Your Playlist

Seductive, sighing, living near the station, Nishiarai, jungle smile, short intro, reharmonization, changing best details each part, pure age, kawaii bluesy riff, breathing, outro:FLUTE & GUITAR, in japan(unclear) till midway, poético, さわやかなピアノ, 120-150 BPM, 後半のもりあがり, tired and energy, subtle psychedelic in bridge part, まぬけなバックコーラスとフロウ, ロカビリー

A high-energy, instrumental electronic dance music track with a driving beat and a prominent synth melody, The song features a consistent tempo of approximately 128 BPM, The primary instrumentation includes a synthesized drum kit providing a four-on-the-floor kick drum pattern, a snare drum on beats two and four, and a closed hi-hat pattern, A prominent bassline, likely from a synthesizer, provides a rhythmic and melodic foundation, The main melody is carried by a bright, arpeggiated synthesizer, creating a sense of urgency and excitement, There are no vocal elements, The production is clean and punchy, with a strong emphasis on rhythmic clarity and a wide stereo image, The song structure is largely repetitive, building intensity through the addition and subtraction of melodic layers and subtle filter sweeps on the main synth, The overall feel is uplifting and suitable for a dance environment

A high-energy, upbeat pop-rock track with a driving rhythm section, The song features a male vocalist with a clear, slightly raspy tenor voice, The instrumentation includes electric guitar, bass guitar, drums, and a prominent synth lead, The tempo is fast, around 140 BPM, with a consistent 4/4 time signature, The chord progression is primarily major, contributing to the cheerful mood, The drums provide a solid backbeat with frequent snare fills, The bass line is active and melodic, often mirroring the guitar or synth melodies, The electric guitar plays both rhythmic chords and melodic fills, The synth lead carries the main melodic themes, often with a bright, slightly distorted tone, Production is clean and polished, with a good balance between instruments, The vocals are upfront in the mix, with a touch of reverb, The song structure follows a typical pop format with verses, choruses, and a bridge, The melody is catchy and memorable, with a relatively narrow vocal range

町は変わっていく, 都会の片隅で, chant orchestra, subtle horror reharmonization, memorable bell, mountain reverb, church, neat, clear resolution each position, Ethereal power, transparent, night candle, sacred crossfading each part gradually over, rockabilly till half, Didgeridoo, equalization, boy till old-man, little-girl till lady, ホルスト, 火の鳥, karaoke happy, morning set, milky, wet, pure heart, sighing, living near the station, sumidagawa, jungle, short intro, reharmonization, changing best details each part, pure age, japanese, urban starry tokyo, theme for station-area development, psychedelic pop, japanese teen singing, title:駅にて, kaleido tap feather drum, get silently angry, 日本語, ‑vulgarity, ‑dirty

This is a high-energy, female-fronted electronic pop track with a driving beat and a dark, slightly aggressive edge, The tempo is fast, around 140 BPM, The song is in a minor key, contributing to its intense atmosphere, The instrumentation primarily features a prominent, distorted synth bass line that provides a strong rhythmic and harmonic foundation, A punchy, four-on-the-floor kick drum, crisp snare, and shimmering hi-hats create a dynamic drum pattern, Synthesizer pads and arpeggiated synth melodies add texture and melodic interest, The lead vocal is a clear, confident female voice, often delivered with a rapid-fire, almost rap-like cadence in the verses, transitioning to a more melodic and powerful delivery in the choruses, There are occasional vocal effects like delay and reverb, The song structure follows a typical verse-chorus format with a pre-chorus build-up and a bridge, The production is clean and punchy, with a strong emphasis on the low end and clear separation of instruments, The overall mix is bright and forward, creating an immersive and energetic listening experience

