Full Speed @ Mima_place 31.07.26

90s Industrial Metal, Neue Deutsche Härte, predatory atmosphere, driving EBM beat, relentless 4/4 rhythm, dry chugging guitars, psychotic male baritone vocals, manic delivery, rolled 'R', staccato orchestral strings, obsessive and dark, 125 BPM

Cinematic Anthemic Banger Where Metalcore Leads, Fused With Tribal, Afrobeat, And Dembow Groove (100-110 Bpm), Front-And-Center Drop-Tuned Distorted Guitars, Palm-Muted Riffs, Chugs, Breakdowns, And Aggressive Metal Drums, Metalcore Energy Drives The Song, With Tribal Percussion, African Drums, Chants, And Shakers Reinforcing The Groove, Tropical Instruments (Marimba, Kalimba, Steel Drums) Used Sparingly For Texture Only, Psychedelic And Hypnotic Sound Design, Glitches, Samples, Fx, And Rhythmic Vocal Chops, Vocals Aggressive Metalcore Shouts/ Screams In Verse, And Hypnotic Melodic Chants In Chorus, Cinematic Build, Brutal Metalcore Breakdown Drop, Ritual Breakdown, Final Crushing Drop, Raw, Heavy, Powerful, Perfect Mix, Fully Mastered, All-Male Vocals Only, Powerful Male Lead Singer With A Rich, Emotional Tone, Supported By Deep Male Harmonies And Layered Backing Vocals, Male Voices

Experimental, indie, industrial metal, cinematic, epic, haunting, ethereal, emotionally powerful, 85 BPM, minor key, intro spoken dusty intimate male voice, vinyl crackle, wind FX, sparse acoustic plucks, low drone pad, breathy reflective, subtle reverb, tension build, verse 1 ethereal fingerpicked guitar, soft heartbeat kick, reversed choir, breathy vocals delay+reverb, cinematic introspective, chorus 1 industrial swell distorted guitars, rolling sub-bass, punchy kick/snare, gritty layered vocals, wide stereo, atmospheric pads, emotionally charged, echoed glitched key words, CODA spoken urgent paramedic scene, EKG/defib FX, suspense, 3-sec silence, verse 2 cracked spoken-sung vocals, heartbeat kick, detuned banjo drone, glitch synth risers, reversed choir on resurrection word, minimal reverb, fragmented cosmic haunting, chorus 2 distorted organ, industrial percussion, cinematic swelling pads, layered vocals subtle grit, echoed glitched words, emotional lift, bridge expressive violin

Minimal House, Microhouse, Downtempo, bass, soft curton

Dark epic Nordic rock/pop opera, Deep piano, low strings, brass, heavy tom drums, solemn mythic atmosphere, restrained verses, massive choruses, intimate bridge, explosive finale, quiet piano outro, Clear German diction, Two male lead character voices plus a low male choir, No female vocals, LUCIFER: light youthful male tenor, bright, warm, emotional, clearly male, FENRIR: ancient sentient wolf voice, extremely deep male basso profondo, subharmonic chest resonance, slow controlled growl, rough gravelly rasp, dignified, powerful, slightly demonic, clear speech-singing, Keep one fixed voice for all LUCIFER blocks and one fixed voice for all FENRIR blocks, Switch only at a new character tag, The low male choir sings only marked choir blocks, In the finale, sing "DIE ERDE BEBT — RAGNARÖK" as one continuous dangerous chant, Never replace it with chorus lyrics, End only after LUCIFER whispers "Stolzer Wolf, ", ‑female vocals, ‑female singer, ‑female lead, ‑female backing vocals, ‑female harmonies, ‑female choir, ‑feminine voice, ‑soprano, ‑alto, ‑voice gender switching, ‑mixed-gender vocals, ‑mixed-gender choir

