TripS Remixed

Deep male voice, extremely aggressive Memphis Phonk delivery, Low-pitched, distorted, smoky timbre — Flow: fast, relentless, double-time bursts with dark rhythm precision, Tone: cold, dominant, emotionally detached but full of rage beneath, Slight growl in the throat, compressed and gritty texture, Words hit hard and clipped, consonants punch through the beat, Reverb short and metallic, slight analog saturation, light tape warble, Emphasize deep chest resonance and tight diaphragm control, Every line should feel like a threat whispered through clenched teeth, Emotion: internalized fury, obsessive focus, fatalistic tone, Flow pacing: – Start measured, tense, then accelerate with building madness, – Keep energy consistent across bars, but vary intonation — controlled chaos, dark ritual techno, chopped vocal style, bass

crunkcore, crunk, emo, hyperpop, emo rap, glitchstep

female vocals, UK garage, club anthem, dark synth, moody, glitchy, feminist, attitude, vocal chops, bouncy, driving, anthemic, modern, sassy, swing beat, emotional Vibe / Production: Confident female lead, clean phrasing, light attitude UK garage groove: swung drums, punchy snares, deep subs Vocal layers + chopped echo fx on chorus/drop Pads & filtered synths in verses, bass stabs in chorus Club-ready arrangement: verse / build / drop-chorus / verse 2 / bridge / final drop

“Vidro” — 78 BPM • A♯ minor (baseline idea flipped) Vibe: original pace, darker color, brighter hook Palette: Juno wide pads, Moog sub, bells from a TX/DX (4-op), gated noise risers Drums: Crunchy clap flam (pre-delay 12–18 ms), tamborzão ghosts riding toms; tight shaker to fill 16ths 808/Low: A♯ root, long slides into 5̂ (F) then drop to 1̂; parallel saturate + multiband comp for “whoomph” Melody: Hook = FM bell arpeggio (1̂–♭3̂–4̂–5̂) layered w/ detuned mono lead doing slow bends into 2̂ Arrangement: 0–8 intro = vocal chops (“vamo lá”, “só vem”) filtered; 9 hit hard; 17 glitch-fill turnaround; 25 mid-8 with gated Juno stabs; 41 final chorus with higher octave bells FX/Mix: 1/8 pump on pads; reverse crashes into clap; high-passed slap delay on chops; target LUFS −7 to −6, but keep snare/clap transient intact

Emotional explosiv, Diss-Rap, Uk Drill, energized, melodius, hard kicks, [Vocals: Deep Rusty Male bass]! SFX, rapid hi-hats, heavy 808s, rhytmic, riddim, DRILL, crisp snares, live drums, industrial techno

typical Oktoberfest tradition: brass band instrumentation with tuba, trumpet, accordion, loud sing-along choruses, simple melodies in major keys (G major, C major, D major), polka and march rhythms (2/4 or 3/4), lots of ‘Hey!’ and ‘Hoi!’ for crowd participation, easy and repetitive song structure (verse–chorus–verse–chorus–bridge–chorus), Mood: exuberant, boisterous, festive, with space for swaying, clapping, and drinking-song character, Lyrics should be full of beer, pretzels, lederhosen, fun, tourist clichés, and Bavarian exaggeration

#moderntraprock #garagerockdrop #60sflip #powerchords #livebandfeel #808crunch #analogvsdigital #midtrackreset Aggressive modern trap-rock fusion with distorted 808s, pitched-down vocal samples, and syncopated trap drums layered over sharp guitar stabs and sub growls, Mid-song, all digital layers cut out into a raw, live-sounding garage rock drop: crunchy 60s-style power chords, dry snare-heavy drums, and shouted vocals like a one-take rehearsal recording, The contrast creates a tension reset — from hyper-modern digital chaos into vintage analog grit, then slamming back into full hybrid production, Vocals shift from polished to cracked and loud, with gang shout-backs, Inspired by punk, trap, and raw honesty in both forms, Built for throwing bodies, then cutting the lights

male lead, ethereal pads, elettrico, trip-hop, blues, 90s hip-hop, alternative metalcore, girl singing, static, male vocals only, haunting strings, new country, melodic, amapiano, jrock, break beat, lofi beats, anti-folk, catchy melodies, electric guitar-driven, siren

gritty vocals, edm, bassy, lo-fi, mood: dark, punk, dubstep, guitar and piano, deep female vocal, house, clean, psychedelic folk Scratching scratching scratching scratching tabla tabla tabla tabla

gritty vocals, edm, bassy, lo-fi, mood: dark, punk, dubstep, guitar and piano, deep female vocal, house, clean, psychedelic folk Scratching scratching scratching scratching tabla tabla tabla tabla