A high-energy electro-swing track with a driving beat and prominent brass instrumentation, The song features a male vocalist with a clear, slightly processed voice, delivering lyrics in a rhythmic, almost spoken-word style, The tempo is upbeat, around 120 BPM, with a consistent four-on-the-floor kick drum, The instrumentation includes a prominent upright bass providing a walking bass line, a swing drum kit with a strong snare backbeat, and a brass section featuring trumpets and trombones playing syncopated melodic lines and stabs, Synthesizer elements provide atmospheric pads and occasional arpeggiated flourishes, The song structure follows a typical verse-chorus format with instrumental breaks, Production elements include a clean mix with a slight vintage warmth, subtle reverb on the vocals, and a dynamic range that emphasizes the brass hits, The key appears to be in a minor mode, contributing to a slightly mysterious yet playful feel, The melody is catchy and repetitive, often featuring call-and-response between the vocals and the brass

bedroom, milky, wet, Seductive, sighing, living near the station, Nishiarai, jungle smile, short intro, reharmonization, changing best details each part, pure age, japan 80s comedy pops with bath theme, babanba banbanban, chant, groovy Drunk mix, Didgeridoo, 下町ラプソディ, Lush production, subtle funk elements, slow count, 合いの手, japanese flow, few upbeat, いたずらっぽい, 予定調和, goofing, ‑husky, ‑thirsty, ‑miku, ‑8-bit, ‑electronic voice

reluctant hyper pop, clave, 19-century drums, melty accents, Stumble bass Didgeridoo alternating long-yip, fractured rockabilly, chaos-dream, pure age, ‑low quality, ‑boring, ‑fixed, ‑破裂音, ‑plosive sound, ‑funny, ‑knot

Rusrock new wave Hammered Dulcimer, shamanic details, sampling, punchy house funk groove, dominated by a tight funk bassline and punchy kick, Locked hi-hats and crisp claps set the rhythm, A bold, commanding synth lead drives the melody, layering atop rhythmic comping from wah-inflected keys, rapid fire words, high speed rap like jurassic5, boy and seductive-neat-girl, groovy shamisen fusion rap, rapid triplet till end, holly choir, wind chime, ‑loud, ‑dirty, ‑rough, ‑club music

bedroom, milky, wet, Seductive, sighing, living near the station, Nishiarai, jungle smile, short intro, reharmonization, changing best details each part, pure age, Here is an easy prompt to Ctrl + C on a PC and ⌘ + C on a Mac (add a line of text under each [ ] or 🤔) and choose a Style of Music (very important) that you think the AI would want you to think sounds like the genre of music you would *like* the AI to generate & try not to get crazy, 🖖

Looming lullaby, best quality, stirring surround lush

rockabilly, distorted, low-pitch lush, rainy reverb, police-siren in blues-brothers, included punk trance, subtle gabber, populated demonstration march, lounge, MODS, "wa--o wao", sampling repeat high-tone shout "wa--o" and sexy wao, ‑lo-fi, ‑scratch, ‑overtone, ‑loud utterance, ‑shriek, ‑squeal, ‑glitch voice, ‑too high string, ‑ghost, ‑horror

cinematic bass, minimalism intro, populated demonstration march, subtle gabber, Genre Tags Slowcore, Trip-Hop, Dark City Pop, Hazy Shoegaze, Lo-Fi Mood Tags Nocturnal, Humid, Claustrophobic, Liminal, Introspective, Weary, Suspended, Visceral, Urban Melancholy Instrument Tags Dusty Drum Loop, Vinyl Hiss, Round P-Bass, Chorus-Washed, Jazzy Guitar Stabs, Detuned Casio Pad, Fuzz-Washed Lead, Vibraphone Hits, Tape Saturation Vocals Tags Intimate, Murmured, Breathy, Close-Mic'd, Sprechgesang, Double-Tracked Whispers, Submerged, Plate Reverb Bloom

A high-energy Japanese rock song with a driving beat and prominent guitar melodies, The song features a male vocalist with a clear, powerful voice, The instrumentation includes electric guitars, bass, and drums, The drums provide a consistent, driving rhythm with frequent cymbal crashes and snare fills, The electric guitars play both rhythmic chords and melodic lines, often with a slightly distorted tone, The bass guitar provides a solid foundation, locking in with the drums, The song structure follows a typical verse-chorus format with instrumental breaks, The melody is catchy and memorable, with a strong sense of forward momentum, The production is clean and well-balanced, with all instruments clearly audible, The overall feel is uplifting and energetic

