Video game songs

West Coast Rap, Chicano Rap, 90s Hip-Hop, G-Funk, West Coast Underground, Latin Hip-Hop, Lo-Fi Boom Bap, Conscious Rap, Street Poetry, Old School Hip-Hop, ‑Trap, ‑Drill, ‑Emo Rap, ‑Cloud Rap, ‑Hyperpop, ‑K-Pop, ‑EDM, ‑Synthwave, ‑Pop Punk, ‑Glitchcore, ‑Reggaeton, ‑Afrobeat, ‑Indie Pop, ‑Acoustic Ballad, ‑Folk, ‑Country, ‑Jazz Fusion, ‑House, ‑Trance

[Style] West Coast Hip Hop / G-Funk Bounce [Language] English [Key] A minor [Tempo] 94 BPM [Time Signature] 4/4 with laid-back swing [Structure] Instrumental Intro – Verse 1 – Hook – Verse 2 – Hook – Bridge – Final Hook – Instrumental Outro [Vocal Delivery] Relaxed West Coast drawl, behind-the-beat pocket, sly ad-libs on bar ends, occasional spoken radio lines in parentheses, hook can be sung or talkbox-styled [Instrumentation] Live bass with octave slides, fat clap and rimshot kit, swung hats, whistling lead synth, talkbox or vocoder hook, Rhodes chords, analog strings, muted guitar chanks, sub booms, siren swells, police radio foley [Mix Notes] Snare and clap with bright plate, bass warm and round, widen synth lead, subtle tape hiss for vibe, de-ess talkbox, duck pads under vocals, automate siren tails into transitions, ‑Trap, ‑Drill, ‑Hyperpop, ‑Big Room EDM, ‑Trance, ‑Hardstyle, ‑Metalcore, ‑Symphonic Metal, ‑Orchestral Trailer, ‑Bubblegum Pop, ‑Folk Ballad, ‑Lo-Fi Study, ‑Dark Ambient, ‑Industrial, ‑Whistle Pop

[Style] Aggro Pop Rap / Cinematic Bass [Language] English [Key] C minor [Tempo] 160 BPM [Time Signature] 4/4 relentless [Structure] Instrumental Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Instrumental Outro [Vocal Delivery] Hard-chest lead with clipped consonants, rapid-fire pockets on verses, shouted gang vocals in choruses, occasional spoken radio lines in parentheses [Instrumentation] Distorted 808s, slammed kick, tight hats and gunshot clacks, hybrid strings, metallic risers, siren swells, rotor chop, gritty synth stabs, sub-drops, radio foley, crowd chant layers [Mix Notes] Parallel crush on drums, aggressive multiband on bass, keep lead dry and upfront, widen chorus chants, automate siren sweeps into transitions, clip FX on drops, leave 1 bar of dead air before Final Chorus for impact, ‑Bossa Nova, ‑Big Band Swing, ‑Orchestral Trailer, ‑Symphonic Metal, ‑Whistle Pop, ‑Dream Pop, ‑Soft Jazz Lounge, ‑Country Waltz, ‑Celtic Folk, ‑Barbershop Quartet, ‑Chillhop, ‑Vaporwave, ‑New Age Meditation

[Style] Pop Rap / Cinematic Chase [Language] English [Key] D minor [Tempo] 150 BPM [Time Signature] 4/4 straight drive [Structure] Instrumental Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Instrumental Outro [Vocal Delivery] Tight pocket rap on verses, lifted melodic chorus, a few spoken radio callouts in parentheses, no ad-libs outside bracketed FX [Instrumentation] Punchy kick and tight hats, distorted 808s, hybrid strings, synth bass, police radio foley, rotor whoosh risers, siren swells, gritty keys for stabs [Mix Notes] Hook stacked wide, slap delay on last word of chorus lines, keep verses dry and forward, sidechain bass to kick gently, automate rotor whoosh into Bridge, ‑Baroque Pop, ‑Big Band Swing, ‑Symphonic Metal, ‑Dubstep, ‑Techno, ‑Trance, ‑Hardstyle, ‑Electro House, ‑Arena Rock, ‑Classic Rock Ballad, ‑Gospel Choir, ‑Industrial, ‑Dark Ambient, ‑Vaporwave, ‑Whistle Pop, ‑Polka, ‑Novelty Parody

