Reggae Beats

A surreal and theatrical reggae-dancehall fusion with yodelling vocals and spoken-word breakdowns, The verses blend conscious monologue and chaotic character shifts like Ren’s “Hi Ren, ” performed over deep one-drop reggae riddims with modern dancehall drums and playful syncopation, Hooks burst into dramatic, emotional yodelling — half ridiculous, half profound — layered with echo and delay like a lonely soul calling into the mountains, Instrumentation features skankguitar, heavy dub bass, bouncing percussion, and occasional alpine accordion or whistle for surreal flair, Theme: a person wrestling with self-doubt, social pressure, and the absurdity of being honest in a loud, selfish world, Unexpected, theatrical, moving, and weird in all the right ways, ‑Glitch

Solo acoustic reggae performance filled with emotional fire and hunger, Dynamic, rhythmic strumming patterns with strong off-beat chops and natural percussive slaps on the guitar body to create a driving pulse, No extra instruments — only acoustic guitar and raw male vocal, Vocals delivered with passionate intensity and slight angst, blending tenderness with desperate craving, Light Jamaican inflection, honest and personal tone, as if pouring out deep longing and desire, The guitar carries both rhythm and beat, building tension and release, Organic recording, natural imperfections welcome: breath sounds, string squeaks, small dynamic shifts, Emotional, intimate, and storytelling driven — letting the fire of the lyrics speak

Imagine Reggae trap, but just one man and his acoustic guitar, He plays percussively on the guitar body to give depth, His voice scratchy and lazy, recording studio vibe, scratches and pops in the air, ‑drums, ‑synth

under water reggae, with a bubble sax, 4 crabs and a wind sock, a yodelling yeti, toxic bassline, alt rap

Solo acoustic reggae performance filled with emotional fire and hunger, Dynamic, rhythmic strumming patterns with strong off-beat chops and natural percussive slaps on the guitar body to create a driving pulse, No extra instruments — only acoustic guitar and raw male vocal, Vocals delivered with passionate intensity and slight angst, blending tenderness with desperate craving, Light Jamaican inflection, honest and personal tone, as if pouring out deep longing and desire, The guitar carries both rhythm and beat, building tension and release, Organic recording, natural imperfections welcome: breath sounds, string squeaks, small dynamic shifts, Emotional, intimate, and storytelling driven — letting the fire of the lyrics speak, ‑no synth or production

Hazy R n B Reggae fusion, flowing beats, 808s

Hazy R n B Reggae fusion, flowing beats, 808s

Create a 5-minute reggae-trap fusion track with heavy, resonant 808 basslines and syncopated Caribbean swing, The track should blend the laid-back groove of reggae with the sharp percussive edge of trap—offbeat skanking guitar or keys layered under rolling hi-hats and snappy snares, Include breakdowns and instrumental drops that feel primal and expansive, giving space for movement and emotional rise, The rhythm should be infectious, built to move bodies and stir souls, Allow for tempo shifts and layered textures that mirror the emotional arc of finding freedom through music, Stammered and dynamic vocal phrasing should sit atop the beat with raw intensity, Mood: cathartic, physical, hypnotic—music as therapy and movement

A stripped-down acoustic reggae ballad, inspired by Bob Marley's "Redemption Song" but more intimate and meditative, Solo male vocal, warm and heartfelt, with slight Jamaican inflection but deeply personal delivery, Soft fingerpicked nylon-string guitar, minimal percussion, very light background atmosphere (soft ambient breeze or ocean waves), Emotional, raw, and prayerful tone, expressing deep faith and longing for a promised world without pain or suffering, Focus on warm analog sound, organic acoustics, and space between phrases to let the emotion breathe

Raw, stripped-back acoustic reggae performance, Solo acoustic guitar using rhythmic strumming patterns and subtle palm muting to naturally create the reggae off-beat feel — no percussion or extra instruments, Vocals sung with deep feeling and passion, conveying personal faith and longing, Male solo vocal with light Jamaican flavor, expressive but intimate, like a live one-take performance, Warm, organic acoustic tone with minimal room reverb, Natural guitar squeaks, breath sounds, and subtle imperfections are welcome to preserve authenticity, Emotional, spiritual, and hopeful atmosphere, centered on Jehovah’s promises, ‑No drums, ‑no electronic instruments, ‑no bass guitar, ‑no synthesizers, ‑no backing vocals, ‑no choir, ‑no heavy production, ‑no electric guitar, ‑no distortion, ‑no reverb-heavy effects, ‑no crowd noise, ‑no full band arrangement, ‑no excessive percussion, ‑no claps, ‑no loops, ‑no autotune

A stripped-down acoustic reggae ballad, inspired by Bob Marley's "Redemption Song" but more intimate and meditative, Solo male vocal, warm and heartfelt, with slight Jamaican inflection but deeply personal delivery, Soft fingerpicked nylon-string guitar, minimal percussion, very light background atmosphere (soft ambient breeze or ocean waves), Emotional, raw, and prayerful tone, expressing deep faith and longing for a promised world without pain or suffering, Focus on warm analog sound, organic acoustics, and space between phrases to let the emotion breathe

reggae style beat with a ska piano playing back against it, spoken word rap rapping with mixed styles, rapping against the music rather than with it with a hook sung heartedly, the hook needs a drop of a heavy dubstep style base, ‑no female voices

