J-Rock, Alternative

Urban pop-rock with tight dry drums, punchy kick, crisp snare, bright rhythmic guitars, and warm melodic bass, Tempo around 90–98 BPM, steady driving groove, light funk snap, short-room ambience, Style: sarcastic, stylish, lightly aggressive mood, Vocal: female, cool attitude, crisp diction, rhythmic phrasing, minimal vibrato, slight raspy edges on accents, confident midrange, Arrangement: verse = narrow and dry; pre-chorus adds subtle tension; chorus opens wide with layered guitars and supporting harmonies; bridge drops instruments for vocal focus then builds back, Keep modern pop-rock attitude with urban edge, No synth leads; subtle pads only

Create a fast, dark, sensual J-pop–influenced blues track with a humid summer atmosphere, Increase the BPM for urgent energy and keep the total length around 4 minutes, The intro must be very long, using only guitar and percussion, The guitar should lead with abundant melodic phrases: rapid slides, ornamental notes, bluesy bends, bright crying tone, slight overdrive, and constant improvised lines filling every gap, Percussion should use tight brushes, rims, and hand hits to push the momentum, After vocals enter, the guitar must keep singing—trading phrases with the voice, weaving emotional fills, never dropping out, Vocals should display strong technique, shifting from delicate whispers to powerful long tones, with dramatic intensity in the chorus, Include one refrain where the melody darkens and the guitar density increases, End with a long guitar-driven outro full of fast fills and crying motifs, leaving a hot, lingering tension

Genre: Hard Rock × Urban Groove Tempo: 100–105 BPM Mood: bold, intense, cool Intro: instrumental only; strictly no vocal sounds; bass riff + EP; vocal starts at Verse 1, Instrumentation: slap bass forward; fast runs and pops; deep jazz-style kick; tight snare; overdriven rhythm guitar kept controlled, Vocal: female; bright high-tone; strong core; controlled power; tight phrasing; slight rock grit, Backing Vocals: female only, appear in every chorus, no male vocals, Bass Solo: must appear before guitar solo; slap-driven; technical runs; forward in mix, Lead Guitar Solo: centerpiece; must appear; aggressive, melodic, forward; no rhythm guitar masking, Arrangement: Verse → Pre → Chorus → Verse 2 → Pre → Short Chorus (2 lines) → Break (instrument-only) → Bass Solo Section (required, 8 bars) → Lead Guitar Solo Section (required, 8 bars) → Bridge → Final Chorus ×2 → Outro, Mix: bass-forward; tight kick; guitar mids clear; minimal reverb

Genre: Hard Dance × Chaotic EDM, Mood: explosive, unhinged, high-energy, Tempo: 140–150 BPM, Sound: distorted hard-kick + heavy sub; metallic FM stabs; wide detuned saws; neuro-style bass shots; glitch bursts; laser FX; intense risers; snare rolls; noise sweeps, No acoustic sounds, Vocals: female; ultra-processed; distortion, bitcrush, formant-shift, robotic modulation, stutter, chopped phrases; scream accents; clarity not required, Mix: loud club master; extreme sidechain; saturated low end; wide stereo leads; vocal treated as texture, Notes: maximize drop impact; chaotic transitions; allow long build and long outro; emphasize “Darling” chops

Tokyo Grunge cover, Heavily distorted, dry fuzz guitars pushed very loud and forward, Thick wall-of-fuzz rhythm guitars, constant pressure, Raw band sound, no polish, Do not change vocal melody or phrasing

Genre: Tokyo Grunge / Grunge / Japanese Alternative Rock Mood: dry, urban, earnest, late-night tension, awkward youthful longing Tempo: 85–95 BPM Intro: instrumental only; no vocal; guitar noise and band atmosphere Sound: dry fuzzy distorted guitars with rough edges; raw amp drive; constant gritty strumming; slight feedback; guitar-led mix, Drums are dry and loose; bass is simple, dirty, and steady, No synths, no pads, no polish, Feel: raw, imperfect, band-driven; earnest and awkward rather than cynical; not melodic pop, not metal, Vocal feel: youthful, slightly naive vocal presence; slightly clumsy, band-practice-like delivery

Genre: Tokyo Grunge / Alternative Rock Mood: aggressive, restless, ironic, slightly psychedelic Tempo: mid–fast (about 110–125 BPM) Length: 3–4 min Instrumentation: distorted electric guitars with raw grunge tone; one guitar plays tight aggressive riffs, another adds psychedelic textures (phaser, light delay, feedback swells); driving bass with gritty midrange; hard-hitting rock drums, punchy kick, sharp snare, minimal fills; no synths, no clean pop guitars, Arrangement: Intro sharp and confrontational → Verse tense and narrow → Pre-Chorus slight pull-back → Chorus explosive and jumping → Verse 2 thicker guitar layers → Pre-Chorus → Chorus → Bridge drops density briefly, psychedelic guitar movement → Final Chorus fully open and intense → Outro abrupt or dry, Style Notes: keep raw energy; avoid polish; gritty, urban Tokyo-rock feeling; psychedelic elements should feel uneasy, not dreamy; focus on groove and forward momentum

