Playlist cover art

Out of Frame, Into Dawn

夜を抜けて、朝へ。 Out of Frame, Into Dawn は、鋭さも揺らぎも抱えたまま、枠の外へ踏み出していくアルバムです。 都会の夜、広がる空、胸の奥のざわめき。 さまざまな断片がつながり、最後には新しい光へたどり着く。 SilentSoundWorks が描く、夜明けへ向かう11曲です。他の曲は各種音楽配信サイトで
4:18Song Image
Use the original instrumental arrangement, groove, hook, and structure as the foundation, Keep the original feel alive and do not rewrite the song into a different genre, Female Japanese lead vocal, confident, stylish, slightly cool, mid-register (comfortable range), Clear tone and strong rhythm phrasing, Avoid shrill highs, hard belting, and vocal clipping/distortion, Theme: “Frame Out” = she dumped a guy and now genuinely doesn’t care, Breakup attitude, freedom, self-respect, and moving on, Sassy and catchy, not bitter-dramatic, not sad-ballad, Hook direction: - “Frame Out” should be a strong chorus hook with a little sustain/tail - Punchy, easy-to-hear Japanese lines - Groove-first delivery, short phrases, clear diction Arrangement: Preserve the original groove/energy, keep the chorus lift, include a half-time breakdown and a cool electric guitar solo (8 bars) before the final chorus, Sound direction: Modern Japanese pop-rock / alt-pop with punchy drums, moving bass, cool elect
3:54Song Image
Keep the original instrumental feel and arrangement as much as possible, Add a female vocal lead with emotional, slightly jealous love-song nuance (not angry, not toxic, just hurt/cute jealousy), Preserve the song’s core groove, tempo, and melodic space, Japanese female vocal, expressive and nuanced phrasing, intimate verses, stronger and catchy chorus, emotional lift in final chorus, Modern Japanese rock/pop feel with clean articulation, natural vocal dynamics, subtle tension in the verses and release in the chorus, Bittersweet, sharp-but-fragile mood that matches the title “鋭角ダイアログ”, Add an instrumental break after the second chorus and before the bridge, Keep the original groove and harmonic progression, Feature a melodic expressive guitar solo that feels emotional and memorable, with tasteful phrasing and dynamic build (not overly flashy, not too long), Let the solo highlight the original song identity, No vocal adlibs during the solo section, Avoid over-singing, avoid excessive
4:23Song Image
Upbeat disco-funk / dance-pop, ~108 BPM, bright groove, clean tight drums, bouncy funky bass, clean guitar comps, light horn stabs, claps, airy synth sparkle, Japanese pop vocal: clear fresh tone, smiling delivery, catchy chorus with layered backing vocals + short English ad-libs (“hey”, “come on”, “late-summer breeze”), Add a short dance break then bigger final chorus, Keep original chord progression/groove, clean modern mix, crisp ending
4:16Song Image
Keep the original instrumental feel and arrangement as much as possible, Add a Japanese male vocal lead with an emotional, introspective, and forward-moving tone, The lyrical theme is sky/night drive imagery: winding roads, city lights below, looking up at the night sky, and moving toward dawn, Preserve the original groove, tempo, harmonic feel, and overall identity of the instrumental, Vocal direction: restrained and heartfelt in the verses, emotional lift in the pre-chorus, and a wide, uplifting chorus without excessive shouting, Modern Japanese rock/pop with cinematic night-drive atmosphere, subtle melancholy, and hope, Clear Japanese articulation, natural dynamics, expressive phrasing, The mood should feel like climbing a winding skyline road at night toward the sky and first light, Add an instrumental break after the second chorus and before the bridge, Keep the original groove and chord progression, Feature a melodic emotional guitar solo that feels like it belongs to the origi
4:56Song Image
Upbeat Japanese pop-rock with modern electro sheen, female MEZZO/ALTO vocal (warm, non-shrill), ~165 BPM, driving drums, bright guitars, sparkling synth layers, clean modern mix with clear vocal space, HARD RULES: - Chorus stays MID register (NO octave-up, NO high belting, NO screaming), - Smooth chest voice, warm tone, clear diction, not rushed, - Transpose DOWN 6 semitones (at least -5), - Target length 3:50–4:15 (radio edit), NO extra repeats, NO long outro, No spoken count-ins, no “hey/yo” shouts