New Songs

haunted mambo-dreamcore, melodic deep house, 98 BPM, swung mambo percussion, clave syncopation, hoarse female lead, accordion stabs, nylon guitar tremolo, brass muted hits, synth bass pulse, detuned organ chords, tape saturation, Dolby Atmos width, HQ glossy mix, plate reverb, sidechain pumping, bittersweet nostalgia, park twilight

Mid-2000s Korean mainstream hip-hop, emotionally expressive Korean male rapper, slightly husky conversational rap tone, catchy melodic sung hooks, Korean-language mainstream rap with emotional storytelling, warm R&B-tinged production, acoustic piano and guitar layers, soft string arrangements, punchy but clean boom bap drums, sentimental radio-friendly atmosphere, nostalgic urban mood, easy-to-follow rap cadence, emotional sing-rap delivery, male chorus harmonies, heartfelt and cinematic Korean hip-hop production, accessible mainstream style, 90 BPM

Psychedelic rock, blues rock, funk, minor, 124BPM, husky and powerful female vocal, electric guitar(wah-wah, fuzz, feedback-driven), vintage combo organ(chord stabs, 60s cheap tone), tenor saxophone(bluesy riff, growl tone), electric bass(funk groove, slap), drums(heavy backbeat, syncopated), a woman's raw voice scolds a dreamer she can't stop loving, defiance and devotion tangled in distortion, fade out ending

on a des basses profondes, un kick régulier et puissant, une montée progressive dans l’énergie, avec des synthés éclatants, des arpèges électroniques, et des voix filtrées, presque comme des échos, On va ajouter des transitions qui montent, avec des breaks, des builds-ups, et un drop puissant, pour vraiment donner cette sensation d’euphorie collective, Tu vois, c’est vraiment cette idée de progression et d'explosion

Gospel sounding Love song, 1940s Country Gospel, Male Vocal, catchy

Minimal techno / French rétro crossover, 124 BPM, hypnotic groove with organic warmth, inspired by the tropical theatrical vibe of Eric Morena mixed with intimate modern minimal techno, Immediate start, dry punchy kick, deep rolling sub bass, no intro, Minimal repetitive groove: kick, bass pulse, soft clicks, airy textures, subtle percussions, Female whispered vocals, close-mic, sensual and almost spoken in French with breaths and pauses, Lyrics about “Oh mon vélo”, riding slowly through the city, breathing fresh air, birds singing, spring light, urban happiness, relaxed atmosphere, awkward dreamy guy who forgets school and drifts through life, Chorus repeated like a mantra: “C’est ça la vie… Oh mon vélo”, Female choirs teasing softly: “Ne sois pas tête en l’air, tu vas droit dans le mur”, Warm hook with fingerpicked acoustic guitar and nostalgic tropical whistling melody, No drops, only tiny texture evolutions, cinematic 3AM mood, bittersweet, human warmth inside a cold machine

Dark 80s-inspired alt-pop track, BPM 94, key D minor, 4/4, emotional with steady groove, start with intimate vocal hook, haunting female vocals shifting from soft to powerful, with the singer’s voice always clear, clean, crisp and highly expressive, present in the mix and emotionally detailed, verses with analog synth pads, rhythmic bassline, electric guitar with chorus and delay, and rhythmic violin staccato patterns adding groove, groove-driven drums with soft 80s snare, pre-chorus builds with rising synths and strings, chorus with punchy controlled drums, melodic bass, textured electric guitar, and emotional violin lead with longer expressive notes, wide synth layers and catchy repeated hook, brief break before final chorus, strong stereo width, nostalgic, dark and cinematic, emotional arc from vulnerability to empowerment

