Don't judge a song by it's cover 2

1960s New York Avant-Garde, Proto-Punk, Garage, Psychedelic Rock, Noisy wall of sound, Droning Guitars, Slightly out of tune distorted fluently sweeping cello, Soft and sensible female vocals, melodic and easy to understand, spare syncopated offbeat drums, Playful with peaceful vocals and experimental droning instruments, illustrating the lyrics, Raw and natural sound

stripped-down, moody electronica with a cold, spacious atmosphere, electronica, tone, slow, soft, rhythmic, low, moody

British invasion, noise rock, psychedelic stoner, wall of noise, complex layered harmonies: deep, warm, flirty and cheeky female vocals, whispering, syncopated drums, dark droning cello, slightly our of tune, heavy layered warm hammond organ, heavy distorted bass guitar, jangly acoustic guitar, warm fuzzy guitar, raw, clear and natural sound

Emotional live performance with responding audience, Strong, raspy, raw, emotional female vocal with a smoky, weathered edge, soulful and blues-driven, full of dynamic grit and natural vibrato, The voice carries intensity and vulnerability, like a live late-night confession on stage, Feels lived-in, honest, and close to the heart, Blues-rock and gospel influence, expressive phrasing, every line delivered with real feeling, Verses are minimal, centering smokey, extreme vibrato-heavygoing over the place female vocals, Choruses burst with powerful hammond organ and bold vocal harmonies, Soulful blues-rock driven by deep warm gritty fuzzy guitar riffs, layered melodic improvising hammond organ and warm deep droning walking bass, Acompanied by syncopated soft and sparse jazz percussion

Capoeira regional, vocal masculino, berimbau Guga e berimbau viola, atabaque pandeiro, ritmado, enérgico, cadenciado alegre, contagiante

Capoeira regional, gritty male vocal, berimbau Gunga e berimbau viola, atabaque, pandeiro, ritmado, enérgico, cadenciado alegre, contagiante, chorus (coro) by mixed male and female choir, giving each of them a voice

Capoeira regional, gritty male vocal, berimbau Gunga e berimbau viola, atabaque, pandeiro, ritmado, enérgico, cadenciado alegre, contagiante, chorus (coro) by mixed male and female choir, giving each of them a voice

Catchy late-1970s punk song with sharp, melodic guitar riffs and a fast, driving rhythm, Bright but gritty electric guitars, punchy bass lines, and tight, energetic drums, Tempo is upbeat and urgent, designed to hook immediately, Vocals are clear but forceful, slightly raspy, with a strong melodic sense and emotional intensity rather than shouting, Song structure is tight and concise, with memorable instrumental hooks and a sense of youthful urgency, Production should feel raw but focused, like an early punk single recorded quickly but with precision and heart

Dirty 1977 punk rock with reggae elements, distortion, aggression and fun, punk bass guitar riffs, two chords guitars, gravelly deep gravelly male vocals, no reverb

A rush of 90s American punk rock at 170 BPM: blistering power chords in E major, bright, overdriven guitars at the forefront with punchy, distorted bass locking tight to rapid-fire, crashing drums, Melodic, cheeky vocals of a male an a female singer cut through with ironic hooks, At the end they sing as duett, Slight lo-fi grit heightens the garage rawness; attitude and drive fuel fast, infectious choruses and restless riffs

party driven, dirty, raw punk rock, with some reggae elements, catchy, very dynamic: raw in the punk parts, soulful fun in the reggae parts, sliding changes build up tension, ‑ska

Neue Deutsche Härte, militaristic industrial stomp, staccato theatrical male baritone, heavy alveolar trills, over-enunciated consonants, 4/4 marching beat, deep chest-voice resonance, ominous cinematic distortion, crushing down-tuned riffs, stoic authoritative delivery, cold machinic energy

Brutal distorted bass guitar riffs, for intro, instrumental breaks and end, husky offbeat reggae guitar in intro and breaks, Verse 1 slow and threatening, 1977, rough, hyper-melodic, high-energetic, punk rock with some reggae influence, driving drums, DIY energy, uplifting, Bass-heavy raw and natural sound, Husky, deep male baritone shouts louder than the instruments, no reverb, no paracommunication, No brass

Dirty and rumbling Death 'n' Roll, driven by a gravelly deep, swedish distorted bass guitars, fast dynamic double bass and bursting deep growling vocals, All instruments bass heavy, fast, distorted and earth quaking, Joyful, cheerful, jumpy tune, Unpolished and raw powerful background gang cheers (hey!, uh!, yeah!)