fast hi-hats, heavy 808s, trap, eerie synth melodies, rap, gritty texture

hip pop, hip-hop, electronic with layered synths and deep bass grooves, pop

[Style] Acoustic Bossa / Cozy Island Folk [Language] English [Key] C major [Tempo] 108 BPM [Time Signature] 4/4 with gentle swing [Structure] Instrumental Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Instrumental Outro [Vocal Delivery] Soft, smile-in-voice lead, close-mic, no ad-libs, light “ooh/ah” pads only in choruses [Instrumentation] Nylon guitar, ukulele, shaker and soft brushes, hand claps, marimba, kalimba sprinkles, upright bass, mellow piano, subtle waves and gulls FX [Mix Notes] Warm room reverb, keep vocals intimate, mild tape saturation, sidechain bass gently to kick, widen marimba only in choruses, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hyperpop, ‑Dubstep, ‑EDM Big Room, ‑Electro House, ‑Techno, ‑Trance, ‑Hardstyle, ‑Future Bass, ‑Reggaeton, ‑Dancehall, ‑Ska Punk, ‑Metalcore, ‑Symphonic Metal, ‑Arena Rock, ‑Classic Rock Ballad, ‑Pop Punk, ‑Gospel Choir, ‑Jazz Fusion, ‑Big Band Swing, ‑Orchestral Trailer, ‑Industrial, ‑Lo-Fi Hip Hop, ‑Dark Ambient, ‑Vaporwave, ‑Whistle Pop

[Style] Cinematic Orchestral Rock / JRPG Anthem [Language] English [Key] E minor [Tempo] 132 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Outro [Instrumentation] String ostinato, French horns, distorted rhythm guitars, tom and timpani pulses, piano motif, analog synth pads, taiko accents, choir “ah, ” reverse cymbals, sub impacts [Mix Notes] Big hall on choir and horns, guitars double tracked L/R, kick tight with low tom lift, piano clear in midrange, pads sidechained to drums, impact booms on downbeats, short slap on hook word [Vocal Delivery] Open rock tenor with controlled grit, clear diction, minimal ad libs, gang responses on the last chorus [Creative Directions] Lean into imagery of Midgar, Avalanche, mako, and the wider world without direct quotes from canon songs, Let verses paint scenes, let the chorus carry a simple vow, Room for SFX gaps in Intro and Bridge, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hyperpop, ‑Dubstep, ‑EDM Big Room, ‑Hardstyle, ‑Electro House, ‑Techno, ‑Trance, ‑Future Bass, ‑Reggaeton, ‑Dancehall, ‑Ska, ‑Metalcore, ‑Symphonic Metal, ‑Classic Rock Ballad, ‑Country Pop, ‑Blues Rock, ‑Jazz Fusion, ‑Big Band Swing, ‑Gospel Choir, ‑Lo-Fi, ‑Ambient Drone, ‑Vaporwave, ‑Acoustic Lute Ballad

[Style] Ambient Orchestral Folk / Adventure Score Song [Key] G minor [Tempo] 120 BPM [Time Signature] 4/4 with rubato intro [Structure] Instrumental Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Instrumental Outro [Instrumentation] Nylon guitar and koto plucks, soft piano motif, chamber strings, airy woodwinds, hand drum and taiko pulses, distant horn, subtle harp arpeggios, breathy ooh choir, gentle wind FX, bell chimes, low toms for guardian tension [Mix Notes] Keep the verse intimate and near mono, bloom the chorus with wide strings and piano, Keep low percussion tight and organic, Let wind FX and soft bell chimes mark section changes, No harsh compression, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hyperpop, ‑Dubstep, ‑EDM Big Room, ‑Hardstyle, ‑Electro House, ‑Techno, ‑Trance, ‑Future Bass, ‑Reggaeton, ‑Dancehall, ‑Ska, ‑Metalcore, ‑Symphonic Metal, ‑Arena Rock, ‑Classic Rock, ‑Pop Punk, ‑Country Pop, ‑Blues Rock, ‑Jazz Fusion, ‑Big Band Swing, ‑Gospel Choir, ‑Lo-Fi, ‑Ambient Drone, ‑Vaporwave, ‑Acoustic Lute Ballad

