3:18

melodic Glitchcore, cinematic Metalcore-Hyperpop fusion, sweet distorted female vocals, aggressive BPM, granular synths, glitch breaks, mechanical percussion, warped basslines, fragmented noise texture
2:33

Female vocals, nu metal, rap metal, rap rock, nu metal, rap metal, rap rock, nu metal, rap metal, rap rock, nu metal, rap metal, rap rock, nu metal, rap metal, rap rock, nu metal, rap metal, rap rock
3:16

Hero Killer
v4.5
Creepy Female Vocals, Industrial Metal, Gothic Metal, Distorted Guitars, Droning, Horror, Terrifying, Whispering, Horrorcore
5:37

metal, doom metal, Heavy stoner rock track driven by fuzz-laden guitars and a thunderous, gritty bass groove, The verses lock into a head-nodding riff, with explosive spacey guitar textures in the chorus, Layered analog synths add psychedelic overtones, and drums pound with relentless power
3:19

4:21

Folk black metal, folk black metal, folk black metal, black metal, black metal
3:26

ska punk, pop punk, brass section, energetic drums, male vocals in vintage 1940s radio announcer style, theatrical and nasal voice, fast-talking delivery, cartoon villain flair, humorous tone, DIY lo-fi grit, speech-like verses with exaggerated enunciation, character performance
2:36

3:07

Chicago rap, influences fused with Traditional Japanese aesthetics (Wa), Minimalist, Dark Hip Hop, Critique of modern Japanese society, Social commentary, Urban disillusionment, Cynicism, Lyrics in Japanese with heavy rhyming, Cool, Detached, Witty, Cynical, Bleak, Menacing, Atmospheric, Introspective yet sharp, Hard-hitting sliding 808 bass, Sparse complex Drill hi-hat patterns, Minimalist dark synth melodies/pads, Sampled Traditional Japanese instruments (Shakuhachi, Koto, Shamisen - sparsely used), Hard snare/clap, Cool, rhythmic Japanese rap, emotional male vocals
2:43

Whatever
v4.5
Layers of pulsing analog synths and distorted bass create a dark psychoactive floor, Glitched beats interlace with experimental percussive hits and scattered effects, French pop-influenced melodies emerge via breathy female vocals, filtered and warped through heavy processing, Psychedelic textures and unpredictable FX swell and recede
4:08

Country, dark acoustic ballad, haunting steel guitar, minor key, eerie harmonies
3:32

3:35

Start with whispered, sultry vocals and crisp egirlcore synths in [Intro], with layered glitch FX and stereo whispers, In [Verse 1], playful tone with breathy delivery, teasing and ironic, Use hyperpop percussion with soft kicks and sparkly pads, [Pre-Chorus] adds tension: vocals grow more detached, heavy pitch modulation and short echoes, [Chorus] hits in full metalcore style: screamed vocals layered with high-pitched harmonies, distorted guitars, kick-heavy drums, and glitch breaks between growls and clean lines, For [Verse 2], return to egirlcore with sassier vocals and chopped autotune, [Bridge] distorts into a dreamy ambient drop, then rebuilds fast, Final [Chorus] blends screamed and sung vocals over a euphoric wall of sound, Add vocal chops, sub drops, stereo delays, sass-to-scream transitions, ironic ad-libs, and punchy hyperpop-metalcore fusion
5:30

Primordial
v4.5
Experimental avant-garde Celtic soul, alt RnB fusion, a modern innovative emotionally raw sound rooted in soul and experimental R&B, infused with the meditative pull of Celtic mystery, Celtic hip-hop samples, Ethereal vocals weave with textured percussion, bowed strings, and drones, blending digital glitches with organic tones, Melodies bend like incense smoke—free, haunting, and sacred, The style feels like a whispered prayer layered over deep rhythms, where time slips and the voice becomes ritual, not performance
6:03

Pink Flamingos
v4.5
Trip-Hop, Powerful Ramping, Catchy Quirky Female Vocals, Deep Bass, 80's Vibe E-Guitar
2:19

HELL MARCH
v4.5
Relentless cinematic industrial metal erupts instantly: low-tuned guitars roar atop mechanical, warlike drums and glitching synth layers, Aggressive male growls and demonic screams intertwine with Latin male choir chants, while rhythm shifts and apocalyptic textures forge a loopable, hellish soundtrack
3:02

3:24

Garbage town
v4.5
A dynamic electro pop-metal fusion with a commanding bass line driving the track, Verses deliver attitude with sassy female vocals, accented by crisp electronic drums and bold percussion, Explosive choruses blend distorted guitars and synth layers, punctuated by a virtuosic solo guitar bridge
2:56

