




I make music that lives somewhere between intimate, strange, emotional, and a little unpredictable. I’m drawn to modern art-pop, soul, acoustic textures, atmospheric production, unusual rhythms, and songs that can feel beautiful and unsettling at the same time. A big part of my writing is phonetic—I bend words, vowels, syllables, and unexpected phrases until things rhyme or connect in ways they shouldn’t on paper but somehow work when sung. I also experiment heavily with vocal character, recording my own unusual vocal personas and blending them subtly into generations to create voices with more personality, emotion, and human imperfection. I’m developing my own genre ideas like Vowelflux, where the singer’s mouth shape and pronunciation can influence the color and movement of the entire arrangement. More than anything, I want each song to feel like its own little world—story first, emotion underneath, and enough weirdness around the edges that you hopefully haven’t heard quite the same thing before.