[Style] Dark Industrial Orchestral / Survival Horror Anthem [Key] D minor [Tempo] 128 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Outro [Instrumentation] Low strings ostinato, contrabass pulses, distorted synth bass, metallic percussion, taiko and timpani hits, bowed cymbals, treated piano for save-room motif, male-female whisper choir, processed clock ticks, granular risers, guitar swells for stingers [Mix Notes] Tight sidechain on synths to the kick, long dark hall on choir, tape wow on piano motif, transient shaper on metal hits, mono-compatible low end, reverse reverb into stingers, subtle vinyl hiss in intro and outro [Creative Directions] Verse = story and atmosphere, Pre-Chorus tightens the clock, Chorus opens with choir and the save-room piano figure, Use [FX] notes for environment, Spoken radio callouts sparingly in parentheses, ‑Country, ‑Country Pop, ‑Bluegrass, ‑Folk Ballad, ‑Acoustic Lute, ‑Pop Punk, ‑Arena Rock, ‑Classic Rock, ‑Metalcore, ‑Symphonic Metal, ‑Big Band Swing, ‑Jazz Fusion, ‑Funk, ‑Disco, ‑Reggaeton, ‑Dancehall, ‑Afrobeat Pop, ‑Hyperpop, ‑Trap, ‑Drill, ‑Boom Bap, ‑Dubstep, ‑Future Bass, ‑House, ‑Techno, ‑Trance, ‑Chillhop, ‑Lo-Fi, ‑Ambient Drone, ‑Vaporwave

[Style] Chiptune Pop / 8-bit Nostalgia / Kawaii [Key] C minor [Tempo] 120 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Outro [Instrumentation] Square-wave lead, triangle bass, noise-channel snare and hats, bitcrushed clap, rapid arpeggiator, simple sine bell for pickups, game start SFX, downshift pitch bends, subtle vinyl-battery hum [Mix Notes] Mono focus with gentle stereo widen on arps, short room verb on clap, sidechain the arps to the kick, 8-bit saturation, filter sweep into the final chorus, ‑Arena Rock, ‑Metalcore, ‑Symphonic Metal, ‑Orchestral Trailer, ‑Big Band Swing, ‑Jazz Fusion, ‑Gospel Choir, ‑Country Pop, ‑Reggaeton, ‑Dancehall, ‑Afrobeat Pop, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hyperpop, ‑Dubstep, ‑Future Bass, ‑House, ‑Techno, ‑Trance, ‑Lo-Fi, ‑Ambient Drone, ‑Acoustic Lute Ballad

[Style] Nerdcore / Trap-Infused Hip Hop / Game-Rap [Key] F minor [Tempo] 162 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Hook – Verse 2 – Hook – Bridge – Final Hook – Outro [Instrumentation] 808s with gritty saturation, tight trap hats and triplet rolls, distorted synth bass, chiptune lead sprinkles, glitchy risers, hard snare, sub drops, crowd shouts, brief radio VO, stutter FX [Mix Notes] Kick and 808 sidechain the pads, vocal upfront and dry with short slap, ad-lib doubles tucked, bitcrush moments on transitions, widen chiptune hooks, low-pass intro and final bar stop [Creative Directions] Fast internal rhymes and punchlines, Allow spoken callouts in parentheses, Sprinkle in game-object SFX moments between bars, ‑Country, ‑Country Pop, ‑Singer-Songwriter, ‑Folk Ballad, ‑Acoustic Lute, ‑Classic Rock, ‑Arena Rock, ‑Blues Rock, ‑Metalcore, ‑Symphonic Metal, ‑Orchestral Trailer, ‑Big Band Swing, ‑Jazz Fusion, ‑Gospel Choir, ‑Reggaeton, ‑Dancehall, ‑Afrobeat Pop, ‑Disco, ‑House, ‑Techno, ‑Trance, ‑Future Bass, ‑Chillhop, ‑Lo-Fi, ‑Ambient Drone, ‑New Age

