Don't Look Away! Schau Nicht Weg!

feel: intimate critical chamber folk-pop / soft light rock; late-night rooftop tension turning into calm power, meter: 4/4 - 96 bpm, key: E minor (final chorus lift +1), instruments: acoustic guitar fingerpicking (verses), clean electric guitar hooks (chorus), cello lead (melody + 8-bar solo), upright bass, drum kit (brushes, rim in verses, slightly open hats in chorus), sparse hand percussion, subtle night air pad (very low), voices: female soprano lead (light highlands lilt - lightly rolled r (ɾ) - open a=ah), verses conversational and close, chorus firm and clear, occasional doubled hook lines, language: English (light youth slang, no written dialect), arrangement: guitar intro -> verse 1 -> pre -> chorus -> verse 2 -> pre -> chorus -> cello solo 8 bars -> bridge hush -> final double chorus (lift) -> guitar+cello outro, production: vocals upfront, drums dry, guitars warm, cello slightly forward, short reverb, ‑heavy autotune, ‑rap verses, ‑trap hi-hats, ‑edm drop, ‑dubstep bass, ‑harsh distortion, ‑metal drums, ‑aggressive synth leads, ‑comedy novelty voices, ‑crowd chants, ‑big choir walls

Kicking off with tense, angular guitar riffs and a punchy post-punk rhythm section, the verses ride driving bass and relentless electronic percussion—distorted synths weave in, echoing cyberpunk aesthetics, Edgy guitar stabs and urgent, restless beats surge beneath aggressive vocals, with layers of glitchy sound design and metallic FX building to frenetic, industrial-inspired choruses, ‑synthwave

Fast metalcore + industrial EDM, Verses must be screamed or growled ONLY — absolutely no melodic vocals in the verses, Use harsh, aggressive, distorted female growls with strong articulation, Emphasize every word after “—” as a growl trigger, Fast tempo, high BPM, double-time drums, rapid rhythm, Add brutal distorted guitars, metallic synthetic bass, glitch industrial stutters, and heavy transitions, Melodic vocals ONLY in pre-chorus and chorus, Strong buildup before each chorus and a massive heavy drop, Remove humming; start clean after [SILENCE]

Symphonic Metal Cover Of Beethoven's “Virus”, Fast, heavy, theatrical, Male lead vocal (clean + optional growl ad-libs), powerful diction, dramatic and slightly comedic tone, Full symphonic orchestra (strings, brass, timpani, choir) fused with distorted rhythm guitars, shredding riffs, and double-kick drums, Structure: Orchestral intro → Verse (fast, heavy) → Chorus (majestic with choir) → Riff section (guitar + orchestra stabs) → Verse 2 → Alt Chorus A (heavier, anthemic) → Bridge I (half-time, dark choir + growls) → Riff II (shredding guitars) → Verse 3 → Alt Chorus B (epic shout + choir) → Bridge II (riff + orchestral duel) → Final Chorus (key up, massive choir + full orchestra) → Outro (orchestral fade + guitar riff), Mood: comic-epic, explosive, powerful, playful yet monumental, Clip Volume (+3 vocals, +2 choir, +1 orchestra, 0 guitars, 0 drums)

Emotional sad piano pop, female vocals, deep bass

Deep gravelly guttural male vocals, raspy aggressive growl, smoky delivery, technical precision, rapid-fire double-time flow, hard-hitting punctual emphasis, No Auto-tune, Gritty underground basement hip-hop, dirty lo-fi grit, dark muddy sub-bass, heavy industrial boom bap drums, distorted vinyl saturation, ominous cinematic orchestral stabs, faint ghostly R&B background textures, raw unpolished street aesthetic

A delicate, haunting cinematic pop track driven entirely by layered windup, mechanical, toy, and plucked music boxes, The repeating music box motif is detailed and exposed, ticking through every section—verses, chorus, and bridge—occasionally doubled by subtle strings for tension, Sparse percussion builds intensity yet remains understated to highlight the fragile timbres, The outro lingers with just the music box and distant atmospheric textures for a sense of empowerment amid vulnerability, No piano or keys present anywhere

male vocals, traurig, acoustic, Minimalist Intro, Heavy 808 Bass Drops, Cinematic Atmosphere, Haunting Female Vocals, Slow Burn, Dark Synthesizers, 75 BPM, faster Minimalist melancholic beat, subdued 808s, distant hi-hats, sparse synths, just relentless, flowing verses with stark, empty, eery texture, Buzzing bass, horrorcore, dark pop

piano, epic orchestral metal, minimal dubstep, yelling, dark trap, paranormal male voice, trap, soft piano, reggeaton, drum machines, strong chorus, guitar solos, frightening, shimmering, dreamy pads, vengeance, phonk house

