第8回sunoリレー

Dreamcore × Dreampop × lo-fi × dark ambient × experimental, Soft, nostalgic, and bittersweet like a lonely young girl’s dream, delicate and innocent on the surface, yet filled with quiet anxiety and chest-tightening longing, High-fidelity, crystal-clear mix with beautifully separated instruments: soft piano, shimmering bells, airy pads, subtle glitch, reversed swells, gentle granular textures, and deep controlled bass, Lo-fi texture only as a dreamy veil, never muddy or harsh, Girlish whisper vocal, fragile, breathy, sweet, intimate, and tender, like a secret sung softly into the dark, ‑Intro Vocals, ‑Intro chorus, ‑Intro humming

multi-layered human beatbox, beatbox ensemble with bass drops, hi-hat layers, snare rolls, scratch effects, group vocal percussion, energetic beatbox battle vibe

melodic punk, 2000s melocore, 195bpm, sophisticated chord progressions, emoticore, female lead vocal, male backing harmonies, fast 2-beat, intricate drum fills, complex jazz-influenced guitar chords, cinematic atmosphere, nostalgic, high energy, crisp production, natural dynamics, ‑k-pop

male voice, comedy, toking, reading, radio drama

Ainu folk, traditional Mukkuri twang, hypnotic Tonkori plucking, powerful ethnic female vocals, Upopo chanting, warm deep bass, steady galloping rhythm, organic shamanic percussion, mystical atmosphere, sounds of wind and nature, grounded and spiritual, ‑pops, ‑rock

Liquid funk dance track, 173 BPM, groove-first, club-ready, sleek rolling breakbeats, deep elastic sub bass, crisp ghost snares, shimmering hats, fluid pads, icy blue synth wash, Strong Ainu vocal tradition in the foreground: upopo-inspired short repeated phrases with staggered overlapping entries, chasing-response group vocals, clear call-and-response, hororse-style rolling tongue exclamations, ceremonial shouts, breath-led phrasing, chant lines shaped like circle-song rhythm, Add light lid-tap style pulse, tonkori-like plucked ostinatos, mukkuri-like twang drones, sparse ritual hand percussion, sacred spacious ambience, Winter night, cold dawn, snow, tears, blue firelight, bittersweet sorrow, restrained eroticism, sacred intimacy, devotion, farewell, Female lead low, breathy, haunted, grieving yet ecstatic, Big emotional chorus lift, hypnotic repetition, strong dancefloor momentum, woman vocal

fast-paced epic cinematic rock fused with orchestral swells and electronic pulses, heavy driving electric guitars, pounding aggressive fast drums, gritty raspy harsh powerful male rock vocals with raw punk edge and rap-infused aggression, intense dramatic dystopian atmosphere, high-energy chaotic futuristic vibe, soaring brass and strings tension, upbeat energetic drive, rough growly male vocals

High-energy J-Pop and electronic rock fusion featuring a fast-paced 4/4 drum beat with crisp snare hits and driving synth-bass, The arrangement is dense, layering distorted electric guitar riffs with bright, arpeggiated synthesizers and cinematic orchestral stabs, The lead vocals are a powerful, emotive female performance characterized by rapid-fire delivery in the verses and soaring, melodic belts in the chorus, Production is polished with heavy use of side-chain compression, digital glitches, and reverb on the vocal tracks to create a futuristic, urban atmosphere, The song structure follows a standard pop format with a dynamic bridge that features a breakdown before a final climactic chorus, The key is in a minor scale, providing a sense of urgency and drama, with a tempo around 170 BPM

[Genre:BrutalDeathMetal/AcousticExtreme][Tempo:240BPM][Mood:Dark Violent][Guitar:AcousticOnly AggressivePercussive][Drums:BlastBeats HyperFast][Vocals:Guttural PigSqueal DeepGrowl][Energy:Relentless Chaotic][Mix:Raw Organic Tight] An experimental brutal death metal track using only acoustic guitar, The guitar is played with extreme aggression: fast tremolo picking, chaotic strumming, hard string attacks, and percussive body hits to simulate heavy riffs, The clean acoustic tone contrasts with violent performance, creating an unnatural and disturbing sound, The tempo is extremely fast with nonstop blast beats and rapid double kick patterns, forming a suffocating wall of rhythm, Vocals are deep gutturals, pig squeals, and inhuman growls dominating the mix, Song structure includes sudden stops, tempo shifts, and dissonant phrasing to enhance chaos and unpredictability, The mix emphasizes string noise, finger friction, and raw texture, making the acoustic guitar feel weaponized, Dark, or