Vocaloid-Style Female Singer With A Soft, Clear Digital Voice And Dreamy Future Bass Energy, Keep The Main Vocal Bright, Clean, And Easy To Hear, With Crisp Pronunciation, Cute Expression, And Smooth Emotional Control, Use Cute Chopped Vocals, Warm Synth Chords, Sparkling Plucks, Airy Pads, Bouncy Drums, And Soft Sidechain Movement With Clear Sound Separation, Add Gentle Backing Layers, Glossy Vocal Effects, And An Emotional Chorus That Feels Wide, Sweet, And Memorable, The Mix Should Be Polished, High-Definition, And Spacious, With Clean Highs, Warm Low End, And No Muddy Sounds, Dreamy Futuristic Pop Atmosphere, Cute But Emotional, Bright, Clear, And Beautifully Detailed

orchestral, avant-garde, orchestral film score

Dark pop track with edgy, cinematic energy; mid-tempo (100–120 BPM) driven by haunting synths, distorted electric guitar riffs, and pulsing bass, Warm, emotional male vocals carry the lyrics with intensity and power, Sparse, suspenseful verses build tension, leading into explosive, layered choruses with dramatic synths and guitar textures, Themes of danger, rebellion, and freedom, evoking a bold, unstoppable energy, Intimate yet cinematic, with tension-filled bridges, soaring guitar solos, and atmospheric electronic flourishes, Occasional rap or rhythmic spoken-word sections add modern edge

West Coast Hip Hop, A bright, staccato piano riff plays a repetitive four-chord progression, The drum kit features a crisp, dry snare and a punchy kick drum pattern, A deep, melodic synth bass follows the piano chords, High-pitched G-funk style synth leads provide occasional melodic accents, The track is in the key of G minor at 95 BPM, Male vocals are delivered in a rhythmic, aggressive rap style with heavy compression and slight saturation

82 BPM, abstract hip-hop, cloud rap, Mandarin chants, spoken-word cadence, kalimba loops, prepared piano, analog synth bass, brushed snare, glitch percussion, half-time bounce, swung triplet hats, tape saturation, spring reverb, stereo delay, late-night introspection, argumentative momentum

A nu-baile track in A minor at 140 BPM opens with lively cuíca, surdo, shaker, and sizzling FX, setting a playful street party feel, Verses blend breathy female vocals and bouncy synth stabs over deep 808 bass; catchy chorus erupts with whistle, tamborim, and food crunches, Drops lean into pulsing bass, synth leads, spicy percussion, and cheeky ad‑libs (“oh yeah, ” “bora, ” “delicia”), Bridge slows the groove, layering beachy festival sounds, before a final energetic drop brings all elements to a joyful, danceable peak

Emotional Japanese duet house-pop inspired by futuristic aquarium aesthetics, male and female vocals trading lines and harmonizing in chorus, dreamy neon atmosphere, emotional future house drop, sparkling synth arpeggios, soft piano, deep sidechained bass, underwater ambience, bubble sound textures, emotional and nostalgic mood, clean electronic drums, cinematic build-up, floating feeling, bittersweet romance, modern J-pop x house-pop fusion, addictive chorus, shimmering pads, transparent vocal layering, night aquarium vibe

1960 rock, rock theme, TV, theme, rock, riddim, deep riddim, dubstep, EDM, heavy dubstep, yoink bass

Dark Cabaret, Gothic Pop, Punk Rock, Synth Pop, Orchestral Pop, Fell‑Cabaret Noir, Vaudeville Revue, Dark Boy Band Pop, K-Pop, Epic Film Soundtrack, 148 BPM, F♯ Minor, E Minor, A Major, D Major, 2026, Lyric Baritone male Danish‑accented voice of Dave the Eastern Chipmunk — velvety and youthful, with a gritty powerful chest voice and soaring belt, a bright lifted mix, and a reverent high head voice with gentle vibrato and an eerie ethereal falsetto, Lyric Tenor male French‑accented voice of Tobbie the Sea Otter — powerful and resonant, rhythmically agile, with a warm bright chest voice and piercing belt, and an ethereal head voice with a crystalline falsetto, Wide stereo soundstage, Reverb, Panoramic audio, Dolby Atmos, Hi-Fi Audio, Remastered Audio, Lush Backing Vocal Harmonies, High-Fidelity, Dynamic EQ, Pitch Correction

1981 Sophisticated Mellow Groove, Urban Slow Jam, VOCAL GROUP STYLE, THICK LAYERED SILKY SOUL LEAD VOCALS, Smooth Male R&B Singing, LUSH STUDIO HARMONY STYLE, Produced by Larry Blackmon Style, 80 BPM, Warm Fender Rhodes, Mutron III Filtered Wah-Clavinet, Clean Chorus Guitar, Deep Analog Moog Bass, Tight Polished Drums, Analog Warmth, No Digital Artifacts

