Around of Suno: Creative Prompts

Kawaii Metal, anime-opening style, high-pitched female vocals, electric guitars, heavy distortion, synthesizers, strings, energetic, sweet

Slowcore meets darkwave, broken raspy female vocals, drunk, slurry, chaos, crust, drugged-out atmosphere, heavy reverb, gritty textures, low synth pulses, crumbling beats, raw nihilistic mood, dark

dreamy female vocals, dreamy female vocals, dreamy female vocals, dreamy female vocals, dreamy female vocals, dreamy female vocals, dreamy female vocals, dreamy female vocals, dreamy female vocals

progressive rock, avantgarde, experimental rock, swing metal, brass, female vocals

avantgarde jazz, fusion jazz, free jazz, psychedelic

Gritty Rowdy country ballad, Male voice, raw and soulful, mid tempo, acoustic guitar, steel accents, Emotional grit with bluesy weight and outlaw spirit, Real, unpolished, powerful

Spaghetti Western, Morricone-esqe, Orchestral, Twang, Guitar, Harmonica, Whistle, Percussive, Bells, Choir, Vocals, epic

"Epic orchestral Tamil motivational song with female lead vocals, traditional South Indian instruments like thavil and veena blended with cinematic strings, powerful percussion, uplifting tone, emotional build-up, inspiring and empowering mood, suitable for a story about a woman overcoming struggles and chasing her dreams, "

female Sephardi choir voices, Israeli, ‑Male voices

Ancient folk strings unite with raw Nordic percussion and tribal ambient rhythms, Ethereal Celtic choral layers soar above mystic drones, as delicate folk melodies intertwine with primal chants, ebbing between intimate passages and grand, immersive Celtic-Nordic ambient textures

Sámi folk, tribal electronica, ethno-ambient, mystical dance, joik fusion, A rhythmic and immersive fusion of traditional Sámi vocal heritage and modern electronic production, built on steady tribal-inspired beats, pulsing basslines, and hypnotic ambient textures, Female and male vocals are deep, raw, and emotive—delivered through joik, an ancient vocal tradition blending chant, melody, and primal expression, The voice moves organically through layered rhythms, often looping or evolving with subtle effects that heighten its spiritual intensity, Percussive elements are earthy and driving, grounding the ethereal textures with a trance-like groove, Production is spacious but rhythm-forward, combining cultural reverence with danceable momentum to create a mystical, body-moving experience

Katajjaq, Khöömii, Throat Singing, Synth bass, Industrial, Drones, Icelandic Female Vöcals, Taiko Drums, Didgeridoo, Electronic synth effects, Sub-Bass Ostinato, Psychobilly, thrills & chills, Thrills & Chills, THRILLS & CHILLS, theremin + vocoder, ‑keyboard, ‑piano

Slowly building, avant-garde dark ambient progressive industrial pop, experimental glitch horror, melancholy folk soul vocal

50s, Jazz noir, soul noir, r&b, sultry female vocal, smoky vocal, fun mood, emotional performance, upright bass, rushed drums, sultry saxophone, muted trumpet, Jazz club, jazz, wide sound stage

Old-school NYC hip-hop, gritty boom-bap beats (90-100 BPM), Dusty snares, deep bass, jazzy loops, scratches, Southern gritty vocals, subway echoes, city noise, cipher energy, homage to pioneers

Live Audience, Live Performance, Applause, Synthwave, Retrowave, Saxophone, Female Vocals, Audience Vocals

7, 83 Hz, 100 Hz, 432 Hz, 528 Hz, 2, 5 kHz, 17 kHz

Didgeridoo, Folk, Celtic Drums, Celtic Pipes, Flutes, swelling instruments and celtic drums, didgeridoo Solo, Baritone Saxophon, didgeridoo

This experimental ritual piece starts with Latin whispers and ritual breathing over deep sub-bass, Breath-driven, glitchy rhythms support a French monologue, Guttural Old Norse and AI-human voices enter, encircled by sacred dissonance and shifting tribal pads, An oracle-like AI voice weaves through the fire, while the chorus unites coded AI chants, jarring breaths, and distorted vocal blendings, Near-silence follows: reversed breathing, crackling embers, Verse II softens with English/French vocals and airy ambience before fractured Norse, glitch pulses, and thunderous reverb return, The conclusion: static pulses erode into ethereal void, dissolving into Luxæther’s silence, ‑acoustic guitars, ‑funk, ‑retro synths, ‑pop drums, ‑major key harmonies