Key: G Major with bridge modulation to E Minor | Tempo: 176 BPM dropping to 144 BPM in bridge before returning to 176 BPM | Time Signature: 4/4 | Warm indie folk-punk with fuzzy alternative rock influence | Driving acoustic guitar layered with fuzzy electric guitar melodies and light lead fills | Bright tremolo-picked mandolin accents | Upright bass locked with punchy drums | Tasteful glockenspiel flourishes in intro and outro | Moderate spring reverb on lead vocals with wider reverb during choruses | Warm gang harmonies on final choruses | Themes of self-doubt, unconditional love, imposter syndrome, loyalty, and finding self-worth through another's eyes | Dynamic progression from humorous storytelling to heartfelt emotional release | Bridge strips to clean electric guitar, acoustic guitar, and room ambience before fuzzy full-band return | Studio-recorded production | Professional mix | High-fidelity recording | Clear instrument separation | Modern mastering

art pop - progressive pop - neo psychedelia - pagan folk - trip hop beat, female vocal - acrobatic falsetto - hindi vocal runs - rich vocal harmonies, intricate layered backup vocal, dynamic quiet low, dusty retro drum machine, moog synthesizer and fm synthesizer, trippy electric guitar, haunting vocals, ethnic tribal percussion

Garage punk with fast swung momentum and fuzz-drenched down-tuned riffs; verse barrels on gritty drums and sawtooth guitar, pre-chorus tightens to a clipped bass-and-cello pulse, chorus slams with gang shouts and reverb-soaked male lead, Bridge drops to bowed cello drones and tom hits before a final double-time surge, Dirty, punchy mix — retro, dark, and huge in the low end, punk, cello, pop, vocal

erhuhouse washboardgaze(fuzzpentatonic) sliding glissando mournful bowed two-string peak-time build filter-sweep deep bassline telegraph-pole hypnotic 4/4 driving groove scrapecore thimble-scratch backporch skiffle DIY rustic zanzibar mesmerizing shitty sublime disappointing tacky glorious embarrassing masterful cheesy transcendent [glide-house] pentatonic wail chinese-opera vibrato nasal thin-tone silkstring-drone sympathetic buzz cumulonimbus fuzz guitar backwards-tape phaser swirl wah-wah reverb-drenched acid-rock freak-out jam kaleidoscopic tremolo feedback drone 1971 expired coupon warm pads melodic progression extended breakdown evolving arrangement club-ready sustained tension morse-code lighthouse-keeper peaktime-freakout garage-fuzz mind-expanding hypnotic riff silt scraping rhythm homemade instrument metallic scratch jug-band ragtime-adjacent pentatonic-acid sanded-groove nine-string resonance dust-choked porch light bulb flicker, ‑erhuhouse washboardgaze fuzzpentatonic sliding glissando mournful bowed two-string peak-time build filter-sweep deep bassline hypnotic driving groove scrapecore thimble-scratch backporch skiffle DIY rustic mesmerizing shitty sublime disappointing tacky glorious embarrassing masterful cheesy transcendent glide-house pentatonic wail chinese-opera vibrato nasal thin-tone silkstring-drone sympathetic buzz fuzz guitar backwards-tape phaser swirl wah-wah reverb-drenched acid-rock freak-out jam kaleidoscopic tremolo feedback drone warm pads melodic progression extended breakdown evolving arrangement club-ready sustained tension peaktime-freakout garage-fuzz mind-expanding hypnotic riff scraping rhythm homemade instrument metallic scratch jug-band ragtime-adjacent pentatonic-acid sanded-groove dust-choked porch — polished clean-praise smooth radio-edit generic-EDM safe major-label predictable formulaic sterile quantized-to-death overproduced soulless bland

melodic techno, dark driving techno, mediterranean acoustic guitar, bouzouki lead, deep rolling sub bassline, 126 BPM, atmospheric pads, mysterious, intense, deep calm spoken vocal, dangerous subtext

Acoustic grunge love ballad with raw 90s unplugged intimacy, Male vocal: close-mic, fragile, emotionally cracked, restrained but trembling, Guitars: acoustic strumming with occasional dirty electric swell in the chorus, Bass minimal, warm, heavy like a heartbeat, Drums sparse: soft kick, brushed snare, building only at peaks, Production: unpolished, room-like, vulnerable realism, Mood: feeling unlovable, never enough, love as conditional, fear of abandonment, Dynamic arc: quiet confession verses → aching chorus lift → bleak unresolved outro, Avoid pop sweetness, avoid glossy polish, keep it honest and bruised