Industrial rave-techno energy, cybernetic hard trance groove, aggressive mechanical bass pressure, robotic electronic atmosphere, distorted industrial synths, machine-like rhythmic pacing, sharp offbeat synth stabs, dark warehouse rave energy, compressed techno drums, hypnotic cyber-rave repetition, futuristic electronic aggression, hard-hitting kick pressure, glitch-heavy vocal chops, robotic chant hooks, cold synthetic ambience, relentless dancefloor momentum, mechanical groove movement, high-speed trance synth motion, industrial electro textures, tense machine-driven build-ups, sharp rhythmic vocal delivery, aggressive side-chained bass, dramatic cybernetic escalation, underground industrial club atmosphere, repetitive machine-hook structure, dark futuristic sound design, modern industrial bass impact mixed with raw 90s rave DNA, emotionless precision energy, dystopian rave pressure

Industrial trip-hop fused with gungebilly desert grunge, Slow hypnotic tempo with dusty breakbeats, swampy sub-bass, distorted slide guitar, scrapyard percussion, analog synth drones, mechanical ambience, cinematic outlaw atmosphere, and dark sci-fi western energy, Female vocals delivered in smoky whispered phrasing with occasional strained melodic bursts, Heavy stereo spatial soundscape: metallic impacts panning across the field, distant Imperial radio chatter buried deep in reverb, slide guitar stretched wide left/right, drones swelling behind the listener, sub-bass centered and oppressive, Preserve tension and desert isolation, Avoid polished EDM, clean rock production, or heroic orchestral tones, Drums should feel dirty, compressed, mechanical, and low-slung, Atmosphere should feel dusty, paranoid, rusted, cinematic, and dangerous, ‑bright synthwave, ‑clean EDM, ‑melodic trance, ‑polished arena rock, ‑pop punk, ‑folk pop, ‑country rock, ‑cheerful indie music, ‑orchestral soundtrack, ‑cinematic hero music, ‑upbeat dance music, ‑hyperpop, ‑glossy production, ‑happy acoustic guitars, ‑modern trap hi-hats, ‑smooth jazz, ‑funk grooves, ‑reggae rhythms, ‑power metal, ‑uplifting choruses, ‑EDM festival drops, ‑radio-friendly pop vocals, ‑excessive autotune, ‑clean modern country, ‑lo-fi chillhop, ‑synth-pop sheen

Pop-funk floor-filler centered on a dominant, charismatic male lead vocal with brief, spotlight female responses and harmonized tags, The male voice drives 90% of the story with bold, rhythmic phrasing and sharp punchlines, while the female voice jumps in for about 10% of the lines as quick interjections, playful counters, and short harmony lifts, Tight 100–110 BPM groove with clean wah-touched rhythm guitars, rubbery bass, and a punchy drum pocket with crisp hi-hats and handclap accents, Bright synth stabs, filtered risers, and vocoder-tinted doubles wrap mostly around the male lead, with the female part adding select octave lifts and call-and-response moments, The arrangement builds toward choruses where the male voice stays primary in the hook and the female voice colors key phrases, creating a glossy, vocal-forward funk anthem with a clearly male-led duet feel and occasional female flourishes

