
SonicSketch
@sonicsketch
breathyA delicate collision... this sound blends w... layered over minima... syncopated beats
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A delicate collision of intimate indie folk and experimental alt-electronica, this sound blends warm acoustic textures with fractured digital atmospheres, Vulnerable male vocals drift between whispered confessions and soulful falsetto, layered over minimal piano, syncopated beats, and deep sub-bass swells, Organic guitar fingerpicking melts into reverse reverbs, detuned synths, and haunting vocal chops, Melodies are sparse yet emotionally resonant, carried by shifting modal harmonies and unexpected silences, The production feels both handcrafted and glitched—earthbound yet spectral—evoking the feeling of a dream half-remembered at dawn
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An unhinged fusion of female riot punk ferocity, rusted-out industrial clang, and scorched-earth garage grunge rock, Vocals shift between shrieked lead lines, ghostly reversed harmonies, distorted pitch-shifted phrases, and raw melodic chant, Instrumentation includes metallic percussive crashes, bent guitar noise, chains dragging on concrete, drop-tuned basslines, feedback loops, and sudden breakdowns, Unstable tempos and key shifts create a sense of constantly disintegrating structure, Each section is distinct but stitched together by a pulsing, grinding sonic core
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Songs
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It Danced Backv4.5
This track opens as a sparse, intimate purely orchestral lament, which recurs throughout the track— slow, minor-key piano and aching strings that feel suspended in time, A distant, emotionally raw vocal floats over the orchestration, barely more than a whisper, Then, without warning, the beat slams in: an experimental hyperpop/techno fusion with distorted club percussion, glitchy synths, and bass so heavy it threatens to rupture the mix, The sadness doesn’t vanish — it mutates, processed and buried beneath euphoric noise, The dance section is aggressive, cathartic, nearly manic — but brief moments of orchestral melancholy stab back through the mix like memory flashbacks, In the final section, the club energy collapses into a haunting outro — a stripped-down, slow, reverb-drenched vocal over a broken motif from the intro, revealing that the sadness was never gone — only drowned
Left the Mapv4.5
This song opens with clipped glitch synths, dense sidechained beats, and vocoded layers in tight, syncopated loops, Gradually, digital density erodes: off-kilter meters and detuned harmonies unsettle the frame as textures warm, electronic elements decay, and analog timbres with field recordings, bowed strings, and organic breaths seep in, The final act blossoms into loose, unquantized percussion, open drones, and layered choral chants with untamed resonance, dissolving into natural ambience—forming a tactile, evolving tapestry from mechanized rigidity to intimate, earthy warmth
A delicate collision of intimate indie folk and experimental alt-electronica, this sound blends warm acoustic textures with fractured digital atmospheres, Vulnerable male vocals drift between whispered confessions and soulful falsetto, layered over minimal piano, syncopated beats, and deep sub-bass swells, Organic guitar fingerpicking melts into reverse reverbs, detuned synths, and haunting vocal chops, Melodies are sparse yet emotionally resonant, carried by shifting modal harmonies and unexpected silences, The production feels both handcrafted and glitched—earthbound yet spectral—evoking the feeling of a dream half-remembered at dawn
Still in Therev4.5
Experimental male singer-songwriter, an avant-garde elegy built from decaying textures and fractured structure—equal parts emotional noise piece, contemporary classical art-song, and ambient memory sculpture, Begin with stark minimalism: soft prepared piano pulses, processed cello harmonics, and raw vocal takes that pan erratically in space, Gradually introduce sonic decay—glitched breath loops, granular synthesis of earlier phrases, and stuttering pianos smeared across shifting keys, Harmonic dissonance should bloom slowly, using microtonal clusters and unresolved intervals, Build emotional tension through abrupt key modulations and anti-melodic structures—moments of silence are as important as sound, Surround the vocals with spatial anomalies: voices whispering from different corners, sudden phase shifts, reversed audio bleeding into present time, This is a love song at the edge of awareness—a deconstructed memory opera collapsing under the weight of what it’s trying to hold
Love is a Home🌈v4.5
Start with detuned, wailing organ and a mangled tape loop setting the stage, Grinding metallic percussion—think processed piston thrusts and resonant clangs—drives a mechanical beat, layered with pulsing sub-bass and snarling, decay-prone synths, Church bells chopped and glitched smear through the static, while silence punctuates ritualistic repetition for tension, Vocals jump between whispered confessions and distorted, half-screamed mantras, warped through vocoders and echoing like corrupted data, Noise surges in waves for climaxes, while artificial warmth flickers and collapses under waves of processed industrial/EBM textures, No natural elements—every groove is corrosion
Refuse Pitv4.5
A volatile collision of riot-grunge and scorched garage punk, with drums that stumble and sprint like a body giving out mid-sprint, and guitars that screech, grind, and melt into blown-out walls of fuzz, Beneath the noise: an unrelenting, lo-fi bass snarling like it's barely holding the track together, Above it: a high, breathy, emotionally cracked vocal — floating like it's trying to stay untouched by the chaos, but keeps getting pulled under, Vocals should feel intimate and ghostly in the verses, then unravel into visceral, screamed confessions in the chorus, Contrast is key: beautiful over brutal, soft over sharp, No click tracks, no grid, no polish — just bleeding emotion over feedback storms, Think collapse with moments of clarity, Think a voice trying to survive its own song
Distorted calliope builds a sonic sketch where a sentient ice cream truck becomes a fevered demigod, Begin with corrupted carousel music stretched to near-collapse, then erupt into a convulsive rhythm built from fire hydrant blasts, melting popsicle squelches, and metal trash lids struck like gongs, Layer microtonal children's choir fragments with glitched kazoo solos, pitch-shifted nursery rhymes, and a bassline that sounds like a rubber band arguing with gravity, Vocals should veer wildly—part cult chant, part civic PSA, part overheated auctioneer in meltdown, Instruments can include bent bicycle spokes, bubbling dairy vats, and anything that sounds sticky, Genre is irrelevant: fuse municipal noise-funk, anti-cabaret, heatstroke carnival folk, and hallucinatory field recordings into a structure that melts as it moves, The music should not follow form—it should drip, swerve, and swerve again, Make it feel like the laws of thermodynamics are unraveling in real time
Personas
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Cecily
(Dark Appalachian folk / loose organic structure — half-haunted ballad, half-spectral lament)
[Instruments: fretless fingerpicked banjo, bowed saw, detuned fiddle, found-object percussion (bones, sticks, tin), breath drones, harmonium swells, wooden flute accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Vocal: dry, close-mic’d baritone with distant whisper harmonies and mouth percussion]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]