Dark hybrid of hardtrance, psytrance, dreamtrance and darktrance, 145 BPM, relentless driving kick, powerful rolling psy bass, aggressive acid lines, hypnotic trance sequences, dark atmospheric synths, psychedelic FX, intense warehouse rave energy, futuristic underground sound, raw and powerful, no melancholic mood, pure dark euphoria and hypnotic energy

psychedelic folkrock, late 60s revival

Anthemic female-led pop-rock, live concert recording, 126 BPM, key of E minor verses shifting to G major chorus for emotional lift, powerful raspy vocals with extreme dynamic range from whisper to full belt, driving hard rock guitar riff with heavy distortion returning between sections, martial snare-heavy live drums, punchy bass, piano as emotional anchor, raw unscripted crowd call-out, explosive chorus with mass crowd singalong, call and response WE ARE, crowd carries outro alone, spoken intimate bridge building to explosive LOOK AT ME NOW moment, extended instrumental outro with band vamping over crowd noise, half-time drum breakdown, crowd chanting STILL HERE spontaneously, soaring guitar solo over crowd, final power chord with one beat silence before crowd explosion, artist spoken ad-libs over music, feedback squeal ending, stadium crowd noise and cheering throughout, confetti finale energy, imperfect human live performance, authentic unapologetic energy, ‑no Auto-Tune, ‑no EDM, ‑no synth leads, ‑no studio polish, ‑no silent crowd, ‑no slow tempo, ‑no ballad feel, ‑no clean sterile production

Big band, jazz-band, cabaret, silent film music, vintage orchestral, hot jazz, ragtime, light classical, theater orchestra

pop, r&b, electronic, OPM

gritty female biker rock in the style of Hard Rock, Rock, Heavy Metal s highway to hell cinematic outlaw soundtrack harley davidson engine starting and idling in the intro wind sound electric guitars distorted riffs powerful drums bass driving the rhythm tempo around 110 bpm female irish lead vocal slightly raspy emotional and rebellious structure intro engine wind verse chorus verse chorus electric guitar solo bridge final chorus outro engine fades into distance pauses and dynamics in vocals and instruments energy rising and falling freedom rebellion highway ride sunset wild and unstoppable female rider

Neue Deutsche Härte, Symphonic Industrial Metal, Operatic and cinematic, Crushing heavy guitar walls, driving monolithic 4/4 drum machine beat, Epic dark orchestral strings, dramatic gothic choir pads, haunting synthesizer, Ultra-deep theatrical bass-baritone male vocals, rolling R, alternating between menacing whispers in verses and anthemic explosive melodic choruses, Loud-quiet dynamics, dark romanticism, monumental, ‑guitar solos, ‑shredding, ‑high-pitched vocals, ‑screaming, ‑death growls, ‑blast beats, ‑double bass drumming, ‑complex time signatures, ‑progressive metal, ‑thrash metal, ‑metalcore, ‑grunge, ‑nu-metal, ‑alternative rock, ‑blues rock, ‑funky bass, ‑improvisation, ‑acoustic guitar, ‑soft synth-pop, ‑EDM drops, ‑autotune, ‑female vocals, ‑happy melodies, ‑emotional pop chorus, ‑organic jam band sound

Crimbakold, Cinematic Anthemic Banger Where Metalcore Leads, Fused With Tribal, Afrobeat, And Dembow Groove (100–110 Bpm), Front-And-Center Drop-Tuned Distorted Guitars, Palm-Muted Riffs, Chugs, Breakdowns, And Aggressive Metal Drums, Metalcore Energy Drives The Song, With Tribal Percussion, African Drums, Chants, And Shakers Reinforcing The Groove, Tropical Instruments (Marimba, Kalimba, Steel Drums) Used Sparingly For Texture Only, Psychedelic And Hypnotic Sound Design, Glitches, Samples, Fx, And Rhythmic Vocal Chops, Vocals Switch Between Aggressive Metalcore Shouts/Screams And Hypnotic Melodic Chants, Cinematic Build, Brutal Metalcore Breakdown Drop, Ritual Breakdown, Final Crushing Drop, Raw, Heavy, Powerful, Perfect Mix, Fully Mastered

