MBR

Overall Style • Genre: Alternative hip-hop / Jazz rap Vocal - UK male • Production: Warm, sample-heavy beat built around a loop, It features mellow Rhodes-style keys, vinyl crackle, and a swung, head-nodding drum groove typical of Dilla’s early work, • Mood: Reflective, nostalgic, emotionally introspective, A vibe of “cool sorrow” — thoughtful without being melodramatic, • Tempo: Around 92 BPM, but the swing gives it a slightly slower, “loose pocket” feel, ⸻ Cadence Notes • Flow Type: Conversational and syncopated, Each emcee rides slightly behind the beat, leaning into a lazy, almost jazz-influenced syncopation, • Bar Structure: Lines are often stretched over bar lines, with enjambment and unpredictable phrase endings that mirror spoken thought, It resists strict 4-bar phrasing, • Breath Control: Intentional irregularity, Pauses feel natural and speech-like, adding to the conversational tone

Male vocals: Male 1: Strong deep East coast US male vocal; Male 2: Abrasive, melodic Southern US male vocal; Female 1: Caribbean accented dynamic sexy female vocal; Female 2: West Coast Cali Hood Raw Female vocal - Intro: Lo-fi choir sample or reversed hymn (e, g, “Ave Maria” flipped and filtered) Verses: Minimal boom bap, DJ mixing, monk chants chopped as texture, measured, relaxed vocal delivery with strategic enjambment alternating with spitting fiery staccato bars from the other vocalist, Hook: Thunder clap, looming sub-bass and pipe organ riff before her verse drops • Outro: Vinyl spin-down + muffled sensual moaning in a confessional booth while a rosary is given

Male vocals: Male 1: Strong deep East coast US male vocal; Male 2: Abrasive, melodic Southern US male vocal; Female 1: Caribbean accented dynamic sexy female vocal; Female 2: West Coast Cali Hood Raw Female vocal - Intro: Lo-fi choir sample or reversed hymn (e, g, “Ave Maria” flipped and filtered) Verses: Minimal boom bap, DJ mixing, monk chants chopped as texture, measured, relaxed vocal delivery with strategic enjambment alternating with spitting fiery staccato bars from the other vocalist, Hook: Thunder clap, looming sub-bass and pipe organ riff before her verse drops • Outro: Vinyl spin-down + muffled sensual moaning in a confessional booth while a rosary is given

Male 1: Strong deep East coast US male rap Females: Sexy, throaty voices - Intro: Lo-fi choir sample or reversed hymn (e, g, “Ave Maria” flipped and filtered) Verses: Minimal boom bap, DJ mixing, monk chants chopped as texture, measured, relaxed vocal delivery with strategic enjambment - sung part, Female vocalists, sexy and beautiful voices • Outro: Vinyl spin-down + muffled sensual moaning in a confessional booth while a rosary is given

[instrumental] genres: "UK Grime, Drill, Electro-Soca, Cinematic Orchestra" tempo: 105 BPM energy: 8/10 mood: "Playfully menacing, decadent, absurdly confident, sexy chaos" [vocal_verses] style: "Smooth UK urban flow — polished, measured, with street-smart confidence" [vocal_bridge_and_outro] style: "Sultry female Jamaican—melodic rap, flirtatious attitude, rhythmic sway" [production_elements] - orchestral stabs & string hits (dramatic flair) - syncopated drill hi-hats & dark 808s (push/pull energy) - Caribbean percussion flavors (steel drums, dembow swing) - occasional pitched vocal chops (textural flourishes) - risers/drops keyed to lyrical punchlines (“volatility, ” “bag, ” “tip”) [mix_suggestions] - crisp mid-range for voice clarity in dense verses - wide stereo imaging on percussion for club feel - sultry, breathy reverb on bridge vox - contrasty stereo on strings for ci

Male vocals: Male 1: Strong deep East coast US male vocal; Male 2: Abrasive, melodic Southern US male vocal; Female 1: Caribbean accented dynamic sexy female vocal; Female 2: West Coast Cali Hood Raw Female vocal - Intro: Lo-fi choir sample or reversed hymn (e, g, “Ave Maria” flipped and filtered) Verses: Minimal boom bap, DJ mixing, monk chants chopped as texture, measured, relaxed vocal delivery with strategic enjambment alternating with spitting fiery staccato bars from the other vocalist, Hook: Thunder clap, looming sub-bass and pipe organ riff before her verse drops • Outro: Vinyl spin-down + muffled sensual moaning in a confessional booth while a rosary is given

Male vocals: Male 1: Strong deep East coast US male vocal; Male 2: Abrasive, melodic Southern US male vocal; Male 3: Mild mannered, urbane Rhode Island, Female 1: Caribbean accented dynamic sexy female vocal; Female 2: West Coast Cali Hood Raw Female vocal - Intro: Lo-fi choir sample or reversed hymn (e, g, “Ave Maria” flipped and filtered) Verses: Minimal boom bap, DJ mixing, monk chants chopped as texture, measured, relaxed vocal delivery with strategic enjambment alternating with spitting fiery staccato bars from the other vocalist, Hook: Thunder clap, looming sub-bass and pipe organ riff before her verse drops • Outro: Vinyl spin-down + muffled sensual moaning in a confessional booth while a rosary is given

One verse cipher, continuous, no chorus, no bridge, just 808 or simple beatboxer beats at first, sinister bass throb tones coming in at [DROP] that then steadily intensify into mildly ironic horrorcore

1998 Seattle hip hop, sibilant flow, deltron, j5, tuna, deep, cerebral, dislocated styles

Anti war anthem, massive popular appeal, rich textured strings soar under a punctuating snare beat from an 808, All verses are rapped, the hook is sung, There is a 16 bar instrumental and outro, Chorus is sung solo in the first instance and then as a gospel choir thereafter

Male vocals: Male 1: Strong deep East coast US male vocal - Intro: Lo-fi choir sample or reversed hymn (e, g, “Ave Maria” flipped and filtered) Verses: Minimal boom bap, DJ mixing, monk chants chopped as texture, measured, relaxed vocal delivery with strategic enjambment, introspective, A closing track, Hook: Thunder clap, looming sub-bass and pipe organ riff before her verse drops • Outro: Vinyl spin-down + muffled sensual moaning in a confessional booth while a rosary is given, Big finish - album outro