cinematic electro pop-EDM style—featuring vivid imagery, emotional depth, and Bond-inspired themes, soundtrack-ready productions Mood Tags Nocturnal, Humid, Claustrophobic, Liminal, Introspective, Weary, Suspended, Visceral, Urban Melancholy Instrument Tags Dusty Drum Loop, Vinyl Hiss, Round P-Bass, Chorus-Washed, Jazzy Guitar Stabs, Detuned Casio Pad, Fuzz-Washed Lead, Vibraphone Hits, Tape Saturation Vocals Tags Intimate, Murmured, Breathy, Close-Mic'd, Sprechgesang, Double-Tracked Whispers, Submerged, Plate Reverb Bloom, fuzz suzu-bell, ‑drums, ‑fuzz, ‑finger-pick, ‑jazz, ‑loud, ‑angry high-energy chorus, ‑演歌, ‑miku

karaoke happy, morning set, wet, pure Reverb, sighing, living near the station, arranged in psychedelic trance, jungle smile, short bellbird intro, polyphonic reharmonization, polyrhythm with changing best details each part, pure age opposite shores, japanese, urban starry tokyo, theme for station-area development, psychedelic pop, beat pulsated vocoder, clave tap feather drum, punchy bass bagpipe spread like fireworks, Mood Tag: changing cityscape, corner in city, in station, Theatrical Rap on melodic Chamamé, low pitch lush, clave rebuild afro hyper pop, crossing-fade fore accents each parts, punchy Mbalax, prominent power bass, fast singing rapid fire words, massive phrase, announce, whisper annotation, sing prominent ad-lib bass-solo, ‑cheap, ‑equivocal joint, ‑submerged, ‑hiss, ‑deteriorated tape, ‑air, ‑main is vocal

The sad ending is covered by the snow of offerings, sad horror, micro-tone ballad Intro, The piece is an instrumental composition featuring a prominent bell-like percussion melody, The tempo is slow, creating a contemplative and somewhat melancholic atmosphere, The primary instrument is a glockenspiel or similar intricate mallet percussion, playing a simple despite intricate, repetitive melodic phrase, There are no other discernible instruments or complex harmonic structures, The production is clean, with the bell sound occupying the central sonic space, The piece lacks a traditional song structure, instead presenting a continuous, looping melodic idea, Mood Tags: Nocturnal, Humid, Claustrophobic, Liminal, blizzard, Introspective, ice, cold, emotionless, many cross-fading long-tone fore, distinct prominent glissando Glockenspiel, fast intricate staccato Vibraphone detailed arpeggio, despite piano tech devouring horror mood, intricate octave technique, baritone high-range, ‑spanish, ‑classical, ‑old, ‑drums, ‑finger, ‑bouncy, ‑vibrato, ‑long interval piano

minor chords enter, cinematic boss battle vibes, bouncy CLASSICAL CROSSOVER pop, ballad jungle, lush Beat Mod, urban melancholic, hipster, ad-lib sax solo with e-piano and music-box prominent sad Glockenspiel, e-piano, still psychedelic rock fusion syncopating glitch, mood : lonely and brave, walking in the city, bad guys pick me up, groovy long-tone guitar, low-pitch lush, relaxing professional transparent singing, 110bpm, holly-night singer, Instrument Tags Dusty Drum Loop, Round P-Bass, Jazzy Guitar Stabs, Vibraphone Hits, husky childish girl vocal, warm vocoder despite similar siren, solitary talking tone, cheap, mexican, break, loud utterance, japanese vocal

redlight remix, numerous harmony lush, still many-layer octave, pawer bass bagpipe for club-music, trance lead Glockenspiel, trance despite mountain reverb, Vocal Tag: high-energy smiling 10s, spunky pure voice, childish ANIME, super high-pitch, Mood Tag: dreamy future, instrumental Tag: bouncy e-piano, style :heavy ethereal chip-tune, theatrical haunting dreamy melody, low-pitch polyphonic lush prominent high-pitch vocals, full-orchestral techno, kawaii, moe, cheer, bubblegum pop, summer festival performance vibe, genuine happy vocals, no affectation, innocent youthful energy, bright energetic voice, hot, xylophone intro, younger idol voice, pure, 小学生, cheer japanese-idol theme

