3:07

TV Show, Cinematic 80s Synth, Catchy Quirky Female Vocals, 80's Vibe E-Guitar
2:49

TV Show, Cinematic 80s Synth, Catchy Quirky Female Vocals, 80's Vibe E-Guitar
2:33

Noir Funk
Instruments: Saxophone dripping with reverb, Funky basslines, Gritty electric guitar, Haunting synths, swaggering drums, cowbell
Vocals: older, seductive, smoky, masculine
3:36

Hyperpop, Kawaii Future Bass, Korean Americana, Chillwave Swing, Young voices
3:34

Conscious Grime with Liquid DnB MCing, turntable scratch, synthpads, high tempo, precise consonants, tight punches, hard breaks, liquid pads, rolling breaks, cloud-surfing melody
3:12

Conscious Grime with Liquid DnB MCing, turntable scratch, synthpads, high tempo, precise consonants, tight punches, hard breaks, liquid pads, rolling breaks, cloud-surfing melody, Male forced falsetto
3:48

3:09

3:27

3:17

Playful Pop with funky undertones, 110 BPM, groovy basslines, synth riffs, vibrant claps, layered harmonies, and cheeky ad-libs, female voice, -male vocals
3:44

Laid-Back Southern Blues, Slow Blues Storyteller, older female vocals, 60-86 BPM
3:30

Rapid-Fire Rap, Trap, Conscious Hip Hop, 180-225 BPM, Female vocals, aggressive, powerful, uptempo (180-225 BPM)
3:29

Neo Prog Ballad, Noir Synth Rock, Space Lounge Funk, male vocalist, female backing
3:33

Acid Grunge, Psychedelic Sludge Poetry, dreary Female Vocalist
3:04

3:22

Begins with a raw Oja drum groove, layered with tribal hand percussion and resonant call-and-response group chanting, Entrancing psychedelic textures sweep in as electric cello leads with swirling effects and delays, weaving between syncopated, fuzzy guitar riffs and pulsing bass, The chorus lifts with soaring cello runs over bombastic rock drums, before dropping into intimate, atmospheric bridges where ambient synths and bowed harmonics build tension and release, The outro merges chant, cello distortion, and heavy drums for an ecstatic, cinematic finale
3:36

A groovy, angular funk intro driven by punchy drums and syncopated bass in 7/4 establishes off-kilter energy, Wah-wah guitar licks and haunting, reverb-drenched Rhodes swirl beneath a lead sax weaving jagged, minor-mode riffs, Female vocals float in a spoken-sung cadence, underpinned by ghostly whispered layers echoing pivotal phrases, The chorus thickens with stacked horns, dissonant synth pads, and fluid backing vocals, all maintaining the skewed meter, A breakdown features muted sax, sparse percussion, and whispers over pulsing Rhodes before building back to a full, swirling outro with sax improvisation and clipped funk guitars, Condensed summary:
Groovy 7/4 funk with punchy drums, syncopated bass, wah-wah guitar, haunted Rhodes, and jagged minor sax riffs, Female spoken-sung vocals, whispered backing, rich horn chorus, eerie synths, and a breakdown with muted sax and pulsing keys, Ends with swirling sax improv
3:37

A groovy, angular funk intro driven by punchy drums and syncopated bass in 7/4 establishes off-kilter energy, Wah-wah guitar licks and haunting, reverb-drenched Rhodes swirl beneath a lead sax weaving jagged, minor-mode riffs, Female vocals float in a spoken-sung cadence, underpinned by ghostly whispered layers echoing pivotal phrases, The chorus thickens with stacked horns, dissonant synth pads, and fluid backing vocals, all maintaining the skewed meter, A breakdown features muted sax, sparse percussion, and whispers over pulsing Rhodes before building back to a full, swirling outro with sax improvisation and clipped funk guitars, Condensed summary:
Groovy 7/4 funk with punchy drums, syncopated bass, wah-wah guitar, haunted Rhodes, and jagged minor sax riffs, Female spoken-sung vocals, whispered backing, rich horn chorus, eerie synths, and a breakdown with muted sax and pulsing keys, Ends with swirling sax improv
3:16

