Aftershow 16.01.2026

Cinematic horror score, slow tempo, orchestral strings, choir, dark drones, spoken intro, epic and ominous, trailer music, Stranger Things atmosphere

A high-energy German pop-rock track characterized by a driving 4/4 rhythm and a blend of organic and electronic elements, The song features a prominent, gritty electric guitar riff that anchors the verses, complemented by a punchy drum kit with a crisp snare and a solid kick, The vocals are delivered by a male singer with a powerful, slightly raspy tenor voice, utilizing dynamic shifts between melodic verses and an explosive, anthemic chorus, Synthesizer layers provide atmospheric depth and rhythmic accents, particularly in the transition to the chorus, The structure follows a traditional verse-chorus-verse-chorus-bridge-chorus format, The production is polished and modern, with a wide stereo field, subtle reverb on the vocals, and a balanced mix that emphasizes the rhythmic drive, The tempo is approximately 128 BPM, and the key is in a minor tonality, lending a sense of urgency and intensity to the composition

deep baritone male vocals, Energetic, Hypnotic, dark epic, nyckelharpa, cello, zither, tagelharpa, slide-guitar, 120 BPM

Dark, raw grunge rock with a Japanese J‑Rock edge, Heavy distorted guitars, deep resonant contrabass driving the low end, and aggressive screaming cello lines cutting through the mix, Vocals shift between soft, breathy tension and explosive rock intensity, The sound is gritty, emotional, and atmospheric, blending dirty rock energy with dramatic orchestral chaos, A wild, cinematic, rebellious tone with a dark, powerful pulse

female vocals, violin, hip-hop, celtic cloud rap, gritty, arabic violin, introspective, piano

Style: Dark Berlin Street Rap, Underground, Gritty, Aggressive Tempo: Fast, Triple-Time (~155 BPM) Vocals: Male German Rap, aggressive verses, spoken hook Hook: Spoken Chant, monotone, echo, crowd feel Turntablism: Oldschool Hip-Hop Scratches, Vinyl Cuts, DJ Drops Instruments: Drill Drums, Industrial Percussion, Distorted Bass, Vinyl Noise, Subway Ambience Mood: Cold, Illegal, Urban, No Hope, Night Structure: Intro → Hook → Part 1 → Hook → Interlude (Turntablism) → Part 2 → Hook → Turntablism Break → Part 3 → Outro No melodic singing

[Genre melancholic Video Game Music VGM Emotional Sad Music x Japanese Jazz-Fusion Ballad x Chamber Strings][Mood melancholic weightless intimate][BPM 78][Key E minor][Instruments: acoustic piano sparse broken chords anchor x chamber strings trio (cello, viola, violin harmonics) very soft sustain and slow swells x optional warm bass very low legato root gravity x no drum kit, rare soft cymbal breath swells only x airy pad very low for glue x optional soft synth-flute on motif target notes only][Production: hi-fi intimate|stereo-gentle-wide|very soft transients|minimal density|loop-capable ending with short controlled tail|no early fade|no aggressive limiting|normalizer] A still night after a loss, wind moves softly through cloth and grass; grief is heavy but time feels weightless, and the cue stays minimal, intimate, and loop-safe, ‑no bittersweet major lift, ‑no town funk grooves, ‑no steady kick patterns, ‑no busy hats or fill-heavy drums, ‑no long solo sections, ‑no dramatic modulations or big climaxes, ‑no big symphonic string section or orchestral walls, ‑no epic choir pads, ‑no trailer braams or cinematic hits, ‑no edm sidechain pump or trance supersaw, ‑no trap 808s or drill hihat rolls, ‑no aggressive rock or metal guitars, ‑no horror stingers or scare dissonance, ‑no harsh bright master or over-compressed loudness

[Style: Uptempo German Rap, EDM Anthem] [Mood: Upbeat, Euphoric, Empowering] [Energy: Very High] [Beat: Fast EDM Trance Rap Groove] [Vocal: Heavy Male Rap, Layered Shouts, Strong Presence] [Instrument: EDM Synth Leads, Saxophone Riffs and Solos, Violin Runs and Harmonies, 808 Bass, Punchy Drums, Choir Layers] [FX: Sidechain Pumping, Stereo Widening, Festival Reverb, Vocal Stutters] Fast-paced, festival-ready German rap with orchestral saxophone and violin blended into modern EDM synth production

A dark, ritualistic Progressive Metal / Shock Rock track in D Phrygian Dominant (Drop D/Drop C), built on odd-time verse chugs (7/8 or 5/4) that snap into a wide 4/4 half-time anthem chorus, Male gritty tenor/baritone vocals shift from close-mic whispers to commanding, theatrical hooks, Industrial FX, reverse delays, and noise textures frame the “voodoo” theme as digital control and psychological possession, with a final chorus key-lift (D→Eb) and choir-distorted shout for maximum impact

