SYNA LP PLAYLIST 1/16/2026

Genre-defying rap track blending trap drums, UK garage swing, glitch effects, and dark melodic synths, Constant beat evolution, unexpected drops, emotional rap verses with confident delivery, Experimental, unpredictable, and cinematic—feels like controlled chaos with rap as the anchor

cosmic trailer trash butch bitch, deep lesbian tomboy voice female rock and roll hip hop badass epic guitar solo, rough voice, fast paced drums with cinematic-metal-rock-beats, house, mathematical, fluid upbeat, minor pentatonic scale

r&b, trapsoul, slow jams, space ambient transcendence, soul, gloomy, classic soul, ethereal, smooth groove, dark r&b, spacey, spacey, ambiant, steamy, ambiant, eccentric, deep reflection and growth

male vocals Soulful R&B with country flavor and a rap bridge, Key: Fm7, Mid-tempo (72 BPM), Verses intimate, clean acoustic guitar fingerpicking with subtle organ pads; vocals hushed, emotional, confessional, Chorus lifts with full band: electric guitar fills, gospel-style backing vocals, organ swells, steady drums, bass walking, Rap bridge drops to hip-hop groove: tight kick, crisp hi-hats, minimal bass, sparse chords; vocal rhythmic, declarative, raw, Lyrics theme: resilience, survival, rising from struggles, standing after being knocked down, Outro soft, acoustic and organ fading, whispered final line, Mood: empowering, gritty, uplifting

stay as close to the original sample as possible, pay attention to the changes for the cameo, otherwise stay close to the sample, the original sample has the main singer [B_FREEZE] singing and the cameo is a different singer, [MERCILESS ARTIST] who has a different tone voice, notice the tags for the different voice

djent, vocal, strong, contrasted by ethereal, sleep, complex, female vocals, a wall of detuned guitars with syncopated polyrhythms, breakdowns, metal, djent metal fusion, and moments of quiet introspection, heavy use of reverb and delay on the vocals to create a sense of space and mystery, hypnotic, soaring vocals, expect odd time signatures [Mix] monophonic low-end focus, studio recording, wide stereo image, low shelf boosted 2dB below 55hz, 8-12khz air zone preserved, transparent mastering at -1dBTP

90s roots rock, acoustic-driven, americana, sublte blues, raw and genuine, storytelling, slow-burn blues rock, gritty instrumentals, raw deep raspy female vocals, vulnerability wielded as a weapon

Mood: Epic, Fun, Dark Edge, Genre: Emo Rock that sounds like 80's rock music, Feature keyboard playing, Live Performance, Crowded Stadium, Crowd Noise, Have the crowd laugh and be entertained when Fritz and his bandmates joke around on stage

Psychedelic Electronic Rock, Tempo: 124 BPM, Atmosphere: Trippy, hypnotic, high-energy, surreal, Instrumentation: Swirling modular synths, distorted fuzz guitar, deep driving sub-bass, resonant filters, cavernous reverb, phased drums, analog delays, Vocals: Reverb-heavy, ethereal, layered harmonies, rhythmic chants, Style: Neo-psychedelia mixed with modern techno-fuzz, Sound design: Frequency sweeps, panning delays, oscillating LFOs, glitchy transitions, Energy level: Peak hour festival, Mood: Mind-bending, euphoric, kaleidoscopic

male vocals soulful R&B warmth with subtle country textures and an introspective rap bridge, reflecting the first cracks in the illusion and the album’s emotional shift into Act II, The harmonic foundation is centered around E7 with minor pivots (Gm, F#m7, A), creating tension and unease, Electric guitar plays clean arpeggios and sliding minor 7 tones, while Rhodes keys add lush, syncopated chordal textures, Bass walks smoothly, emphasizing low-register tension, and drums maintain a tight, pocketed groove with hi-hat triplets and soft snare accents, Sparse country elements like pedal steel or fiddle add eerie, atmospheric highlights, The vocals are intimate and soulful, layered with harmonies on the chorus for emotional lift, The rap bridge is confessional, rhythmically urgent, with stripped-back instrumentation to spotlight lyrical tension, The track closes with fading guitar and whispered vocals, leaving a haunting, unresolved echo

