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Tannhäuser
Tannhäuser
An adaptation of Wagner's "Tannhäuser".
Augustine1203
·
17 songs
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6:29
Suspension in tension
FULL SONG
Augustine1203
18
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wagnerian symphonic darksynth/operatic belcanto crossover. Instrumentation emphasizes weeping bowed strings with infinite sustain - all filtered via PSX SPU - lead: rebec with FM-generated guitars with tremolo riffs harmonizing with the rebec; bass: texture by twin theorbos doubling lead reinforcing modal center constantly; accents: vielle. Duet between two male belcanto operatic voices (A) + (B). Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: pachydermic twisted sarabande with mirroring (3+2+2+3+2+2+3+3) pattern pulse in 120-130 bpm + martial kettle drums polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
6:29
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5:35
Mephitis of dulcitude
FULL SONG
Augustine1203
10
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wagnerian symphonic darksynth/operatic belcanto crossover. Instrumentation emphasizes weeping bowed strings with scehrzo - all filtered via PSX SPU - lead: rebec with FM-generated guitars with tremolo riffs harmonizing with the rebec; bass: texture by twin theorbos doubling lead reinforcing modal center constantly; accents: vielle. Mixed male and female demonic choir. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: pachydermic IDM-corrupted rigaudon pattern pulse in 120-130 bpm + bells drums polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
5:35
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6:39
Geliebter, Geliebter an der Wand
COVER
Augustine1203
10
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darksynth
6:39
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6:33
Longing outside longing
FULL SONG
Augustine1203
10
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wagnerian symphonic darksynth/gothic crossover. Instrumentation emphasizes aerophones with sweet sustain - all filtered via PSX SPU - lead: rauschpfeife with FM-generated guitars with tremolo riffs harmonizing with the rauschpfeife; bass: texture by crumhorn consort doubling lead reinforcing modal center constantly; accents: martial sackbut ostinatos. Lead voice: male belcanto vocals with falsetto/yodel. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: pachydermic IDM-corrupted courante pattern pulse in 100-120 bpm + church bells with echo and reverb polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
6:33
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7:19
Favour of song
FULL SONG
Augustine1203
9
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wagnerian symphonic darksynth/belcanto crossover. Instrumentation emphasizes aerophones with sweet sustain - all filtered via PSX SPU - lead: flauto dolce 1 (baroque recorder) with FM-generated guitars with tremolo riffs harmonizing with the flauto dolce 1; bass: shawn doubling lead reinforcing modal center constantly; accents: lyrical flauto dolce 2. Duet between two male belcanto operatic voices (A - emphasizes yodel) + (B - gruff operatic) + male salian chant choir as support. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: military march in strict 1-2 pattern pulse in 90-100 bpm + marching footsteps and rolling kettle drums with echo and reverb polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
7:19
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7:40
What has thou done, Heinrich?
FULL SONG
Augustine1203
7
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wagnerian symphonic darksynth/belcanto crossover. Instrumentation all filtered via PSX SPU - lead: poignant oboe with FM-generated guitars with tremolo riffs harmonizing with the rauschpfeife; bass: sickeningly sweet texture by contraforte doubling lead reinforcing modal center constantly; accents: scherzo FM-shakuhachi phrases. Lead voice: female belcanto vocals. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics throughout composition. Rhythmic pattern: heart pumping sweet cancan pattern pulse in 80-90 bpm + cowbells polyrhythms with echo and reverb. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
7:40
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6:31
Call to arms
FULL SONG
Augustine1203
6
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wagnerian symphonic darksynth/ceremonial military fanfare/belcanto crossover. Instrumentation all filtered via PSX SPU - lead: sackbut with FM-generated guitars with tremolo riffs harmonizing with the sackbut; bass: martial texture by contraforte doubling lead reinforcing modal center constantly; accents: scherzo FM-shakuhachi phrases. Lead voice: male belcanto vocals. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics throughout composition. Rhythmic pattern: military march in strict 1-2 french gallop pattern pulse in 70-80 bpm. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
6:31
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7:06
Nature of loe
FULL SONG
Augustine1203
9
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wagnerian symphonic
7:06
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7:06
