4:00

heavy male vocals, slow doom metal, sludge guitar riffs, heavy chorus, calypso, minor key, slow
3:59

Monster Male vocals, Raw doom metal, black metal, sludge guitar, inferno, harpsichord, medieval, metal, techno trance
2:41

3:27

2:54

4:00

"I am Lilith"
v3.5
"Mystical intro with duduk and harp, transitioning to symphonic metal featuring powerful female vocals, orchestral arrangements, and heavy guitars, capturing Lilith's timeless, defiant essence, "
3:08

Stoner rap, psychedelic, trippy, Cloud Rap, Vaporwave, Slowcore
4:00

Doom Metal, Slow Doom Metal, 8-String, Djent, 3:45 lenght, 60-75 BPM, Solemn
3:06

playful, sultry, female vocals, sensual, hypnotic, glitch, sexually charged, vocal
4:03

slow, soulful, love, Ancient Chinese Folk, Chinese instrument, epic, atmospheric, dark techno
3:34

Raise the Noise
v4.5
Energetic 80s-style arena rock anthem with a modern production edge, Driving power chords, melodic lead guitar, punchy drums, and chant-ready vocals, The sound is bold, anthemic, and rebellious – perfect for a street party or stadium crowd, Synth pads add atmosphere, while harmonized guitar solos deliver that classic rock glory, The vocals are strong, slightly gritty, and designed for sing-along choruses, The mood is loud, unapologetic, and electric – a celebration of rock, unity, and volume
3:53

dark indie-opera / Brazilian Bass fusion, A minor, 112 BPM, Bassline: Deep, Brazilian blind grill with sidechain - minimalistic but powerful, Vocals: Multilingual layering, polyphony, Use of vocoder in choruses, Addition of husky keyboards, Effects: Delays with reverb on the lines of "Beloved"; whispering echo at the end of the bars, lasers, sound effects, Drop: Use of shredded vocal glitches as rhythmic instruments, deep low hoarse female voice, Use Brazilian bass drops with a melodic minor key to maintain emotional intensity, Layer operatic vocal harmonies subtly under the lead during chorus for that dramatic pull, Include filtered ocean wave FX under certain lines for atmospheric depth, Vocal chops from the chorus hook ("it’s you, it’s you") can serve as part of a dance break loop
3:12

New wave / post-punk / jangle pop
A fun electro-pop duet with a male voice (emotional, trembling, whispered with delay) and a female voice (intimate, sensual clean Polish whisper with reverb), The song opens with a whispering children's choir chanting "Woof, woof, meow" over twangy clean guitars with chorus and delay, synth arpeggios and a steady 80s-style drum machine, The verse sections are melodic and airy, with Cure-style basslines and dreamy pads, The choruses explode with layered vocals, club synth leads, four-on-the-floor beats and bright new wave guitar riffs, It features distorted "meow" samples, glitch effects and a chaotic outro with animal sounds, Overall vibe: fun, emotional, strangely romantic, Inspired by 80's jangle pop and electroclash, Medium tempo (around 150 BPM)
3:59

“Eternal Servitude” is a melodic blackened doom metal elegy, tuned to 432Hz for a hollow, ancient tone, Starting at 60 BPM with spectral whispers and reverb-drenched arpeggios, it rises to 140 BPM with a ghostly waltz of echoing chords and ethereal lead harmonies, The tempo climbs to 180 BPM, as a choir of lost souls rises with crushing riffs and haunting chants, Hollow growls become spectral invocations, layered with ethereal choirs and whispering voices, A melodic solo dances like a spectral waltz, before fading to the silence of the grave, This is not death—it is the chains of undeath, souls used, never freed
4:41

Dreams come True
v4.5
Create a purely instrumental, atmospheric melodic techno track inspired by NN'to's "Trauma, " Set the tempo around 122 BPM, Build a hypnotic, evolving arrangement with a steady, warm, and deep four-on-the-floor kick drum, subtle organic percussions, and syncopated hi-hats, Use rich analog-style synth layers, evolving pads, filtered plucks, and melancholic minor chord progressions to create a deeply immersive, emotional atmosphere, Incorporate a dynamic, smooth sub-bassline that grounds the track and fills the low-end with warmth, Gradually introduce evolving arpeggios, resonant filters, delayed synth stabs, and textured background atmospheres, such as distant field recordings or soft vinyl crackles, to enhance depth and movement, Avoid vocals completely, Focus on tension and release through gradual builds, minimal breakdowns, and layered melodic developments, The mix should be wide, spacious, with deep reverb tails, clear stereo imaging, and controlled dynamics, achieving a cinematic, i
3:25

Chernabog
v4.5
Gothic Heavy Metal, Slavic Orchestral Epic, Instruments: electric guitars drenched in reverb, distorted bass, drums: taiko kicks, tom-tom groove, cymbal crashes, orchestral strings: violins, cellos, balalaika accents, low clarinet for ominous tones, timpani, gong hits, occasional distorted gusli textures
2:46

3:47

fast, spooky, mysterious, magical, enchanted, eerie, whimsical, dark, multilayered, overlap vocal, whispers, pipe organ, violin, cello, trick or treat, Halloween, old castle, haunted, flowing, lyrical
3:20

For you baby
v4.5
80s anthem rock, 80s glam rock, sebastian bach vocals, song is in minor key of Cm, epic solo, dark, intense, 80s hair metal, flange guitar effect solo, hard rock, xylophone
4:30

Doom metal, a# guitar tune, slow, dark ambience, heavy bass, ominous sounds, epic, heavy guitar breakdown, sinister, mania
5:34

aditional Chineses, low, soulful, love, Ancient Chinese Folk, Chinese instrument, epic, atmospheric, dark techno, Movice, cantonese, sad, melancholic, house, orchestral, pop, duet, sedih, poetic lyrics
2:39

