
The Dimming
After fleeing his fading Appalachian hometown to work in Alaska, Kristian is pulled back when his childhood love tells him his parents have vanished. But when he returns, the town has changed
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24 songs
4:04

experimental rhythmic bluegrass, avant-garde dark industrial bluegrass, mystique concret, Celtic ritualistic soul, Americana sleepglitch, clinical scientific sfx
3:42

Opening with haunting slide guitar and subtle banjo picking over an ominous drone, whining violin, the song fuses atmospheric western Americana with industrial bluegrass, Sparse percussion—metallic clanks and distant stomps—builds tension, Electric guitar swells and moody fiddle lines emerge, layering intensity, The bridge strips to raw acoustic strums before a final, emotionally charged crescendo with harmonized strings and resonant, echoing beats
3:14

Dogwood Tree
v4.5
(Dark romantic Appalachian folk / loose organic structured bluegrass — half-haunted longing ballad, half-spectral lament)
[Instruments: fretless fingerpicked guitar, mandolin, bowed saw, violin, drones, harmonium swells, wooden flute accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]
4:18

Melania
v4.5
Male vocals, opening with rich baritone vocals over layered fingerpicked guitar and dulcimer, the arrangement grows as longing violins weave ethereal harmonies, Verses evolve into sections with experimental indie prog bluegrass, while a romantic Appalachian folk choir provides haunting, airy backing, merging tradition and mystery for a cinematic, enveloping soundscape
2:34

An ominous cinematic intro featuring moody pedal steel and deep drones sets the tone, Gritty banjo rhythms entwine with distorted industrial beats, while baritone guitar riffs echo through sparse, reverberant space, Experimental textures layer in: metallic percussion, haunting synth pads, and processed fiddle, all coalescing into a brooding dark western climax with pulsing low-end, towering dynamics, and unpredictable tempo shifts
3:33

An ominous cinematic intro featuring moody pedal steel and deep drones sets the tone, Gritty banjo rhythms entwine with distorted industrial beats, while baritone guitar riffs echo through sparse, reverberant space, Experimental textures layer in: metallic percussion, haunting synth pads, and processed fiddle, all coalescing into a brooding dark western climax with pulsing low-end, towering dynamics, and unpredictable tempo shifts
3:23

Quiet in Here
v4.5
experimental rhythmic bluegrass quartet, avant-garde dark industrial bluegrass, horror goth, Celtic ritualistic soul, sleepglitch
3:43

Quiet Out There
v4.5
Consistent raw, vulnerable deep western baritone vocal, Ominous dark acoustic industrial bluegrass, experimental haunting western Americana gothic, Ambient suspense horror, a haunting blend of dark western Americana and industrial bluegrass, driven by droning upright bass, steel guitar swells, and sparse distorted banjo, The low, almost spoken, gravelly bass-baritone anchors the verses, Percussive found sounds and gritty textures build tension in each chorus, with eerie, atmospheric folk-rock layers surrounding the raw, vulnerable deep baritone vocal
4:24

(Dark experimental Appalachian folk / loose organic free form structured Celtic prog bluegrass — industrial bluegrass)
[Instruments: dulcimer, string bass, hammered dulcimer, mandolin, dulcimer, fiddle, drones, harmonium swells, wooden flute, ukulele accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]
4:17

Lost in Here
v4.5
(Dark experimental dissonant Appalachian folk / suspenseful organic free form structured haunting ritualistic Celtic prog bluegrass — industrial bluegrass)
[Instruments: prominent string bass, baritone banjo, fiddle, drones, harmonium swells, drone flute]
[Tempo: free-flowing, irregular; thrilling]
[Ambience: animalistic, ambient horror]
3:39

[Genre fusion: Bluegrass x Alternative Pop x Dark singer-songwriter Indie]
[Vocals: Intimate, breathy, and nuanced female lead vocal with whispered layers and subtle vocal fry]
[Instrumentation: Traditional bluegrass instruments (banjo, fiddle, upright bass, mandolin) but played with sparse, atmospheric arrangements — lots of space and minimalism]
[Production: Moody, cinematic, with reverb-heavy textures and haunting electronic undertones, blending acoustic warmth with modern ambient soundscapes]
[Rhythm: Slow to mid-tempo, unconventional syncopation or off-beat accents that break from traditional bluegrass drive]
[Lyrics: Introspective, cryptic, raw — focusing on vulnerability, isolation, and haunting imagery]
[Elements: Subtle vocal layering and harmonies that feel like internal dialogue; occasional whispered spoken word or half-sung phrases; electronic glitch or subtle distortion effects woven into the acoustic textures]
[Mood: Dark, ethereal, intimate, emotionally fragile]
4:14

(Dark frantic dissonant Appalachian folk / loose organic free form structured prog bluegrass — suspenseful industrial bluegrass)
[Instruments: string bass, fretless fingerpicked guitar, mandolin, bowed saw, fiddle, drones, harmonium swells, wooden flute accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]
3:55