The piece is an electronic track with a driving beat and a melancholic, atmospheric feel, It features a male vocalist with a breathy, almost whispered delivery, The instrumentation includes a prominent synth bass line, a steady kick drum, and a variety of atmospheric synth pads and arpeggios, The tempo is moderate, and the key appears to be minor, contributing to the somber mood, Production elements include reverb on the vocals and synths, creating a spacious soundscape, The song structure is verse-chorus based, with instrumental breaks that build tension, The melody is simple and repetitive, focusing on rhythmic phrasing rather than complex melodic lines, The overall mix is clean and balanced, with the vocals sitting clearly above the instrumental backing

### MALE VOCALS, slow ballad, dark acid jazz, dark blues, melancholic, darkwave, prog folk, jazz fusion, country blues, singer songwriter, clean electric guitar, jazz sax, double bass, jazz drums

Unplugged acoustic performance, One vocal, one acoustic guitar, Live feel, Emotional, imperfect, intimate

Dark Trap / Phonk / Witch House fusion, 140 BPM, A minor, distorted 808s with long sub-bass decay at 45Hz drowning in cathedral reverb, trap hi-hats sparse and ritualistic not busy, snare hard-panned with plate reverb, kick syncopated Memphis-style with negative space for the void to breathe, dark minor-key synth pads droning beneath the trap bones, witch house atmosphere pressing down, melodic elements minimal and aching single notes repeating like mantras, vocals delivered low and certain not aggressive but inevitable with room reverb and subtle low-end boost, ad-libs minimal and weighted not hype, bass drops into silence strategically the pause is the weapon, builds that descend not release no EDM payoff just continued pressure, vinyl crackle constant texture tape saturation on master, 808 distortion warm not harsh, sub frequencies felt in chest, sovereign exhaustion hard-won certainty the voice of someone stating facts not performing

Aggressive nu-metal and rap-rock fusion featuring heavy, distorted electric guitars, driving percussion, and a mix of rhythmic rapping and melodic shouting, The track opens with a gritty guitar riff and a mid-tempo drum beat at approximately 95 BPM, The verses are characterized by fast-paced, percussive rap vocals with a raspy tone, supported by a syncopated bassline and industrial-style synth textures, The chorus explodes into a wall of sound with power chords, double-kick drumming, and high-energy screamed vocals, Production is polished with heavy compression, vocal layering, and occasional glitch effects, The bridge shifts to a haunting, atmospheric section with clean guitar picking and ethereal female vocals before building back into a final explosive chorus, The song is in a minor key, emphasizing a dark and confrontational mood

Punchy drums and syncopated glitch-hop beats open, layered with chopped vocal samples and unpredictable digital stutters, Aggressive synth bass lines weave beneath warped effects and glitchy sound design, Mid-section features filtered breakdowns and intricate programming before slamming back into a head-nodding groove

A high-energy, modern pop-rock track with a strong emphasis on electronic production and driving rhythms, The song features a prominent, distorted electric guitar riff that provides a gritty foundation, complemented by a punchy, synth-heavy bassline, The drums are crisp and forward in the mix, utilizing a combination of acoustic kits and electronic samples to create a powerful, danceable beat, The vocals are clear and expressive, with a slight rasp and occasional use of pitch correction for a polished, contemporary sound, The song structure follows a standard verse-chorus-bridge format, with a dynamic build-up leading into an explosive, anthemic chorus, The key is in a minor mode, contributing to an intense and slightly dark atmosphere, while the tempo is upbeat, around 120 BPM, Production elements include subtle vocal layering, reverb on the snare, and various electronic sweeps and transitions that enhance the overall energy

This track fuses house and EDM foundations with a lo-fi electronic aesthetic, Crisp beats propel shimmering synth strings, while grainy textures and choppy vocal chops lend an unhinged edge to cool, calmly pulsing grooves, Intermittent breakdowns contrast minimalist pads and warped percussive elements, balancing chaos with smooth, uplifting energy, ‑baby voice

This melancholic post rock track opens with lo-fi guitar textures and sparse, reverb fills every space, detuned piano, The drums remain restrained and minimal, allowing gritty basslines and washed-out layers of feedback to gradually intensify, The bridge features off-kilter rhythms and glitchy noise, before returning to faded, echoing guitars for an atmospheric close, vocal imperfections

lo-fi, night core, horror pop, dark house, heavy metal, electronica, with elements of Jazz, and a saxophone that plays throughout, contralto female vocals, that fluctuate from lower to higher vocal range, layered vocals and sound