A female vocalist sings in Japanese over a sparse, melancholic arrangement, The song is in a minor key, with a slow tempo, The primary instrument is a clean acoustic guitar playing arpeggiated chords, creating a sustained, atmospheric texture, The guitar has a reverb effect, contributing to the spacious feel, The vocal delivery is expressive and slightly operatic, with a vibrato that adds to the emotional weight, There are no drums or bass, giving the piece a very open and intimate quality, The melody is simple but evocative, with long sustained notes in the vocal line, The production is clean, highlighting the clarity of the guitar and vocal, The overall mood is somber and reflective

JP cinematic folk pop, fantasy acoustic with literary warmth, Ghibli-score gentleness in a pop song, dreamlike and intimate, Around 106 BPM, straight 4/4, Extremely hummable earworm chorus with ascending one-note-at-a-time piano motif, same melody reverses to descending on final chorus, floating unresolved beauty, Spoken verse opens into gentle singing chorus, Acoustic guitar arpeggios on verse shifting to soft strumming on chorus, piano entering chorus with single ascending notes, cello sustained low tone from pre-chorus, distant flute from verse two, single glockenspiel chime on post-chorus, kick-only drums from chorus adding footstep pulse, Warm airy mix, wide space, instruments entering, Female mezzo, crystal clear transparency, reading-aloud delivery on verse, melody floats open on chorus without volume push, vocal forward, Guitar and voice alone at start, instruments layer gradually, final chorus reverses all motifs then strips away one by one, outro completely acapella, ‑choir

Heavy shoegaze, alt-rock, Continuous guitars in every section, no dropouts, Triple guitars:fuzz wall, feedback-noise, chord-wash, At least one distorted or feedbacking guitar always active, Constant noise floor, amp hum, feedback bloom, dense reverb, long delay, abrasive fuzz, saturated mids, overloaded wall-of-sound, Melancholic, sweet but damaged, Mid-tempo, steady live drums, driven bass, Distant soft female vocal, buried in the mix, half-swallowed by guitars, [Intro]:feedback haze, arpeggio present, [Verse]:constant guitar bed, buried vocal, never-empty arpeggios, [Pre-Chorus]:thicker pressure, rising tension, [Chorus]:huge distorted wall, melody blurred by bloom and feedback, [Interlude]:melodic lead over continuous noise, [Bridge]:quieter but still feedback, drone, distorted sustain, [Final Chorus]:fuller wall, extra overdubs, [Outro]:ringing guitar, amp hum, feedback, [no clean pop-rock separation, no guitar-free breakdown, no polished pop attack, no EDM drop, no trap hats]

Shoegaze blended with glitch ambient and emotional post rock, BPM 90–110, Layered washed-out guitars with heavy reverb and reverse delay, combined with subtle glitch noise textures and granular synthesis, Soft piano pads and distant ambient drones create a floating yet collapsing atmosphere, Drums are minimal in verses, expanding into cinematic toms and wide crashes in choruses, Female vocal: raspy, fragile, whispery tone with sharp midrange presence, gradually intensifying into a desperate cry, Theme explores loss of wings, falling from the sky, guilt and unreachable longing, The sound should feel weightless yet constantly descending into silence and emotional collapse

high-energy tokusatsu opening, youthful band + techno pop hybrid, live concert atmosphere with crowd chants, fast tempo (160-180 BPM), heavy electronic beats, distorted synth bass, bright lead synths, electric guitar riffs, shout-along chorus, explosive drops, hype and futuristic hero vibe dreamy, dreamy trance, prelude begins with darkness, trance techno sound, acorstic guitar, chorus drive forth violently, racing ahead with breathless momentum, synth atmosphere

80's New wave, trap, techno pop, auto tune Vocal, crystal tone, Talk box, Vocorder effects

minimal, kawaii dark trap, heavy distorted 808 bass, aggressive sub-bass, slow tempo 72 bpm, emo trap, E minor, hard snare with snap, trap hi-hats with irregular rolls, off-grid hi-hat placement, detuned bells, tape stop effects, reversed samples, street noise ambience, industrial textures, deep reverb on vocals only, intimate breathy vocals, layered harmonies in chorus, lo-fi processing, tape saturation, sidechain compression, raw street atmosphere, cinematic dark soundscape, concrete coldness, ‑heavy glitch voice, ‑four on the floor