A slow, eerie duet unfolds at ~45 bpm, with bowed banjo and droning dulcimer in D Dorian crafting the core, Sparse bone percussion and reversed breaths twist between hushes; fiddle glissandos ripple like water, while cicada, creek, and reed-wind field recordings haunt the mix, Irregular phrasing and long, quiet gaps emphasize intimacy and mystery, letting a dreamlike Appalachian folk melody unravel in ghostly, experimental ambient textures
3:18

experimental rhythmic bluegrass quartet, avant-garde dark industrial bluegrass, horror goth, Celtic ritualistic soul, sleepglitch
6:59

(Dark Appalachian folk / loose organic structure — half-haunted ballad, half-spectral lament)
[Instruments: fretless fingerpicked banjo, bowed saw, detuned fiddle, found-object percussion (bones, sticks, tin), breath drones, harmonium swells, wooden flute accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Vocal: dry, close-mic’d baritone with distant whisper harmonies and mouth percussion]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]
3:18

Recording noise, old outdoor field recording of live an authentic somber Appalachian folk ballad performance in the mountain, haunting jug band, early roots bluegrass, record noise
4:39

blend of Dark Appalachian Folk with Industrial Bluegrass and a touch of swampy blues soul, The track should feel gritty, cinematic, and primal—built on bowed bass drones, plucked banjo, metallic clangs, and found-object percussion, Think eerie stillness punctured by rhythmic stomps, whispered vocals, and trembling tension, The groove carries a pulse of danger—like backwoods gospel meets haunted blues bar, Vocals should be raw and expressive: cracked, breathy, even snarled in moments of panic or swagger, Layer in whispery call-and-response, falsetto vocalise, and unraveling background harmonies, The vibe is both ancient and immediate—steeped in folklore, but pulsing with adrenaline like you’ve just realized you’re being hunted
6:19

Dimmer Still
v4.5
(Dark experimental dissonant Appalachian folk / suspenseful organic free form structured haunting ritualistic Celtic prog bluegrass — industrial bluegrass)
[Instruments: prominent string bass, baritone banjo, fiddle, drones, harmonium swells, drone flute]
[Tempo: free-flowing, irregular; thrilling]
[Ambience: animalistic, ambient horror]
3:19

(Dark experimental Appalachian folk / loose organic free form structured Celtic prog bluegrass — industrial bluegrass)
[Instruments: dulcimer, string bass, hammered dulcimer, mandolin, dulcimer, fiddle, drones, harmonium swells, wooden flute, ukulele accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]
4:26

Appalachian hymn style —Appalachian folk gospel choir, dark Americana slow, minor key; experimental industrial bluegrass, harmonium and bowed banjo drone beneath; shape-note duet harmony with subtle dissonance
4:23

(Dark experimental dissonant Appalachian folk / suspenseful organic free form structured haunting ritualistic Celtic prog bluegrass — industrial bluegrass)
[Instruments: string bass, hammered dulcimer, mandolin, dulcimer, fiddle, drones, harmonium swells, drone flute]
[Tempo: free-flowing, irregular; thrilling]
[Ambience: animalistic, ambient horror]
4:02

[Genre fusion: Minimalist Bluegrass Noir x Dark Alt Pop]
[Vocals: Ultra-soft, breathy, almost whispered female lead vocal with sudden dynamic spikes — cracks, slips, and fragile breaths included]
[Instrumentation: Deconstructed bluegrass — isolated banjo plucks with heavy reverb, haunting fiddle drones, sparse upright bass notes, mandolin tremolos turned eerie and dissonant]
[Production: Lo-fi textures mixed with subtle glitchy electronic effects; intimate mic placement capturing every breath and vocal nuance; dry and spacious mix with echoing ambience]
[Rhythm: Hypnotic, slow, with irregular timing or subtle tempo shifts — a fragile pulse rather than driving momentum]
[Lyrics: Dark, cryptic, emotionally raw, poetic fragments — themes of isolation, obsession, haunting memories, inner turmoil]
[Additional vocal effects: Layered whispers, glitchy stutters, pitch bends, vocal chops subtly woven under main vocals]
[Mood: Eerie, fragile, tense, intimate, with a ghostly Appalachian undertone
4:04

(Dark Appalachian folk / loose organic structure — half-haunted ballad, half-spectral lament)
[Instruments: fretless fingerpicked banjo, bowed saw, detuned fiddle, found-object percussion (bones, sticks, tin), breath drones, harmonium swells, wooden flute accents]
[Tempo: free-flowing, irregular; guided by breath and silence more than rhythm]
[Vocal: dry, close-mic’d baritone with distant whisper harmonies and mouth percussion]
[Ambience: forest floor ambience — twigs snapping, soft wind, distant creaks, water drip, breath in leaves]
3:08

The Dimming
v4.5
Recording noise, old outdoor field recording of live an authentic somber Appalachian folk ballad performance in the mountain, female singer, haunting jug band, early roots bluegrass, record noise