rap metal lo-fi "Spoken word", storytelling, Funk, cinematic layers, 3d sound, Bollywood, catchy, minimal, latin pop, dark, dubstep, electro, Male vocals

gagaku, traditional japanese taiko, traditional japanese ryuteki, traditional japanse flute, meditation, pipe organ, baroque, fuga, choir voice, traditional japanese, shakuhachi, koto, math, galaxy, high paced, BPM180, tabla, sitar, Dhrupad, Khyal, Thumri, Dadra, Ghazal, Bhajan, Kirtan, Qawwali, Raga, Tala, heavy base, heavy sitar riff, shredding sitar riff, bending (sitar), rap, harmony, smooth heavy base vocals, male vocals, dynamic surround, mastered using Manley EQ & Shadow Hills Compressor, High-definition clarity, rich harmonic mids, ultra-wide stereo image, rear harmonic bloom, phantom echoes, cinematic Z-axis depth, headphone-optimized brilliance, boost base, start with pipe organ

Hard-hitting breakbeats, gritty basslines, dark trip-hop vibes, distorted vocals, rebellious attitude, raw energy, industrial edge, 90s rave influence, underground UK electronic aggression, 118 BPM

melodic, cosmic-trans, mantra

Opens with atmospheric 1990s raga rock sitar lines, chill-hop drum taps, and folk-acoustic guitar, Verses stay low-energy, texturally layered by psychedelic East Asian guitars and lush 1980s new wave synths, Choruses burst with grunge-driven guitars, delay-heavy leads, full drums, and soaring falsetto, Experimental breakdowns and dramatic quiet/loud dynamics keep a 1990s alt-rock foundation vibrant

[virtuous + energetic modern play], [electro pop], [deep drum beat] Energetic and lively, A traditional Chinese bamboo flute called a Dizi, known for its bright, sharp, and slightly buzzing tone, The sound is clear, piercing, and expressive, with a unique membrane that adds a resonant buzz to each note, The Dizi plays in a pentatonic scale, often used in Chinese folk and classical music, with melodic lines that are ornamental, flowing, and emotional, Characterized by glides, trills, and sudden dynamic shifts, the Dizi adds a distinctly East Asian flavor

FEMALE DRAMATCIC 1990S R&B HIP HOP, 1990s East Coast hip-hop instrumental in the style of — smooth, sexy, and hard-hitting, Start with a vinyl crackle, then drop into a boom-bap drum pattern with deep kicks, crispy snares, and a laid-back swing, Layer in jazzy Rhodes keys, a mellow bassline, and a hypnotic guitar lick or horn stab that loops, Add scratches of a female vocal hook, like a DJ flipping a love lyric, The beat should feel like ‘Around the Way Girl’ meets ‘Hey Lover’ — cool, romantic, but still street, Tempo around 90-94 BPM

world fusion with a mix of percussion and vibrant melodies, rhythmic

Female vocals, drum & bass, electro-punk, crecendo, acid

dubstep, orchestra, drum machine, haunted dissonant classical waltz, Cthulhu cosmic horror, minor key, detuned

female vocals, Dramatic Victorian opera, with soaring vocal arias, rich orchestral swells, and brooding cello undertones, Darkly romantic, evoking a tragic love story in a shadowy London opera house

Traditional Indian music, sitar, tabla, fast

Title: Chaos Genre: Experimental Chaoscore / Avant-garde Polyrhythm Instruments: Drums in 7/8, Bass in 5/4, Piano in 4/4, Strings in 11/8, Synths in 3/8, Glitch percussion randomly modulated Description: Each instrument plays in a completely independent meter with no attempt to synchronize, The result is chaotic, dissonant and constantly shifting, Time is broken, Harmonies are unstable, Instruments collide like tectonic plates, This is not music but collapse, Inspired by Ligeti, Conlon Nancarrow and pure mathematical disorder, Mood: Chaotic, destabilizing, fractured, overwhelming Tempo: Non-uniform, unstable, oscillating between 40–200 BPM Time Signature: Multiple conflicting meters simultaneously with no global pulse

A bright EDM production opens with intricate finger-picked nylon guitar, lush pads, deep sidechained kick, and crisp percussion driving the groove, The drop bursts with sharp synth stabs layered over guitar textures, acoustic-digital interplay, and soaring children’s choir for a euphoric peak

Nu-metal in drop D minor fuses hurdy gurdy drones with syncopated djent guitar riffs, punchy bass, and hip-hop influenced drums, Aggressive low baritone screams and playful soprano female rap alternate, weaving through filtered transitions and a dynamic breakdown, all crisply mastered