[Style] Pop Punk / Alt Rock / Comedy Shooter Anthem [Key] B minor [Tempo] 172 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Outro [Instrumentation] Crunchy rhythm guitars, upbeat palm-muted leads, driving bass, punchy acoustic kit with fast hats and snare rolls, gang shouts, brief talkback radio FX, crowd “hey”s [Mix Notes] Tight drum bus compression, vocals forward and dry with slapback on shouts, guitars double-tracked hard L/R, bass slightly overdriven, group vocals in choruses, ‑Trap, ‑Drill, ‑Boom Bap, ‑EDM Big Room, ‑Dubstep, ‑House, ‑Trance, ‑Hyperpop, ‑Glitch Hop, ‑Chillhop, ‑Lo-Fi, ‑Ambient Drone, ‑Orchestral Trailer, ‑Symphonic Metal, ‑Jazz Fusion, ‑Gospel Choir, ‑Country Pop, ‑Bluegrass, ‑Acoustic Lute Ballad, ‑Synthwave, ‑Vaporwave

[Style] Cinematic Electro-Orchestral / Hero Shooter Anthem [Key] E minor [Tempo] 138 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Outro [Instrumentation] Strings ostinato, brass fanfare, synth arps, analog bass pulse, hybrid drums with toms and snares, taiko layers, risers and downlifters, mixed choir “oh/ah, ” subtle vocal chops, cinematic braams, guitar swells [Mix Notes] Big hall on brass and choir, tight punchy kick, sidechain on pads, stereo widening on arps, impact booms on downbeats, short slap delay on chant phrases [Creative Directions] Keep VO lines clear of hook, Let SFX gaps sit between lyric phrases, Emphasize call-and-response in the final chorus with crowd-style “Hey” hits, ‑Trap, ‑Drill, ‑Boom Bap, ‑Country, ‑Country Pop, ‑Hyperpop, ‑Lo-Fi, ‑Dubstep, ‑Hardstyle, ‑Reggaeton, ‑Dancehall, ‑Ska, ‑Punk Rock, ‑Metalcore, ‑Heavy Metal, ‑Blues Rock, ‑Jazz Fusion, ‑Big Band Swing, ‑Acoustic Folk Ballad, ‑Chiptune, ‑Vaporwave

[Style] Medieval Bard Ballad / Lute Folk / Tavern Chorus [Key] A minor [Tempo] 92 BPM [Time Signature] 3/4 [Structure] Instrumental Intro – Verse 1 – Refrain – Verse 2 – Refrain – Verse 3 – Refrain – Bridge – Final Refrain – Instrumental Outro [Instrumentation] Lead lute, low drone fiddle, hand drum with soft brush, wooden flute ornaments, foot stomps, room crowd hum, single male lead with optional mixed tavern chorus [Mix Notes] Close mic on lute for finger noise, gentle room reverb to feel like a hearth, crowd tucked under refrains, flute doubles last line into refrains, hand drum only on 1 and 3 [Creative Directions] Keep verses intimate and narrative, then open the Refrain to let the room sing, Add quiet crowd hoots between lines on the Final Refrain, Spoken asides optional, No modern ad-libs, ‑EDM, ‑Trap, ‑Hyperpop, ‑Dubstep, ‑Drum and Bass, ‑Future Bass, ‑Synthwave, ‑Electro House, ‑Techno, ‑Industrial, ‑Pop Rock, ‑Arena Rock, ‑Metalcore, ‑Heavy Metal, ‑Hard Rock, ‑Post-Rock, ‑Pop Trap, ‑Contemporary R&B, ‑Hip-Hop, ‑K-Pop, ‑J-Pop, ‑Cinematic Orchestral, ‑Epic Trailer, ‑Symphonic Metal, ‑Gospel Choir, ‑Jazz Fusion, ‑Funk, ‑Disco, ‑Reggaeton, ‑Dancehall, ‑Country Pop, ‑Lo-Fi, ‑Chillhop, ‑Ambient Drone