Brazilian Phonk, Phonk, EDM, Dark Trap, Avant-Garde Breakcore, Trap-Metal, Glitchcore
2:44

Comedic pirate sea shanty where the Captain only says “Ayay!” in various tones, Bouncy rhythm (100 BPM), fun and chaotic energy, Include goofy misadventures: anchor dropped through deck, parrot in charge, compass replaced by cheese wheel, soup in cannons, Instruments: accordion, fiddle, jug percussion, kazoo brass, claps, Jolly pirate crew with cheerful male lead vocal, Slapstick sound effects like splashes, goat bleats, parrot squawks, Title: “AYAY, CAPTAIN!”
3:34

NΞЯOχMΞ, ❤️🔥🔊💯🎶, 🕹️, 🇳🇴, Norsk, Russelåt, techno, trance, electronic, bouncing, chiptune, 8-bit
2:32

Rioplatense Indie Funk Rock ANTHEM, Catchy female English vox (raspy street poet) BGV, Hypnotic Candombe-Tango-Funk dance groove, Gritty Harmonica, killer Bassline, glitchy synths, Irresistible, viral, occult party
4:30

般若心経.by ron Ⅳ
v4.5
Shamisen, Shakuhachi, Visual kei, percussion, sludge metal, slap, super fast chant, Deep voice male singer, anime, Japanese scales, Japanese style rock
1:58

Death Ride 808
v4.5
Dark aggressive phonk memphis rap with Japanese koto & shamisen, Suicideboys flow
2:33

A hard-hitting Brazilian phonk track, blending aggressive funk carioca rhythms with dark, atmospheric synths and a deep, punchy 808 bass, Powerful didgeridoo riffs weave through the beat, creating a hypnotic, psychedelic vibe, Add raw vocal chops in Brazilian Portuguese and street chants, layered over syncopated percussion and classic phonk cowbells, The energy is intense, gritty, and danceable
2:43

Loaded
v4.5
[Rage Rap], [Trap], [Melodic Rap], [Atlanta Hip-Hop], [Punk Rap], [Auto-Tune], [Dark], [Cinematic], [Rebellious] baby voice
3:03

old synth swells, electro-organ textures, and resonant choir open atop a deep, driving 808-powered funk/hip-hop groove, Choruses blend layered singing, sharp instrumental stabs, medieval and jazz-inspired colors, synth piano, and microhouse influences, Dynamic vocals ride microtonal, complex pop melodies toward euphoric, progressive drops—all in a studio-quality, intricate arrangement, synth guitar, funk, synth pad
4:27

Male vocals, bariton, dark pop, buzzing bass, whisper, clear voice, 90 BPM, deep bass, deep eerie 808s, eerie atmosphere, chorus starts with glitched distorted beats
4:10

Dark Pop, Horrorcore, Knife Scraping, 3D Audio, Buzzing Bass, Glitchcore, Soothing Female Voice, Electric Guitar
3:50

3:29

An 80s-inspired Japanese VOCALOID song with a mix of retro 8bit chiptune and synth rock, blending elements of TM N "Get Wild" with pixel-style game music, Features energetic square wave synths, punchy gated drums, and digital textures, The vocals are by Miku, emotional yet mechanical, with moments of slight vocal shouting, The mood is urban, fast-paced, nostalgic, and dramatic, like a city at night filled with digital escape and hidden emotions, Inspired by city pop, cyberpunk, and arcade-style chase themes
2:49

Aggressive Japanese VOCALOID rock song featuring a high-pitched, intense synthetic female vocal with mechanical tone and glitchy texture, Inspired by songs like "Lost One’s Weeping" with themes of academic pressure, frustration, and rebellion, Instrumentation includes distorted guitars, fast-paced drums, glitchy electronics, and dissonant synths, Tempo ~185 BPM, Verses are rhythmically spoken or shouted, while choruses explode with emotion and layered harmonies, Mood is chaotic, rebellious, and cathartic, with sudden breaks and tempo shifts to emphasize mental instability
3:08

music box, A cappella, punk rock, garage, indie, alternative, lo-fi, raw sound, dull, female vocal, upbeat, ‑guitar, ‑bass, ‑drums
4:00