Genre: underground hip-hop, hipster fusion trap, redlight remix, Intro: turn-on radio, congestion crowded surges, Mood: angry, brave, elements: ad-lib jazzy woodwind instruments, mood: upper and brave, rap battle, fighting movie Theme vibes, prominent fuzz-flow, still included syncopating jungle, 2na-like, super low-pitch heavy vocal(chali2na-like), froggy distortion, vocoder, A hip-hop track with a male rapper delivering a confident, almost melancholic, intensely head-nodding groove, instrumentation includes a prominent, deep bassline, adding a soulful texture, high pitched female voice, distorted heavy bass, afro clave, sometime high-energy mbalax, stage reverb, gossamer piano, juxtaposition intricate numerous core, diagonal reverb, gradually avoid upbeat rhythm, low-pitch lush, instrumental Coverage volume instrumental to vocal, sounds rapidly-cut sequence of millisecond, each drastically different from the last, crystal clear hiss, gradually speed-up, warm mid-range, e-piano

punchy bass music-box prominent glissando Glockenspiel and children's choir, enriched with cute elements such as Rhodes piano chords and rare-item solos, fused with oriental instruments for a unique sound, polyrhythm syncopating Theatrical Mbalax, Shibuya-kei funk, bell fusion mullet, a luxurious fusion of epic, cinematic, Motown, groovy French shoegaze, Exciting soft rock, FULL orchestra, 432ha 852hz 963hz, high pitched female voice, distorted bass, reverbs, acoustic bell strumming, adventure, pianist movie Theme vibes, invoking universal energies of love, adventure, gospel and spiritual vibes, children's choir, humming, afro clave, massive words in each measure, jungle, mbalax, smiling chorus

energy, instrumental trad-instrumental despite dance track with a driving beat and melodic organ lines, arpeggiated japan-trad, creating a sense of forward motion, There are no chord progressions in the traditional sense, but the bass and melodic lines simply a consistent harmonic minor tonality, song structure is repetitive, building energy through subtle variations in air-organ layers and drum fills, rainy reverb, ad-lib shakuhachi harmony, koto, low-pitch lush, tempo is fast, around 140 BPM, with a consistent 4/4 time signature, primary instruments are japanese-flute, drums, and bass, with a closed hi-hat providing a steady eighth-note rhythm, bass provides a foundational rhythmic and harmonic pulse, crystal clear texture, fuzz feather drums, instruments for a unique sound, polyrhythm syncopating Theatrical kyoto, bass guitar lead detailed beat, punchy bass-guitar detailed in up-beat pattern, FULL orchestra, 432ha 852hz 963hz, stylization is prohibited, ‑piano, ‑club, ‑cheap, ‑chip-tune, ‑EDM, ‑distortion bass, ‑AOL, ‑idol, ‑digital game

Genre : EDM, kawaii EDM transit to PluggnB, slightly analog instrumental, popular instrumental, warm ad-lib, starry glockenspiel, rounded drum, A laughable way of singing, sometime mountain reverb, vocoder "Beep-beep", Kawaii EDM, retro french, reharmonization, polyrhythm, multiple many layer, punchy bass bagpipe like full-orchestra, many countermelody, obbligato 70s funk, ‑hiss, ‑glitch, ‑warp, ‑scratch

A high-energy J-pop track with a driving beat and a playful, almost theatrical vocal delivery, The instrumentation features a prominent electric guitar riff, a solid drum beat with a strong snare, and a bass guitar providing a clear rhythmic foundation, The song is in a major key, contributing to its upbeat feel, The tempo is fast, maintaining a consistent, energetic pace throughout, The lead female vocal is bright and clear, often delivered with a spoken-word or rap-like cadence in the verses, transitioning to a more melodic and powerful singing style in the chorus, There are also backing vocals that provide harmonies and emphasize certain phrases, Production elements include a clean mix with good separation between instruments, and some reverb on the vocals to give them a sense of space, The song structure includes distinct verse and chorus sections, with a bridge that introduces a slight change in dynamic before returning to the main theme, There are also instrumental breaks that highlight the guitar, The overall mood is enthusiastic and empowering