A dark, emotionally devastating hip-hop track driven by hard-hitting, distorted 808s and a slow, heavy groove, A mournful piano line sits in the background, intertwined with a sad symphonic melody of strings and low brass, An angry male voice delivers raw pain and suppressed rage in the verses, exploding into a powerful, screaming chorus that feels like grief turning into fire, intense, dramatic, and overwhelming

Hard rock, female

A synth-heavy 90s eurodance track featuring crisp drum machine kicks, pulsing bass, and layers of bright, melodic synths, Verses use sparse beats with lush echo effects, gradually adding arpeggios and pads, Intensity surges in the chorus with soaring leads and dynamic filter sweeps

punk, haunting atmospheres, melodic riff, saxophone solo, deep percussion, punchy, bass riff, heavy guitar, improvisation, cross-over, alternative, independent

singer, songwriter, street music, accoustic, honest

A melancholic folk-pop ballad in a minor key, featuring a female vocalist with a clear, expressive voice, The instrumentation includes a plucked acoustic guitar playing arpeggiated chords, a cello providing sustained melodic lines and counter-melodies, and a subtle, atmospheric synth pad, The tempo is slow, around 60-70 BPM, The song structure follows a verse-chorus pattern with an instrumental bridge, The vocal melody is lyrical and expressive, with a relatively narrow range, The production is clean and intimate, with the vocals prominent in the mix, Reverb is used on the vocals and cello to create a sense of space, The chord progression is primarily diatonic, emphasizing the minor key's inherent sadness

Four different Female vocals, dirty Hip Hop, hard Rap, Girlgroup, Girl band, super aggressive, Breakbeat, very dirty, mad, provocative, ‑chaos

[Style: German Pop, Orchestral Pop] [Mood: Heartbroken, Nostalgic] [Energy: Soft, Slow Build] [Beat: Slow 4/4 Ballad] [Instrument: Piano, Geige, Fiddle] [Vocal: Emotional, Breathier Pop Delivery] [FX: Warm Ambience, Light Reverb] A deeply emotional German pop ballad built only on piano and fiddle, Soft, intimate vocals with tender phrasing, warm ambience, and slow emotional rise, Focus on themes of loss, longing, and quiet heartbreak with cinematic but minimal dynamics, female vocals, choir

Post-Punk / Dark Indie, slow to mid tempo (90–110 BPM), cold and tense mood, Driving monotone bassline, minimal drums, sparse guitar, dark synth textures, Detached, slightly distant, restrained emotion, Choir, German lyrics about everyday sexism, fear of public space, and silent bystanders, Night-time city, raw and repetitive, no glossy production, no optimism

Psychedelic glam blues fusion rooted in the late 1960s, blending intimate, cinematic hard rock with a hazy cosmic art-pop atmosphere, Slow, warm textures and a hypnotic groove dominate, Fuzz-soaked electric guitars with expressive wah-wah effects breathe and bend, fluid and vocal-like, while Hammond organs drift in spiraling, otherworldly chords, Deep analog bass moves like liquid gravity beneath heartbeat-style drums and rolling toms, creating nocturnal, trance-like tension, One single monophonic lead vocal throughout, rooted in the African-American blues tradition, An emotional male voice with deep soul-inflected phrasing, raw grit, and lived-in character, Mature, smoky baritone in the verses, lifting into an ethereal falsetto-baritone in the chorus, Charismatic, expressive, slightly behind the beat, whispered and intimate, close to the ear, No harmonies, no backing vocals, no choir

dark R&B blended with trip-hop and minimal electro, slow and controlled tempo, seductive yet emotionally detached female vocals close to the mic with whisper-to-sung delivery, heavy, low-frequency sub-bass that sits deep and physical in the mix, bass pulses that swell and recede rather than drop, sparse hip-hop–influenced beats with minimal percussion, spacious and restrained groove, moody minor-key harmonies, warm but unsettling synth pads, subtle vinyl hiss and ambient noise, hypnotic repetition reflecting obsession, intimate verses, slightly fuller but unresolved chorus, no big drops, tension over release, subtle glitch and distortion accents increasing over time, smooth seductive surface with a cold and confrontational emotional core, cinematic, nocturnal, intimate, and psychologically unsettling throughout

pop, singer-songwriter, acoustic, confident