Jungle rock track set in the year 2100 with futuristic cyber energy, Fast breakbeat/jungle drums around 160–175 BPM, combined with heavy distorted metal guitars and aggressive bass, Female vocal with a cute but slightly cold tone, mixing soft singing and rhythmic spoken Japanese lines, The delivery should feel playful, slightly eerie, and hypnotic, like a cyber idol giving commands, Use glitch effects, digital noise, and holographic textures, Include call-and-response style chorus with phrases like “MAY I HELP YOU?” and “ねこみみ料理店”, The atmosphere should feel like a chaotic neon city, blending kawaii and danger, Keep strong contrast between bright catchy chorus and unsettling verses, Add occasional vocal chops, stutter edits, and breakcore-style fills, Overall sound: futuristic, chaotic, cute but dangerous, like a cyberpunk idol performance in 2100

Dirty, heavy cyber-enka with raw funk groove, 100–105 BPM, Extremely thick and gritty low-end, Funk bass is dominant, heavy, slightly overdriven, with strong swing and human feel, Drums are raw and punchy: - heavy kick with weight - rough snare with slight distortion - loose hi-hats with groove (not quantized perfectly) Add analog saturation and slight tape distortion across the mix, Traditional elements: - taiko used for deep, impactful hits - shamisen very minimal, short percussive accents only Arrangement is not clean — slightly rough, alive, breathing, Vocal: Very deep, rough male enka vocal (like a seasoned singer), No clean pop tone, Gritty, hoarse, emotional, almost breaking at times, Strong chest voice, sometimes pushing to the limit, Occasional shouted phrases, but musical — not metal screams, Feel like singing through pain and exhaustion, very gritty texture, heavy saturation, raw emotional delivery, imperfect timing, human feel

Japanese Jazz Rock with subtle Math Rock influence, slight rap flow, BPM 105–115, laid-back groove with light odd-meter feel (5/4 or 7/8 accents), groovy but slightly unpredictable rhythm, Warm electric piano, clean tapping guitar, melodic bass, tight drums with ghost notes, Slightly technical but still smooth and stylish, deeper pocket, syncopated bass, crisp hi-hat groove, groove-driven rhythm section, head-nodding pulse Japanese female vocal, cool and controlled, semi-spoken verses, melodic but restrained chorus, Mood: late-night urban, intelligent groove, subtle tension, elegant chaos

Genre: Dark Pop, Alt Pop, Subtle Traprock, Girl Crush, HappyTune, Revenge Anthem BPM: 140 Feel: Cold fury, empowered, darkly triumphant, calculated vengeance with ironic brightness Rhythm: Heavy 808 bass, sharp hi-hats, steady trap rhythm with controlled pace Vocal: Powerful Female Vocalist, emotional range from cold whisper to fierce belting, expressive delivery with attitude and control Instrumentation: 808 sub-bass, distorted electric guitar (chorus only), dark synth pads, sharp hi-hats, aggressive snare, atmospheric strings Arrangement: Minimal verse with space for lyrics, build tension in pre-chorus with rising guitars, powerful chorus with thick layered vocals and dense instrumentation, stripped bridge for emotional peak, final chorus with maximum vocal layers and full instrumental wall, outro fades with cold confidence Mix Rules: High-Quality; Polished; Studio Recording; vocal front; vocal +3dB; backing +4dB; sidechain 3-5dB; sub mono 30-80; A wide; B slapback; Switch dry; final, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑spoken word intro, ‑ad-libs intro, ‑country, ‑folk, ‑acoustic ballad, ‑cheerful, ‑upbeat pop, ‑lo-fi, ‑muddy mix, ‑distorted vocals, ‑unnecessary ad-libs, ‑excessive reverb

HEART of Cyan — A next-gen girls’ rock band, Emotional hybrid rock with cinematic sound Clear mix & mastering sound Vocal Style: solo vocalist (24–26), husky tone with Japanese intonation, Emotional husky Powerful female vocal, Japanese-English mix, dynamic range from whisper to high belt, light syncopation in English off-beat phrases melancholic breathiness soft but strong, breathy whispers, clear Japanese intonation and articulation, clear mid-range, intimate close-mic, harmonic overtone, warm even-harmonic richness with gentle saturation; add only a faint inharmonic shimmer in bridge/outro whispers, Chorus vocals are double-layered: one lead jumps up one octave while another stays in the original register (double-chorus thickness Genre: Melancholic alternative J-pop ballad, sophisticated midnight atmosphere, dark and moody pop-rock, Tempo：132 BPM Key：F# minor