[SOUL], [ACOUSTIC R&B], [NEO-MOTOWN BALLAD], [Retro-soul intimacy], [Modern vulnerability], [Acoustic grit], [Gospel heart], [Longing Mood], [Yearning Emotion], [Romantic Restraint], [Soulful Confession], [Chest-Dominant Baritone Vocals], [Tenor Extension Vocals], [Rounded Tone Vocals], [Velvety Lows Vocals], [Honey-Meets-Sandpaper Rasp Vocals], [Precision Vocal Runs], [Controlled Vibrato], [Falsetto Slide-Ins], [Dynamic Swells Vocals], [Whispered Phrasing Vocals], [Roaring Belts Vocals], [Male Lead Vocal], [Emotional Storytelling Vocals], [Natural Reverb Vocal FX], [Minimal Processing Vocal FX], [Timbral Shifts Vocal FX], [acoustic guitar], [subtle rhodes piano], [upright bass], [brush drums], [Moderate Ballad Tempo], [Flexible Rubato Sections], [Whisper to Belt Dynamic Range], [Sudden Dynamic Drops], [Gradual Dynamic Builds], [Vocal Front and Center Mix], [Roomy Natural Reverb Mix], [Acoustic Guitar Percussive], [Sparse Arrangement], [Vintage Mic Emulation], [Analog Tape Saturation], ‑[UPBEAT POP], ‑[HEAVY ROCK], ‑[SYNTH-DRIVEN EDM], ‑[DISTORTED GUITARS], ‑[AUTO-TUNED VOCALS], ‑[EXCESSIVE DRUM PROGRAMMING], ‑[BRIGHT PIANO], ‑[FAST TEMPO], ‑[HARD ROCK VOCALS], ‑[AGGRESSIVE RAP], ‑[HARMONIZED VOCALS], ‑[CHOIR SOUNDS], ‑[COMPRESSED MIX], ‑[FAST RAP DELIVERY], ‑[TIGHT REVERB], ‑[DIGITAL SOUNDS], ‑[SYNTH BASS], ‑[PERCUSSION LOOPS], ‑[BRASS SECTION], ‑[STRING SECTION], ‑[CHIPMUNK VOCALS], ‑[CHILD VOICES], ‑[CHEERY ATMOSPHERE]

Euphoric Hardstyle, 150 BPM, Massive, gated hardstyle kickdrum, driving reverse bass, Alphorn, Mandoline, Streichzither, Epic, playful anthemic supersaw lead melodies, goosebump atmosphere, high recognizability, Clearly defined female verses with precise flow and powerful delivery, Contrasting, high pitch, lots of reverb, singing the main melody, Atmospheric breakdown with piano or strings, building tension, Explosive main drop with full melody and energy, Sound design in the style of the classic Dutch euphoric scene (approx, 2009-2013), Polished mix, lower-processed female voice, heavy compression, short bright reverb, EQ boosted high-mids (5-8kHz)

The track opens with lo-fi, shouty ska-punk chants over crunchy guitars, shifting into chilled reggae verses featuring syncopated bass, relaxed offbeat guitar, crisp drums, and subtle acoustic layers, Choruses burst with punk power—growling vocals, gritty power chords, rave-like drops, and deep sub-bass, Alternating leads, energetic duets, offbeat claps, playful tempo twists, and loose phrasing inject a wild, electrifying edge throughout

An epic, cinematic Uplifting Pop-Rap anthem with orchestral trap influences, Imagine a hard-hitting, modern hip-hop beat fused with the grand-scale, emotional power of a Hans Zimmer film score, Features a driving, emotional piano hook, deep 808 bass slides, and crisp trap hi-hats, all layered with soaring orchestral strings, epic war drums, and powerful, choir-like harmonies, Vocals are a confident, versatile male lead, switching between tight, rhythmic rap flows and a powerful, melodic, sung chorus, The production is massive, polished, and built on a constant, dynamic crescendo of raw emotion and heroic energy

vocal trance, euphoric trance, techno

Scratching scratching scratching scratching scratching scratching scratching gritty vocals, edm, bassy, lo-fi, mood: light dubstep, guitar and piano, deep female vocal, house, clean, psychedelic folk

alternative hip-hop infused indie pop with dynamic male vocals switching between spoken word, melodic singing, and emotional rap, punchy drum grooves with live bass, lo-fi synth textures, raw piano layers, introspective and cryptic lyrics exploring mental health and inner conflict, experimental song structure with dramatic builds and minimal drops

electronic, chiptune, techno, hyperpop, polka, 120bpm, upbeat

Create a dark electro swing / industrial rock track with a fast tempo and aggressive energy, The vocals should be in a distorted male voice, slightly robotic but expressive, with occasional pitch shifts and glitch effects, The delivery is fast-paced, sarcastic, and theatrical — think of a villain monologue mixed with punk attitude, Include jazzy brass stabs, glitchy drum breaks, and a heavy, sidechained synth bass, The mood is chaotic but controlled, reflecting themes of control, madness, and duality