[Style] Cinematic Orchestral / Spy Thriller / Synthwave [Key] D minor [Tempo] 96 BPM [Time Signature] 4/4 [Structure] Intro – Verse 1 – Pre-Chorus – Chorus – Verse 2 – Pre-Chorus – Chorus – Bridge – Final Chorus – Outro [Instrumentation] Low brass stabs, string ostinato, taiko and timpani hits, analog bass pulse, soaring french horns, mixed choir “ah/oh, ” subtle clock ticks and code beeps, suspense risers, cymbal swells, guitar with tremolo for tension [Mix / FX Notes] Cinematic hall reverb, stereo widening on choir, tape-style delay on final word of hook, sub-boom impacts on downbeats, filtered radio-comms in intros/outros, ‑Arena Rock, ‑EDM, ‑Pop Trap, ‑Country Pop, ‑Lo-Fi, ‑Indie Folk, ‑Disco, ‑Jazz Fusion, ‑Hyperpop

[Style] Nerdcore Rap, Trap Bounce [Key] F# minor [Tempo] 148 BPM [Time Signature] 4/4 [Structure] Intro – Verse – Hook – Verse – Hook – Bridge – Hook – Outro [Instrumentation] 808 sub with tight sidechain, crisp clap-snare, skitter hats, retro synth plucks, arcade FX bleeps, brass stabs, risers, sub drops [Vocal Delivery] Rapid internal rhymes, witty punchlines, ad-lib stacks on bar ends, chanty hook with layered doubles [Mix and FX] Short plate on lead, 1/8 note slap delay throws at end rhymes, telephone EQ moments on punchlines, parallel crush on drums [Tags] nerdcore, fortnite, funny, gaming, rap, ‑Doom Metal, ‑Death Metal, ‑Metalcore, ‑Hard Rock, ‑Jazz, ‑Blues, ‑Country, ‑Folk, ‑Reggaeton, ‑Afrobeats, ‑EDM Big Room, ‑Trance, ‑Techno, ‑House, ‑Drum and Bass, ‑Hyperpop, ‑Lo-fi, ‑Acoustic Singer-Songwriter, ‑Orchestral-only

[Style] Viking Metal, Symphonic [Key] D minor [Tempo] 96 BPM [Time Signature] 4/4 [Tuning] Guitars in Drop C [Structure] Processional – Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Breakdown – Final Chorus – Outro [Instrumentation] Down-tuned rhythm guitars with gallop chugs, tremolo lead guitar, war toms and taiko, orchestral brass stabs, cathedral choir lows, male and female chant layers, nyckelharpa drones, frame drum, icy wind foley, anvil hits, tubular bells [Vocal Delivery] Verses: gritty mid-belt with consonant bite Pre-Chorus: rising chant in octaves Chorus: gang-vocal shout with sung lead on top Bridge: spoken sermon into soaring sustained lines Breakdown: call and response shouts with toms [Mix and FX] Hall reverb on choir and brass, short plate on leads, parallel drum crush, guitar doubles L100/R100, low end bus saturation, subtle reverse cymbal swells [Tags] viking, cinematic, choir, war drums, mythic, epic, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hip Hop, ‑R&B, ‑Neo-Soul, ‑Pop, ‑K-pop, ‑J-pop, ‑City Pop, ‑Hyperpop, ‑EDM, ‑Dubstep, ‑House, ‑Techno, ‑Trance, ‑Drum and Bass, ‑Future Bass, ‑Lo-fi, ‑Chillhop, ‑Reggaeton, ‑Afrobeats, ‑Ska, ‑Indie Pop, ‑Dream Pop, ‑Synthwave, ‑Vaporwave, ‑Orchestral-only, ‑Acoustic Singer-Songwriter [Lyrics]