Burnout Lullaby
v4.5
[Genre: Desperate desert rock ballad]
[Female vocals – Marlow sings with raspy, emotional delivery]
[Instruments: Distorted slide guitar, gritty bass, steady driving drums]
[Tempo: Mid-tempo, with build in chorus and raw energy in the bridge]
[Production: Lo-fi edges, dry reverb, mix like a car stereo at midnight]
Lyrics:
Verse 1
I shift at redline, the gauge don’t lie
Headlights flicker like a goodbye
Rearview full of ghost-town lights
But I ain’t slowing, not tonight
Verse 2
Left my name on a bathroom wall
With a matchstick heart and a racing call
You said, “You’ll crash if you don’t feel, ”
I said, “I’m driving just to heal, ”
Chorus
This is my burnout lullaby
Smoke in the sky and tears that won’t dry
I don’t race to win, I race to forget
So don’t wait up — I ain’t done yet, Bridge
Ashes in the ashtray, scars on the dash
I kiss the wheel like it’s gonna crash
Radio dead, but I still hum
Like a siren calling no one
Chorus
This is my, ‑No male vocals, ‑No polished pop, ‑No electronic elements, ‑Avoid lush string sections or orchestral sounds, ‑No upbeat rhythm or happy tones, ‑Do not include autotune or layered harmonies – keep it
2:16

Lightwarp
v4.5
Ultra-fast, aggressive female rap with glitchy trap beats and energetic trap percussion, layered with melodic bamboo flute motifs and modern hyperpop production techniques, It features rapid-fire voca
2:57

Porky Party
v4.5
A hyperpop and electro funk fusion drives this track, launching with crisp, syncopated percussion layers and bold, rubbery bass, Funky guitar stabs sync with glitchy synths, creating a vibrant groove, Vocals are processed with robotic effects, adding a distinct futuristic edge
3:01

A hyperpop-egirlcore song with a seductive, ironic female vocal performance, combining catchy pop verses with chaotic glitchy production and occasional aggressive screamed lines in metalcore style, The vocals should be confident, teasing, and layered with effects like glitch stutters, stereo ping-pong, and distortion bursts, The tone is both playful and confrontational, criticizing broken systems and performative kindness with sarcasm, Include distorted breakdowns with one-line screams in key moments, surrounded by melodic and punchy pop sections, Think punchy 808s, glitchy synths, metallic FX, and an intense, digital atmosphere, [Loudness set -10 LUFS]
3:39

Opens with playful glitchy trap rhythms and deep, rumbling bass, Verses combine ominous synth pulses, sparse emo hyperpop glitches, jagged violin plucks, and dark phonk layers, Choruses erupt with dubstep, chunky bass, manic EDM percussion, and kawaii metal guitar, fusing glitchcore, scenecore, pastel goth trap, horrorcore, and relentless rave energy, Fast stabs, high-impact beats, and intense, edgy production define the track’s explosive fusion
2:29

nightcore🔪
v3.5
The track opens with a chilling music box motif, layered with ASMR sound FX and creepy female whispers weaving through a haunting 3D audio landscape, punctuated by glitchy industrial beats and a fast-paced nightcore rhythm, Deep organ bass and distorted synths form a brooding darkwave undercurrent, while echoing, spectral vocals soar atop jagged textures, Sudden dynamic shifts and glitch stutters heighten the gothic, cinematic atmosphere throughout
4:05

Hard Rap, revenge, angry, rapmetal, Hungarian text, dark, hip-hop, trap bass, loop, Dj, Scratch, beat synthezier, Soulful, Authentic, Theater, avant garde hip-hop, penergetic beats, indie rock, experimental, chamber pop, theater-curtain noise, male voice, theater
2:08

Черный виски2
v4.5
aggressive low voice, rap, super bass, echoes, back vocals, low tempo, minor, low beat, мelodic
3:03

artcore, anime opening, fantasy game ost, battle music, wobblestep, glitchcore, final boss, futuristic, desperate yet hopeful, glitch, female 民謡 vocal choir, nightcore, daycore, genre fusion, bpm switch, dissonant transitions, rich instruments, complex arrangement, ambient layering, dynamic audio, panning, whispery backing choir, multi-layered, vocal ambient, reduce crackling, polyphony, cacophony, chaos melody theory, dolby atmos, archival grade audio, increase volume, balance EQ, reverb layering, bass boost
3:14

Vyltrancy
v4.5
synthwave witchcore, retrowave, dynamic, vocal sound effects, breakneck, ‑slow, ‑vapid, ‑contrived
3:34

2:18

Mumbling
v4.5
hook, big chorus, mumble rap, rap, grime, spoken word, breakdown, experimental, monotone, male vocals, filthy beats, beats, edm, uk grime, melodic























