Urban pop-rock / Live performance, Tempo 90–98 BPM, steady driving groove with light funk snap, Tight dry drums (punchy kick, crisp snare), bright rhythmic guitars, warm melodic bass, Short-room ambience, modern urban edge, No synth leads; subtle pads only, Vocal (spoken intro + singing): Same voice throughout, Youthful, slightly unsure delivery, Soft, tentative tone, subdued volume, Gentle pacing with small hesitations, Emotion held back, fragile but honest, Live intimacy, close and imperfect, Arrangement: Verse narrow and dry, Pre-chorus adds subtle tension, Chorus opens wide with layered guitars and light harmonies, Bridge strips back for vocal focus, then builds, Live feel: Band tight and energetic, Occasional guitar feedback, Extended instrumental moments, Light crowd interaction

Alternative Rock, Post-Punk, Power Pop, Live House Sound, Raw Production, Garage Rock Revival, 3-piece Band, Bass Intro, Treble Boost, Sharp Piercing Hi-hats, Dynamic Rhythm, Melodic Bassline, Driving Heavy Bass, Dry Tight Snare, Drums Front in Mix, Expressive Female Vocals, 176 BPM

Alternative rock grounded in heavy grunge guitar texture, fused with Japanese ballad sensitivity, Tempo mid-slow (76–82 BPM), unstable and raw, Instrumentation: heavy distorted guitars with thick low-mid weight and restrained attack; sustained chords and slow riffs; deep electric bass; dry compact drums without drive; minimal piano or pad used sparingly, Arrangement: narrow verses → emotionally opening chorus without power → brief noise breaks → unresolved ending, Vocal: very young female, pre-teen feel; small, thin, low-mass voice; reduced body and depth; instinctive and unfiltered; not self-aware, not ironic; no belting, no shouting; childlike but not cute; avoid mature tone, Mix: guitars heavy but distant; vocal close and dry; softened attack, intimate balance, Interlude: instrumental only, no vocal, Break: instrumental only, no vocal

Style Prompt (NHK Hall Optimized): Alternative rock grounded in heavy grunge guitar texture, fused with Japanese ballad sensitivity, Japanese Live Performance, Live Audience, Rhythmic Crowd Chants, Crowd Singing Along, Call and Response with the Audience, Audience Chanting, Unified Crowd Shouts, Vocalist Encouraging the Crowd, Audience Jumping and Clapping, Handclap Along with the Beat, Audience Cheers and Applause, Grand Concert Hall, Powerful Live Drumming, Raw and Emotional Live Sound, Concert Hall Reverb, Stage Microphone Bleed, Live Band Performance, NHK Hall-Scale Live Atmosphere

Genre: genre-less hybrid of Japanese kayokyoku emotional melodrama, sharp alternative rock, and physical dance music drive, Tempo: 161 BPM, fast, relentless, dance-driven, Mood: tense, ironic, passionate, restless energy, Intro: instrumental only, no vocals, no shouts, Drums, bass, guitar, and piano establish tempo and tension immediately, Sound: edgy alternative rock band with strong piano, Tight aggressive drums with four-on-the-floor feel, sharp snare, urgent hi-hats, Distorted electric guitars with angular riffs, no blues tone, Piano is percussive and emotional, supporting rhythm and hooks, Bass: solid, forward, body-moving groove, Structure: clear verse–pre-chorus–chorus contrast; explosive kinetic choruses; dry ironic bridge; final chorus intensifies, Mix: punchy, modern, unsentimental, club-ready but band-centric

Up Tempo, 152 BPM, Fast Garage Rock, Scrappy, High Speed, Lo-Fi, Energetic, Distorted, Wild

Lo-fi Garage Rock, Blues Rock, Dirty Electric Guitar, Tube Amp, punchy drums, energetic, raw soul, syncopated rhythm, 70s rock vibes

Classic Hard Rock, 70s Rock, Driving 8-beat, Steady Power Chords, Rhythm Guitar Wall of Sound, Technical Lead Guitar, Wah-wah, Aggressive Slap Bass, Complex Breaks, Instrumental with Chants

Synth Pop, 128 BPM, Vocal Chops, Rhythmic Vocal Sample, Soft Synth Pad, Dreamy, Percussive Voice, (Minimal)