Heavy metal, raw male vocals, shout vocals, death growls, fast-paced singing, screaming, wailing, sorrow, anger, deep bass, Spanish guitar, fuzz guitar, heavy bass, complex drumming, congas, bongos, maracas, backbeat emphasis, syncopation, Latin

latin metal with chaotic fancy fantasy energy around132BPM, groovy syncopated rhythm driven by conga, bongo, timbales and strong kick snare, distorted electric guitars with aggressive rhythmic riffs and occasional flamenco style phrases, bright brass hits, playful marimba and chime accents for colorful atmosphere, theme of a fancy dragon carnival led by a ramen headed dragon, whimsical yet wild mood with cute but destructive energy, verses are rhythmic and percussive with tight vocal phrasing and groove focus, pre chorus builds with rising tension and layered percussion, chorus explodes into chant driven hook repeating carnival phrase with call and response shouts like oi oi and group vocals, include playful dragon roar, fire burst, wing flapping sound effects blended musically, bridge features percussion breakdown, clapping, and crowd chants, final chorus is bigger with layered vocals and high energy instrumentation, overall sound is energetic, chaotic, playful, fiery, and highly catchy

shimokita guitar rock, g-funk, west coast hip hop, distortion guitar, synth bass, wobble synth, lo-fi groove, japanese indie rock, post-grunge, melodic rap, female chorus, slow heavy beat, cinematic, melancholic, urban nocturne, BPM 128 Style Prompt (Description Box) A fusion of Japanese Shimokita-style distortion guitar rock and 90s West Coast G-Funk, Heavy wobble synth bass lines interlock with overdriven guitar arpeggios, Slow heavy drum groove at BPM 88 with crisp snare hits, Melancholic male vocals shifting between melodic rap flow and shouted chorus, Ethereal female backing vocals on verses, Mid-song instrumental break where a Bach-style synth melody is slowly corrupted by G-Funk LFO wobble before a distortion guitar takes over, Builds from dark nocturnal groove into explosive dawn-breaking guitar catharsis, Neon-lit urban atmosphere, Los Angeles smog meets Tokyo midnight

indie guitar rock, Japanese alternative rock, emotional guitar-driven sound, clean arpeggio guitars, moderate distortion, raw and imperfect vocal expression, sacred church music, Gregorian chant choir, pipe organ ambience, cathedral reverb, dark cinematic atmosphere, post-rock dynamics, quiet-loud contrast, melancholic tone, human fragility, spiritual tension, atmospheric layering, ‑heavy metal, ‑metalcore, ‑djent, ‑hardcore punk, ‑pop idol, ‑EDM, ‑techno, ‑house, ‑trap beats, ‑hip hop beats, ‑autotune heavy, ‑overly polished vocals, ‑bright pop sound, ‑funk groove, ‑jazz swing, ‑blues, ‑country, ‑orchestral film score dominant, ‑epic trailer music, ‑chiptune, ‑lo-fi hip hop, ‑happy upbeat pop, ‑kawaii style, ‑anime pop, ‑overly fast tempo, ‑aggressive screaming vocals

Imagine an epic space opera unfolding across endless galaxies, a colossal cathedral suspended in orbit around a dying star, where a mighty celestial choir sings soaring harmonies in layers of ethereal reverence, merging majestic pipe organ tones with blazing cinematic synths, orchestral strings cascading like meteor storms, choirs chanting in glorious Latin as cosmic bells toll through nebulae, evoking the grandeur of interstellar crusades and heroic journeys, massive crescendos echoing the roar of collapsing stars, subtle whispers of prayer drifting through black holes, pulsating rhythms of futuristic drums propelling spacecrafts into battle, every note shimmering like stardust, every chord a hymn to the infinity of the cosmos, blending sacred baroque textures with cinematic orchestral fury, immersive, transcendent, awe-inspiring, emotional, mystical, heavenly, and otherworldly, creating the ultimate fusion of holy cathedral reverence and galactic operatic spectacle, with celestial ch

[Indeterminacy] [Genre: Dreamy pop, sleepwalking shoegaze, ultra-minimalist jazz folk] [Single singer, Slow to mid tempo, floating and cosmic melodies; simple sound unfolds in a tricky way] [Sound Design: clear mix and mastering sound, wide stereo imaging, tight low end, clean sidechain pump, bright high frequency sheen, Immersive Headphone Experience, 3D Surround Sound, ASMR, Wide Dynamic Range] [Vocal: The lazy female vocalist has a low, husky, breathy voice, ] [Guitar: MOSRITE / signature model, The piece is conscious of unison with other instruments and is characterized by bouncy rhythms and walking arpeggios, ] [Piano: ROLAND / PC-180, Free-spirited and technical performance with a jazz feel, ] [Drums: YAMAHA / RECORDING CUSTOM, A groovy performance characterized by fluctuating rhythms and heavy use of fills, ] [Bass: YAMAHA / SBV, A funky, groovy performance that emphasizes the presence of tone and places emphasis on counterpoint, ]