.ref

[Key:C# Minor] [Tempo:Elastic-Time-Distortion-Arrangement|Extended Elastic Phrase Drift|Wide-Sound-Arrangement|Mid-Tempo Drag|Loose Grid Feel|Variable Pulse Expansion|Asymmetric Phrase Spacing] [Instrument:Wobble-Bass-Synth|Radial-JDI-Into-Grace-Design-m201|Broken Wobble Motion|Glitch-Modulated Filter Movement|Wide-Spaced Low-End Pulses|Elastic Bass Swells|Controlled Distortion|Sparse Sub Pressure|Transient Wobble Clips] [FX:Glass-Pluck-Foley|Hard Glass Pluck|Sharp Transient Tick|Short Resonant Ping|Brittle Upper-Mid Attack|Wide-Spaced Strikes|Elastic Tail Bends|Sparse Placement|Clean Silence Gaps] [Mastering:-7 LUFS|True Peak -1, 0dBTP|HPF 35Hz|Grace-Design-m201-Reference-Path|Radial-JDI Low-End Definition|Wobble-Bass Headroom|Sub Control 35–90Hz|Bass Movement Control 70–180Hz|Glitch Filter Definition|Controlled Distortion 700Hz–3kHz|Glass-Pluck Attack 1–5kHz|Transient Tick Control 2–7kHz|Resonant Ping Control 1–4kHz|Brittle Edge Control 4–9kHz|Bass-To-Glass Space, De-Mud]

[Key:C# Minor] [Tempo:Elastic-Time-Distortion-Arrangement|Extended Elastic Phrase Drift|Wide-Sound-Arrangement|Mid-Tempo Drag|Loose Grid Feel|Variable Pulse Expansion|Asymmetric Phrase Spacing] [Instrument:Wobble-Bass-Synth|Radial-JDI-Into-Grace-Design-m201|Broken Wobble Motion|Glitch-Modulated Filter Movement|Wide-Spaced Low-End Pulses|Elastic Bass Swells|Controlled Distortion|Sparse Sub Pressure|Transient Wobble Clips] [FX:Glass-Pluck-Foley|Hard Glass Pluck|Sharp Transient Tick|Short Resonant Ping|Brittle Upper-Mid Attack|Wide-Spaced Strikes|Elastic Tail Bends|Sparse Placement|Clean Silence Gaps] [Mastering:-7 LUFS|True Peak -1, 0dBTP|HPF 35Hz|Grace-Design-m201-Reference-Path|Radial-JDI Low-End Definition|Wobble-Bass Headroom|Sub Control 35–90Hz|Bass Movement Control 70–180Hz|Glitch Filter Definition|Controlled Distortion 700Hz–3kHz|Glass-Pluck Attack 1–5kHz|Transient Tick Control 2–7kHz|Resonant Ping Control 1–4kHz|Brittle Edge Control 4–9kHz|Bass-To-Glass Space, De-Mud] [◎ ₵aЯβØN ◎]

Key:C# Minor] [Tempo:Elastic-Time Distortion|Extended Phrase Drift|Wide Arrangement|Mid-Tempo Drag|Loose Grid|Variable Pulse Expansion|Asymmetric Spacing] [Instrument:Prepared Clavinet|Direct Input|Muted Attack|Broken Motion|Wide-Spaced Pulses|Elastic Swells|Glitch Filter Movement|Controlled Distortion|Sparse Register Pressure|Transient Clips] [FX:Baby Scratch|Forward-Back Vinyl Motion|Crossfader Cuts|Detached Stops|Wide-Spaced Placement|Asymmetric Timing|Short Drag Tails|Sparse Clusters|Off-Grid Entry|Clean Silence Gaps] [Mastering:-7 LUFS|-1, 0dBTP|HPF 35Hz|Prepared-Clavinet Definition|Headroom|Fundamental Control 80–250Hz|Body Control 200–700Hz|Attack Definition 1–4kHz|Distortion Control 700Hz–3kHz|Scratch Attack 1–5kHz|Crossfader Definition 2–7kHz|Vinyl Drag 500Hz–4kHz|Scratch Edge 4–9kHz|Instrument-To-Scratch Space|Vocal Separation|Clean Silence Definition|Wide Stereo|Low-Mid Cut 180–350Hz|Harshness Control 2–5kHz|De-Mud|De-Smear]

