3:31

Ветром гонимым.
v4.5+
female vocal, ethereal folk, slavic folk music, ritualistic, hauntingly beautiful, delicate and tender young female voice, soft, airy, breathy, floaty, with a clear and high pitch, gentle and sorrowful delivery, voice gains power but remains tender
Music style: epic dark folk, cinematic, tribal, ambient, with a growing intensity
Instrumentation: deep cello drones, shamanic frame drum heartbeat rhythm, gusli harp arpeggios, slavic flute (sviryel), deep male choir chanting in background, ethereal female backing vocals, powerful drumming in chorus
Song structure: starts minimal and atmospheric with solo voice and cello, builds gradually with each verse, becomes most powerful and intense in the final chorus, ends with a sudden cutoff
Production: wide, atmospheric, cinematic, sounds like a movie soundtrack from a fantasy film
4:46

[style: Russian folk rock, pagan folk, dark cabaret, epic male vocals, gritty voice, powerful anthem]
[genre: Folk Rock, Neo-Folk]
[mood: Melancholic, Angry, Defiant, Cathartic, Triumphant]
[instruments: Driving acoustic guitar, raw bass, haunting flute (zhaleyka), pounding military drums, epic orchestra, church bells, distorted guitars in chorus]
[vocal: Raw emotional male baritone, passionate, from a whisper to a roar, gang vocals in chorus, guttural shouts "эээээх!"]
[structure: verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, pre-chorus, chorus, chorus]
5:11

Blessed to be Cursed
v4.5+
moderate 70–80 BPM range—slow enough to let the emotional weight breathe but with enough pulse to keep tension alive, Think of a sultry, atmospheric indie or alternative style with subtle rhythmic drive— There should be a cappella harmonies layered behind the chorus or key lines throughout the entire song, Use sparse, moody instrumentation: textured synth pads, minimalist percussion, deep bass, and ethereal guitar or piano arpeggios to evoke the elemental themes, This sonic palette lets the vocals carry the poetic storytelling while building intensity toward the refrain’s hypnotic “moth to flame” pull, The beat should gently swell and recede with the verses, culminating in a cathartic but controlled release at each chorus
4:52

Dark, cold symphonic black metal track in the vein of mid-90s atmospheric black metal, The song unfolds in a ritualistic structure, beginning with a slow, ominous intro before erupting into tremolo-picked minor-key guitar riffs and blasting drums, alternating with slower ceremonial mid-tempo passages, Keyboards form the symphonic backbone with layered string pads, icy synth choirs, and gothic organ textures, creating a frozen, otherworldly atmosphere, The production feels raw yet majestic, intentionally lo-fi, prioritizing mood over polish, Vocals are commanding and harsh - deep, raw growls intertwined with piercing shrieks, delivered like arcane incantations, The interplay of guitars, cold synth layers, and tortured vocals evokes an ancient cult summoning a dominion from another reality, The track builds toward a climactic final ritual section, ending in a bleak, haunting aftermath, Overall tone is sinister, ceremonial, and unyielding
4:59

gritty raspy baritone male vocals, deep gravelly expressive voice, country rock with steady club beat, driving acoustic guitar, four-on-the-floor kick, rhythmic blues rock, 115 bpm, raw energy, Russian bard soul
4:19

British indie rock, post-punk revival, angular guitars, layered strings, atmospheric synth pads, building drums, Northern English vocal delivery, vulnerable and fragile tone, cinematic production, lush arrangement, dynamic swells, melancholic yet anthemic, intimate male vocals, 85 BPM, minor key
3:39

A male vocalist performs a melancholic folk song in Russian, accompanied by an acoustic guitar, The song is in a minor key, with a moderate tempo, The guitar plays a fingerpicked accompaniment with occasional strummed chords, The vocal melody is simple and expressive, with a slightly raw and emotional delivery, The song structure is verse-chorus, with a clear distinction between the two sections, The production is minimal, focusing on the natural sound of the acoustic guitar and vocals, There are no additional instruments or significant effects, The vocal performance includes some spoken interjections and a sustained vocalization at the end of the chorus
2:04

scratch textures, horrorcore rap, horrorcore, echoing voices, rap, beats, scratch, dark beats, percussion-driven
4:18

Blinde Wut
v4.5-all
Experimental celestial music from the universe, slow, drawn-out riffs of an electric guitar and a cello playing a deep bass, gentle melodies, slow song, cosmos, time tunnel, universe, Einstein, aliens, computer beats, nature dreams in music, song tempo 64 BMP, deep sub bass, orchestral drums, sounds from space, Märchen, sanfte Harmonies, Soft rock-Ballade, smooth rhythm
4:13