Traditional Chinese instrumental music led by solo erhu, The erhu must play the main melody from beginning to end, always clearly in the foreground, Use expressive real erhu techniques: continuous bowing, strong melodic phrasing, graceful slides, portamento, vibrato, quick pentatonic ornaments, short trills, and emotional sustained notes, Medium-fast tempo, lively but traditional, Mood: elegant, loyal, fierce, beautiful, noble, and slightly melancholic, like a devoted imperial female guard, Use only Chinese traditional instruments: solo erhu lead, guzheng accompaniment, pipa plucked rhythm, soft dizi replies, yangqin light patterns, Very light wooden clappers only if needed, No drums, No modern rhythm, No western instruments, Clear erhu melody, traditional Chinese restaurant / wuxia courtyard atmosphere, instrumental only, ‑No drums, ‑No modern rhythm, ‑No western instruments, ‑Clear erhu melody, ‑traditional Chinese restaurant / wuxia courtyard atmosphere, ‑instrumental only, ‑No vocals, ‑no lyrics, ‑no choir, ‑no chanting, ‑No drums, ‑no drum kit, ‑no taiko, ‑no cinematic percussion, ‑no heavy percussion, ‑no EDM beat, ‑no modern beat, ‑no trap, ‑no rock, ‑no synths, ‑no piano, ‑no guitar, ‑no violin, ‑no cello, ‑no western orchestra, ‑no brass, ‑No ambient spa music, ‑no lo-fi, ‑no trailer music, ‑no battle orchestra, ‑Do not hide the erhu, ‑Avoid weak erhu, ‑background erhu, ‑fake erhu, ‑electric-guitar-like bends, ‑cheap MIDI sound, ‑Japanese instruments, ‑Indian instruments, ‑Middle Eastern style

Kabuki Garage Rock, Satirical Wa-Rock, Broken Ukiyo Punk Rock, Dark Japanese Modal Rock, Nervous UK Garage Rock, Experimental Syncopated Groove, theatrical Edo storytelling, sarcastic male spoken-singing, rough low husky male vocal, whisper-to-power delivery, melodic contrast, sudden beautiful melodic passages, melancholic sung pre-chorus, chant-like male octave doubles, broken kabuki pauses, twisted festival energy, unstable garage swing, shuffled 2-step UKG drums, ghost-note snare, offbeat kick accents, sharp rimshot silence, sudden dry band stops, stop-and-go breaks, irregular vocal timing, in-sen scale guitar melody, miyako-bushi mood, dark pentatonic riff, shamisen-like dry electric guitar picking, koto-like tremolo ornaments, taiko-like tom groove, dry semi-hollow guitar, baritone guitar, fragmented chord stabs, reverse guitar tails, warm sub bass, vulgar elegance, catchy twisted chorus, clear mix & mastering sound, no female vocal, no scream, no ordinary J-pop, ‑female vocal, ‑female harmony, ‑female backing vocal, ‑choir, ‑children vocal, ‑anime idol voice, ‑cute vocal, ‑clean J-pop chorus, ‑ordinary J-pop, ‑ordinary J-rock, ‑bright pop rock, ‑idol pop, ‑generic rock, ‑touristy Japanese music, ‑obvious shamisen solo, ‑obvious koto solo, ‑enka ballad, ‑folk ballad, ‑metal, ‑heavy distortion, ‑scream, ‑shouting, ‑harsh belting, ‑growl scream, ‑rap-only delivery, ‑nonstop fast vocal, ‑monotone spoken vocal, ‑no melodic sections, ‑vocal runs, ‑humming, ‑la la la, ‑excessive adlibs, ‑gospel choir, ‑cinematic orchestra swell, ‑muddy low-end, ‑wall of sound, ‑over-compressed drums, ‑harsh hiss, ‑static, ‑artifacts

melodic trip-hop, 82 BPM, Sovietwave, deep male baritone, ethereal female harmonies, analog sequencer pulses, detuned Juno pads, brushed snare loop, distant kick pulse, sub-bass drone, tape echo, vinyl crackle, wide stereo field, Russian choir intervals, filtered spoken word, slow-burn lift, bittersweet devotion

Theremin → main wobble lead (LFO synced at 1/4 + 1/8 triplet), Violin pizzicato → stutter‑chopped into rhythmic fills, Waterphone → metallic risers before each drop, Daxophone → glitch‑percussion with randomized bit‑crush, Glass Armonica → shimmering high‑end pad layer, Mega Marvin → sub‑bass core, sidechained to kick, Genre fusion: Techno pulse, witch house drag, hypnagogic pop neon‑dream haze, Japanoise bursts, mallsoft reverb‑wash, heavy metal distortion, grunge saturation, emo‑melodic

Pop rock with a high-energy, anthemic production style, Tenor male vocals lead with a powerful, slightly raspy delivery, often layering into multi-part harmonies during the chorus