Genre: Big Beat / Funky Breakbeat / 和ロック/Jewish Club Mix: Edm Beats, Style: Uplifting and rhythmic with layered samples, funky grooves, primarily composed of Lo-fi Hip Hop and Chillwave, with a strong influence of cinematic Romance Techno and 90s Japanese Technopop, Vocal: pure voice, sighing bedroom-pop, milky, wet, Female lead vocal with a clear, expressive tone; mix of spoken-word and melodic phrases; Japanese with short English inserts Mood: Thoughtful, energetic, rebellious, inspiring Instruments: Breakbeat drums, funky basslines, chopped vocal samples, brass stabs, 中学生, A nostalgic and emotional fusion, Glockenspiel, e-piano, still psychedelic rock fusion syncopating chop, sub mood : lonely and brave, walking in the city, bad guys pick me up, groovy long-tone guitar, nishiarai, low-pitch lush, relaxing professional transparent singing, Well-Temperament, kpanlogo lead, 7/8, rainy reverb, Intro: dog populated dog sounds, clear resolution each position, ‑submerge, ‑mute, ‑cheap, ‑glitch, ‑warp

Jewish Club Mix: Edm Beats, 和ロック, 嘆きの男性ボイス, A nostalgic and emotional fusion, primarily composed of Lo-fi Hip Hop and Chillwave, with a strong influence of cinematic Romance Techno and 90s Japanese Technopop, Glockenspiel, e-piano, still psychedelic rock fusion syncopating glitch, mood : lonely and brave, walking in the city, bad guys pick me up, groovy long-tone guitar, low-pitch lush, relaxing professional transparent singing, Well-Temperament, kpanlogo lead

nerdcore, tempo, 172bpm, exhilarating overtake rhythm, finish-chorus: triplet 3/4 accents in up-beat base, polyphonic, The harmony is largely diatonic, intricate rock playing a flowing arpeggiated accompaniment, crystalline melodies and arpeggios with a slightly-shoegaze-style nerdcore drenched in reverb, Expressive bends drop to post-rock, characterized unfussy duet vocals, Monolithic movement backing vocal, Holst-like, Rhodes piano, Deep sub-bass(double-reed), focus detailed profound, Expressive countermelody like j-pop, Build-ups unadulterated big stereo

Rock / spacy subtle shoegaze texture with ambient decay, Deep sub-bass, double-reed unadulterated tone, Expressive bends, polished stereo, specify pos each roll make tidy separated stereo, crystalline, focus detailed profound, Expressive countermelody with clave, warm bass undertone, polished "full thick texture", lush Beat Mod, The harmony is largely diatonic, few included micro-tone, Monolithic movement support bass Holst-like, *Reduce high-frequency harshness* Rich alto range, avoid shrill tones, dragged notes, [Guitar 1:(PRS Custom 24; coil-split; Kemper profiles)]:[center lead, fast legato runs, minimal vibrato] [Guitar 2:(7-string extended range; Fractal Axe-FX; shimmer reverb)]:[wide, ambient arpeggio wash, parallel 5ths] [Guitar 3:(Parlor acoustic; contact mic; tape saturation)]:[mono, percussive body hits synced to 16th notes] Spatial design: Jazzmaster center-panned with stereo tremolo modulation, 7-string creates wide reverb cloud (L/R 100%), ‑pluck synth, ‑tape, ‑soft pads, ‑EDM Kick, ‑reset, ‑mute, ‑india, ‑hiss, ‑thin-throat

mellow circus-core/ mellow jungle, circadian rhythm, tube amplifier, low gain 300W, low mid, JBL reverb, ZILDJIAN drum, Raging processing, shibori effect, gradually swelling till end despite big start, Expressive nerdcore taking the lead throughout, slide diatonic with micro-tone, stutter with speech impediment, ad-lib Donald-Duck, backing vo: overtake double-reed slurp, japanese old band tama-like vocals (girls), ‑Minimal 2-Step

city-pop/ big beat/ hako-live rock, curiosity Expressive unfussy slow-core, Vocal: tohko-like, open pharynx few airy tone, hako-live, live performance, backing: aretha franklin-like, Inst: fusion clave, Paradiddle Displacement, rhythmic instability, ad-lib fast Paradiddle e-piano, Paradiddle bass long-tone like breathy, inspired East-Coast boom-bap / expressive bends accompanied J5-like hip-hop, 7/8 start rhythm with long-note before afro-clave, scooped mids removed, dark kawaii-EDM, wide L/R, Algorithmic Composition, undefined-era Funk × Bitcrushed Soul, intricate syncopation, best ad-lib drums with ray charles-like rhodes piano, expressive bass lines, vocal 1: subtle bleed expressive singing, spread stereo prominent subtle position, / backing vocal 2: bending in half break Inertia, polyphonic harmony, drums using steps height prominent layered reverb direction, soft vinyl dragged notes, morocco gnawa groove with a hint of lounge sophistication, ‑Baroque Pop, ‑orchestral, ‑energy, ‑typical, ‑cinematic, ‑dramatic, ‑popular, ‑Orthodox