Title: System Shutdown
Gritty, politically charged protest anthem in the style of Rage Against the Machine, Aggressive, half-shouted verses explode into full-force choruses with gang vocals (3–4 layers), delay, and stereo spread, Megaphone-filtered intro: “This is not a drill… this is not a dream… this is the sound of chains breaking at the seams” over static, vinyl crackle, and distorted radio noise, 🎸 Guitars: Wah/phaser riffs in verses, double-tracked power chords in choruses, chaotic feedback and pick scrapes in outro, 🥁 Drums: Tight snare/tom interplay, booming kicks, subtle claps in choruses, tribal toms with deep reverb in breakdown, 🎧 FX: Rainfall loops, faint protest chants in bridge, tucked-in distorted vocal samples, and delayed final scream, A raw, militant sonic rebellion, Channel censorship, control, and uprising — like the sound of crashing the grid
3:32

1980s glam metal style with huge guitar riffs, flashy solos, catchy chorus, and sexy sleaze, Like Mötlsy Crew meets Sinderella with a touch of Danger Danger and Steal Panter, Over-the-top vocals, driving drums, and fun rock attitude
4:11

2:28

This is RUSSIA
v4.5
Generate a hard, aggressive hip-hop track with a gritty East Coast vibe, inspired by early 2000s rap, Use heavy drums, deep bass, and minimal, dark melodies — a raw, street-style instrumental, The rapper should have a strong, steady, confident flow with clear articulation and street attitude, Lyrical themes: breaking Russian stereotypes (vodka, bears, cold), showing pride, resilience, and national identity, The chorus should be punchy, repeatable, and anthemic — built around the phrase “This is Russia”, Tempo: ~90 BPM, Mood: bold, defiant, powerful, Genre: gangsta rap / East Coast hip-hop / G-Unit-style track
2:23

atlanta, memphis, new orleans, chopped and screwed, trap, lo-fi, deep resonate vocalist voice
3:05

3:30

3:34

4:00

80s HEAVY METAL, SLUDGE GUITAR, GREGORIAN CHANTS, ENERGETIC VOCALS, AMBIENT, GUITAR BREAKDOWN, HYPER vocals
5:28

Dark Nordic symphonic metal, power metal, goth metal, cinematic and melancholic mood inspired by Nordic autumn and November greyness, [Instrumentation: traditional Nordic instruments, distorted heavy guitars, full symphonic metal band, string orchestra, choir, cinematic percussion, celesta and bowed glass textures], [Vocals: male verses in baritone, calm and solemn, female sings chorus like in opera - versatile with phrasing, emotionally intense and ethereal and epic choir accompanies], [Behavioral Engine: dynamic layering, tension-building arrangements, emotional arcs, balance of metal and neoclassical], [Immersive Mix & Mastering: deep stereo width, orchestral reverb tails, kick/sub mono, vocals front-center, guitar wall panned wide, choir in depth field], [Tempo: slow, 90 BPM, Key: E
3:14

I see your face...
v4.5-all
r&b, emotional, deep, haunting female vocals, soft, alt-r&b, slow, echoing synths, walking alone in a neon-lit city at midnight, dark pop, female vocals, haunted and hypnotic tone, deep bass, slow seductive beat, tone, pop, smooth, hypnotic, moody, soft reverb on the voice, seductive, smooth layered harmonies, cinematic atmosphere
3:19

A dark, eerie, psychedelic downtempo dubstep track with a hypnotic, pulsing atmosphere, Deep wobbling sub-bass, distant detuned pads, reversed textures, and sparse glitch elements, The mood is unsettling but soothing, like drifting through a lucid dream in slow motion, Use minimal percussion with soft, skittering hi-hats and warm, heavy low-end pressure, Include a breathy, intimate mantra-style vocal repeating a grounding phrase, layered with whisper-like harmonies and subtle psychedelic echoes, Overall vibe: shadowy, atmospheric, meditative, and immersive, with a slow dubstep sway and a surreal, night-time tension
4:28

EDM, speed rap, hardstyle, bass heavy, avant-garde, experimental, Raw phonk, clear vocals, Brazilian drift phonk, speedcore, dark trap, Memphis chop and screw Slowed pitch modulationvocals with slowed down God mode goat rap, horrorcore crunk, underground hardcore, reverb overlap and over layered, chopped samba samples, vinyl crackle, screw-style pitch drops, ambient gunshots, reverse delays, gritty, confident monstrous monster vocals that possess the possessed!!!! Lol 😆 🤣, euphoria
4:06

200 BPM, F♯-minor, 7/4 + 4/4 switch-ups, break-neck chopper flow, quadruple-time hi-hat rolls, distorted 808 sub-drops, atonal violin stabs, gang-vocal chants, hyper-compressed mix, aggressive gnarly vibe, non-stop 60-second barrage, pro-studio loudness
“vocal style: Rhymes rapid-fire triplet cadence”
“mastering: –6 LUFS, clip-driven saturation, no breathing room”
“lyrics: dark, percussive consonants, internal rhyme every half-bar”
Triplet feel: ONE-trip-let-TWO-trip-let…
Consonant punches on the downbeats; vowel flips on the off-triplets, Breath every 4 bars (after bar 4, 8, 12…) by clipping the last syllable short and inhaling on the snare, Accent the internal rhyme stacks (bold) to make the tongue twisters pop through the mix, Memorize in 8-bar chunks, loop at 200 BPM, then stitch together, When you can nail it clean at 210 BPM, you’ve officially entered chopper hyperspace




