A groovy, angular funk intro driven by punchy drums and syncopated bass in 7/4 establishes off-kilter energy, Wah-wah guitar licks and haunting, reverb-drenched Rhodes swirl beneath a lead sax weaving jagged, minor-mode riffs, Female vocals float in a spoken-sung cadence, underpinned by ghostly whispered layers echoing pivotal phrases, The chorus thickens with stacked horns, dissonant synth pads, and fluid backing vocals, all maintaining the skewed meter, A breakdown features muted sax, sparse percussion, and whispers over pulsing Rhodes before building back to a full, swirling outro with sax improvisation and clipped funk guitars, Soft harmonica counterpoint to t; harmonica slightly behind the beat, Condensed summary:
Groovy 7/4 funk with punchy drums, syncopated bass, wah-wah guitar, haunted Rhodes, and jagged minor sax riffs, Female spoken-sung vocals, whispered backing, rich horn chorus, eerie synths, and a breakdown with muted sax and pulsing keys, Ends with swirling sax improv
3:14

Death Rattle
v4.5
A violent fusion of hyper-glitch metal and acid-drenched classical, driven by blastbeat-grade drum programming, detuned guitars torn through granular filters, and squelching analog synths riding over breakbeat carnage, Fast-resonant throat drones cut through like ritual alarms, looping in layered overtones that shift from pulse to percussion, Orchestral strings crackle and decay in corrupted counterpoint, collapsing under the weight of digital entropy, No vocals—just a mechanical scream in overtone, the sound of death learning how to dance
3:54

A violent fusion of hyper-glitch metal and acid-drenched classical, driven by blastbeat-grade drum programming, detuned guitars torn through granular filters, and squelching analog synths riding over breakbeat carnage, Fast-resonant throat drones cut through like ritual alarms, looping in layered overtones that shift from pulse to percussion, Synthesized orchestral strings crackle and decay in corrupted counterpoint, collapsing under the weight of digital entropy, Huge cathedral organ creates the baseline like a gripping hand, Rapid paced throat singing chants underscore the harmonies, Fast, aggressive, loud, decoherent and unsettling
3:22

goth grunge, hard rock, female vocalist with Korean accent, female rap bridge
3:44

A gospel-inspired soul track with rich Hammond B3 organ swells, blues piano riffs, and a steady rhythm section built on warm bass and snappy snares, Soaring, emotionally charged female vocals in a vintage Aretha style deliver a message of freedom and resilience, Soulful backing singers provide call-and-response harmonies, with instrumental breaks featuring brassy outbursts and rhythmic piano-groove interplay
3:13

A fiery anthemic blues track featuring raw, emotionally vulnerable male vocals that begin each verse with a sharp, declarative line before easing into reflective, rhythmic phrasing, Gritty electric guitar riffs and a tight, no-frills rhythm section drive the pulse, while subtle Hammond organ swells and restrained backup harmonies deepen the emotional tension, A nearly identical two-bar lead guitar riff recurs between each stanza, acting as a sonic punctuation — a clenched-fist response to every emotional revelation, The arrangement balances grit and grace, with sections that hit hard before relaxing into velvet-soft vulnerability
3:25

My nails (Remix)
v4.5+
A vocal performance that begins with slow, deliberate phrasing for the first couple of syllables, enhanced with a gritty vocal fry, The delivery then shifts into a fast-paced, intense flow, before drawing out the final word with tension, The voice, androgynous yet undeniably powerful, fluctuates between smooth and raw textures, building emotional intensity through this dynamic range
5:08

A raw, lo-fi indie track driven by slouched electric guitar and conversational female vocals with a half-sung, half-spoken delivery, The tone is dry, sardonic, and sexually explicit without being theatrical — like a late-night voicemail that got set to music, Sparse percussion and occasional keyboard pulses fill the negative space without over-polishing the grit, The vocal phrasing is clever, intimate, and biting — veering from detached deadpan to emotionally cracked and frenzied as the verses unfold, There’s a light pop influence in the melody structure, with a teasing bounce that masks the emotional bruising underneath, The overall sound feels confessional, defiant, and dirty in a way that’s too smart to be scandalous
4:23

