A Righteous Peace act 3

3 minutes operatic prelude, cinematic, 4 evolving sections: (1) string accents, piano, (2) dark low, atonal, dissonant, bassoon, low strings, funeral march, speeding up, (3) trap-jazz fusion, light syncopated beat, brass (4) uk rock ballad, slide guitar, trumpet, brass accents

slow solemn lyric brass band, high quality clean sound, dissonant accents, (style of Ives)

Duet: two male voices Voice 1 theatrical bass and Voice 2 warm baritone pizzicato strings, Bartok style, percussion, trumpet, bassoon, uptempo

very slow baroque lament, female (alto) voice, solo violin and small baroque chamber ensemble, no percussion, style of slow Bach aria 'erbarme dich'

Only voices, large romantic choir, with soloists alternating as indicated, no instruments, slow, solemn, majestic, like a Beethoven mass

warm baritone with sparse classical solo piano, leisurely, slow, reflective, style of Chopin nocturne, with interludes as indicated

fusion classical-slow jazz, funeral march, somber, dark, strong bass voice, low brass, soft dissonant harmonies, Dm, Bass drum, haunting melody

fusion classical-slow jazz, funeral march, somber, dark, strong bass voice, low brass, soft dissonant harmonies, Dm, Bass drum, haunting melody

Country & Western bravado, Johnny Cash baritone solo, fairly slow, choir echoes, steel guitar, Horn interlude, fiddle, marching drums, Rustic but powerful atmosphere

Duet: female: warm mezzo, male: warm baritone Melodious countrystyle, violin, guitar, brass, light drum, female parts pleading, male parts firm

warm baritone with leisurely, slow, reflective, style mixture of Chopin like guitar, with country influence

slow fusion jazz-hiphop beat, Steady tempo, speechlike baritone with clear voice, like CNN anchor, Minimal instrumentation: light kick, snare, bass, no scratch, Brass accents

Trap-inspired jazz fusion, deep bass drumm, syncopated hi-hat rolls, deep kick, Slow, Male baritone, cear diction, half-spoken, boastful, rhythmic, with pauses for slogans, Use ad-libs (“believe me, ” “progress, ” “deal”) syncopated with beat, Drops before key lines (“no deal till there’s a deal, ” “hottest country”), Atmosphere: confident, swaggering, modern bravado

MALE BASS VOCAL An intense fusion of classical, hip hop, and slow jazz, opening with a stark funeral march rhythm, Low brass lays a somber foundation, alongside slow, soft dissonant jazz harmonies, Strong declamatory bass vocals drive the piece, Hip hop beats subtly intensify tension, all resolving bleakly in D minor

War scène, fusion of death industrial and theatrical funeral march, Alternating choir and anonymous solo voices, Dark, mournful, pounding rhythm, Dissonant harmonies, Brass accents, Slow tempo, heavy percussion, echo of sirens and distant bells, Sounds of bombs and Rockets, screams of pain, Intense, relentless, with repetition and rhyme

Slow easygoing blues, male bluesy voice, steel guitar, slide, acoustic bass, light drums, saxophone, keep it low and slow, storytelling, no doubling of voices

SLOW ROCK BALLAD IN D MINOR WITH JAZZ INFLUENCES, DIMINISHED CHORD DISSONNANCES AND MODULATIONS TO STRANGE KEYS, PIANO AND SLIDE, ONLY ACOUSTIC PERCUSSION, WITH ALTERNATING VIOLIN AND CELLO INTERLUDES, SERIOUS, INTROSPECTIVE