Raw unpolished male vocal with constant vocal fry for gritty low tones, subtle trembles, subtle high-frequency presence and clarity, gentle air on vocal top end only, background remains controlled, frequent emotional cracks, clear diction and enunciation, Hollow cavernous reverb tails on key words "me", "in me", "heart break", Sung with melodic phrasing, tight rhythmic flow, sharp emotional shaping, Starts introspective reflective low, builds urgency, intensity, defiant bite, increasing reflection and emotional elevation with dynamic swells, Soft muted upright piano dominant, soft muted woolly tone, sparse long-decay notes only, smooth sustained no attack, Resonant sub-bass pulses, low-register gritty string drones, No pop drums, no orchestral swells, no clean sheen, no choir, Heavy low-frequency textures, visceral intimacy, Slow-medium ballad 78-88 BPM, vocal-forward mix, gradual elevation from introspective low to cathartic resolve, long 8-10 second hollow decay at end

Jodelcore UK Drill, heavy drill beats, sliding distorted 808s, sad acoustic accordion, weeping tragic violin, aggressive drill rap flow, heavy screaming yodeling, melancholic german folk singing, emotional contrast, tragicomic, dramatic beat drops

Dark emotional alternative rock with cinematic piano, low strings, restrained drums, growing guitars and a strong final lift, Under five minutes, Inverted structure: verses are repeated hooks; choruses are quiet narrative sections, Two different adult male solo singers, One singer at a time, [MALE SINGER A] = ANDRE: dark low bass-baritone, close-mic, breathy, muted, almost spoken, narrow range, minimal vibrato, no belt, inward and fragile, A sings everything before [MALE SINGER B ENTERS], then stops, [MALE SINGER B] = LUCIFER: bright high dramatic rock tenor, ringing metallic tone, open projection, strong belt, wide upper range, clear vibrato, proud and direct, B is silent before [MALE SINGER B ENTERS], then sings all remaining lyrics alone, Keep each singer fixed to the label, Use different register and timbre, Never swap, blend or harmonize voices, Repeated verse hooks keep one melody, Missing lines stay instrumental, Use an instrumental break and key lift at the singer change, ‑female vocals, ‑female singer, ‑female backing vocals, ‑feminine voice, ‑choir, ‑single vocalist throughout, ‑identical male voices, ‑same vocal timbre, ‑voice swapping, ‑voice blending, ‑male harmonies, ‑singer B before transition, ‑singer A after transition, ‑low-pitched second vocalist, ‑baritone second vocalist, ‑breathy second vocalist, ‑improvised lyrics, ‑repeated deleted lines

avant-garde, psychedelic symphonic-metal, Liedermacher

[Dark Pagan Folk] Ancient ritual atmosphere, deep frame drums, shamanic drum, Tagelharpa, Nyckelharpa, jaw harp, bone rattles, wooden flutes, distant war horns, low male ritual vocals, haunting female harmonies, tribal chanting, sparse call-and-response, slow hypnotic rhythm, organic acoustic instrumentation, crackling fire, cold northern wind, cavernous natural reverb, cinematic Nordic atmosphere, sacred forest ambience, gradual tension, emotional and mystical, raw acoustic recording, ancient European folk traditions

[GENRE: Mongolian throat singing (khoomei) drone, dubstep drop, 140 BPM half-time, melancholic minor tension] [VOCALS: male tenor, breathy restrained, whispered undertone, vocal chops on drop, self call-and-response adlibs, vocal fraying by final hook] [MIX: morin khuur, wobble bass, sidechain pump, filtered noise riser, reverse-reverb swell, pedal point bass, vast reverb] [STRUCTURE: Intro drone > Verse > Pre-Chorus > Hook drop > Verse > Hook drop, fraying > Bridge beatless > Final Hook, fragmented collapse > Outro drone] [Persona: restrained male tenor, calm control fracturing into fragmented urgency]