[Key: D Minor] [Tempo: Elastic-Time Distortion|Extended Phrase Drift|Mid-Tempo Weight|Loose Grid|Variable Pulse Expansion|Asymmetric Spacing|Wide Silence|Delayed Resolution][Instrument: Didgeridoo|Breath Bursts|Tongue Percussion|Sharp Tongue Stops|Broken Breath Pulses|Overtone Calls|Vocalized Attacks|Lip Pulses|Throat Accents|Short Overtone Flicks|Wide-Spaced Signals|Asymmetric Entry|Short Decay] [FX: Wobble-Bass Synth|Radial JDI→Grace m201|Broken Wobble Motion|Wide-Spaced Low Pulses|Elastic Swells|Glitch Filter|Controlled Distortion|Sparse Sub Pressure|Transient Cuts][Mastering: -7 LUFS|-1, 0dBTP|HPF 30Hz|Didgeridoo Definition|Body 120–500Hz|Tongue Attack 1–4kHz|Breath Detail 2–6kHz|Overtones 3–7kHz|Wobble Headroom|Mono Sub <100Hz|Sub Control 30–90Hz|Bass Control 70–180Hz|Distortion 700Hz–1, 8kHz|Instrument/FX Separation|Clean Gaps|Wide FX >180Hz|Low-Mid Control 200–350Hz|De-Harsh|De-Mud|De-Smear]

]Vocal Clip Phrase: Give 'em that hawk tuah and spit on that thang, you get me?]

[Key: D Minor] [Tempo: Elastic-Time Distortion|Extended Phrase Drift|Mid-Tempo Weight|Loose Grid|Variable Pulse Expansion|Asymmetric Spacing|Wide Silence|Delayed Resolution][Instrument: Didgeridoo|Breath Bursts|Tongue Percussion|Sharp Tongue Stops|Broken Breath Pulses|Overtone Calls|Vocalized Attacks|Lip Pulses|Throat Accents|Short Overtone Flicks|Wide-Spaced Signals|Asymmetric Entry|Short Decay] [FX: Wobble-Bass Synth|Radial JDI→Grace m201|Broken Wobble Motion|Wide-Spaced Low Pulses|Elastic Swells|Glitch Filter|Controlled Distortion|Sparse Sub Pressure|Transient Cuts][Mastering: -7 LUFS|-1, 0dBTP|HPF 30Hz|Didgeridoo Definition|Body 120–500Hz|Tongue Attack 1–4kHz|Breath Detail 2–6kHz|Overtones 3–7kHz|Wobble Headroom|Mono Sub <100Hz|Sub Control 30–90Hz|Bass Control 70–180Hz|Distortion 700Hz–1, 8kHz|Instrument/FX Separation|Clean Gaps|Wide FX >180Hz|Low-Mid Control 200–350Hz|De-Harsh|De-Mud|De-Smear]

[Key: D Minor] [Tempo: Elastic-Time Distortion|Extended Phrase Drift|Mid-Tempo Weight|Loose Grid|Variable Pulse Expansion|Asymmetric Spacing|Wide Silence|Delayed Resolution] [Mastering: -7 LUFS|-1, 0dBTP|HPF 30Hz|Didgeridoo Definition|Body 120–500Hz|Tongue Attack 1–4kHz|Breath Detail 2–6kHz|Overtones 3–7kHz|Wobble Headroom|Mono Sub <100Hz|Sub Control 30–90Hz|Bass Control 70–180Hz|Distortion 700Hz–1, 8kHz|Instrument/FX Separation|Clean Gaps|Wide FX >180Hz|Low-Mid Control 200–350Hz|De-Harsh|De-Mud|De-Smear]