Red Light Mercy (v0)
v4.5+
A dangerous, sweat-drenched alt-rock track with late-80s swagger and raw analog heat, The male vocal is dominant and restrained, rich with tube saturation, stereo slapback, and whispered panned phrases, The track opens violently — bass guitar slams into the mix like a door kicked in, Gated drums punch with reverb-heavy precision, Moaning subvocals underneath lyrics, A chorus-drenched electric guitar stalks the edges, and analog synth stabs shimmer with menace, The mood is hypnotic, sexual, and unapologetically powerful, No irony, no camp, Tempo: 95 BPM — slow enough to grind, fast enough to sweat, It’s not play — it’s possession
4:30

A dark, experimental Brazilian Funk and Trap fusion combining Baile Funk rhythms with Memphis Phonk and chopped & screwed textures, Slowed tempo and deep 808 cowbell bass drive the groove, Thirsty female vocals float over distorted toy piano loops, reverse vocal chops, and ambient glitch textures, Sections develop through glitch-pop chaos, downtempo Future Bass breakdowns, and dark ambient FX swells, Montagem-style vocal chops, heavy snare taps, and thick synth arps build an eerie, immersive progression, Slacker-style verses contrast with pop-girl breakdowns, layered over chopped samples, breath FX, and swirling electronic noise, Instruments swirl thru spatial dimensions independently
6:14

Walls, temp post
v4.5+
A late-70s British progressive rock groove with funk undercurrents: slow-burning 4/4 at ~104 BPM, steady hi-hat ticks opening gradually into crisp ride, and a tight kick-snare pocket with just enough swing to feel human, Guitars enter clean and dry, palm-muted with a subtle chorus shimmer, playing clipped, repetitive rhythms that sit more percussive than melodic, A round, slightly overdriven electric bass walks in sync with the kick, carrying the hypnotic pulse, Sparse, atmospheric synth and organ pads float in the background, more texture than lead, Vocals, when they appear, are filtered through a narrow band EQ, broadcast-like and distant, giving the effect of voices bleeding through a school intercom, Production is warm but slightly claustrophobic: gated reverb on the snare, analog tape saturation, wide stereo panning on guitar delays, The intro builds slowly, layering repetition into tension, creating that eerie, institutional march before the chorus detonates
3:48

A late-70s British progressive rock groove with funk undercurrents: slow-burning 4/4 at ~104 BPM, steady hi-hat ticks opening gradually into crisp ride, and a tight kick-snare pocket with just enough swing to feel human, Guitars enter clean and dry, palm-muted with a subtle chorus shimmer, playing clipped, repetitive rhythms that sit more percussive than melodic, A round, slightly overdriven electric bass walks in sync with the kick, carrying the hypnotic pulse, Sparse, atmospheric synth and organ pads float in the background, more texture than lead, Vocals, when they appear, are filtered through a narrow band EQ, broadcast-like and distant, giving the effect of voices bleeding through a school intercom, Production is warm but slightly claustrophobic: gated reverb on the snare, analog tape saturation, wide stereo panning on guitar delays, The intro builds slowly, layering repetition into tension, creating that eerie, institutional march, The staccato drums and cinematic arc, ‑pop, ‑indie folk, ‑trap, ‑acoustic, ‑lofi, ‑electronic
2:59

A dark alt-pop ballad with raw confession at its core, The verses are stripped down, almost diary-like, with close-miked vocals that quiver between weary restraint and sudden cracks of pain, The overall ambiance is ghostly and cinematic: sparse piano chords hang in reverb, underpinned by a soft sub-bass thrum, Drums enter sparingly—tight snare taps, deep tom accents, and the occasional explosive cymbal crash as punctuation, Electric guitar adds atmosphere, not riffs: clean, delayed stabs or distant feedback swells, The vocal delivery is child-memory vulnerable at first, then surges into repressed rasp on the harsher lines, while layered whispers echo the cruel refrain like it’s stuck in her head, The tone blends personal devastation with detached witness, intimate enough to feel like a secret but wide enough to haunt an arena
2:44