A fusion of ambient textures, quiet storm smoothness, and grunge distortion, Features post-punk basslines, dream pop reverb, and cloud rap lo-fi 808 beats, Transitions into banda brass sections with Tambora percussion, Heavy progressive metal djent riffs and drone sub-bass, 11/8 time signatures, polyrhythmic, bit-crushed glitches, granular synthesis, Ethereal melodic vocals shifting to raw aggressive howls, Cinematic wall of noise, atmospheric and chaotic

Witch House / Phonk / Atmospheric DnB / Dark Ambient fusion, 138 BPM, C# Phrygian Sub-bass rumble 40-60Hz with heavy analog saturation and 808 distortion Ritual cowbells, hard-panned LR, cathedral reverb with 6-second decay Half-time Memphis bounce, sparse kicks, atmospheric percussion shuffle VHS tape degradation, vinyl crackle -30dB, distant car interior ambience Whispered "watch me, " 80% wet hall reverb, pitch-shifted downward Deep stereo field, centered low end, ping-pong delays on bells Lo-fi 12-bit reduction, tape hiss, intentional micro-dropouts Hypnotic ritual intensity, seductive menace, nocturnal city framing, SYNA

The song is a blues rock piece in the key of E minor, with a moderate tempo, It features a male vocalist with a deep, raspy voice, often employing a call-and-response technique with a backing choir, The instrumentation includes a distorted electric guitar playing a prominent riff, a bass guitar providing a solid low end, and drums with a driving beat, The song structure alternates between verses and a chorus, with an extended instrumental section featuring a guitar solo, Production elements include reverb on the vocals and guitar, giving the track a spacious, live feel, The guitar solo is melodic and expressive, utilizing bends and vibrato, The overall mood is gritty and soulful

"Don’t Get Used to Me” is a 116 BPM Appalachian-rooted soul track in A minor that explores intentional distance without emotional withdrawal, The groove is steady and grounded, led by mandolin pulse, banjo texture, upright bass, and restrained brushed drums, Fiddle lines are firm and conversational, reinforcing resolve rather than sentimentality, The arrangement avoids escalation, keeping dynamics even to emphasize clarity and control, Naomi Walker’s vocal is calm, direct, and emotionally literate — setting a boundary without bitterness or apology, Jazz influence appears only in chord voicings, not feel, The song functions as a self-respect checkpoint, allowing warmth to exist while preventing expectation or entanglement

deep smooth male vocals, dark pop, indie folf, folktronica, dark house, sleep, trance, glitch opera, acid rock, EDM, ‑mumbling, ‑unclear vocals

Laid-back, warm bass-driven alt-rock ballad track, Verses feature clean rhythm guitar, steady rock drums, and smooth baritone vocals delivering a sensual, narrative tone, Choruses punch with punk-style distortion, heavy drums, and fuzz-laden guitar for dynamic intensity

Industrial techno (doom/warehouse) ~142–148 BPM: distorted 909 kick + deep rumble bass, metallic hits/clangs, warning-tone siren synths, cavernous reverb, Spoken/half-chanted vocal as a ritual “warning” hook; minimal melody, relentless oppressive drive, ‑choir

Opening with hazy, lo-fi synths and pillow-soft beats, R&B, Funk, Rock, Soul, Afrobeat, Orchestral, Garage, cinematic, r&b, pop rock, funk, catchy, House, trap, rap, garage, trance, hip-hop, hard, dance, quantized, experimental, male voice, lo-fi, emo, swing, mellow A moody phonk track built on gritty Memphis-style drums, deep 808s, and vinyl crackle sets the pulse, Dramatic orchestral strings rise for dynamic tension, while operatic soprano samples soar above, Verses ride dark, chopped piano stabs; choruses expand with brass and choir textures

