\\ [Intro Initiation][Clean Silence Opens First|Single Didgeridoo Breath Burst Emerges Slowly|Low Throat Accent Dissolves Into A Wide Gap|Short Overtone Flick Opens At The Phrase Edge|Controlled Breath Tail Leads Into Section A] [Vocal Auto-Tune} I ain't able to give you much. The guy was wearing a motorcycle helmet all the time. One of them shit their pants. Literally, shit their pants. [Section A Signal Breathing][Short Didgeridoo Breath Pulses Land Between Wide Gaps|Tongue Percussion Breaks Against The Loose Grid|Lip-Pulse Articulation Opens And Closes Around Each Phrase|Sharp Tongue Stops Mark Selected Edges|Clean Silence Expands Between Each Signal] [Section B Fold][Didgeridoo Withdraws|Wobble-Bass Synth Enters As Independent FX|Broken Wobble Pulses Mark Wide-Spaced Positions|Glitch Filter Cuts Across Selected Pulses|Transient Wobble Cuts Stop Each Phrase|Clean Silence Separates Each Movement] [Section C Fracture][Didgeridoo Returns In Sparse Uneven Articulations|Wide-Spaced Overtone Calls Cut Across The Open Range|Vocalized Attacks Remain Detached|Short Resonant Decays Extend Beyond Selected Calls|Didgeridoo And Wobble FX Occupy Separate Phrase Positions|Clean Silence Separates Every Fracture] [Section D Breath Crush][Hard Tongue Percussion Lands In Uneven Blocks|Broken Breath Pulses Pull Against The Grid|Throat Accents Tighten Around The Phrase Edges|Short Overtone Flicks Interrupt Selected Gaps|Wobble-Bass FX Clips Briefly Between Articulations|Clean Silence Snaps Between Each Movement] [Section E Wobble Slip][Didgeridoo Withdraws|Wobble-Bass Synth Shifts Away From The Downbeat|Broken Wobble Pulses Land In Asymmetric Positions|Glitch-Modulated Filter Cuts Across The Phrase Edges|Elastic Bass Swells Bend Out Of Alignment|Clean Silence Holds The Dislocation] [Vocal Auto-Tune} He's Lost his nerve. I've seen it before. [Section F Signal Release][Long Didgeridoo Breath Phrase Opens Across The Instrument Range|Lip Pulses And Throat Accents Pull Away From The Center|Overtone Movement Stretches Across The Tail|Articulation Density Reduces During The Release|Single Wobble-Bass Swell Moves Through The Open Space|Final Instrument Space Remains Open] [Outro Cutoff][One Final Didgeridoo Overtone Call Emerges From Silence|Sharp Tongue Stop Cuts The Signal Cleanly|Short Breath Tail Dissolves Across The Open Range|No New Wobble FX Entry|Clean Silence Holds The Ending] //