Create a dark electro swing / industrial rock track with a fast tempo and aggressive energy, The vocals should be in a distorted male voice, slightly robotic but expressive, with occasional pitch shifts and glitch effects, The delivery is fast-paced, sarcastic, and theatrical — think of a villain monologue mixed with punk attitude, Include jazzy brass stabs, glitchy drum breaks, and a heavy, sidechained synth bass, The mood is chaotic but controlled, reflecting themes of control, madness, and duality

spaghetti western, johnny cash, country

spaghetti western, johnny cash, country

an epic cinematic rock–metal hybrid, The focus is on weight, space, and emotional aftermath rather than aggression, Sparse verses use clean, reverberant guitars, restrained drums, and intimate male vocals to create tension and vulnerability, Choruses expand into wide, low-tuned guitar layers, dominant bass, and powerful yet controlled drums, delivering a sense of gravity instead of speed, Subtle orchestral textures and ambient synths enhance the cinematic scope, Dynamics are crucial: quiet introspection contrasts with massive, sustained climaxes, The overall mood is dark, reflective, and resilient—epic without triumph, heavy without excess, emotional without melodrama

an epic cinematic rock–metal hybrid, The focus is on weight, space, and emotional aftermath rather than aggression, Sparse verses use clean, reverberant guitars, restrained drums, and intimate male vocals to create tension and vulnerability, Choruses expand into wide, low-tuned guitar layers, dominant bass, and powerful yet controlled drums, delivering a sense of gravity instead of speed, Subtle orchestral textures and ambient synths enhance the cinematic scope, Dynamics are crucial: quiet introspection contrasts with massive, sustained climaxes, The overall mood is dark, reflective, and resilient—epic without triumph, heavy without excess, emotional without melodrama

an epic cinematic rock–metal hybrid, The focus is on weight, space, and emotional aftermath rather than aggression, Sparse verses use clean, reverberant guitars, restrained drums, and intimate male vocals to create tension and vulnerability, Choruses expand into wide, low-tuned guitar layers, dominant bass, and powerful yet controlled drums, delivering a sense of gravity instead of speed, Subtle orchestral textures and ambient synths enhance the cinematic scope, Dynamics are crucial: quiet introspection contrasts with massive, sustained climaxes, The overall mood is dark, reflective, and resilient—epic without triumph, heavy without excess, emotional without melodrama

High-Energy Dark Trap, Future Ds2 Pluto Aggressive Triplet Bars Like Stick Talk, 140 Bpm Half-Time Hard Groove, Minor Key Menace, Crushing Distorted 808 Slides Immediate Dominant Drop, Rapid Triplet Hi-Hats Non-Stop, Crisp Snare 2 And 4, Deep Sub Bass Glides Heavy, Eerie Bell Stabs Sparse, Gritty Minimal Wobble Accents, Minimal Icy Pads Subtle Reverb, Punchy Low-End Overwhelming, Wide Stereo, Sidechain Pump Kick, Clean Dirty Bitcrush Male Vocals: Ultra-Deep Gravelly Raspy Hoarse Baritone, Heavy Auto-Tune Robotic Grit, Fast Slurry Triplet Mumble-Rap Delivery, Dense Rapid Bars, Detached Aggressive Croon, Layered Ad-Libs Heavy (Yeah Ski Brr Rrr Pluto Brazy), Raw Voice Breaks, Processed Wide

raw punk rock, live band, distorted guitars, heavy drums, shouting male vocals, fast tempo, energetic, mosh pit ready, no synth, no electro, aggressive, extended instrumental sections

Egyptian accented Industrial Sludge Metal meets Ritual Cyberpunk Doom, Slow to mid-tempo, crushing low-end, downtuned sludge guitars, Oppressive groove-based riffing, distorted industrial bass, Ancient Egyptian funeral atmosphere fused with futuristic cybernetic decay, Traditional Egyptian instruments integrated into heavy production: processed ney flute, distorted mizmar, ritual frame drums, darbuka percussion, all heavily effected with delay, bitcrush, granular synthesis, and glitch processing, Dark cinematic synths, pulsing analog bass, glitchy arpeggiators, industrial percussion layers, mechanical impacts, corrupted ambience, Gritty guttural male growls, low-register distorted vocals, occasional spoken-word passages with ritualistic tone, vocals processed with saturation, light vocoder, and cybernetic effects, Mood: ominous, ritualistic, oppressive, mythic decay, Themes of corrupted divinity, techno-funeral rites, Ancient mythology colliding with dystopian cyberpunk brutality