New Orleans brass band funeral march, 96 BPM, 4/4, heavy marching groove with snare cadence, Verse feels like a slow dirge: tuba low pulse, trombone weight, muted trumpet lines, minor-key gloom, roomy street reverb, Chorus flips brighter into second-line energy: faster-feeling brass riffs, syncopated snare, handclaps, sousaphone/tuba walking feel, joyful-but-haunted lift, Instruments: trumpet, trombone, tuba/sousaphone, snare + kick, simple organ pad optional, Vocals: female lead, soulful and raw, strong phrasing; chorus becomes a chant-like hook with group responses, Arrangement: funeral intro → Verse 1 dirge → Chorus second-line lift → Verse 2 → Chorus → brass solo break → final chorus with full band, Avoid: rock guitars, double-kick, industrial noise beds, trap drums

Bluegrass hoedown / barn-dance reel, 176 BPM, 4/4, driving train-beat with strong momentum, Mood: joyful-rowdy with a bittersweet smile, small-town kindness, danceable and bright, Instruments: BANJO lead (fast rolling patterns, reel melodies, constant engine), acoustic guitar flatpicking (boom-chuck), upright bass slap pulse, mandolin chop on 2 & 4, Fiddle lead lines and fiddle harmonies, handclaps/stomps for crowd energy (minimal drums), Harmony: simple folk changes, no jazz chords, Vocals: female with clear country/Appalachian accent, energetic sing-along chorus, tight harmony stack in final chorus, Arrangement: banjo kickoff intro → Verse 1 → big Chorus → Instrumental banjo reel break → Verse 2 → Chorus → fiddle break → final chorus full band + shout tag ending, Avoid: noir/lounge vibe, slow ballad feel, swing, synth pads, “la la/oooh” filler, pop belting

Airy breathy female vocals, industrial witch-core, drum and bass, seething, sensual, heavy breathing, vocals sound underwater

smooth southern male vocals, Appalachian folk, dark and haunting vocals, melancholic, banjo, harmonica, fiddle, drums, bluegrass, sad and longing, ‑mumbling

90s Comedy Pop, Alternative Rock, BNL style, male vocals, upbeat, acoustic guitar, organ, bright, quirky, 110 BPM, clean production, energetic harmonies, Smashmouth influence

sensual, performative, orgasmic, climactic, multi-orgasmic, climactic, provocative, campy, sexy

Mood: Earworm hype train, Catchy as hell, High energy, Adorable, Genre: Glitchpop! Kirby should keep his high-pitched voice throughout the song!

Male Vocals, Storytelling Country verses transitioning into massive high-energy EDM drops, Instrumentation features acoustic guitar and banjo in verses, switching to heavy synthesized trumpets, electronic drums, and fast banjo rolls in choruses, Psychedelic, chaotic, triumphant

west coast Hip-hop-forward R&B dance track that starts with a minimal, body-led groove, Loose, head-nodding drums, warm analog bass, and sparse synth textures create a hypnotic pocket, Male vocal is intimate, relaxed, and rhythmically playful, hovering between spoken and sung, Subtle electropop textures add asymmetry without breaking the groove, No big builds or drops — the track locks into motion early and never lets go, designed for late-night rooms and slow collective movement, ‑claps, ‑snaps, ‑air, ‑airiness, ‑skips, ‑noise, ‑inhales, ‑hum, ‑monitor hum, ‑line noise, ‑line hum, ‑vinyl, ‑static, ‑crackle, ‑glitches, ‑tape hiss, ‑hiss, ‑record glitch, ‑small sound effects, ‑background noise, ‑mumbling, ‑unclear vocals, ‑gargled vocals

Atmospheric Lo-Fi DnB / Phonk Glitch, 145 BPM, Aeolian mode Tight sub-bass 50Hz, controlled and punchy, warm analog-modeled saturation Syncopated cowbells filtered warmly, short vintage plate reverb decay Atmospheric DnB breaks, transient detail preserved, crisp upfront kicks Film grain texture, warm neon amber glow, sunset orange filtered through haze Upfront natural vocals, minimal processing, clear placement in mix Subtle hall reverb on pads, slap reverb for depth without wash, 8-12kHz air Mastering peaks at -1dBTP, mid-range 500-2kHz warm analog character Bittersweet beauty, anime emotional intensity, stylish autonomy, nocturnal energy, SYNA