Event Horizon Lullaby
v4.5-all
Instrumental passages, a haunting soundtrack, film, rock, epic sounds, sub-bass, a gentle electric guitar playing a riff, fascinating and perfect, yet simultaneously mysterious and opaque, Like Gilmour and Wright, synthesizers, 64 BPM, slowly adding light drums, a haunting soundtrack, with a cello accompanying the melody in the background, a bagpipe playing a drawn-out riff
2:51

70-90 BPM, indie Dark gangster jazz, electric organ, cinematic, music, cosmic, clear sound V, 4, Sound of echo 49
3:53

3:19

A brooding orchestral intro with deep cello lines pulses beneath layers of dark analog synths, Tense strings weave through the verses, building cinematic suspense, Percussive booms and evolving synth textures heighten the drama in the chorus, creating a haunting atmosphere
2:49

3:42

At 86 BPM with fluid, expressive tempo shifts, the song fuses acoustic Texas blues—gritty vocals, mouth percussion, and conversational harmonica—centered on metallic slide guitar riffs and deep contrabass, Afrobeat syncopation and Russian ska upstrokes infuse rhythmic complexity, while marimba and charango interlace light, playful lines, All instruments blend live in a single-take analog recording, preserving warm saturation, unique mic textures, and lively, organic flaws, ‑female vocals
5:19

kontrabas solo, guitar, piano, gothic rock, dark metal, multifunctional style with many variations of tones and musical instruments in gothic style, cadence rythm crematory style, darkwave, gothic music video, the last dawn, gothic romance, dark love story, gothic cinematic, AI gothic video, gothic aesthetic, emotional metal, doom gothic, ashes and light, gothic man, gothic man, gothic angel, the last dawn song, gothic art, dark visuals, the sound of darkness deep rock throad man vocal, choral church pagan, czech language
4:43

Тамбур
v5
Genre: Folk, ritualistic, art rock, alternative rock, Indie Folk, Singer-Songwriter
Instruments: Clean acoustic guitar (nylon strings), add Bajau, melancholic cello, ethereal flute, subtle pedal steel guitar, warm piano (Rhodes)
Tempo: Andante (moderate, walking pace) 90 BPM
Mood: Melancholic, haunting, lonely, yet with a beautiful melodic hook
Vocal Style: Male baritone voice, clear and emotional, close-mic'd, with a sense of intimacy and sorrow, On the word "Delirium" use a subtle echo/distortion effect, Key Elements:
- A clear, memorable and beautiful main melody for the chorus on the words "Belochka-belochka", - The music should contrast a gentle, almost music-box-like beauty (for the squirrel) with a deep, resonant sadness (for the narrator's loneliness), - Clean, high-quality sound production
2:42

Old school Swedish Death Metal, OSDM, Buzzsaw guitar sound, HM-2 pedal distortion, Sunlight Studio aesthetic, Raw aggressive production, Deep gravelly barking vocals, Fast d-beat drumming, Gritty and dark, 110-120 BPM
2:53

Krautrock, Iranian folk tranc, ritual, Iranian soft drum, mistica, darc, minimal hous, experemental melodia, electro laboratory, psy, abstract, experimental, club
2:59

5:06

melancholic vibe, piano, female voice, child choir, deep sound, ambience, airy pads
4:43

Было - не было?
v5.5
dramatic vocal contrast, extreme vocal variety, deep distorted whisper, high-pitched manic soprano, mid-range robotic voices, experimental avant-garde electronica, experimental electronica, paranoid undertones, guilt-ridden vocals, multilayered voices, multuiple voices, paranoids choir, downtempo with driving kick pattern that enters mid-song, claustrophobic mix with compressed dynamics, high-pass filtered reverb creating distance, 3D binaural spatial audio, voices moving wildly across stereo field, unpredictable vocal character shifts, 100 bpm, claustrophobic industrial atmosphere, jarring transitions between vocal textures, glitch hop elements, unsettling multi-layered choir, silence followed by loud vocal bursts, high weirdness, extreme 360 degree spatial audio, binaural voices circling head, ASMR ear-to-ear whispers
3:46

dark ambient, heartbeat pulse 60BPM as main percussion, cardiac sample foreground and background, vocoder, pipe organ, cathedral reverb, 3d spatial audio, no human vocals, robotic spoken word, sparse, intimate, cold to warm progression, granular synthesis, deep sub bass, drone, meditative, talk box, glitch ambient, emotional machine, slow build
emotional machine, slow build, 40-60 BPM
cardiac pulse as percussion, drone, meditative, talk box, choral vocoder, tape warmth, 40-60 BPM
Sound design and foley recording, A rhythmic heartbeat pulse repeats at 60 BPM, The sound features a muffled, low-frequency thud followed by a slightly higher-pitched, resonant second beat, mimicking the lub-dub of a human heart, The recording has a dry, close-mic proximity with minimal room ambience, The low-end frequencies are prominent around 50-100Hz, with a soft roll-off in the high frequencies to simulate internal body acoustics, genre french house electronic synthpop cinematic
