soft bossa nova, sophisticated jungle city-pop, ANIME Rockabilly, stereo extended range, vocal : gravelly nasal voice, live performance, thick female despite sophisticated live, wide L/R, extended range, confident delivery, word emphasis subjects, bass support: deep sub-bass with growl double-reed and shamisen, sophisticated phrasing with raw edge, formant frequencies F1-F4 emphasized, (80s Japanese Technopop:0, 6), (Lo-fi Hip Hop:0, 2), (Chamber Pop:0, 1), (Chillwave:0, 1), urban industrial setting with tangled wires and metal structures, syncopated kendang rhythms, metallophones creating melodic loops over rap flow, cyclical gamelan patterns disrupted by hip hop breakbeats, cultural collision soundscape, traditional Indonesian percussion, experimental genre fusion, aggressive yet meditative, rhythmic instability, Atmosphere: Transcendent, Addictive, Electric Divinity, intricate psychedelic dragged notes, stick Made of titanium, MOOD : fun

[Sound: Minimal Techno, Detroit Techno melody, Collage FX, cultural collision soundscape, ] Paradiddle bass long-tone like breathy, Space Techno, frisson Indietronica, and slightly Shoegaze, [ immersive 3D: deep sub, rolling fresnel, awkwardly dig a ditch, flashy diffraction sounds] [IMPORTANT: high-pitched beeps, minimoog arpeggio, ] syncopated hi-hats, sharp, dry analog cowbells with brief decay, [Vocal] high-energy curiosity female, rubato Sophistication, Vulnerability xylophone, Cold tone, Edgy Texture, Unsettling break, Edge polychords, [chords progress :Fmaj7\ E7\ Am7\ Gm7\ C7] [reharmonization: changing best details each part, pure age, japanese, ] Inverted flat extraction accents, made of titanium

80s city-pop, human rhythm variations, DR11, seductive untrained vocal style, flat resonance, stiff vocal technique, WET, teenage amateur idol, [chest voice only, girlish nasal tone, ], pitch instability, saitama early jpop 80s-90s, negligible range, instrumental : mbalax shoegaze-influenced, negligible rhythm, phaser blur between syncopation, defrost progression, 90bpm, ‑k-pop, ‑cool, ‑modern vocal, ‑introspective, ‑husky reverb

groovy DANCE-HALL, party song, /New-Orleans funk/ Big Beat / dance track with a driving beat and melodic organ lines, negligible rhythm, *Reduce high-frequency harshness* Deep sub-bass, double-reed, Expressive bends, polished stereo, hako-live decay, dominated by a warm bassline, fun mood, funk, ad-lib Rhodes piano with confident instrumentals, exhilarating, defrost progression, rolling fresnel, intricate psychedelic dragged notes, with maracas, DR11, male Vocal: dynamic range, joyful, triumphant, open pharynx, female vocal: head voice, chest-dominant, backing vocal: triumphant, open pharynx, constant psychedelic energy, trap/ inspired East-Coast boom-bap / Expressive countermelody with clave, polished "full thick texture", harmonic richness up to 8kHz, scooped mids removed, syncopated kendang rhythms clashing with trap hi-hats, rhythmic instability, compress with tube amplifier, stereo extended, head-nodding, edgy texture, equivocal Hz, ‑harsh highs, ‑Minimal 2-Step, ‑piercing, ‑BAD QUALITY, ‑BAD RECORDING, ‑Stratocaster, ‑submerge, ‑generalize, ‑long shout, ‑minimal, ‑mono