Dark intemet, Angelcore, Witch house, SIGILKORE, famele voice, beat, fast, phonk, rap, Vocal, Famele vocal

jazz rap, lo fi hip hop, 92 BPM, brushed drum loop, dusty rimshot snare, sub bass groove, Rhodes chord stabs, vinyl turntablism, tape saturation, chopped vocal hook, vocoder ad libs, reverb drenched chants, bar separated phrasing, call and response, laid back swagger, playful menace, late 90s pulse, spoken intro, Tuesday commute, layered dropouts

Techno with Chinese opera vocal lines, martial army drum pulse, and driving four-on-the-floor kick; verse opens with sparse taiko-style hits and a thin synth drone, pre-chorus adds rising gong swells and clipped call-and-response, chorus hits with stacked opera belts, brass stabs, and chantable group shouts, Female vocal lead, doubled on hooks, with short delay throws and sharp ad-lib echoes, Reverse cymbal lifts and drum fills bridge sections; bright, hard-punching, arena-sized mix, chinese opera, vocal, techno

alternative metal, audophile, dolby atmos, art metal, progressive metal, metal, male vocals

Italian pop with a light urban bounce and a steady mid-tempo groove; verse rides sparse keys, clipped handclaps, and a pulsing bassline, pre-chorus opens with rising synth air and stacked backing vocals, chorus lands on a chantable hook with group doubles and short delay throws on the last word, Add small bell taps between lines, a reversed swell into each chorus, and a brief beat-drop pause before the final hook, Mix is bright, punchy, and intimate, with the vocal close-mic and slightly gritty

orchestral pop, 96 BPM, intimate male lead, string ensemble legato, solo violin counterline, concert flute motifs, piano arpeggios, tape-saturated drums, warm analog bass, plate reverb, stereo widening, 1980s ballad sheen, wistful verse, anthemic chorus, bittersweet nostalgia, steady backbeat, cinematic build, shoreline imagery, pop rock, math rock, powerful, chill, use my own male voice, saxophone, violin, heartfelt

Dark Jazz & Cinematic Trip-Hop // Music For Driving After Midnight, soul of chicago blues, hip hop, energy de la jeunesse, féminité inavouable et sensuelle, inspiré des film, profond, haute fidélité, afro soul, basse rebondissante, bande originale du film, poétique, solo de guitare, basse groovy, saxophone sombre, guitares électriques, mythique, voie douce inspiré des club de jazz prestigieux

haunted mambo-dreamcore, EDM, hoarse female voice, HQ Sound, 528 Hz, Dolby Atmos audiophile, ‑noise

Deep chillout, midnight lounge, slow groovy bass, lush ambient pads, soft filtered synths, gentle hi-hats, deep sub bass, dreamy reverb, sensual and smooth atmosphere, very relaxed, very slow 50-60 BPM, instrumental only, cinematic chill, late night drive vibe

Modern disco-pop, contemporary pop-soul with funk influences, 1970s-inspired retro soul fusion, four-on-the-floor groove, hand-claps on the offbeat, brass section with confetti-cannon entries, bright clean guitar licks, walking electric bass, soft pad underneath, layered male vocal doubles on chorus, brassy midtempo groove, polished modern mix that punches through phone speakers and club rigs, solo adult male tenor with strong falsetto extension and smooth soulful delivery, first-date adult-nerves emotional temperature, old-school soul polish in modern register, no commercial pop-teen brightness, no theatrical belting, no operatic reach, no audience, no crowd noise

aggressive black metal, syncopated to 6, dansk, sad vibe, celo, morin khuur

piano house, soca, afrobeat/kuduro fusion

[style: fractured cinematic dark-metal, ritual psychological alt-rock, broken educational anthem, raw emotional post-metal, anti-template cinematic realism, unstable theatrical grunge][mood: painful, psychologically collapsing, emotionally explosive, darkly educational, cathartic, suffocating, brutally human][bpm: 92][vocal: trembling male narration, unstable whisper layers, cracked emotional delivery, live room bleed, scream-wall chorus, raw throat tension, spoken breakdowns][production: live studio, room bleed, imperfect, damaged, cinematic pressure][mix: sub pressure, unstable vocal, raw peaks, wide screams][spatial: abandoned hall, close breathing][instruments: dark piano, detuned cello, glassy guitar, taiko][drums: slow heavy удар, heartbeat percussion, explosive cinematic crashes, ritual tom movement, restrained breakdown silence][arrangement: whisper→descent→tension→scream→collapse→catharsis][energy: Low → Rising → Peak Explosion → Collapse → Peak → Empty Aftermath]