Mein ist die Rache, ich werde vergelten
FULL SONG
Augustine1203
7
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wagnerian symphonic darksynth/belcanto crossover. Instrumentation all filtered via PSX SPU - lead: poignant oboe with FM-generated guitars with tremolo riffs harmonizing with the oboe; bass: dramatic texture by contraforte doubling lead reinforcing modal center constantly; accents: scherzo FM-shakuhachi phrases. Lead voice: female belcanto vocals. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics throughout composition. Rhythmic pattern: heart pumping sweet cancan pattern pulse in 80-90 bpm + cowbells polyrhythms with echo and reverb. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
7:06
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5:49
Wieder unterwegs
FULL SONG
Augustine1203
8
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wagnerian symphonic darksynth/ceremonial military fanfare/belcanto crossover. Instrumentation all filtered via PSX SPU - lead: sackbut with FM-generated guitars with tremolo riffs harmonizing with the sackbut; bass: martial texture by contraforte doubling lead reinforcing modal center constantly; accents: scherzo FM-shakuhachi phrases. Lead voice: male belcanto vocals. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics throughout composition. Rhythmic pattern: military march in strict 1-2 french gallop pattern pulse in 70-80 bpm. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
5:49
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5:10
Essence of loe
FULL SONG
Augustine1203
3
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wagnerian symphonic darksynth/belcanto ballad crossover. Instrumentation emphasizes aerophones with sweet sustain - all filtered via PSX SPU - lead: flauto dolce (baroque recorder) with FM-generated guitars with tremolo riffs harmonizing with the flauto dolce 1; bass: shawn doubling lead reinforcing modal center constantly; accents: rebec. Lead voice: male belcanto vocals Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: military march in strict 1-2 pattern pulse in 90-100 bpm + triangle polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
5:10
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6:49
To the grave
COVER
Augustine1203
7
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symphonic darksynth
6:49
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5:49
O, mein holder Abendstern
Augustine1203
16
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darksynth
5:49
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7:29
Between autumn and winter
FULL SONG
Augustine1203
7
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津軽三味線 darksynth/apocalyptic neofolk/operatic belcanto crossover. Instrumentation consists entirely of plucked string instruments with sawari buzz and lunzhi (轮指) technique - lead: harp
7:29
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5:40
Vade retro, Venus
FULL SONG
Augustine1203
3
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wagnerian symphonic darksynth/operatic belcanto crossover. Instrumentation emphasizes weeping bowed strings with scehrzo - all filtered via PSX SPU - lead: rebec with FM-generated guitars with tremolo riffs harmonizing with the rebec; bass: texture by twin theorbos doubling lead reinforcing modal center constantly; accents: vielle. Lead voice: female belcanto vocals. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: pachydermic IDM-corrupted rigaudon pattern pulse in 120-130 bpm + bells drums polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
5:40
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6:36
Semper viridis
FULL SONG
Augustine1203
14
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wagnerian symphonic darksynth/sacred operatic belcanto crossover. Instrumentation all filtered via PSX SPU - lead: castlevania-style church organ with FM-generated guitars with tremolo riffs harmonizing with the church organ; bass: texture by contraforte doubling lead reinforcing modal center constantly; accents: portative organ. Lead voice: male belcanto vocals. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: pachydermic military march in 2/4 time in strict 1-2 pattern pulse in 90-100 bpm + church bells echoes. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
6:36
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3:57
Beatus vir
FULL SONG
Augustine1203
16
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wagnerian symphonic darksynth/sacred chant with operatic belcanto crossover. Instrumentation emphasizes weeping bowed strings with infinite sustain - all filtered via PSX SPU - lead: rebec with FM-generated guitars with tremolo riffs harmonizing with the rebec; bass: texture by twin theorbos doubling lead reinforcing modal center constantly; accents: vielle. Lead voice: male belcanto operatic voice. Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics. Rhythmic pattern: pachydermic twisted sarabande with mirroring (3+2+2+3+2+2+3+3) pattern pulse in 120-130 bpm + martial kettle drums polyrhythms. Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums
3:57
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Tannhäuser by @augustine1203 | Suno