Crystalcore foundation with glistening bell-like synths, icy pads, and crystalline arpeggios fractured into glitch harmonics, Angular stutters, bit-crushed bursts, and digital static rip through the shimmer, distorting the glass-like soundscape, Marked sudden dips and crescendos create seasick swells and abrupt plunges, the whole track inhaling and collapsing in unpredictable waves, Spatial design is intentionally awkward: sounds pan hard left, vanish, then reappear behind the listener, like shifting walls in a funhouse corridor, Vocals float ghostlike, layered in translucent reverb, sometimes clear as cut glass, sometimes shredded into glitch echoes, The atmosphere is otherworldly and disorienting—equal parts delicate beauty and digital malfunction
3:53

A haunting hybrid of spoken-word and melodic rap, built on a luminous minor loop that anchors each phrase like a heartbeat remembering itself, Verses flow at 160 bpm in intimate proximity, words landing with surgical calm over warm, inevitable chords that hum under tension, The groove tightens with every bar, a pulse that propels meaning forward even as it holds back tears, At 240 bpm the choruses lift—voice half-sung, half-spoken, syllables striking like percussion, hooks carved in firelight, The vocal timbre glows feminine yet flinty, velvet with an iron edge, phrasing dripping with weary conviction, Production swells with layered bass shimmer, brittle drums, synth embers, and low cinematic brass, all in crystalline balance, Dynamics surge and recede, crescendos folding into whispers, tempos sliding from fury to resignation, The twist: a ghostly choir echoing each accusation in reverse harmony, Every sonic element locks in—melody, rhythm, and word—into a loop that demands replay, ‑Pop gloss, ‑EDM plastic brightness, ‑trap hi-hat monotony, ‑over-compressed vocals, ‑hyperpolished autotune, ‑generic motivational phrasing, ‑808-heavy beats, ‑bubblegum melodies, ‑crowd-pleasing dance breaks, ‑sugary harmonies, ‑over-saturated stereo imaging, ‑carefree summer pop energy, ‑corny cinematic strings, ‑obvious crescendos, ‑glossy radio mixing, ‑overt optimism, ‑stadium-pop chant cadence
3:42

80s new wave groove at the forefront—neon-drenched but emotionally taut, with gated snares, shimmering synth pads, and dusky I–V–vi–IV chord cycles giving it cinematic melancholy, A post-punk pop framework grounds the vibe, stripped-back in the verses with minimal percussion and moody synth drones, Alt-R&B inflections color the vocal delivery—introspective, occasionally syncopated, emotionally raw, Electro-pop elements surface in the chorus, where pads swell and the snare opens up with gated reverb, The production breathes dynamically, with subtle Korean melodic ornamentation or glitch textures layered in the background—just enough to flavor the atmosphere, Every shift between sections carries an emotional arc, from restraint to catharsis, ‑plastic EDM gloss, ‑predictable pop structures, ‑overcompressed radio sheen, ‑trap hi-hat chatter, ‑saccharine dance hooks, ‑untextured digital percussion, ‑one-dimensional synth stabs, ‑monotone vocal autotune, ‑static energy with no emotional arc, ‑sterile soundstage lacking warmth or spatial breath, ‑forced funk brightness, ‑indie cliché melodies, ‑hyperpolished chart-pop tropes, ‑repetitive drops without evolution
1:55

HONEY METAL, warm, syrup-thick distortion over slow, off-kilter rhythms (7/8), Guitars heavy but smooth: drop tunings, soft clipping, fuzz bloom, tape saturation, Bass deep, warm, slightly overdriven, notes blooming before decay, Drums drag and thud: tom-heavy, sparse snares, dark reverb, cymbals that sigh, Distorted harmonica through tube overdrive, mild fuzz, octave-down, and dark plate verb for a sweet-but-broken metallic wail, Background of industrial thuds, sparks, and scratches, Production warm and hollow: softened highs, boosted low mids, drone bed, room ambience for emotional distance, Minor glitch when a syllable is needed, Mood: slow ache, introspective weight, honey-coated exhaustion with steel beneath