Violin, sad, melancholy, gritty, guitar, trance, male voice

Genre: Cinematic English Pop Ballad Duet Mood: Hopeful, intimate, resilient, poetic Tempo: 96 BPM Vocal Type: Male vocal — soft tenor, close-mic, natural vibrato, calm emotional delivery Female vocal — clear mezzo, clean diction, intimate emotional tone Duet chorus — unison first, then thirds harmony, final chorus with octave double Instrumentation: Grand piano arpeggio, acoustic guitar harmonics, subtle gayageum-like plucked strings, soft string ensemble, gentle cello, acoustic bass, live brush drums Harmony: Intro: Cadd9 – G – Am7 – Fmaj7 Verse: Am7 – Fmaj7 – C – G Pre-Chorus: Fmaj7 – G – Am7 – G/B Chorus: C – G – Am7 – F Bridge: Dm7 – G – Cmaj7 – Am7 Outro: Cadd9 – Fmaj7 – C, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic/tinny highs, ‑No synthetic voice, ‑No formant shift, ‑Humanized timing and pitch, ‑natural vibrato only, ‑organic acoustic feel, ‑clear diction

Dark intemet, Angelcore, Witch house, SIGILKORE, famele voice, beat, fast, phonk, rap, Vocal, Famele vocal

1982 Urban Soulful Slow Jam, VOCAL GROUP STYLE, Produced by Larry Blackmon Style, THICK LAYERED SILKY SOUL BARITONE MALE LEAD VOCALS, MALE MELODIC CHORUS AND HARMONY, Deep Melodic Moog Bassline, Prophet-5 Shimmering Synth Pads, Tight Organic Acoustic Drums, Glistening Fender Rhodes, Clean Funk Rhythm Guitar, Analog Warmth, No Digital Artifacts

Afrikaans Sokkie / dance styled song, Duet, 2 female vocals, Emo, Voilin

hip hop, trap

Playful French electro-swing pop anthem, 128 BPM, chic Parisian cabaret energy mixed with modern catchy pop, Upright bass, brushed drums, jazzy piano, accordion touches, pizzicato strings, brass stabs, subtle electronic groove, claps and warm backing vocals, Female lead vocal, witty, sensual, teasing, expressive, smiling delivery, very French phrasing, Verses spoken-sung with attitude, pre-chorus more melodic and charming, chorus instantly catchy, joyful, elegant, memorable, Mood: Parisian humor, loving teasing, romantic confidence, nightlife sparkle, positive and addictive, Clean production, cinematic but playful, big final chorus with layered harmonies

jazz fusion hip hop jazz fusion, funk, R&B, electronic, soul, progressive rock virtuoso basslines funky drummer breakbeats male emotional rap vocals unfiltered confessional delivery kamasi washington saxophone wails p funk synth layers horn section stabs soulful female backing vocals politically charged rap vocals poetic spoken word interludes west coast experimental funk george clinton psychedelic influence upright bass grooves complex time signature shifts chant call and response layered vocal harmonies flying lotus ethereal textures unfiltered emotional delivery black consciousness lyricism church organ swells raw confessional tone 2015 analog jazz rap metamorphosis concept narrative, ‑live, ‑crowd, ‑Trap drums, ‑808 bass, ‑auto-tune, ‑EDM drops, ‑electronic synth leads, ‑female vocals, ‑polished pop production, ‑generic corporate background music, ‑fast tempo, ‑club energy, ‑mumble rap, ‑modern trap flow, ‑orchestral strings, ‑dubstep elements, ‑bright happy major key pop, ‑predictable verse-chorus-verse-chorus structure, ‑AI-generic uplifting mood, ‑clean digital mixing, ‑modern R&B runs, ‑adlib chains, ‑gun sound effects