[Style] Lo-Fi Hip Hop, Chillhop [Key] D minor [Tempo] 76 BPM [Time Signature] 4/4 [Structure] Intro – Verse – Hook – Verse – Hook – Bridge – Hook – Outro (loop-safe: hook works as standalone loop) [Instrumentation] Dusty upright piano, soft kick and snare with brushed hats, warm upright bass, jazz guitar with neck pickup, vinyl crackle, field foley of rain and creek, glockenspiel sprinkles, subtle tape wobble [Vocal Delivery] Close whisper croon, doubled in the hook, light breaths left in, tight phrasing [Mix and FX] Short slapback on lead, gentle plate on ad-libs, sidechain pads to kick, lowpass lift in hook, tape saturation on master [Tags] lofi, chillhop, cozy, rainy, stardew-inspired, farm, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hardcore Rap, ‑Metal, ‑Metalcore, ‑Nu Metal, ‑Punk Rock, ‑Pop Punk, ‑Dubstep, ‑House, ‑Techno, ‑Trance, ‑Drum and Bass, ‑Future Bass, ‑Hyperpop, ‑Reggaeton, ‑Afrobeats, ‑Ska, ‑Industrial, ‑Big Room EDM, ‑Orchestral-only, ‑Acoustic Singer-Songwriter

[Style] Dream Pop, Lo-fi Indie, Surreal Bedroom Pop [Key] F minor [Tempo] 86 BPM [Time Signature] 4/4 [Structure] Intro – Verse – Pre-Chorus – Chorus – Verse – Bridge – Chorus – Outro [Instrumentation] Soft drum kit with brushed snare, detuned toy piano, tape-warbled synth pads, nylon guitar harmonics, music box plucks, sub bass sine, gentle noise floor, subtle reverse swells [Vocal Delivery] Close-mic whisper-croon, double-tracked leads, airy falsetto layers in the chorus, spoken asides in the bridge [Mix and FX] Light tape saturation, short slapback on vocals, long plate on pads, sidechain pads to kick, gentle vinyl crackle, lowpass lift at chorus [Tags] dream pop, lo-fi, surreal, melancholy, nostalgic, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hardcore Rap, ‑Metal, ‑Metalcore, ‑Nu Metal, ‑Punk Rock, ‑Pop Punk, ‑EDM, ‑Dubstep, ‑House, ‑Techno, ‑Trance, ‑Drum and Bass, ‑Future Bass, ‑Hyperpop, ‑Reggaeton, ‑Afrobeats, ‑Ska, ‑Country, ‑Funk, ‑Big Band, ‑Orchestral-only, ‑Acoustic Singer-Songwriter

[Style] Dark Folk, Trip Hop undertone, Ancient Lutewave [Key] A minor [Tempo] 82 BPM [Time Signature] 4/4 [Structure] Intro – Verse – Pre-Chorus – Chorus – Verse – Bridge – Chorus – Outro [Instrumentation] Lute or oud with fingerpicked drones, harp harmonics, celesta sparkles, frame drum with soft brushes, subtle 808 sub swells, bowed cymbal scrapes, vinyl crackle, wind foley [Vocal Delivery] Intimate close-mic lead, whispered harmonies, breathy doubles on pre-chorus, airy stacked hums on chorus [Mix and FX] Mono-leaning lead with short slapback, long plate on backing whispers, gentle tape saturation, sidechain the pads to the frame drum, lowpass lift in chorus [Tags] dark folk, ancient, wanderer, mystic, trip hop, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hip Hop, ‑R&B, ‑Neo-Soul, ‑Funk, ‑Pop, ‑K-pop, ‑J-pop, ‑City Pop, ‑EDM, ‑Dubstep, ‑House, ‑Techno, ‑Trance, ‑Drum and Bass, ‑Future Bass, ‑Hyperpop, ‑Lo-fi, ‑Chillhop, ‑Ska, ‑Reggaeton, ‑Afrobeats, ‑Country, ‑Punk, ‑Metalcore, ‑Hard Rock, ‑Indie Pop, ‑Synthwave, ‑Vaporwave, ‑Orchestral-only, ‑Acoustic Singer-Songwriter