Solo acoustic reggae performance filled with emotional fire and hunger, Dynamic, rhythmic strumming patterns with strong off-beat chops and natural percussive slaps on the guitar body to create a driving pulse, No extra instruments — only acoustic guitar and raw male vocal, Vocals delivered with passionate intensity and slight angst, blending tenderness with desperate craving, Light Jamaican inflection, honest and personal tone, as if pouring out deep longing and desire, The guitar carries both rhythm and beat, building tension and release, Organic recording, natural imperfections welcome: breath sounds, string squeaks, small dynamic shifts, Emotional, intimate, and storytelling driven — letting the fire of the lyrics speak

Smooth reggae-ska lullaby with gentle stammered male vocals, Soft offbeat guitarskank, mellow horns, dub-style bass, and laid-back drums, Emotional but restrained delivery, No backing vocals, minimalistic production, Feels like drifting into danger with a smile — calm, soulful, and bittersweet, ‑Glitch

Solo acoustic reggae performance filled with emotional fire and hunger, Dynamic, rhythmic strumming patterns with strong off-beat chops and natural percussive slaps on the guitar body to create a driving pulse, No extra instruments — only acoustic guitar and raw male vocal, Vocals delivered with passionate intensity and slight angst, blending tenderness with desperate craving, Light Jamaican inflection, honest and personal tone, as if pouring out deep longing and desire, The guitar carries both rhythm and beat, building tension and release, Organic recording, natural imperfections welcome: breath sounds, string squeaks, small dynamic shifts, Emotional, intimate, and storytelling driven — letting the fire of the lyrics speak

A stripped-back soul track featuring only a picked electric bass guitar and a deep, expressive cello, The bass carries a slow, passionate groove with warmth and fire, while the cello weaves long, mournful notes in between, The male vocalist delivers raw, strained vocals filled with longing and emotional depth, as if he's pouring his soul out, Between lyrical phrases, he beatboxes soft hi-hats and sizzling cymbal sounds with his mouth — creating an intimate, human rhythm, The style is minimalist, soulful, and deeply vulnerable, like a love song built from the bare essentials: heart, hands, and breath

A stripped-back soul track featuring only a picked electric bass guitar and a deep, expressive cello, The bass carries a slow, passionate groove with warmth and fire, while the cello weaves long, mournful notes in between, The male vocalist delivers raw, strained vocals filled with longing and emotional depth, as if he's pouring his soul out, Between lyrical phrases, he beatboxes soft hi-hats and sizzling cymbal sounds with his mouth — creating an intimate, human rhythm, The style is minimalist, soulful, and deeply vulnerable, like a love song built from the bare essentials: heart, hands, and breath, ‑piano

Solo acoustic reggae performance filled with emotional fire and hunger, Dynamic, rhythmic strumming patterns with strong off-beat chops and natural percussive slaps on the guitar body to create a driving pulse, No extra instruments — only acoustic guitar and raw male vocal, Vocals delivered with passionate intensity and slight angst, blending tenderness with desperate craving, Light Jamaican inflection, honest and personal tone, as if pouring out deep longing and desire, The guitar carries both rhythm and beat, building tension and release, Organic recording, natural imperfections welcome: breath sounds, string squeaks, small dynamic shifts, Emotional, intimate, and storytelling driven — letting the fire of the lyrics speak

Egyptian Dynamic builds with a solo Reggae Guitar and pizicato cello stabs, trap song, hip pop, dark

Solo acoustic reggae performance filled with emotional fire and hunger, Dynamic, rhythmic strumming patterns with strong off-beat chops and natural percussive slaps on the guitar body to create a driving pulse, No extra instruments — only acoustic guitar and raw male vocal, Vocals delivered with passionate intensity and slight angst, blending tenderness with desperate craving, Light Jamaican inflection, honest and personal tone, as if pouring out deep longing and desire, The guitar carries both rhythm and beat, building tension and release, Organic recording, natural imperfections welcome: breath sounds, string squeaks, small dynamic shifts, Emotional, intimate, and storytelling driven — letting the fire of the lyrics speak

[Polynesian tribal-influenced solo acoustic reggae performance, Only one acoustic guitar with rhythmic off-beat chops and natural percussive body slaps creating heartbeat-like groove, Raw male vocal delivered with fiery passion and light Jamaican inflection, Add layered choral harmonies during chorus and key lines, Include tribal chants and Maori phrases for spiritual energy, Recording must be organic — keep string squeaks, breaths, dynamic shifts, and natural emotion, Think fireside storytelling under a moonlit sky, Let the pain, the longing, and the hope rise and fall with the rhythm, ]

[Polynesian tribal-influenced solo acoustic reggae performance, Only one acoustic guitar with rhythmic off-beat chops and natural percussive body slaps creating heartbeat-like groove, Raw male vocal delivered with fiery passion and light Jamaican inflection, Add layered choral harmonies during chorus and key lines, Include tribal chants and Maori phrases for spiritual energy, Recording must be organic — keep string squeaks, breaths, dynamic shifts, and natural emotion, Think fireside storytelling under a moonlit sky, Let the pain, the longing, and the hope rise and fall with the rhythm, ]

gritty vocal, stripped back guitar, scratches and swipes, one man in a room with his guitar, slaps and scrapes on the guitar making up the percussion, light beat box

catchy intro, a lot of bass

gritty reggae vocal, stripped back guitar, scratches and swipes, one man in a room with his guitar, slaps and scrapes on the guitar making up the percussion, light beat box, The chorus, dancehall beats kick in with a hook that rides the wave of the bassline