Japanese Live Performance, Live Audience, Rhythmic Crowd Chants, Crowd Singing Along, Call and Response with the Audience, Audience Chanting, Unified Crowd Shouts, Vocalist Encouraging the Crowd, Audience Jumping and Clapping, Handclap Along with the Beat, Audience Cheers and Applause, Grand Concert Hall, Powerful Live Drumming, Raw and Emotional Live Sound, Concert Hall Reverb, Stage Microphone Bleed, Live Band Performance, Nihon-Budokan-Scale Live Atmosphere

Japanese Live Performance, Live Audience, Rhythmic Crowd Chants, Crowd Singing Along, Call and Response with the Audience, Audience Chanting, Unified Crowd Shouts, Vocalist Encouraging the Crowd, Audience Jumping and Clapping, Handclap Along with the Beat, Audience Cheers and Applause, Grand Concert Hall, Powerful Live Drumming, Raw and Emotional Live Sound, Concert Hall Reverb, Stage Microphone Bleed, Live Band Performance, Nihon-Budokan-Scale Live Atmosphere

Driving British Rock, Hard Rock, Pumping Bassline, Raw Vinyl Sound, High Energy, Analog Warmth, Propulsive Rhythm, 105 BPM

Starts Immediately, No Intro, No Drums, 95bpm, Experimental rock, Alternative Rock, Smooth jazz, J-Pop, Heavy Distortion, Bright Female Vocals, Legato, Cool

Big Beat, Neo-Psychedelia, Heavy Distorted Breakbeats, Raga Rock, Noise Rock, Aggressive, 90s UK Electronic, High Energy, 140 BPM

114 BPM, 4/4, Alt-rock noir, gritty 1990s retro-rock, VOX AC30 tube saturation, thick Telecaster resonance, melodic guitar hook, sliding double-stops, sparse rhythmic piano chords, moody atmosphere, vintage analog tape, instrumental

60s-70s Southern rock, folk rock, blues-based rock, upbeat acoustic and clean electric guitar blend, catchy sus4 guitar riff, analog vintage psychedelic sound, BPM 124, Key of G, Bm7 D E7 Bm7 progression

Male and female duet trading extremely raspy vocals, Vintage 60s Rhythm and Blues, whiskey-soaked tone, authentic Southern gospel, bluesy piano, Hammond B3 organ, muddy and raw analog tape sound, spontaneous ad-libs

Fast 16-beat hard funk, James Brown style soul, Apollo Theater Live Performance, Intimate Live Audience, Vocalist Encouraging the Crowd, Rhythmic Handclaps Along with the Beat, Call and Response with the Audience, Audience Cheers and Applause, Powerful Live Drumming, Raw and Sweaty Live Sound, Vintage Theater Reverb, Stage Microphone Bleed, Live Band Performance

Psychedelic Space Rock, Alternative Pop, 70s Classic Rock, dry vintage guitar, deep dub bassline, wet groovy drum beat, deep delay, rotary speaker, catchy vocal hook, languid cool female vocal, seamless English and Japanese

Instrumental, Isolated high-tone bass, Bass and drum track only, Driving steady groove, Hard picked, Metallic ringing snare, Lo-Fi, Aggressive beat, 124 BPM, E major

Alternative Rock, Roots Rock, Folk Rock, Late 60s Psychedelic Rock, 70s Hard Rock, British invasion Indie Pop, American West Coast vintage dry Rock, driving acoustic guitar strumming, crunchy electric guitar riff, earthy and folky mid-range guitar blend, warm tube amp overdrive, natural drive, rotary speaker floating effect, analog console recording texture, limited frequency range vintage mix, driving 126 bpm, Key of E major, heavy use of open E and A strings, open chord drone effect with ringing B and E strings, Keith Richards style rhythmic pauses, percussive 8th note downstroke, crunchy guitar brushing noise, Mixolydian D chord accents, wide open E-B-A-E chorus progression, retro-modern, rock dynamism

Tokyo Grunge, Japanese Alt-Rock ballad, F# minor, 85-95 BPM, Warm overdrive guitar, melancholic clean arpeggio, emotional strumming, Steady drums, warm bass, Raw band-driven, no synths, Bittersweet love song, earnest wistful tension

Alternative Rock, Roots Rock, Folk Rock, Late 60s Psychedelic Rock, 70s Hard Rock, British invasion Indie Pop, American West Coast vintage dry Rock, driving acoustic guitar strumming, crunchy electric guitar riff, earthy and folky mid-range guitar blend, warm tube amp overdrive, natural drive, rotary speaker floating effect, analog console recording texture, limited frequency range vintage mix, driving 126 bpm, Key of E major, heavy use of open E and A strings, open chord drone effect with ringing B and E strings, Keith Richards style rhythmic pauses, percussive 8th note downstroke, crunchy guitar brushing noise, Mixolydian D chord accents, wide open E-B-A-E chorus progression, retro-modern, rock dynamism