A melancholic indie pop song with a female lead vocal, The instrumentation features a piano, acoustic guitar, bass guitar, and drums, The piano plays a prominent role, providing the main harmonic and melodic foundation, The acoustic guitar offers gentle strumming and arpeggiated figures, The bass provides a smooth, supportive line, The drums enter later in the song, offering a simple, understated beat, The female vocalist sings with a soft, breathy tone, often employing a slightly melancholic delivery, The song is in a minor key, contributing to its somber mood, The tempo is slow, allowing for a reflective atmosphere, Production elements include a clean mix with a focus on the vocal and piano, and a subtle reverb on the vocal to enhance its ethereal quality, The song structure includes verses and a chorus, with a clear dynamic build-up as more instruments are introduced

Genres: Cinematic Trap-Pop, Velvet Electro Noir Mood: Seductive threat, liquid danger, precise control Tempo: 94 BPM, sensual glide pulse Key: A minor → C minor (Verse 2B) with Aeolian coloring Female Vocal: G3–C#5, velvet whisper → ghost fry → cry-belt flick Layering: whisper doubles, ghost fry ends, shimmer rasp overlays, echo flick stack in chorus FX Signature: ghost delay, shimmer bloom, reverse breath tail, vinyl smear Instrumentation: sub-throb synth, underwater pads, shimmer stabs, trap kit, moan synth, felt FX stingers Sonic Traits: mono intro → stereo chorus, stereo drift verses, glitch breath transitions, underwater low-end bloom Visual Atmosphere: underwater ballroom, floating red silk, neon shimmer, blood bloom in clear water

The song opens with pulsating African tribal percussion—djembe, congas, lively handclaps—layering earthy rhythms, Oud and ney add Middle Eastern tones before a vibrant world-pop chorus brings gospel choir and radiant acoustic textures, In the second verse, Indian fusion arrives with tabla, sitar, and tanpura, The bridge erupts with Spanish guitar, flamenco palms, trumpet lines, and a reggaetón beat, The chorus returns, expanding into a global choir chanting in various languages, The outro merges Native American and Andean flutes, sitar, ney, and dynamic choir, all atop evolving Afro grooves for an exalted finish

Old school hip-hop, boom-bap foundation, 808 kick patterns, ghost note snare subdivision, linear tom fills, cross-stick to full snare dynamics, progressive drum builds, call-and-response backing vocals, triumphant horn stabs, vintage synth pads, turntable scratches with vinyl crackle, confident male lead vocals, party anthem energy, nostalgic sample textures, tambourine accents, crescendo snare rolls, half-time bridge sections, dramatic pause breaks, 98 BPM groove, analog warmth production, professional arrangement dynamics, anthemic chorus builds, 1980s rap, wide sound stage

GENRE: 80's synthwave, futuresynth and trance with subtle tribal elements, with dense atmosphere, glitchstep textures and retro analog tones, TEMPO: ~90-95 BPM rubato, SINGER'S VOICE: female, fractured, uniquely expressive, raw, vulnerable, emotionally cracked, textured, breathy inflections, soft falsetto swells with dynamic shifts; whisper-crack, vibrato warble, intimate close-mic delivery, Vocal imperfections embraced, glitch processing on vocals, diverse vocal samples used as instruments, INSTRUMENTATION: Supersaw synths, Roland TR-909 drums awash in reverb with gated reverb on the snares, sub-bass kick, tribal polyrhythms, sawtooth synth bass, texture-rich ambient pads and drones, soaring arps, rich stereo textures, vocal samples remotely triggered in patterns, MASTERING: Ambient wide-field mix, analog warmth, soft stereo phasing, breathy highs, diffuse reverb

[Spoken Word – Female Voice (Echo), Calm, reflective, slightly husky tone, Recorded close to the mic, with gentle tape hiss and faint room noise, No music, only a soft hum or distant guitar amp buzz in the background, Delivery should feel intimate, as if she’s recording alone late at night, Occasional breaths and pauses are natural, Tempo is slow and deliberate, The performance should sound personal, thoughtful, and unpolished — like pages from a private log, ], ‑No melody, ‑No music or beat, ‑No rhythm backing, ‑no chorus, ‑Do not turn it into a song, ‑Do not add echo, ‑delay, ‑or reverb, ‑Keep the sound raw, ‑mono, ‑and intimate — like a tape found in an old rehearsal room, ‑Voice only