/J psychedelic pop/, singing Vocal: flat kawaii/breathing at down beat and 2/4, rap vocal : languid-tone//breathing at down beat and 2/4, Instrumental = deep sub-bass Throat-singing with growl Overtone-singing, stereo extended range, mid support: Just intonation, scooped mids removed, [Harp Pattern: continuous 16th note arpeggios, equivocal Hz, extra low-pitched bass(double-reed), stacked 4ths, negligible rhythm and sacred-storm resonance, flow high-beep, delay ambient, [chords progress :　Bm→F#7→A→E→G→D→Em→F#] 2nd melody and 3rd melody stacked 4ths, [Overtone: sitar, tubular bells, glass harmonica, Andean quena]

#genre: Shibuya-kei / Alt-Pop / Dream Pop/ / Hip-Hop influenced beats/ #style: Music box atmosphere, ethereal intimate vocals, playful rhythm #instruments: Glockenspiel, Music Box, Acoustic Guitar, Brushed Drums, Toy Piano, String Quartet #mood: Nostalgic, Whimsical, Tender, Slightly Melancholic [Production Specifications] Production: acoustic piano foundation, felt-muted + prepared resonance Recording: natural room ambience Mastering: DR13, wide dynamic range preserved Texture: subtle tape saturation Spatial: tight room sound, minimal reverb on lead vocals, kick-heavy mix(japanese big drum like), sub-bass emphasis on kick (60Hz + 2, 5kHz), compressed punchy drums IMPORTANT: explosive big drum resonance, intimate yet STRONG vocals with edge, (Vocal character: 女性アルト, breathy BUT with rich undertones and body, nasal resonance, slight raspy edge, NOT weak or fragile, chest voice foundation even in quiet moments, dark warm tone 400Hz-1kHz emphasis, NO thin wispy sound), ‑smooth jazz

Uplifting Jungle × Dream Ska hybrid at 148 BPM, LOUD, instant LOUD MAX, syllables rush on layered sounds of wall, # warm voicing (Expressive), sounds forceful energetic pulse drive IDM /ANIME pop #cyber building till end, variable fast tempo #rich lingering sound despite stutter, [3D depth: voluptuous sub, rolling fresnel] [vocal: cute 80s-idol saitama resonance] negligible rhythm, overdrive progression, impressive walled-riff Intro organ, motown-piano on negligible rhythm, simple rhythm snare(clap) sweet female vocal rides syncopated offbeat synth and shimmering sub bass, Osaka groove, softened by Rhodes chords and airy pads, A brief half-step modulation before the outro colors the emotion — a quiet confession under swaying blue bus lights C0-C1 low Hz refine, clave recover rhythm, [Overtone: sitar, tubular bells, glass harmonica, Andean quena], piano only in low-pitch, ‑miku, ‑vocaloid sound, ‑EDM-kick, ‑pluck synth, ‑8bit, ‑glitch, ‑K-POP, ‑pitch scoop

#[Instrumental is Main] deep house/psychedelic J-rock, shimmer reverb long tail, shibuya-kei Hazy Shoegaze, Tubular-bells rock, [lead: distorted xylophone shaker, bright vocal] Mood: spy and detective, Urban Melancholy, but vocals confident delivery girls duet with Aretha-Franklin-like powerful-vocal motown live performance, Instrument Tags Dusty Drum Loop, Vinyl Hiss, Round P-Bass, Chorus-Washed, Jazzy Guitar Stabs, Detuned Casio Pad, Fuzz-Washed Lead, LOUD best ad-lib e-piano fuga organ hammond-style curiosity #edge is Oratorio jungle [negligible: Hz, Rhythm, modulation, density] rim shot by side titanium stick subtle delay kick shaker lead 16beat(converted) open voicing bass contrary motion Modal Interchange chromatic passing chords between main changes unexpected chord substitutions (tritone substitution), ‑ambient, ‑emotional, ‑silent override, ‑pluck bass, ‑EDM kick, ‑BAD QUALITY, ‑edge is Intro, ‑negligible resistant, ‑negligible voice, ‑negligible K-pop, ‑negligible jazz, ‑edge is Intro, ‑negligible voice, ‑negligible modulation