[Key:A Minor] [Tempo:Slow Tempo Rubato] [Instrument:Solo Prepared Grand Piano - Fazioli F308|Schoeps MK21 Wide Cardioid Near-Coincident Stereo Pair into Grace Design m201 into RME ADI-2 Pro FS R] [Acoustics:Large Shoebox Concert Hall|Reverberation Time RT60 1, 8-2, 0s|Early Decay Time EDT 1, 6-1, 8s|Clarity C80 +1 to +3dB|Strength G +4 to +6dB|Lateral Fraction LF 0, 20-0, 30] [Mastering:True-Peak Ceiling -1, 0dBTP|Integrated Loudness Target -9LUFS|Loudness Range 5-7LU|Crest Factor 8-10dB|Minimum-Phase HPF 24Hz 12dB/oct|Low-Frequency Dynamic EQ 45-80Hz|Low-Frequency Dynamic EQ Maximum Gain Reduction 2, 5dB|Low-Mid Dynamic EQ 180-320Hz|Low-Mid Dynamic EQ Maximum Gain Reduction 3dB|Presence EQ +0, 5dB 3, 5-4, 5kHz|High Shelf +0, 5dB at 12kHz|Master Bus Compression 1, 3:1|Compression Attack 30ms|Compression Release Program-Dependent|Compression Maximum Gain Reduction 2, 5dB|True-Peak Limiting|Limiter Maximum Gain Reduction 2, 5dB|Clipping:0%|Stereo Widening:0%] [C@rbon]

[Key:A Minor] [Tempo:Elastic-Time Flow|Extended Phrase Drift|Measured Pulse|Loose Grid|Natural Pulse Expansion|Asymmetric Spacing|Wide Silence|Lingering Resolution] [Instrument:Prepared Piano - Fazioli F308|DPA 4099P into Grace Design m201 into RME ADI-2 Pro FS R|Measured Phrases|Sparse Placement] [FX:Natural Room Reverb|Transient Shaping|Subtle Tape Flutter|Wide Silence|Natural Decay] [Mastering:Dangerous Music BAX EQ into Dangerous Music COMPRESSOR into Lavry Gold AD122-96 MkIII|-7 LUFS|True Peak -1, 0dBTP|HPF 30Hz|Prepared Piano Presence|Fundamental Definition 80Hz–2kHz|Transient Definition 2–6kHz|Hammer Attack Presence 2, 5–5kHz|Natural Resonance Control 180Hz–500Hz|Tape Texture 3–8kHz|Wide Headroom|Mono Sub <100Hz|Low-End Control 30–120Hz|Low-Mid Control 200–350Hz|Instrument/FX Separation|Clean Gaps|Wide FX >180Hz|De-Harsh|De-Mud|De-Smear]

[KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A] [HARM:INT 1-¾♭2-♭3-4-5-♭6-♭7|JINS D-E𝄳-F-G|CAD G→F→E𝄳→D|MOTION 1-3 Notes|POLY 1-3] [INST:Ney PRI1|Oud PRI2|Qanun PRI3|Argul DEN1|Arched Harp DEN0-1|Darbuka DEN1-2|Riq DEN0-1|Sistrum DEN0-1] [ARR:Ney MONO|Oud/Qanun ALT|Argul HOLD 1-2 Bars|Harp 1 Entry/8 Bars|Darbuka 1/4-1/8|Riq 1-2 Acc/Bar|Sistrum 0-1 Acc/4 Bars] [ACOUSTIC:RT60 1, 1-1, 6s|EDT 0, 8-1, 2s|C80 +3→+6dB|DRR +6→+10dB|LF 0, 10-0, 18] [CAPTURE:ORTF SDC Pair|110°|17cm|DIST 1, 8-2, 4m|HEIGHT 1, 6-2, 0m|SPOT Ney 0, 7m|SPOT Oud/Qanun 0, 5m|SPOT Perc 1, 0m|Phase Align|PEAK -12dBFS] [MASTER:TP -1dBTP|INT -14LUFS|LRA 10-14LU|HPF 35Hz|DYN 180-320Hz GR≤2dB|DYN 2, 5-4, 5kHz GR≤1, 5dB|COMP 1, 2:1|ATK 35ms|REL 140ms|GR≤1dB|LIMIT≤0, 5dB] [KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A]

[KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A] [HARM:INT 1-¾♭2-♭3-4-5-♭6-♭7|JINS D-E𝄳-F-G|CAD G→F→E𝄳→D|MOTION 1-3 Notes|POLY 1-3] [INST:Ney PRI1|Oud PRI2|Qanun PRI3|Argul DEN1|Arched Harp DEN0-1|Darbuka DEN1-2|Riq DEN0-1|Sistrum DEN0-1] [ARR:Ney MONO|Oud/Qanun ALT|Argul HOLD 1-2 Bars|Harp 1 Entry/8 Bars|Darbuka 1/4-1/8|Riq 1-2 Acc/Bar|Sistrum 0-1 Acc/4 Bars] [ACOUSTIC:RT60 1, 1-1, 6s|EDT 0, 8-1, 2s|C80 +3→+6dB|DRR +6→+10dB|LF 0, 10-0, 18] [CAPTURE:ORTF SDC Pair|110°|17cm|DIST 1, 8-2, 4m|HEIGHT 1, 6-2, 0m|SPOT Ney 0, 7m|SPOT Oud/Qanun 0, 5m|SPOT Perc 1, 0m|Phase Align|PEAK -12dBFS] [MASTER:TP -1dBTP|INT -14LUFS|LRA 10-14LU|HPF 35Hz|DYN 180-320Hz GR≤2dB|DYN 2, 5-4, 5kHz GR≤1, 5dB|COMP 1, 2:1|ATK 35ms|REL 140ms|GR≤1dB|LIMIT≤0, 5dB] [KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A]

[KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A] [HARM:INT 1-¾♭2-♭3-4-5-♭6-♭7|JINS D-E𝄳-F-G|CAD G→F→E𝄳→D|MOTION 1-3 Notes|POLY 1-3] [INST:Ney PRI1|Oud PRI2|Qanun PRI3|Argul DEN1|Arched Harp DEN0-1|Darbuka DEN1-2|Riq DEN0-1|Sistrum DEN0-1] [ARR:Ney MONO|Oud/Qanun ALT|Argul HOLD 1-2 Bars|Harp 1 Entry/8 Bars|Darbuka 1/4-1/8|Riq 1-2 Acc/Bar|Sistrum 0-1 Acc/4 Bars] [ACOUSTIC:RT60 1, 1-1, 6s|EDT 0, 8-1, 2s|C80 +3→+6dB|DRR +6→+10dB|LF 0, 10-0, 18] [CAPTURE:ORTF SDC Pair|110°|17cm|DIST 1, 8-2, 4m|HEIGHT 1, 6-2, 0m|SPOT Ney 0, 7m|SPOT Oud/Qanun 0, 5m|SPOT Perc 1, 0m|Phase Align|PEAK -12dBFS] [MASTER:TP -1dBTP|INT -14LUFS|LRA 10-14LU|HPF 35Hz|DYN 180-320Hz GR≤2dB|DYN 2, 5-4, 5kHz GR≤1, 5dB|COMP 1, 2:1|ATK 35ms|REL 140ms|GR≤1dB|LIMIT≤0, 5dB] [KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A]

[KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A] [HARM:INT 1-¾♭2-♭3-4-5-♭6-♭7|JINS D-E𝄳-F-G|CAD G→F→E𝄳→D|MOTION 1-3 Notes|POLY 1-3] [INST:Ney PRI1|Oud PRI2|Qanun PRI3|Argul DEN1|Arched Harp DEN0-1|Darbuka DEN1-2|Riq DEN0-1|Sistrum DEN0-1] [ARR:Ney MONO|Oud/Qanun ALT|Argul HOLD 1-2 Bars|Harp 1 Entry/8 Bars|Darbuka 1/4-1/8|Riq 1-2 Acc/Bar|Sistrum 0-1 Acc/4 Bars] [ACOUSTIC:RT60 1, 1-1, 6s|EDT 0, 8-1, 2s|C80 +3→+6dB|DRR +6→+10dB|LF 0, 10-0, 18] [CAPTURE:ORTF SDC Pair|110°|17cm|DIST 1, 8-2, 4m|HEIGHT 1, 6-2, 0m|SPOT Ney 0, 7m|SPOT Oud/Qanun 0, 5m|SPOT Perc 1, 0m|Phase Align|PEAK -12dBFS] [MASTER:TP -1dBTP|INT -14LUFS|LRA 10-14LU|HPF 35Hz|DYN 180-320Hz GR≤2dB|DYN 2, 5-4, 5kHz GR≤1, 5dB|COMP 1, 2:1|ATK 35ms|REL 140ms|GR≤1dB|LIMIT≤0, 5dB] [KEY:D Bayati|PITCH:D-E𝄳-F-G-A-B♭-C-D|TONIC:D|DRONE:D/A]