Dirty and rumbling Death 'n' Roll, driven by a gravelly deep, swedish distorted bass guitars, fast dynamic double bass, All instruments bass heavy, fast, distorted and earth quaking, Joyful, cheerful, jumpy tune, Unpolished and raw powerful deep growling vocals, background gang cheers (hey!, uh!, yeah!)

slow, acoustic ballad, sparse guitar and soft piano with a slow, acoustic, dark, heavy with regret and mortality, funeral-like pace, gravelly male vocals, aged and fragile, sung with plainspoken honesty, raspy, every verse is physically painful to speak, raw, raw, male vocals, ballad, soft, intimate, mournful mood

distorted slide bass guitar riff blues, dark, heavy with regret and mortality, gravelly male vocals, aged and fragile, sung with plainspoken heartfelt pain, intimate, mournful mood, but joyful acceptance, too, painful laughter

Dirty, raw and deep Death 'n' Roll, driven fast by swedish death metal bass guitars, fast dynamic double bass and bursting deep growling vocals, The Death 'n' Roll still follows Hard Bop characteristics, like jazz trumpet improvisation and rhythm triplets, but lower, faster and more energetic, Bebop, All instruments bass heavy, fast and distorted, Joyful, cheerful, jumpy tune, Unpolished and raw power, Live performance, cheerful audience enjoys screaming, shouting, clapping

1977, hyper-melodic, high-energetic, punk rock with some reggae influence, driving drums, husky offbeat reggae guitar in bridge, DIY energy, uplifting, Bass-heavy raw and natural sound, Brutal bass guitar riffs, for intro, instrumental breaks and end, Deep raspy deep male baritone gravelly shouting louder than the instruments, british accent, no reverb, No brass

Grove Metal, Reggae influence, male vocals

high-energetic punk rock with some capoeira and reggae influence, buzzing and occasional mistakes, driven by low brutal metal bass guitar riffs, berimbau and sloppy but energetic drums, some imperfections, distorted offbeat reggae guitar, especially in the bridge, Deep raspy male baritone louder than the instruments, british accent, natural gravel, no reverb, Bass guitar instrumentals as intro, instrumental breaks and at the end, DIY energy, uplifting, joyful, bass-heavy raw and natural sound, No brass, ‑No brass

Lo-fi acoustic folk-punk, raspy female vocals, throat fry, acoustic guitar, demo recording

Acoustic folk-punk, raspy female vocals, throat fry, acoustic guitar, buzzing cello strokes around the melody of the guitar

The intro starts with eerie whistle, graveyard atmosphere, Blend bouncy eerie 3/4 waltz rhythm, dark Jazz, Deathrock vocals and dirty Rock 'n' Roll, at 100 BPM, Instruments: Emotional acoustic jazz bass, dirty deep trombone, eerie cello, Slightly syncopated 3/4 rhythm, Vocals: Deep gravelly growling vibrating male baritone, pronouncing every word, dynamic, heartfelt pain, reflective, depressed amusing, Sound: Low, clear and unpolished sound, gritty studio tone

1990s-2000s Bahia Axe music, Brazilian Carnival Block Anthem, high energy, fast-paced 155 BPM, Heavy percussion: Timbau solo, Surdo rhythm, Repique, Distorted Swedish metal bass riff, Female gritty energetic lead vocal, call and response chorus with a large crowd (backing vocals), Live street festival atmosphere, festive, celebratory, syncopated rhythm, organic instrumentation