Mid-tempo, minimalist art-pop track with a contemplative, late-night European feel, Subtle electronic groove with brushed or muted drums, soft pulse rather than beat-driven energy, Warm, restrained bassline moving slowly, almost hypnotic, Sparse piano or nylon-string guitar motifs drift in and out, supported by understated synth pads with gentle motion, Vocals are intimate, close-mic’d, and conversational — reflective, calm, slightly detached, as if narrating thoughts while walking alone at night, Delivery is steady and unforced, prioritizing clarity and emotion over melody, Repetition is intentional and meditative, Production feels elegant and modern, with space and restraint: light reverb, soft compression, wide stereo field, no big drops, The mood is thoughtful, quietly romantic, and introspective — music for wandering foreign streets, hotel rooms, and late-night reflection, Emphasis on emotional stillness rather than drama, ‑echo, ‑reverb, ‑noise, ‑inhales, ‑hum, ‑monitor hum, ‑line noise, ‑line hum, ‑vinyl, ‑static, ‑crackle, ‑glitches, ‑tape hiss, ‑hiss, ‑record glitch, ‑small sound effects, ‑background noise, ‑mumbling, ‑unclear vocals, ‑gargled vocals

Mood: Fritz really wants to do his own cover of this song with his bandmates, He really likes the stuttering lyrics and high energy of the original, as well as the remaster, Genre: epic Emo Rock and Trance fusion

Phonk Sigilkore icy cold psychedelic House-Disco fusion, euphoric uplifting atmospheres, triumphant swells, cloud rap dreamy detached flow, melancholic dark internet, edgy punk undertones, Bright detuned theremin synth lead wobble, thick sustained pads, static minor harmony, Percussion-free modulated deep sub bass slow LFO/filter/pitch wobble, Intensified freezing overlay: crystalline frost, icy reverb, metallic glitches, heavy granular ice crackle/whooshes/reversed echoes, hypnotic noise layers throughout, Deep resonant low baritone-tinged falsetto male vocals, airy high range, crystal-clear upfront prominent mix, intimate hazy dreamy delivery, 92-108 BPM, clean hi-fi wide stereo, contemplative haunting euphoric mood, flute airy accents

High-energy metalcore track characterized by aggressive, down-tuned electric guitars utilizing palm-muted chugging and rapid tremolo picking, The percussion features intense double-bass drumming, complex blast beats, and sharp snare hits, The vocal performance is a dynamic mix of guttural screams, harsh growls, and melodic, soaring clean vocals during the choruses, The song structure follows a standard verse-chorus-verse-chorus-bridge-chorus format, punctuated by heavy breakdowns with slow, crushing tempos and dissonant guitar squeals, The production is polished and modern, with a wide stereo field for the guitars and a punchy, compressed low end, The key is D minor with a tempo of approximately 160 BPM, Synthesizer layers provide a cinematic atmosphere in the background, while the bass guitar follows the rhythmic chugging of the kick drums for maximum impact

110 BPM chillpop, acoustic guitar, banjo, mandolin, lite percussion, strong female vocal, vocal layers, complex chords [Mix] sub-bass rumble at 30hz, monophonic low-end focus, studio recording, wide stereo image, low shelf boosted 2dB below 55hz, 8-12khz air zone preserved, transparent mastering at -1dBTP, ‑vocal runs, ‑melisma

Future Bass [Instrument: Synth pads, detuned leads, gated snares, sub-bass swell] [Tempo: 144 BPM with syncopated swing] [Structure: Intro build, broken verse cycles, repeat-hook layer, ambient outro] [Texture: Saturated stereo space, glitchy shimmer, warm sidechain throb] [Genre: Future Bass] [Subgenre: Erotic Cyber Ballad] [Mood: Lustful, Surreal, Chromatic, Hyper-Synthetic] [Vocal Tone: Auto-tuned falsetto, vocoded whispers, robotic overlays] [Production Techniques: Chopped vocals, stereo width expansion, sidechain ducking, digital reverb trails, reversed vocal grain loops] [Hz: 528Hz overlaid in mids for heart resonance] [Spatial Design: Synth-heavy widescreen field with vocal stutters pulsing mid-center] [No Chorus - Hook cycles] Style Description: A post-human seduction protocol in lush future bass architecture, Erotic AIs hum in falsetto while desire uploads at 528hz