[Style Prompt] Melancholic cinematic existential art-pop x ambient electronica x restrained glitch-pop, 82 BPM, D minor, intimate fragile male lead, close and breath-near, soft female response layers and distant ooooh stacks, self-consuming passion, yearning without comfort, minor-key gravity throughout, no major-key shift, no uplifting lift, no triumphant bloom, chorus opens wider but stays heavy, feverish and unresolved, restrained glitch used as emotional instability rather than spectacle, tiny vocal catches, broken repeats, pitch drag, granular decay, subtle dropouts, smeared transitions, bridge becomes more exposed and inward, spacious production, deep low-end swell, elegant negative space, outro unresolved, beautiful in a ruinous way, mature adult voices, paroles en français

nu metal foundation with subtle noise rock grit, stoner rock weight and post‑rock guitar atmosphere, with dark art pop and punk rock elements, driven by punchy syncopated drums, saturated low‑end pressure and sharp guitar stabs that cut through wide melodic layers; female vocals shifting between soft whispered lines, raw edgy phrases, warm sung passages and controlled shout parts, expressive and human with natural imperfections; light digital static, frame‑skip accents used sparingly for texture, plus short broadcast‑style japanese fx fragments as homage to the original, overall a gritty but polished sound with electrified tension and strong guitar presence

A progressive art-pop track combining expressive female vocals with layered synths and lush piano textures, The song builds from a sparse, haunting intro with ethereal pads and subtle percussion, leading to dynamic sections filled with intricate rhythms and dramatic instrumentation, Each section grows in depth, using unconventional structures, melodic motifs, and atmospheric effects to create a dreamlike, avant-garde soundscape, 80's vibe

k-pop, synth-pop, electronic/dance-pop

rock, Female vocals over hybrid hard rock / heavy metal riffs smashed into progressive rock patterns, melancholic piano and violin elements, Guitars tuned low and sharp, tremolo-picked verses with syncopated double-time drums, Choruses explode with open chords, sidechained pads, and stacked gang shouts on key words, Bridge drops into a punishing 4-on-the-floor kick barrage with distorted bass stabs, Vocal arc: snarled, half-spoken verses into soaring, defiant hooks, hard rock, metal, female vocals

72 BPM G Major epic orchestral power ballad, cinematic soul, Grand piano, full string orchestra, soaring brass section, cinematic choir, Audiophile studio master recording with wide stereo imaging and distinct instrument layers, Full-spectrum balance with warm mids, silky highs and deep orchestral low-end, Modern polished production, recorded pro studio, Powerful dynamic range with sustained emotional build and anthemic climax, Grand cathedral reverb with chamber depth, Male tenor vocals, soulful and operatic, powerful belting, front-and-center in the mix, 6-20hz master, 48 Khz Studio master, Target duration msximum 5:00 Minutes, ‑[Shimmer, ‑grain, ‑hi-hats, ‑noise, ‑No electronic drums, ‑no synth pads, ‑no autotune, ‑no distortion, ‑no thin mix, ‑no generic arrangement]

STYGIAN SCALE: 9, 3/10 (Crushing, Human, No Escape) Raw heavy 90s grunge with sludge weight and punk urgency, Emotionally cracked male vocal, close-mic trembling in verses, breaking into shouted desperation in choruses, Drop-tuned distorted guitars: thick grinding riffs, jagged muted picking in quieter sections, Bass loud, dirty, oppressive and simple, Drums primitive and heavy, driving kick/snare with chaotic fills only at emotional peaks, Production unpolished, room-like, noisy realism with feedback edges left intact, Mood: panic attacks, claustrophobia, teenage trauma, guilt, anti-establishment dread, Dynamic contrast: whispered confession → explosive collapse → bleak exhausted outro, Avoid glossy modern sheen, avoid overproduction, avoid clean metal tightness

