3:58

焦らずにいこう、ね
v4.5-all
Genre: Pop Jazz, Swing
Mood: Light, breezy, romantic, relaxed
Tempo: Medium swing, BPM 95–105
Vocal: Female vocal, warm and slightly husky, playful phrasing
Style: Modern Pop Jazz with classic swing feel
Instruments: Brushed swing drums, walking bass, electric piano, soft jazz guitar, subtle brass accents
Song Length: About 3 minutes
Lyrics: Bilingual (English & Japanese, balanced 50/50)
Theme: Taking love slowly, enjoying the moment, relaxed intimacy
Description:
A light and elegant pop jazz song with a strong swing groove, English and Japanese lyrics alternate naturally, like a gentle conversation, The vocal floats playfully over the rhythm, leaving space between notes, Romantic, cozy, and effortless
4:03

雨の日と口紅
v4.5-all
Main Prompt:
Soft pop, 1970s inspired, warm analog texture, intimate and emotional, gentle female vocal, Carpenters style, slow tempo, calm and hopeful mood, romantic rainy day atmosphere
Tempo:
Slow (90–110 BPM)
Key / Harmony:
Major key with subtle jazzy extensions (major7, add9, soft passing chords)
Arrangement:
• Electric piano (Rhodes, soft and warm)
• Light brushed drums (minimal, airy)
• Warm bass (simple, round tone)
• Soft strings (very subtle pad)
• Clean guitar (light arpeggio, optional)
Vocal Direction:
• Breathy, close mic
• Soft phrasing with gentle emotional lift
• Natural dynamics, no over-singing
Melody Design:
• Stepwise melody 중심(音程はなめらかに)
• Chorus only slight lift(サビだけほんの少し跳ねる)
• Keep melodic range narrow(音域広げすぎない)
• Repeat hook phrase with subtle variation
Rhythm / Space:
• Insert intentional pauses between phrases(“間”を演出)
• Avoid dense syllables(詰め込み禁止)
• Let last words gently trail off(語尾を余韻で消す)
Emotional Arc:
• Aメロ:内向き(静か)
• サビ:ほんの少し外へ(でも
3:56

ワンコーラスの恋
v4.5-all
Title: One-Chorus Love
Jazz-oriented blues song, around 2 minutes, Husky and powerful female vocal with emotional depth, Medium-slow tempo, smoky and intimate late-night jazz club atmosphere, Main instruments:
Tenor saxophone (melancholic, expressive lines), Acoustic wood bass (warm, walking bass feel), Clean electric guitar with soft bluesy phrasing, Light piano comping and brushed drums supporting quietly, The chorus should be emotionally strong but not overly dramatic, Focus on space, groove, and lingering blue notes, Mood: mature, bittersweet, sensual, restrained passion, Japanese lyrics, female lead vocal, jazz blues style
3:49

トーストとセブンスコード
v4.5-all
Title: Toast & Seventh Chords
Pop Jazz / Slow Tempo / 2, 5–3 minutes
Husky female vocal, intimate and slightly breathy delivery
Warm, mellow mood with a quiet morning atmosphere
Arrangement:
• Soft jazz piano with seventh chords
• Upright bass, brushed drums
• Tenor saxophone featured prominently
Structure:
• Verse and chorus led by vocal
• Instrumental interlude with expressive tenor saxophone solo
• No dramatic build-ups, focus on subtle groove and lingering harmony
Lyrics theme:
Ordinary morning scenes mixed with unresolved emotions, everyday warmth and emotional ambiguity, like breakfast sounds blending with unfinished chords
Tempo: BPM 65–75
Style references: Modern Pop Jazz, Lounge Jazz, Morning Jazz
Overall feeling: Gentle, introspective, cozy, slightly bittersweet
3:24

Coffee Before It Gets Cold
v4.5-all
Title: Coffee Before It Gets Cold
Style & Mood:
Soft Bossa Nova, intimate and minimal, warm and relaxed atmosphere, Gentle morning light, quiet café mood, subtle romance, unhurried flow, Overall calm and laid-back, with a slight emotional lift only in the chorus, Tempo & Length:
BPM 72–80, total length around 2:30–2:50, Vocal:
Male vocal, low to mid-low range, slightly husky and close-mic, Soft, breathy delivery, relaxed phrasing, Verses are understated and conversational, Chorus rises gently in melody and emotional intensity, but never dramatic, Arrangement:
Nylon-string acoustic guitar as the core rhythm, Light percussion (soft brushes, shakers, subtle congas), Warm upright bass, Very light electric piano or pad for atmosphere, Minimal fills, lots of space between notes, Song Structure & Direction:
Verse → Chorus → Verse → Chorus → Short Bridge → Final Chorus, Verses stay low and intimate, Chorus melody lifts slightly upward, opening the harmony just a bit, Final chorus feels wa
2:55

Salt Breeze Holiday(海風の休日)
v4.5-all
Bossa nova, chill summer seaside vibe, slow tempo (around 78 BPM), soft and warm atmosphere, nylon acoustic guitar with gentle bossa rhythm, light shaker and brushed percussion, subtle electric piano pads, minimal arrangement, airy and intimate mix, Female vocal, slightly husky and breathy tone, smooth and relaxed delivery, very natural phrasing, not over-singing, soft dynamics, close-mic feeling, Theme: lazy summer holiday by the sea, no plans, soft ocean breeze, emotional but understated, calm and romantic mood, Lyrics in Japanese with simple English phrases mixed in, easy to sing, short lines, natural flow, lots of vowel sounds, no complex phrasing, Structure:
Intro (soft, minimal, ocean-like mood)
Verse A (gentle, storytelling)
Pre-Chorus (slightly closer, intimate)
Chorus (catchy but still soft, flowing)
Verse B (same mood, slightly closer emotionally)
Pre-Chorus
Chorus
Outro (fade out, wave-like feeling)
* slightly behind-the-beat vocal timing
* soft consonants, airy breath
3:35

City Lights & Wine
v4.5-all
Lo-fi chill pop, mellow vibes
Western pop, Vividry-inspired
穏やかなチルポップ, soul, soul, soul
3:24

Rain in a Minor Key2
v4.5-all
jazz, chill jazz, smoky piano and smooth saxophone, intimate and mellow, perfect for a late-night café atmosphere, saxophone
3:19

口紅とブルーノート
v4.5-all
Title: Lipstick & Blue Notes
Pop Jazz, light and warm morning mood, Tempo around BPM 90, Electric piano as the main instrument, soft and mellow chords, Brush drums with gentle swing feel, subtle walking bass, Female vocal, slightly husky and intimate, close-mic presence, Easy-to-sing melody, smooth phrasing, no extreme pitch jumps, Relaxed groove, bright but calm atmosphere, Theme: morning routine, self-affirmation, lipstick, coffee, blue notes, Overall feeling: cozy, stylish, optimistic, perfect for a quiet morning, Length: about 2, 5–3 minutes
3:45

3:19