Essich
A haunting blend of dark western Americana and industrial bluegrass, driven by droning upright bass, steel guitar swells, and sparse distorted banjo. The low, almost spoken, gravelly bass-baritone anchors the verses. Percussive found sounds and gritty textures build tension in each chorus, with eerie, atmospheric folk-rock layers surrounding the raw, vulnerable deep baritone vocal.

Bluegrass Duo
Male lead vocal, powerful quirky raw deep male vocals, dark emotional prog rock folk, male contemporary Celtic bluegrass, complex harmonies

Isla
Experimental, avant-garde Celtic soul bleeds into dark glitch-RnB, not as pastiche but as a haunted, innovative fusion. Think: modal melodies and folk instruments (Celtic harp, uilleann pipes, bodhrán), but detuned, reversed, granulated—memory turned to vapor. Vocals are close, intimate, trembling on the edge of speech; harmonies glitch, stutter, or stretch like emotional artifacts. Percussion combines field-recorded textures (wet grass, wood snaps) with off-grid digital pulses—hi-hats distorted, reverb tails that arrive before the beat. Rhodes keys, warped and chorus-heavy, drift beneath fiddle harmonics bowed near the bridge. This isn’t about folklore or future—it’s a broken psalm humming inside a machine. Use negative space boldly. Let breaths, static, and silence speak. This is pain processed, then performed.

Stitch
A haunting soundscape unfolds with sparse tremolo guitars, upright bass, and subtle brushed percussion, all underpinned by brooding organ pads. The deep male bass voice leads with raw intensity, its yearning tones framed by atmospheric slide guitar and lingering reverb for a painful western mood.

Sinik
Unique powerful baritone grunge vocal with higher range, Seattle grunge, Grunge duet with harmonies, hard grunge folk metal

Sugar
Distinctive gruff quirky female metal vocal, Dark tense atmospheric Grunge folk, experimental minor progressions, complex rhythms, dark early Seattle Grunge

Dark Bonjovi
Deep rich distinctive male vocal, Underground Seattle Grunge Rock, Grunge folk metal

Folk Trio
singer-songwriter folk rock trio