Atmospheric Pagan Folk, Dark Nature Folk, Tribal Folk, Organic Acoustic Sound, haunting female lead vocals with expressive emotion, gentle male harmony vocals, layered ethereal choir, wooden flute, Irish whistle, low whistle, tagelharpa, nyckelharpa, Celtic harp, acoustic guitar, bodhrán, frame drums, hand percussion, deer antler rattles, shakers, nature ambience with birds, wind and flowing water, earthy tribal rhythms, mystical woodland atmosphere, melancholic yet hopeful, cinematic build, organic live performance, no electric guitars, no synthesizers, no EDM, no modern drums, rich acoustic textures, immersive, spiritual, ancient, emotional, 85 BPM, D minor

huayno, Andean folk, quena, panflute, violin

deep, pain massive echoes that bounce like cavern echoes, excruciating high-voice ascents that crack and shatter, orchestral swells for ultimate pain and catharsis, Tempo: 80-90 BPM for brutal weight, Key: E minor for dark depth, Ultra-immersive 3D-audio: echoes pan left-right, 10x layered to simulate an echo chamber, Cathedral reverb on everything, vinyl crackle + thunder-drums for epic atmosphere, High voice in chorus rises to breaking point with growls & screams for raw agony

STYLE: Urban Folk • Experimental • Minimal Groove • Human Rhythm • Raw Acoustic INSTRUMENTS: Jaw Harp (Maultrommel) – rhythmic plucks, metallic overtones, playful pulses Human Beatbox – deep kick, crisp mouth hi-hats, tongue clicks, breath percussion VOCALS: Low male spoken word or rhythmic chant Occasional overtone humming Call-and-response phrasing MOOD: Playful • Gritty • Street Ritual • Organic • Slightly Weird BPM: 90 STRUCTURE: Intro – jaw harp solo, free rhythm Verse – beatbox groove enters, spoken rhythm, Chants Hook – tight jaw harp riff + beatbox drop Break – breath and mouth sounds only Outro – fading jaw harp overtones CONSTRAINTS: No synths No electronic drums No polished pop sound Raw human performance only

[GENRE: operatic soprano, trap, 140 BPM half-time, dramatic minor-to-major key change at final hook] [VOCALS: soprano lead, classically trained belt, escalating melismatic runs each hook, wide interval leaps, extended cadenza before final line, harmony layer joins by final hook] [MIX: grand piano, sub 808 bass, trap hi-hats, sidechain pump, reverse-reverb swell, string swell entering final hook, vast hall reverb] [STRUCTURE: Intro rubato solo > Verse > Pre-Chorus > Hook drop > Verse > Hook drop, ornamented > Bridge rubato aria > Final Hook key change, cadenza, peak > Outro rubato fade]

Progressive art rock with a piano-driven foundation, featuring intricate orchestral layers—lush strings, subtle woodwinds, brass swells, Dynamic female vocals intertwine with rich harmonies and a powerful choir in the choruses, Modulating structures, shifting time signatures, and textured builds drive momentum

hardcore german rap, industrial metal, Neue Deutsche Härte

dark metal with heavy low-end impact, swampy ambience, gritty analog textures, deep detuned guitars with slow crushing riffs, mechanical pulses rising under the mix, tense build-ups, wide stereo depth with murky reverb, aggressive percussive accents, evolving layers shifting between dense walls of sound and eerie minimal passages, organic saturation, brooding mood, fast pacing, immersive production blending industrial weight with haunting melodic fragments, dark male vocals with controlled intensity, fully sung lines, gritty midrange tone, steady delivery, subtle rasp on emotional peaks, smooth transitions between low melodic phrases and stronger powerful notes, tight phrasing, clear articulation, no spoken parts, no rap sections, cohesive performance with atmospheric depth

rock ballad, guitar, male voice, Soaring electric guitar, Building guitar solo, Atmospheric pads, Mid-tempo, Raspy vocal texture