
SpIkEy
@spikey76
acidic synths vinyl crackle industrial noise cheeky wide stereo synths
All songs written by - @spikey76 - © From Rawkus Protest to Pop-Punk
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Featured Songs

A dark grunge alt rock track launches with skittering chiptune pulses, wide stereo synths, and crystalline arps before plunging into brutal techno: filthy distorted bass, glitchy industrial drums, and crushing pads, At 0:10, a saturated drop punches through with drop D fuzz guitars, gritty bass, and sludgy grunge drums, Verses simmer with feedback swells, acidic synths, subtle vinyl crackle, and industrial noise, while punchy snare-tom grooves propel gravelly, half-spoken vocals, The energy peaks in chaotic breakdowns, dissonant hooks, then dissolves into a lush, reverberant outro of airy pads
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Aggressive Nu-metal track driven by relentless double-kick drums and chugging, drop-tuned guitars, layered with industrial noise and unsettling samples for dense, sinister textures, Clear vocals that range from guttural growls, shouts, and melodic hooks, while anthemic choruses that erupt with tribal percussion, syncopated breakdowns, and raw, furious vocals riding a mechanically ritualistic groove, Use of sterio panning effects throughout
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This beautiful haunting track starts with a sweet but sorrowful flute, weaving a lonely oriental inspired melody which continues as the key melody throughout, at 01:31 handpan elements and haunting female underlayed background vocal "OOOOO-ooooo-OOOOO" chants fill out the panpipe and handpan melody, a djembe drum comes to add dramatic burts where appropreate, lead vocals are sugary sweet with a breathy soft tone hints of a chinese accent, and sublime melodic and gentle touches
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Experimental Alt-rock track with Stereo panning effects throughout, kicks off with stereo-panned, crystalline arps and wide synths before morphing into glitchy drums, gritty distorted bass, and crushing pads, At 0:15, saturated drop D fuzz guitars and sludgy drums hit hard, Verses layer feedback swells, acidic synths, vinyl crackle, industrial noise, and snare-tom grooves beneath clear punk female candied vocals with a crackled tambre that shift from melodic to fierce screams, Chaotic, dissonant breakdowns punctuate the song, culminating in a lush, reverberant outro with airy, expansive pads
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The track opens with airy synths and drones, gradually introducing melodic flute and violin with nuanced vibrato, Acoustic guitar, hand percussion, and organic free folk textures blend over a steady Goa chill bass pulse, Carnatic runs weave into an immersive, evolving ambient mix, with ethereal, delicately fractured female vocals floating atop
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This alt-pop-punk Rondo track launches with stereo-panned crystalline arps and enveloping synths, It shifts into glitchy drums, snarling distorted bass, and crushing pads, At 0:15, saturated drop D fuzz guitars and sludgy drums explode in, with verses layering feedback swells, acidic synths, vinyl crackle, industrial noise, and dynamic snare-tom grooves behind punk female vocals—melodic then raw with fierce screams and a distinct crackle, Unpredictable, dissonant breakdowns cut in, while choruses land with raucous gang shouts of "Plastic!!”, Textural overlays include "ooooo-OOOOO-ooooo-OOO" and "aaaaa-AAAAAA-aaaaa-AAA" adlibs, The outro washes out with vast, reverberant pads
Theatrical comedy song, piano-driven, overly dramatic Male lead vocals in a pompous operatic style, with exaggerated emotion and crisp enunciation, Comedic timing and grand flair throughout, Backed primarily by solo piano with light orchestral flourishes (strings, clarinet stabs, timpani rolls), Final cat sound is realistic and aggressive, Think Monty Python meets Gilbert & Sullivan with a touch of Andrew Lloyd Webber gone unhinged
S.H.A.Gv4.5
Industrial rock, dark electronic, glitchy textures, distorted guitars, aggressive beats, brooding synths, whispered to screamed vocals, angst-driven lyrics, themes of inner turmoil, control, isolation, and existential dread, dynamic shifts from fragile to violent, raw emotion, mechanical yet human, cinematic intensity, minimalist to layered soundscapes