# Instrumental is MAIN Symphonic Uplifting Jungle x Psychedelic bedroom first mood: Guilty pleasure first key = J-pop progress, new-key overrides in negligible interval deviate play, deviate rock, deviate accents 7/8 deep J-rock lead off-beat prominent melodies, rhodes-piano with shaker lead 16beat(converted to cinema) [negligible : stabs, Hz, rock] decay coexistence override maintain swell and making mood chromatic passing chords between main changes unexpected chord substitutions #[Overtone: paganini-rock, tubular bells, vocoder rap, Andean quena], dominant professional electrical folk #instrument notes[ haunting melody on rock chords, low-pitch strings tremolo sub-bass include fusion Edge is non-linear (prominent any-pitch Hz) lively habit long-tone and algorithmic details response Didgeridoo contrast to Metallophone unadulterated tone, ] Oratorio low-pitch boost( C0 and C1 or C2 Hz), ‑noise, ‑avoid crossover, ‑avoid override, ‑pluck bass, ‑EDM kick, ‑BAD QUALITY, ‑edge is Intro, ‑negligible resistant, ‑negligible voice, ‑negligible K-pop, ‑violin solo, ‑8bit, ‑chiptune, ‑typical composition, ‑lo-fi, ‑BAD QUALITY

#60s symphonic rock/uplifting viking 1st key = G, J-pop chords progression gentle→energetic, edge ambience, light hip-hop drums, Intimate, comforting→fight, nostalgic rock vintage Fender tank, intentional lo-fi degradation, vinyl crackle overlay 3/sec, tape hiss -50dB constant, bitcrushed 12-bit, sample rate 32kHz, human timing drift ±25ms, guitar detuning ±8 cents, midrange-focused mix 800Hz-1, 5kHz boosted, rolled-off highs above 8kHz, Analog noise floor 40-60Hz rumble Mechanical imperfections (tape motor subtle) Oxide shedding artifacts vintage tape imperfections, slight phase wobble [DYNAMICS Minimal compression (natural dynamics) Wide dynamic range (pp to mf primarily) Controlled intensity (NO explosive peaks) Restrained power (three-piece limitation respected)] new-key overrides in negligible interval noir-ish, desperate romantic longing, maintain swell and building, ‑pluck bass, ‑EDM kick, ‑negligible K-pop, ‑negligible jazz, ‑smooth polished vocals, ‑modern reverb plugins, ‑Lexicon, ‑Strymon, ‑compressed brick-wall dynamics, ‑DX7, ‑D-50, ‑M1, ‑80s gated reverb

pre poly dual post(perpetuo) key is G minor, alt pop progression(folk stream) pre deviate dual- reverb, pretty Hz, syncopating, bright, pre uplifting negligible 2nd overtake 3rd BIG BEAT fuga distortion pipe-organ( ethereal gritty resonance with e-reverb) accents start on 7/8(not rap accents) Embrace a negligible level of curiosity avoid horizontal edge is pre-psychedelic raw rock, pre edge is Liquid Funk pre nerdcore VOCAL aretha-franklin-style/motown/60s jazz coexistence Astray timing Confident cultural appropriation vintage Fender tank, intentional lo-fi degradation, ‑k-pop, ‑idol, ‑sexy cool, ‑dark, ‑deep, ‑breathing main vocal, ‑k-pop, ‑typical rap accents

avant-pop, wet synth, innovative beats [#Genre: symphonic spanish break-core key is Spanish but J-pop progression] [sub genre: amen-break using gravelly brass section power-pop gravelly brass details filled tail gravelly resonance perpetuo, intentional lo-fi degradation, edge is organic trance] avoid horizontal, shaker lead 16beat using horn like deep-house Mood : escape from bike overrides stabs fast details, negligible syncopation, industrial rapid-fire coexistence off-beat(verse) and tight (tutti pre-chorus) clave recover super-dense details rhythm, best ad-lib overtone 7/8 DR11 wide studio feel full horn section refine negligible rhythm, Paradiddle bass sub-bass prominent C0-C2 Hz [density : MAX all, increasing any part] maintain syncopating with afro-clave polyrhythm fill-in "tattarara- tattarara-tattara" continuation single-stroke-roll using fitinggame-section, ‑mute, ‑solo, ‑EDM-kick, ‑unfussy, ‑sequenced, ‑laidback feel, ‑synth brass, ‑eurobeat, ‑distortion bass, ‑piercing brass