[Style] Epic Metal, Symphonic Power Metal, Doom Liturgical [Key] E minor [Tempo] 84 BPM [Time Signature] 4/4 [Tuning] Guitars in Drop C [Structure] Processional – Verse – Pre-Chorus – Chorus – Verse – Bridge – Sermon – Final Chorus – Coda [Instrumentation] Triumphal brass stabs, cathedral organ, choirs in octaves, twin high-gain guitars with tremolo leads, tom-heavy war drums, taiko underlayer, orchestral cymbal swells, tubular bells, low strings, battlefield foley minimal [Vocal Delivery] Lead baritone preacher with occasional grit, antiphonal choir responses, spoken sermon section with rising shouts, sustained belt in choruses [Mix and FX] Hall reverb on choir and organ, short plate on lead, parallel drum compression, guitar doubles L100 R100, subtle tape glue on master [Tags] epic metal, sermon, symphonic, warhammer40k-inspired, choir, cathedral [Content Notes] Inspired setting and themes of faith, duty, and cosmic war, ‑Trap, ‑Drill, ‑Boom Bap, ‑Hip Hop, ‑R&B, ‑Neo-Soul, ‑Pop, ‑K-pop, ‑J-pop, ‑City Pop, ‑Hyperpop, ‑EDM, ‑Dubstep, ‑House, ‑Techno, ‑Trance, ‑Drum and Bass, ‑Future Bass, ‑Lo-fi, ‑Chillhop, ‑Reggaeton, ‑Afrobeats, ‑Country, ‑Folk, ‑Blues, ‑Ska, ‑Reggae, ‑Indie Rock, ‑Punk Rock, ‑Garage Rock, ‑Shoegaze, ‑Dream Pop, ‑Synthwave, ‑Vaporwave, ‑Orchestral-only, ‑Acoustic Singer-Songwriter

[Style] 1950s Doo-Wop Crooner, Swing Pop [Key] C Major [Tempo] 112 BPM [Time Signature] 4/4 [Structure] Intro – Verse – Pre-Chorus – Chorus – Verse – Bridge – Chorus – Outro [Instrumentation] Upright bass with walking lines, brushed drum kit, doo-wop backing trio “doo wah” and “shoo bop, ” clean hollow-body guitar, vibraphone, muted trumpet fills, tambourine on 2 and 4, vinyl crackle and soft Geiger clicks as foley [Vocal Delivery] Lead warm crooner, close mic, light vibrato Backings in tight thirds, occasional bass “dum dum” [Mix and FX] Mono-leaning image, slapback on lead, spring reverb on guitar and trumpet, subtle tape saturation [Tags] doo wop, retro, fallout, vintage, crooner, ‑Trap, ‑Drill, ‑Boom Bap, ‑Modern Hip Hop, ‑R&B, ‑Neo-Soul, ‑Pop Punk, ‑Metal, ‑Metalcore, ‑Nu Metal, ‑Hard Rock, ‑EDM, ‑Dubstep, ‑House, ‑Techno, ‑Trance, ‑Drum and Bass, ‑Future Bass, ‑Hyperpop, ‑Synthwave, ‑Vaporwave, ‑Lo-fi, ‑Reggaeton, ‑Afrobeats, ‑Orchestral, ‑Cinematic Score, ‑Acoustic Folk, ‑Country Ballad

[Style] Nu-Metal, Industrial Groove [Key] D minor [Tempo] 100 BPM [Time Signature] 4/4 [Tuning] Guitars in Drop C [Structure] Intro – Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Breakdown – Bridge – Final Chorus – Outro [Instrumentation] Down-tuned guitars with stop-start chugs, subby 808 drops layered under kick, metallic snare with short gate, glitchy DJ cuts, synth brass stabs, harsh noise risers, radio vox snippets, battlefield foley [Vocal Delivery] Verses: half-rap snarl with tight consonants Pre-Chorus: tense melodic lift Chorus: shouted gang vocals over a sung hook Breakdown: screamed call and response Bridge: whispered build to full roar [Mix and FX] Saturated guitar bus, parallel drum crush, doubler on chorus lead, short plate on screams, telephone EQ on radio lines [Tags] nu-metal, heavy, industrial, sci-fi war, dropships, orbital, fast reloads, ‑Pop, ‑K-pop, ‑J-pop, ‑City Pop, ‑Hip Hop, ‑Trap, ‑Drill, ‑Boom Bap, ‑R&B, ‑Neo-Soul, ‑Funk, ‑House, ‑Techno, ‑Trance, ‑EDM, ‑Dubstep, ‑Drum and Bass, ‑Future Bass, ‑Hyperpop, ‑Lo-fi, ‑Chillhop, ‑Reggaeton, ‑Afrobeats, ‑Country, ‑Folk, ‑Jazz, ‑Blues, ‑Ska, ‑Reggae, ‑Synthwave, ‑Vaporwave, ‑Orchestral, ‑Cinematic Score, ‑Acoustic Singer-Songwriter

