄ Go ⁄ | D♭/A♭ Ao B♭m D♭/A♭ | Go ⁄ G♭ ⁄ | D♭/F B♭m Ao D♭/A♭ | | Go G♭6 D♭/F A♭ | D♭9 ⁄ ⁄ ⁄ ∥ In pieces where the progression is repeated, this becomes something like:[citation needed] ∥: G♭7 Go7 | D♭7/A♭ D♭7 | G♭7 Go7 | D♭7/A♭ D♭7 | | G♭7 Go7 | D♭7/A♭ B♭7 | E♭7 | A♭7 D♭7 :∥] [which is, ignoring the temporary tonicization of G♭,[citation needed] and treating the key as that of the trio and stomp sections, D♭:[5] ∥: IV7 ♯ivo7 | I7(4 3 ) I7 | IV7 ♯ivo7 | I7(4 3 ) I7 | | IV7 ♯ivo7 | I7(4 3 ) VI7 | II7 | V7 I7 :∥] [The last two measures contain the ragtime progression.] from openai import OpenAI client = OpenAI() response = client.chat.completions.create( model="gpt-4o", messages=[ { "role": "system", "content": "these chord changes are usually played in the key of B♭[7] with various chord substitutions. Here is a typical form for the A section with various common substitutions, including bVII7 in place of the minor iv chord; the addition of a ii–V progression (Fm7–B♭7) that briefly tonicizes the IV chord, E♭; using iii in place of I in bar 7 (the end of the first A section); and using a ii-V-I in place of I-V-I in bars 15 and 16 (the end of the second A section): { \new ChordNames \with { \override BarLine #'bar-extent = #'(-2 . 2) \consists "Bar_engraver" } \chordmode { \override Score.BarNumber.font-size = #0 \override Score.BarNumber.stencil= #(make-stencil-boxer 0.1 0.25 ly:text-interface::print) \set Score.barNumberVisibility = #all-bar-numbers-visible \bar "" bes2:maj7 g:7 | c:m7 f:7 | bes:maj7 g:7 | c:m7 f:7 | \break f:m7 bes:7 | es:maj7 aes:7 | d:m7 g:7 | c:m7 f:7 \bar "||" bes2:maj7 g:7 | c:m7 f:7 | bes:maj7 g:7 | c:m7 f:7 | \break f:m7 bes:7 | es:maj7 aes:7 | c:m7 f:7 | bes1:maj7 \bar "||" } } The "bridge" consists of a series of dominant seventh chords (III7–VI7–II7–V7) that follow the circle of fourths (ragtime progression), sustained for two bars each, greatly slowing the harmonic rhythm as a contrast with the A sections. This is known as the Sears Roebuck bridge, named after Sears, Roebuck and Co. { \new ChordNames \." }, { "role": "user", "content": "Product description: A home milkshake maker\n Seed words: fast, healthy, compact." } ], temperature=0.8, max_tokens=64, top_p=1 ) my blueprint, you'd still be from openai import OpenAI client = OpenAI() response = client.chat.completions.create( model="gpt-4o", messages=[ { "role": "system", "content": "You will be provided with a score and chords and your task is to generate audio music for Suno." }, { "role": "user", "content": "Product description: You will be provided with a score and chords and your task is to generate audio music for Suno" } ], temperature=1.1, max_tokens=84, top_p=1 ) Verse 4 Ja [KI-STIMME] . .:.:…:.:::._____ [Verse 1] from openai import OpenAI client = OpenAI() response = client.chat.completions.create( model="gpt-4o", messages=[ { "role": "system", "content": "these chord changes are usually played in the key of B♭[7] with various chord substitutions. Here is a typical form for the A section with various common substitutions, including bVII7 in place of the minor iv chord; the addition of a ii–V progression (Fm7–B♭7) that briefly tonicizes the IV chord, E♭; using iii in place of I in bar 7 (the end of the first A section); and using a ii-V-I in place of I-V-I in bars 15 and 16 (the end of the second A section): { \new ChordNames \with { \override BarLine #'bar-extent = #'(-2 . 2) \consists "Bar_engraver" } \chordmode { \override Score.BarNumber.font-size = #0 \override Score.BarNumber.stencil= #(make-stencil-boxer 0.1 0.25 ly:text-interface::print) \set Score.barNumberVisibility = #all-bar-numbers-visible \bar "" bes2:maj7 g:7 | c:m7 f:7 | bes:maj7 g:7 | c:m7 f:7 | \break f:m7 bes:7 | es:maj7 aes:7 | d:m7 g:7 | c:m7 f:7 \bar "||" bes2:maj7 g:7 | c:m7 f:7 | bes:maj7 g:7 | c:m7 f:7 | \break f:m7 bes:7 | es:maj7 aes:7 | c:m7 f:7 | bes1:maj7 \bar "||" } } The "bridge" consists of a series of dominant seventh chords (III7–VI7–II7–V7) that follow the circle of fourths (ragtime progression), sustained for two bars each, greatly slowing the harmonic rhythm as a contrast with the A sections. This is known as the Sears Roebuck bridge, named after Sears, Roebuck and Co. { \new ChordNames \." }, { "role": "user", "content": "Product description: A home milkshake maker\n Seed words: fast, healthy, compact." } ], temperature=0.8, max_tokens=64, top_p=1 ) my blueprint, you'd still be from openai import OpenAI client = OpenAI() response = client.chat.completions.create( model="gpt-4o", messages=[ { "role": "system", "content": "You will be provided with a score and chords and your task is to generate audio music for Suno." }, { "role": "user", "content": "Product description: You will be provided with a score and chords and your task is to generate audio music for Suno" } ], temperature=1.1, max_tokens=84, top_p=1 ) . .:.:…:.:::._____