[KEY:C Minor|PITCH:C-D-E♭-F-G-A♭-B♭|TONIC:C|LEAD CELL:C5-D♭5] [HARM:C Minor|Minor-2nd Motif C-D♭|Root-5th Voicing|Low Harm Motion|Chromatic Tension|Cadence G→A♭→C] [BASS:Distorted 808|ROOT C1|SLIDE 80-220ms|SAT 25-40%|SUB LPF 85Hz|MONO <100Hz|MID LAYER HPF 110Hz|NOTE LEN 1/4-1 Bar] [FX:Mechanical Clanks|Digital Glitch|Impact Hits|Reverse Metal|Noise Burst|Bitcrush|Tape Stop|Granular Tail] [MASTER:Mono <100Hz|Phase Lock|Dyn EQ 140-320Hz GR≤3dB|Dyn EQ 2, 5-5kHz GR≤2dB|Bus Comp 1, 5:1|ATT 20-30ms|REL 70-120ms|GR≤2dB|Soft Clip 1-2dB|Limiter GR≤2dB|INT -8, 5LUFS|TP -1dBTP]

[KEY:G Minor|PITCH:G-A-B♭-C-D-E♭-F|TONIC:G] [STY:Experimental Electronic|Glitch Hop|IDM|Dynamic Contrast High|Polished] [HARM:G Minor|Low Harm Motion|Minor-2nd Tension|Open 5ths|Sparse Chord Density] [ARR:DYN SHIFT ±6-10dB|DROP 1/2-1 Bar|RHYTHM DISPLACE 1/16|GAP 100-600ms|DENSITY 1→4→1] [CHAIN:Kick→Bass SC 2-4dB|FX HPF 180Hz|Scratch Peak Ctrl 2-6kHz|Vocal Chop De-Ess 5-8kHz|Width >180Hz] [MASTER:Mono <100Hz|Phase Lock|Dyn EQ 160-320Hz GR≤3dB|Dyn EQ 2, 5-5kHz GR≤2dB|Bus Comp 1, 4:1|ATK 25-35ms|REL 80-140ms|GR≤2dB|Soft Clip 1dB|Limiter GR≤1, 5dB|INT -10LUFS|TP -1dBTP]

[KEY:G Minor|PITCH:G-A-B♭-C-D-E♭-F|TONIC:G] [STY:Experimental Electronic|Glitch Hop|IDM|Dynamic Contrast High|Polished] [HARM:G Minor|Low Harm Motion|Minor-2nd Tension|Open 5ths|Sparse Chord Density] [ARR:DYN SHIFT ±6-10dB|DROP 1/2-1 Bar|RHYTHM DISPLACE 1/16|GAP 100-600ms|DENSITY 1→4→1] [CHAIN:Kick→Bass SC 2-4dB|FX HPF 180Hz|Scratch Peak Ctrl 2-6kHz|Vocal Chop De-Ess 5-8kHz|Width >180Hz] [MASTER:Mono <100Hz|Phase Lock|Dyn EQ 160-320Hz GR≤3dB|Dyn EQ 2, 5-5kHz GR≤2dB|Bus Comp 1, 4:1|ATK 25-35ms|REL 80-140ms|GR≤2dB|Soft Clip 1dB|Limiter GR≤1, 5dB|INT -10LUFS|TP -1dBTP]