90s Japanese art rock, melancholic alternative, Showa kayo essence, High-energy pop-rock track featuring distorted electric guitars, driving acoustic drums, and a punchy bassline, minor 11th chords, The song opens with a gritty guitar riff before transitioning into a high-octane chorus with layered vocal harmonies, The female lead vocal is powerful and gritty, utilizing a belt technique with a slight rasp, The tempo is fast at approximately 86 BPM in a 4/4 time signature, The production is polished with a wide stereo field, featuring bright EQ on the vocals and a heavy compression on the drum kit to emphasize the snare and kick, The arrangement follows a standard verse-chorus structure with a sudden dynamic shift to a more intimate, stripped-back section featuring clean guitar and softer vocals before building back up

128 BPM, A minor key, 70s vintage hard rock, Tokyo grunge vibe, emotional and raw, Instrumental intro, Driving 8-beat, aggressive kick, loose open hi-hats, Guitar tone: warm mid-heavy vintage crunch, edge-of-breakup tube overdrive, thick front-pickup style, percussive hard picking, clear riff outline, Slow sweeping phaser effect, melancholic but explosive energy, NO metal, Sudden break at the end

A high-energy pop-punk track characterized by distorted electric guitars, driving drums, and an upbeat tempo of 160 BPM in the key of E major, The arrangement features a classic power-chord progression of I-V-vi-IV in the chorus, supported by a thick, overdriven bassline, The male vocals are bright and energetic with a slight rasp, utilizing a melodic yet punchy delivery, The production is polished with a wide stereo field for the guitars and a crisp, compressed drum mix that emphasizes the snare and kick, The structure follows a standard verse-chorus-verse-chorus-bridge-chorus format with a brief instrumental intro featuring a palm-muted guitar riff

J-Rock with heavy power metal and synth-pop influences, Distorted electric guitars play palm-muted chugging and rapid alternate-picked riffs, A slap bass guitar follows the kick drum patterns, High-pitched, energetic female vocals lead with layered harmonies in the chorus, Synthesizers provide bright, staccato arpeggios and sustained string pads, The drum kit features a prominent snare on the backbeat with frequent double-kick pedal bursts and rapid hi-hat openings, A technical electric guitar solo includes sweep picking and rapid legato runs, 185 BPM, E minor, 4/4 time signature

Garage Rock, Indie Pop, Art Pop, Avant-Pop, Warm Guitar Tone, Heavy Halftime Shuffle, Tom-Heavy Tribal Groove, Stop-Start Dynamics, Featuring Theremin, Eccentric Pop Melodies, F# Mixolydian Mode

french electro, g-house, 115 BPM, elegant powerful adult dance diva lead vocal, high-pitched sweet idol backing vocal, dual female vocals, distorted thick synthesizer, heavy saturated bassline, aggressive four on the floor beat, dark gritty club vibe, edgy, swagger, high fidelity, no acoustic instruments, no light pop

liquid drum and bass, atmospheric jungle, 170 BPM, elegant powerful adult dance diva lead vocal, high-pitched sweet idol backing vocal, dual female vocals, fast complex breakbeat, deep sub bass, ethereal synth pads, laid-back lazy vocals, contrasting tempo, intelligent dance music, high fidelity, tight mix, no guitars, no rock

E minor, authentic heavy Funk Mandelão beat, strictly club dark bass, extreme heavy sub bass, aggressive tamborzao, industrial percussion, 135 BPM

Alternative rock, Key of A major, strictly 156 BPM, 16-beat, 100% guitar-driven, 3 layered electric guitars, driving bass, drums, Vocal: Female vocalist, high-pitched clear voice with a slight huskiness, emotional vibrato, passionate and rhythmic, acoustic pop-rock, 2000s Japanese singer-songwriter vibe, energetic, expressive, Vocal melody strictly uses Dorian mode and pentatonic scales, Steady driving momentum, NO yodeling

Instrumental, Breakneck speed 185 BPM, Vintage 60s analog recording, Up-tempo 70s Psychedelic Rock, 70s Japanese Glam Rock, upbeat theatrical energy, aggressive rushing forward, Exotic Romanian minor phrasing, Distorted electric guitars play simple primitive raw power chord riffs with NO complex technique, The bass guitar follows the kick drum with a gritty overdriven tone, Cheap analog synth used ONLY for terrifying sound effects resembling human screams and piercing dissonant wails, NO synth melody, Drums play an uninterrupted straight 8-beat rock groove, occasional rapid 3-hit snare accents, minimal closed hi-hats ONLY, heavily suppressed cymbals, NO breakbeats, NO drum fills, continuous momentum, dry muffled punchy drum sound, dead snare with heavy attack, thuddy kick drum

Acapella, spoken word only, strictly speech, extremely bored, apathetic deadpan female voice, monotone, no instruments, silence