
CapTV Episode 24
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23 songs
4:23

2:34

Traditional upbeat Irish folk, pub session energy, bright major key, lively but relaxed tempo (~105–115 BPM), Acoustic instrumentation only: rhythmic steel-string acoustic guitar, expressive fiddle leads, tin whistle flourishes, bodhrán with natural swing, occasional hand claps and foot stomps, Vocals: Male lead with natural Irish accent, warm and conversational, slightly rough around the edges, more storytelling than singing in verses, Clear regional phrasing, rolled consonants, relaxed vowels, First hook and all verses sung solo, Later hooks sung as joyful gang vocals—multiple male voices, unpolished, pub-choir feel with slight timing variations, Arrangement: Clear contrast between solo storytelling and communal chorus, Instrumental breaks led by fiddle and whistle, Bridge drops to half-time for emphasis before a big final gang chorus, Overall mood is affectionate, humorous, and celebratory—never mocking, always fond, ‑modern pop production
4:32

4:50

Closer!
v5
[Vocals:]
Female contralto, warm, slightly nasal, dominant, intimate, predatory, Spoken-singing phrasing, breathy proximity, restrained power, direct and physical delivery, [Instruments:]
Gothic Industrial Rock with Neue Deutsche Härte influence, Low chugging guitars, heavy bass pulse, mechanical drums, swarm-like synth layers, minimal melodic leads, Industrial kicks intensify chant sections, [Style:]
Obsessive, visceral, dark-romantic but physical rather than poetic, Aria-like monologue, commanding tone, minor key, controlled menace, changeling hive energy, [Structure:]
Slow circling build, Long aria passages → short chant bursts (“Closer!”), No dance jig feel, tension held instead of released, unresolved ending, Dark, intimate industrial gothic track focused on pressure, breath, repetition, and predatory closeness rather than epic anthem energy
4:38

Witchhouse × Dark Alt Pop × Deep Sub Swing × Darkwave pulse, 98 BPM, Minor key, Deep gliding sub-bass with subtle distortion, Slow dark swing percussion, Minimal kick — heavy but spaced, Metallic snare with long cavern reverb, Haunting reversed vocal chops, Low droning pad like underground air, Glass-like synth notes that shimmer and fade, Break section with only bass + whispered layers, Vocals:
• Female lead — calm, seductive, emotionally detached
• Layered whisper doubles
• Soft chanting textures
• Subtle atmospheric moan textures (non-explicit)
• Choir pad rising in refrain
• Stereo delay tails drifting left/right
Mood: Power through stillness, Seduction through danger, Control without effort
3:22

Redline
v5
Genre: experimental metal / hip-hop, rap / industrial death metal
Mood: menacing, sarcastic, controlled chaos
Tempo: mid-tempo, head-nod groove
Key Elements:
- Massive distorted bassline driving the song
- Industrial hip-hop/rap drums with weight and swing
- Dissonant string stabs
- Heavy guitar riffs used sparingly for impact
Vocals:
- Male aggressive vocalist
- Smug talk-singing verses
- Explosive shout-sung chorus
- Bridge rapid fire rap flow
Lyrics:
- Breaking systems, bending reality, mocking the listener
- Catchy, hook
- No cutesy tone, no trap elements
Overall Vibe:
Aggressive but groovy, chaotic but controlled
3:10

3:14

heavy-weight engaging, { intentional-drag } erratic-pulse * rhythmic-dislocation breathtakingly immersive, heavy-slap-articulation [ stumbling-groove ] * irregular-spacing [ rubato-math ] // disjointed-phrasing ( push-and-pull ) :avant-garde-sludge + experimental-bass-solo { atmospheric, off-kilter-rhythm } :: dead-dry-tone _ massive-string-vibration + buzzing-frets // dazzling, angular-momentum * awkward-silence — brutalist-texture ::To be precise, heavy-weight poignant, { intentional-drag } erratic-pulse * rhythmic-dislocation heavy-slap-articulation [ stumbling-groove ] * irregular-spacing warm, [ rubato-math ] // disjointed-phrasing ( push-and-pull ) :avant-garde-sludge emotive, + experimental-bass-solo { off-kilter-rhythm } :: dead-dry-tone _ massive-string-vibration + buzzing-frets sensational, // angular-momentum * awkward-silence — brutalist-texture ::, heavy-weight { emotionally charged, intentional-drag } erratic-pulse * rhythmic-dislocation, ‑heavy-weight { Trance, ‑intentional-drag } erratic-pulse * rhythmic-dislocation heavy-slap-articulation [ stumbling-groove ] Vocaloid, ‑* irregular-spacing [ rubato-math ] // disjointed-phrasing ( push-and-pull ) :avant-garde-sludge + experimental-bass-solo { off-kilter-rhythm } Bounce, ‑:: dead-dry-tone _ massive-string-vibration + buzzing-frets // angular-momentum Phonk, ‑* awkward-silence — brutalist-texture ::To be precise, ‑heavy-weight { religious intentional-drag } erratic-pulse * rhythmic-dislocation heavy-slap-articulation [ stumbling-groove ] * irregular-spacing [ rubato-math christian, ‑] // disjointed-phrasing ( push-and-pull ) :avant-garde-sludge + experimental-bass-solo holiday, ‑{ off-kilter-rhythm } :: Dancehall, ‑dead-dry-tone _ massive-string-vibration + buzzing-frets // angular-momentum * awkward-silence — brutalist-texture ::, ‑heavy-weight { intentional-drag Swing, ‑} erratic-pulse * rhythmic-dislocation
3:28

