
盤石の体勢 - By 黄昏パレード
The album "Banjaku no Taisei" by the Japanese alternative rock band "Tasogare Parade"
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9 songs
4:21

Folk rock foundations set by a crisp guitar riff, joined by subtle percussion and soft bass, As the song progresses, layers of mandolin and organ weave in, drums become more pronounced, and harmonized backing vocals lift the dynamic finale before a gentle fade
3:21

An avant-pop track shaped by Japanese new wave and post-punk, it opens with dry, syncopated drum grooves and rubbery, off-kilter bass in asymmetric meter, Clean, angular guitars jab rhythmically amid zany synth splashes and tribal percussion stabs, Vocals are half-spoken, half-sung, maintaining cool detachment, Bridges introduce abrupt silences or eccentric modulations, sustaining a surreal, playful unpredictability throughout
3:04

An avant-pop track shaped by Japanese new wave and post-punk, it opens with dry, syncopated drum grooves and rubbery, off-kilter bass in asymmetric meter, Clean, angular guitars jab rhythmically amid zany synth splashes and tribal percussion stabs, Vocals are half-spoken, half-sung, maintaining cool detachment, Bridges introduce abrupt silences or eccentric modulations, sustaining a surreal, playful unpredictability throughout
3:24

The track launches with jagged guitar riffs and experimental synth layers over driving, syncopated drums, Verses combine artful piano stabs, abrupt percussion, and male vocals shifting between melodic hooks and spoken-word, The chorus bursts with dense harmonies, tempo shifts, and stark dynamics, The bridge is marked by unconventional meters, glitchy electronics, and swirling bass, leading into a bold, cacophonous finale
3:11

Avant-garde ballad with male vocals, led by expressive piano and understated bass, Guitar experiments with percussive and atonal textures, Drums shift from sparse brushwork to angular rhythms in later sections, Instrumental interludes introduce abstract motifs between verses
3:24

Avant-garde pop track kicks off with jagged, unpredictable synths, irregular percussion, and textured found sound samples woven through a fractured beat, Pitch-bent bass stabs and unexpected breaks or silences accentuate the arrangement, creating a tense, innovative rhythmic landscape
3:14

An avant-pop rock track steeped in Japanese new wave and post-punk, it starts with crisp, syncopated drums and elastic bass in asymmetrical meter, Angular guitars interject with precision, joined by quirky synth stabs and tribal percussion, Cool, half-spoken vocals glide above, Bridges feature sudden silences or odd modulations, maintaining a surreal, unpredictable, and playful energy throughout
4:30

Fuzz guitar using a wah pedal, psychedelic rock, An avant-pop track shaped by Japanese new wave and post-punk, it opens with dry
3:44

This avant-pop track blends Japanese new wave and post-punk, opening with crisp, syncopated drums and elastic bass lines in odd time signatures, Spiky guitars weave amidst quirky synth lines and tribal percussion, while half-spoken male vocals provide a detached edge, Bridges jolt with unexpected silences or warped key changes, maintaining a slyly surreal, playful energy