A spoken word piece with a female voice, delivered in a calm, clear, and slightly formal tone, The primary instrumentation is a sustained, low-frequency drone, creating a dark and atmospheric soundscape, There are no discernible chord progressions or melodic lines from instruments, The tempo is slow, dictated by the pacing of the spoken word, Production elements include a clean, dry vocal mix with no noticeable effects, and the drone maintains a consistent, unchanging texture throughout the piece, The overall structure is a continuous monologue without distinct song sections

Steampunk, jazz [RabbitCore: Shadow Funk × Underground Steam Jazz × Steampunk Rap × Industrial Phonk Poetry] [Genre: Dark Funky Drum’n’Bass × Industrial Bebop × Lo-fi Steam Phonk × Cinematic Underground Soundscape] [Mood: Thrilling yet stylish; smoky intoxication of secret trades; funky tension in the dim bazaar; playful danger laced with allure] [Sound Design: Valve hisses, metallic echoes, faint coin clinks, chain rattle bass, slap bass grooves, vinyl crackle, whispered voices in 3D, gear percussion with reverb tails, immersive] [Instruments: Slap bass riffs, lo-fi phonk drums, muted trumpet stabs, upright piano with mechanical resonance, analog synth pads with tape flutter, metallic percussion, ambient steam textures layered with glitch FX]

Feel: nordic hardstyle / epic dance; primal, anthemic, 4/4 • 160 BPM • D Dorian, Voices: female soprano lead (English; light ad-libs), male baritone Crew (Faroese; unison/octaves), Skaldrix hype shouts (short, dry), Instruments: Hardstyle kick (punchy, long tail), reverse-bass, screech stabs, Hurdy-Gurdy lead (dist ostinato, trompette buzz), aplified Hurdy-Gurdy support ostinato, Tagelharpa drone; impacts, sparse claps, Feature Solo 12: Hurdy-Gurdy only (wheel buzz, slides) + horn call/response, Arrangement: intro horns+toms → V1 → Pre (call/response) → Chorus (EN+FO) → Drop (horn riff + screech + hurdy hook) → V2 → Pre → Chorus → Drop → SOLO 12 → Bridge (whisper oath) → Final double Chorus → stop, Production: kick forward; mono-safe lows; sidechain drones/horns; tame 3–5 kHz; short hall vox; multiband sat on hurdy, Motif: D–F–G–A syncopated; hurdy doubles in 8ths, Solo plan: A–A′–B; cadence C–D | D long

Americana folk-blues song with energetic Bluegrass elements, A deep, gritty Male Baritone vocal leads the storytelling with a rough, seasoned texture, The song starts with a lone acoustic guitar fingerpicking, then builds into a rhythmic stomp-and-clap beat, Instrumentation features rhythmic Banjo rolls, sliding Fiddle, and wailing Harmonica, The mood is defiant, triumphant, and nostalgic but not sad, The chorus is an anthemic sing-along with harmonies, Lyrics are in French, Tempo starts Moderato (approx 100 BPM) and accelerates in the choruses for a festive saloon feel, The structure evolves from a solitary confession to a rowdy barroom celebration, Production is raw, warm, and acoustic, emphasizing the wood instruments and the gravelly voice

A meditative fusion of classical raagas, veena, tabla, and serene flute harmonies for Shiva devotion

Genre: Nu-Metal Rap Core Fusion / Funk Metal / Hardcore Hip-Hop Style: Aggressive drop-tuned guitars with wah-pedal scratches, funky slap bass lines, heavy breakbeat drums with crisp snares, turntable scratching, Vocals: aggressive male rap, rhythmic shouting, articulate flow, varying dynamics from whisper to scream, Vibe: High energy, rebellious, bouncy, stadium anthem, Tempo: 106 BPM (Upbeat & Driving), Production: v5-tuned: Raw and gritty but punchy mix; punchy kick drums, crisp high-hats, wide distorted guitars, vocal compression for "in-your-face" presence

Cinematic trap, UK drill sub-bass weight, punchy sidechain kick, evolving orchestral-trap hybrid, layered strings and brass progressions, no static pads, tri-vocal delivery: dry intimate spoken word, reverb-drenched anthem chorus, dense rapid-fire rap verses, clean-harsh vocal dynamics, urgent confrontational PSA energy, street documentary realism, investigative journalism intensity, transition risers and impacts, dynamic range preservation with automation builds, vocal-forward mixing, ad-lib emphasis on key terms, rhythmic variation across sections, minimal-to-maximal progression, call-to-action hooks, time-sensitive messaging, forensic lyrical density