[Style: 1960s Orchestral Noir, Ambient Phonk, Wave Phonk, Slow Dark Bolero]
[Production: Distorted 808 Bass, Sidechained Strings, Hazy Cowbell, Lo-fi Vinyl Crackle, Reverb-heavy]
[Vocal Style: Dreamy Alto, Breathy, Chopped and Screwed, Ethereal but Gritty]
[Tempo: 90 BPM (Slowed and Throwed)]
2:30

Phase-locked polyrhythmic infrasonic interference with delayed emotional toxicity, Something that seems subtle but destabilizes the autonomic nervous system, Not obvious distortion, Not obvious noise, But something that:
• Slips under cognition
• Interferes with balance
• Alters heart rate
• Produces unease without narrative cause
4:00

[Style: Playful early-2000s hip-hop with elastic battle-rap groove and chaotic social satire energy, with dubstep club influence, No scale of notes in the singing voices]
[Mood: Snarky, hyper-verbal, amused sarcasm—like a villain narrating a group chat meltdown, ]
[Key: F minor with quirky synth stabs and bouncy bass groove; no piano, ]
[Tempo: 104 BPM with steady head-nod bounce and extended rapid-fire flow sections, ]
[Signature: 4/4 with sharp pauses and sudden beat dropouts for punchline emphasis, ]
[Production Tags: Funky bassline, tight kick-snare pattern, crisp hi-hats, subtle vinyl texture, notification-style percussive clicks, light scratch accents, ]
[Mixing Style: Vocals extremely forward and dry, drums punchy and clean, bass tight and controlled, ]
[Vocal Sound and Cadence: Animated, razor-sharp enunciation with dense internal rhymes, breathless “typing-speed” bursts, smug ad-libs; no auto-tune, ]
3:40

A nu-metal ballad with a solemn, sad melody, it begins atmospherically with synth pads and clean guitars, The German female vocals remain vulnerable and beautiful in the verses before dense, heavy riffs and a massive drum sound explode in the energetic chorus
3:56

Dreamy minimalist electropop with soft sub bass, crystalline plucks, airy female vocaloid vocals, spacious reverb, gentle percussion, emotional but restrained, night-time glow, 105 BPM, cinematic shimmer, Soft, breathy, intimate female vocaloid tone, slightly detached, delicate vibrato, subtle formant lift, layered whispers, gentle reverb tail, emotionally distant but sweet, floating delivery
6:56

2:49

Create a dark, atmospheric track blending the raw energy of post-punk with the eerie, hypnotic textures of Witch House, Use driving, rhythmic basslines and sharp, angular guitar riffs typical of post-punk, layered with slow, haunting synths and ghostly, distorted vocals that capture a sense of introspection and change, Incorporate reverb-heavy beats, whispered effects, and subtle electronic noise to build tension and evoke a moody, immersive soundscape, The vocals should be conversational yet emotionally charged, emphasizing reflection and transformation with a minimalist, stripped-back arrangement that feels both urgent and intimate, ‑opera, ‑operatic, ‑soprano, ‑amateur
2:37

three piece garage band, japanese punk with bass groove, snappy war drums, japanese female alto vocals; intimate, raw, sweet but snarling, half step detuned, slow the tempo a little to let it breathe more, the crowd should chant with the vocalist, gang vocals on "Fuck Ice"
5:04