High-energy modern rock with a polished, emotional edge, Clean female vocals cut through heavy guitar layers and tight, punchy drums, Rhythm guitar drives with crisp power chords and palm-muted riffs, Lead guitar adds melodic hooks, octave lines, and expressive bends, Bass is locked to the kick, providing weight and groove, Drums stay aggressive and precise, shifting between half-time breakdowns and double-time choruses, Verses pull back with clean tones and ambient pads, while choruses explode with layered harmonies and wide stereo guitars, Transitions are sharp and dynamic, with tension-building pre-choruses and dramatic drops, Production is clean, radio-ready, and built for impact—blending emotion and energy without losing clarity, Each section supports the vocal story, rising and falling in intensity to match the lyrics, Perfect for delivering covers or originals with power, clarity, and modern rock punch

70s masterpiece ballad, grand piano intro, emotional male vocals, theatrical high tenor, operatic expression, slow tempo, heartbreaking, orchestral swelling, classic rock

Epic Orchestral, Cinematic Sci-Fi Score, Hans Zimmer Style, Dark and Dramatic, Heavy Percussion, Soaring Strings, Male Power Vocals, Melancholic Cello, Space Opera, 80 bpm, ‑chaos

This dark electronic rock song opens with rapid, expressive violin over pulsating synths, Contrabass joins, anchoring the frenetic strings with deep, foreboding undertones, The groove intensifies as a heavy bassline crashes in, backed by aggressive, intricately programmed drums that drive each section, Electric guitars punctuate the texture, blending seamlessly with the electronic layers for a relentless, cinematic finish, Cleaner british english

Metal, Noxious, Oboe

acoustic, unpluggd

punkrock, bassy deep male vocal, lead guitar, melancholic, drums, bass, rythm guitar

Style: Alternate 60s songwriter Mood: defiant, celebratory, lively Voice: powerful, raw, distinctive, natural Instruments: acoustic guitar, upright bass, brushed drums, warm organ, subtle strings Era/Influence: Melanie (late 60s, early 70s), folk-pop with a slightly edgy, personal touch Bridge: Not sung, just spoken! Maintain the raw, natural character of the voice, Keep instrumentation light, groovy, and warm; allow the bass to carry a subtle funky groove, Emphasize the celebratory mood in phrasing and dynamics, without over-polishing, Voice should feel personal and alive, not studio-perfect

A doom metal/industrial forge track at 66 BPM in Drop C and E minor opens with an 8–12 bar instrumental intro solo: crushing guitars, glacial cold synth drones, metallic impacts, forge hinge squeals, anvil ticks, and hydraulic hiss, all washed in machineroom reverb, The verse uses stepwise melody—guitars and synths alternate in a call-response riff mirrored by lead/bass, Press snare and glitch stall effects punctuate the texture, Chorus lifts on line 2 with third harmony tags, Titan push intensity, robotic whispers on “Runen Gleichgewicht, ” and a titanic anvil slam accenting “Wahr, ” Ends with a hard stop

A sleazy sexy, passionate 80s glam metal song with a sexy, groove Inspired By Gun's N' Roses Rocket Queen, Vocals should be Male Powerful, raspy, Confident, rebellious, slightly dangerous tone, Emotional delivery with seductive attitude In The Style Of Axl Rose supported by gritty backing vocals, gritty, overdriven, slightly dirty, Screaming, expressive lead guitar, Short melodic licks between vocal lines, Wild but emotional guitar solo in The Style Of Slash, Rhythm Guitar Crunchy, distorted, palm-muted chugs in verses, Wide stereo feel, raw and unpolished, Riffs with bluesy attitude, not too clean, sleaze in The Style Of Izzy Stradlin, Dirty, growling, Strong mid-presence, slightly overdriven BassLocks tightly with the kick drum, Groove-oriented, confident, arrogant swagger in The Style Of Duff Mckagan, Punchy, raw 80s rock drums aggressive but groovy, street-level energy in The Style Of Steven Adler, Mood: Sexy, rebellious, dangerous, Energy: Controlled fire, sleaze over speed

Female lead vocal, “rhythm-coder” vibe; Carnatic percussion (mridangam/kanjira/ghatam) fused with broken beat / IDM glitch; deep sub-bass, tight punchy drums, stutter edits, granular synth textures, subtle tanpura-like drone, cinematic alley ambience, call-and-response konnakol hooks, energetic but not pop, no Bollywood, Mix Notes: [Keep vocal upfront and intimate; percussion wide and detailed; glitch fills only on transitions; sub clean, no mud; short plate reverb + light delay throws on hook words, ]