[Style] West Coast Hip Hop, Gantsa Rap [Key] A minor [Tempo] 92 BPM [Time Signature] 4/4 [Structure] Intro – Verse – Hook – Verse – Hook – Bridge – Hook – Outro [Instrumentation] Sub bass glide, G-funk adlibs, Rhodes stabs, wah guitar chops, clap-snare with swing, light tape hiss, talkbox doubles on hook [Vocal Delivery] Verses: relaxed pocket, internals Hook: chant, stacked doubles Bridge: Low voice-to-mid lift [Mix / FX] Plate on hook, slapback on ad-libs, spring verb on guitar, gentle bus glue, ‑Trap, ‑Drill, ‑Boom Bap, ‑Grime, ‑Pop Rap, ‑whistles

Style: Western Country Ballad, circa 1900 Key: G major Tempo: 86 BPM Time Signature: 2/4 two-step Structure: Intro – Verse 1 – Chorus – Verse 2 – Chorus – Bridge – Verse 3 – Chorus – Break – Verse 4 – Chorus – Outro – Tag Vocal Delivery: Dusty lead with low harmony on every second line of each verse; small trio joins on each chorus; spoken line where marked in parentheses Instrumentation: Acoustic guitar boom-chuck, fiddle lead and pads, harmonica fills, upright bass, light brushed snare or boot taps Production Notes: Keep verses mostly dry; add faint creek and night insect Foley under Bridge; place a distant train bell on the Tag; let fiddle sustain beneath choruses to glue harmonies Mode: Add Vocals or Full Generation, ‑Electric leads, ‑modern drum grooves, ‑pop pads

Style: Western Country Ballad / Cowboy Song circa 1900 Key: D major Tempo: 78 BPM Time Signature: 3/4 waltz Structure: Intro – Verse 1 – Chorus – Verse 2 – Chorus – Verse 3 – Bridge – Verse 4 – Chorus – Outro Vocal Delivery: Plainspoken lead with close two-part harmonies on chorus and last lines of each verse; optional low male or alto harmony on verse codas Instrumentation: Fingerpicked acoustic guitar, fiddle lead, harmonica fills, upright bass, light brushed snare or boot percussion Production Notes: Keep vocal upfront and dry; fiddle doubles final melody of each chorus; add subtle train bell one-shots before Verse 1 and final Outro Mode: Add Vocals or Full Generation, ‑Modern drum kits, ‑electric leads, ‑pop backing pads

Style: New Orleans Jazz / Second-Line R&B Key: F major Tempo: 104 BPM Time Signature: 4/4 swing Vocal Delivery: Raspy lead with small chorus call-and-response on hooks; spoken interjections in parentheses; shout chorus on final refrain Instrumentation: Piano (barrelhouse), trumpet with Harmon mute and open blasts, trombone slides, clarinet counterlines, upright bass, parade snare with press rolls, woodblock, handclaps Structure: Intro – Verse 1 – Pre-Chorus – Chorus – Turnaround – Verse 2 – Pre-Chorus – Chorus – Break – Verse 3 – Bridge – Verse 4 – Chorus – Outro Production Notes: Keep the piano triplet rolls tight against snare buzz; add crowd shouts panned wide on every downbeat of bar 2 in the chorus; let clarinet carry a mournful counter-melody during Bridge Mode: Add Vocals or Full Generation, ‑Rock guitars, ‑EDM synth layers, ‑trap hats

female vocals, k-pop, Glitch, Korean, metal, glitchy beats, anime