arcane frost cabaret, medieval tavern anthem, dungeons and dragons tavern style, rowdy mead hall stomp, aggressive female bard vocal, sultry to powerful delivery, gang shout chorus, call and response chant, crowd yelling another round, stomping boots rhythm, wooden floor percussion, upright bass groove, dramatic fiddle swells, lute strumming, frame drum pulse, icy spellcasting accents, dark fantasy folk, theatrical performance energy, live tavern ambience, bawdy dramatic storytelling, minor key with triumphant chorus, cabaret swagger, tankard percussion, crowd laughter bleed, table pounding rhythm, chant breakdown bridge, frost magic sound accents, mystical wind effects, ‑overproduced pop, ‑auto tuned vocals, ‑heavy digital reverb, ‑modern edm elements, ‑trap hi hats, ‑cinematic orchestral swell, ‑symphonic metal polish, ‑glossy studio mix, ‑whisper pop vocals, ‑soft acoustic ballad, ‑radio pop structure, ‑synthetic pads, ‑lo fi production, ‑compressed flat mix
3:13

Squirrel
v5
energetic melancholic club banger, alternative R&B fused with pulsing four-on-the-floor house and trap grooves, deep rolling 808 bass drops, hazy drifting synth pads, shimmering xylophone glissandos and bright metallic sparkle cutting through builds and accents, brooding sweeping cello lines delivering rich mournful depth and sustained emotional weight, eerie wavering theremin swells creating haunting otherworldly tension and ghostly atmosphere, sparse crisp hand-programmed hi-hats and layered percussion for lo-fi trap feel, emotional breathy male vocals with heavy reverb and intimate close-mic placement shifting to soaring layered harmonies in euphoric drops, building slowly from vulnerable hazy verses to explosive club choruses and anthemic peaks, late-night heartbreak introspection meets euphoric dancefloor release, vinyl crackle texture throughout, gradual risers and accelerando into big drops, cinematic shimmer and subtle unease blended with high-energy groove
6:11

Delicate fingerpicked acoustic guitar sets a gentle folk backdrop, drenched in ethereal reverb, Heartfelt male/female duet vocals intertwine, growing in passion as layers of soft strings and distant choir harmonies gradually swell, At 75-80 BPM, the song builds to a soaring, emotional crescendo
3:49

melodic moancore deathcore, drop C tuning, dual female vocalists, female fry scream guttural vocals verses, female clean soaring melodic chorus vocals, quivering trembling vocal moan into breakdown, female deathcore fry scream breakdown, pig squeal, deep guttural lows, heavy distorted down-tuned guitars, djent inspired chugging riffs, atmospheric open chords in chorus, slow crushing half-time breakdown, hard hitting snare, double kick drums, thick distorted bass, emotional raw energy, dark suffocating verse tone, explosive clean melodic chorus lift, no synths, no electronics, pure organic band sound, ‑male vocals, ‑piano, ‑synth pads, ‑electronic elements, ‑ambient wash, ‑clean guitar, ‑lo-fi, ‑pop production, ‑choir, ‑backing vocals, ‑auto-tune
5:19

Iowa-era extremely manic and aggressive nu metal meets metalcore, virtuosic twin lead 7-string guitars in Drop-D with dark dissonant riffs and tight syncopated chugs, Single manic relentless dominant metal drum kit only — punchy double-kick, sharp cracking snare, aggressive tom fills, china cymbal accents, fast chaotic transitions, No marching drums, no tribal percussion, no auxiliary drum layers, DJ scratches and distorted samples in the intro, Raw, unfiltered male vocals with manic hype shouts, harsh screamed verses, gang chant choruses and layered screams, Dark, sinister atmosphere, Explosive chant-driven chorus, crushing half-time breakdown, Virtuosic Heroic dissonant guitar solos with whammy dives and feedback, Raw, abrasive production, 120–140 BPM with violent dynamic shifts and relentless venomous vocal delivery, ‑Nu Metal Revival, ‑Modern Nu Metal, ‑Industrial Metal, ‑rap rock, ‑alternative metal, ‑djent, ‑post-hardcore
2:37

4:52

A twangy country track starts with crisp acoustic picking, spirited banjo lines, and a gritty, rootsy rhythm section, Verses blend hip-hop-inspired phrasing with raw country vocals, Lush harmonies sweep in for the chorus, banjo riff punctuating, Bridge slows with heartfelt vocals, strings swell, leading to a dynamic break with layered strings, Final chorus soars vocally, ending with groove and a sharp banjo tag























