Essence of loe

wagnerian symphonic darksynth/belcanto ballad crossover, Instrumentation emphasizes aerophones with sweet sustain - all filtered via PSX SPU - lead: flauto dolce (baroque recorder) with FM-generated guitars with tremolo riffs harmonizing with the flauto dolce 1; bass: shawn doubling lead reinforcing modal center constantly; accents: rebec, Lead voice: male belcanto vocals Full throttle loop-based rhythmic piece based on hypnotic repetition of a single leitmotif with unchanging dynamics, Rhythmic pattern: military march in strict 1-2 pattern pulse in 90-100 bpm + triangle polyrhythms, Percussion: Alesis SR-16 drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition

[Use enharmonic synemmenon phrygian mode with genişleyen-asimetrik seyir for all harmonic elements. Bassline follows strictly by doubling lead instruments in perfect fourths.]

[Male Voice B - Wolfram von Eschenbach, Minnesanger: velvety, warm, gruff operatic baritone. Singer has massive respiratory power, exhibits extreme appoggio and high-energy pharyngeal resonance. Even tessitura across registers. Complete absence of whistle register, absence of flageolet register, absence of falsetto. Piercing high-frequency metallic squillo and seamless smooth legato, immaculate diction, immaculate diction, and surgical glottal closure. Sings fluently in all languages cited.]

[Lyrics in german and english]

[Full ensemble *including drums* joins immediately on beat 1]

[Vorspiel starts with full intensity - 2 bars, full crescendo]

[Vorspiel - 2 bars]

[Verse 1]
Wolfram knew she would be here.
She is like a statue of marble,
Barely moving.
Spring hath passed,
Giving way to summer.
Then summer passed
Giving way to autumn
And Heinrich did not return.

[Chorus]
Den Todesstoß, dem er ihr gab,
Sie betet noch bis zum Grab.
Liebe, das ist rein Stoss.
Liebe lauter selbstlos.

[Vorspiel - 2 bars]

[Verse 2]
Wolfram knows she doth haunth
All pilgrims coming back,
Hoping to find him out.
Spring is behind us,
Giving way to summer.
Summer also is behind us
Giving way to autumn
And Heinrich did not return.

[Chorus]
Den Todesstoß, dem er ihr gab,
Sie betet noch bis zum Grab.
Liebe, das ist rein Stoss.
Liebe lauter selbstlos.

[Instrumental bridge - Ghammaz section with taqsim - 2 bars]

[Ghammaz Section - non-lexical vocalizations]
* Ооооооооооооооооо...
* Ооооооооооооооооо...

[Vorspiel - 2 bars]

[Verse 3]
Wolfram prays she is given mercy
And that her sins be forgiven.
Wolfram prays Heinrich is also given mercy
And that his sins are also forgiven.
Yet, Wolfram doth not forget
To pray for himself
Even if no one doth pray
For Wolfram in that same way:
May his sins likewise be forgiven
And may Wolfram likewise be given mercy.

[start fade out, slow down]

[Outro]
Den Todesstoß, dem er gab,
Bete immer noch, bis zum Grab.
Liebe, das ist rein Stoss.
Liebe lauter selbstlos.

[Vorspiel - 2 bars, fadeout]

* Ооооооооооооооооо...
* Ооооооооооооооооо...

[end]

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[Use enharmonic synemmenon phrygian mode with genişleyen-asimetrik seyir for all harmonic elements. Bassline follows strictly by doubling lead instruments in perfect fourths.] [Male Voice B - Wolfram von Eschenbach, Minnesanger: velvety, warm, gruff operatic baritone. Singer has massive respiratory power, exhibits extreme appoggio and high-energy pharyngeal resonance. Even tessitura across registers. Complete absence of whistle register, absence of flageolet register, absence of falsetto. Piercing high-frequency metallic squillo and seamless smooth legato, immaculate diction, immaculate diction, and surgical glottal closure. Sings fluently in all languages cited.] [Lyrics in german and english] [Full ensemble *including drums* joins immediately on beat 1] [Vorspiel starts with full intensity - 2 bars, full crescendo] [Vorspiel - 2 bars] [Verse 1] Wolfram knew she would be here. She is like a statue of marble, Barely moving. Spring hath passed, Giving way to summer. Then summer passed Giving way to autumn And Heinrich did not return. [Chorus] Den Todesstoß, dem er ihr gab, Sie betet noch bis zum Grab. Liebe, das ist rein Stoss. Liebe lauter selbstlos. [Vorspiel - 2 bars] [Verse 2] Wolfram knows she doth haunth All pilgrims coming back, Hoping to find him out. Spring is behind us, Giving way to summer. Summer also is behind us Giving way to autumn And Heinrich did not return. [Chorus] Den Todesstoß, dem er ihr gab, Sie betet noch bis zum Grab. Liebe, das ist rein Stoss. Liebe lauter selbstlos. [Instrumental bridge - Ghammaz section with taqsim - 2 bars] [Ghammaz Section - non-lexical vocalizations] * Ооооооооооооооооо... * Ооооооооооооооооо... [Vorspiel - 2 bars] [Verse 3] Wolfram prays she is given mercy And that her sins be forgiven. Wolfram prays Heinrich is also given mercy And that his sins are also forgiven. Yet, Wolfram doth not forget To pray for himself Even if no one doth pray For Wolfram in that same way: May his sins likewise be forgiven And may Wolfram likewise be given mercy. [start fade out, slow down] [Outro] Den Todesstoß, dem er gab, Bete immer noch, bis zum Grab. Liebe, das ist rein Stoss. Liebe lauter selbstlos. [Vorspiel - 2 bars, fadeout] * Ооооооооооооооооо... * Ооооооооооооооооо... [end]

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