This track opens with a haunting oceanic synth and gritty trap hi-hats, A deep, smoke-laden male rap voice rides hard-hitting drill beats, intercut with rock guitar riffs that surge in the hook, The chorus bursts with punchy 808s, edgy effects, and hypnotic, dark melodies for max impact, Crystal Clear and crisp Audi quality, R&B-Trap

Grunge, minor key, 120 bpm, vintage, dreamy female vocalist

Instrumentation: Deep, booming 808 subs/kicks providing a dark, heavy foundation, Sparse, reverb-drenched piano chords for melancholic melody, Sustained, sweeping strings (violins, cellos) in the chorus for dramatic, cinematic lift, Crisp, simple trap hi-hats/snares on the verses, NF-style aggressive, frustrated, rapid-fire flow on verses, contrasting with a vulnerable, raw, slightly sung delivery on the chorus, Use of vocal chops/samples and massive stadium reverb on key words/phrases, The track must feel dark, emotional, defeated, and huge, Key elements: piano melody, string swells, heavy 808

An energetic uplifting track at 122 BPM, four-on-the-floor kick, warm female vocal, tabernacle choir

Melancholic Heavy Dark Piano And Vocals, This Song Represents The Paradoxical Desire To Be Allowed To Give Up In Times When Things Are Very Bad, But There Is Still Enough Hope To Not Give Up, Let The Singer Feel This Contradiction, Male Vocals

glam metal, melodic hooks, with a driving rhythm section, punchy guitar riffs, and melodic lead lines layered in wide Dolby surround, heavy drum beats, the arrangement features dynamic shifts, saturated distortion, thunderous drums, and atmospheric textures for emotional depth, The guitar riffs get more and more intensive and the guitar solos are multi-layered and melodic

[Genre: Halloween Witchstep / Heavy Dubstep / Brutal Tearout] Create a long and ultra-aggressive Halloween Witchstep track with cinematic dark ritual energy, Blend brutal Tearout bass design with eerie, bewitched atmospheres, Use roaring growl basses, screaming metallic screeches, and stacked wobble layers with dynamic LFO movement, Add supernatural sound textures: enchanted choirs, witchy whisper FX, spectral bells, and cursed tonal percussive hits, Mono sub foundations with stereo-widened mids/highs for maximum width, Transient shaping and OTT compression for violent punch and sharp clarity, Drops must be ritualistic bass destruction, Make it psychedelic and menacing, with pitch-warped screams, toxic distortion, and glitch chaos — like a demonic spell erupting into bass hellfire, ‑Future Bass, ‑Chillstep, ‑Electro Pop, ‑Glitch Hop, ‑Tech House, ‑Tropical House, ‑Electro Swing, ‑Eurodance, ‑Minimal Techno, ‑Melodic House, ‑Slap House, ‑Jersey Club, ‑Happy Hardcore, ‑UK Garage, ‑Progressive Trance, ‑Psytrance, ‑Synthwave, ‑Lo-fi Hip Hop

Symphonic gothic Ballad; eerie music box melody, then heavy guitars with downtuned djent riffs, dark metal, gothic, haunting melodies, atmospheric synths, Powerful and dramatic female vocals alternating with ethereal, haunting cleans, No growls, no screams, no male vocals, Tempo ~90–110 BPM

1980s live outdoor ballad recording, Female trio vocals (lead + low + high) with close harmonies, Key G major, tempo 72 BPM, Live band: electric piano (main), clean electric guitar, warm bass, light drums (snare with brushes/soft mallet), subtle tambourine, Real crowd ambience throughout: stereo audience mics, cheer swells after choruses, occasional chant, faint wind noise and mic handling sounds, Natural dynamics (no heavy compression), plate reverb on vocals, small slapback for space, room/PA coloration, Call-and-response moments and unison final chorus, Cold-night atmosphere; intimate delivery; spoken line over crowd at the end, Mix leaves breaths and imperfections in for authenticity, Fade on crowd and piano

Modern electronic synth-party track with epic orchestral elements and cinematic atmosphere, Mid-to-up tempo (around 118–122 BPM) with a clear energy arc from playful control to overload resolution, Strong permanent 808 bass foundation with deep, clean sub presence, always driving but never muddy, Constant wide synth pad background, lush and evolving, providing harmonic glue throughout the song, Catchy melodic structure with clear motifs, memorable chorus hooks, and strong rhythmic momentum, Orchestral elements include cinematic strings, low brass hits, dramatic swells, and subtle choir layers used for tension and epic emphasis, not classical dominance, Female lead vocal in clear German, confident and expressive, front and center, Chorus features layered vocals, harmonies, and subtle octave stacking for power, Modern sound design with clean synths, rhythmic arpeggios, controlled distortion, and polished contemporary production, Epic but playful, dramatic but ironic

Metalcore and Post-Hardcore blend with atmospheric Electronic synths, heavy distorted guitars, aggressive drums, intense and vulnerable male vocals, G Minor, 160 bpm