
ZACK STEELE - [SUB IN CAPBIGTURDS] LISTENING PARTY 6/23/2026
ZACK STEELE - [SUB IN CAPBIGTURDS] LISTENING PARTY 6/23/2026
Discord.gg/aiufm
·
20 songs
4:29

3:50

4:33

[Female Vocalist] Operatic high range, venom-soaked screams, and theatrical spoken breaks erupt in a brutal modern industrial metal assault, Built for chaos and catharsis, this track fuses drop-tuned guitars, blast beats, and machine-grind grooves with punishing breakdowns, Verses rip fast with shrill, distorted screams and gutturals layered in fury, Choruses detonate into gang-shouted hooks made for pit-wide violence, The bridge collapses into a crawling breakdown—slow, catastrophic, and feral—where vocals become unhinged and monstrous, No clean singing, No mercy, The outro bleeds static, fading over scorched riffs and crushed silence, Voltage, Violence, Volume
6:06

[STYLE: Alternative Hip-Hop, Swing-Hop, Jazz Rap, Party R&B, Electro Swing, Ghost Party Groove]
[INSTRUMENTATION: Upright Bass, Jazz Piano, Trumpets, Trombones, Alto Sax, Tenor Sax, Hammond B3 Organ, Deep Bass, Trap Drums, Swing Percussion, Vinyl Scratches, Crowd Vocals]
[MOOD: Playful, Flirtatious, Spooky, Mischievous, Danceable, Party Atmosphere, Halloween Fun, Charming, Energetic]
[VOCALS: Male Rap Vocals, Smooth R&B Hooks, Conversational Swagger, Party Host Energy, Call-And-Response Choruses, Crowd Participation]
[MIXING: Warm Bass, Punchy Drums, Wide Horn Section, Vintage Jazz Character, Modern Hip-Hop Low End, Clean Vocals, Club Energy]
[STRUCTURE: Party Intro, Rap Verses, Hook Build, Massive Singalong Chorus, Sax Break, Rap Bridge, Final Chorus]
[THEME: Ghost Party, Haunted Romance, Midnight Mischief, Friendly Spirits, Flirty Ghosts, Trick-And-Treat Seduction]
[TEMPO: 102 BPM, Swing-Hop Groove, Head-Nod Bounce, Dancefloor Momentum]
3:51

Hands Unclean
v5.5
Dusty melancholic rap, 96 BPM lazy boom-bap drag, muffled kick-snare with authentic vinyl crackle, warm filtered bassline, mournful woodwind loop mixed with warped electric piano keys, reflective arrangement with sudden vocal-only drops and a stripped hook pocket, dry center-open lead pocket, lo-fi polished master with rich mid-range tape warmth
3:32

runnintwobcwtf
Custom
Fast cyberpunk glitch-pop / hyperpop EDM anthem, 170 BPM, neon radio-friendly Night City energy, euphoric but dangerous, rebellious and sleek, Driving distorted synth bass leads the song like an engine, with tight electronic drums, four-on-the-floor kick, industrial percussion hits, metallic glitches, bright supersaw hooks, crystalline arpeggios, sidechained pads, vocal chops, stutter edits, pitch-shifted adlibs, and explosive cyberpop drops, High-pitched anime-inspired female e-girl vocal, cute but fierce, confident American accent, playful and powerful delivery, Verses are fast and kinetic, pre-chorus builds like sprinting uphill, chorus bursts open with a massive futuristic hook, Feels like racing through neon streets at night with a smile, turning survival into victory, ‑male voice, ‑deep voice
4:41

British Accent, Dark acoustic gothic rap-rock, minor-key fingerpicked guitar, deep male baritone, cinematic villain anthem, haunting background choir, sparse percussion, whispered serpent layers, emotional but threatening, acoustic nu-metal influence, rap verses, explosive sung chorus, 86 BPM, D minor
2:53

It may be
v5.5
[Style: vaporwave Memphis phonk trap instrumental built around a chopped-and-screwed male spoken sample: “it may be stupid, but it’s also dumb, ” Hazy 80s mall ambience, woozy VHS pads, nostalgic electric piano chords, dark retro synth lead, phonk cowbell melody, distorted 808 bass, punchy kick, crisp trap hats, dry clap-snare, gritty tape saturation, subtle vinyl crackle, sidechained synth swells, clean modern low-end mix]
[Tempo: 138 BPM, half-time trap bounce]
[Vocal Rule: instrumental beat only, no lead vocals, no rapping, no singing; only use the spoken male sample as chopped background texture]
[Sample Rule: pitch down, chop rhythmically, reverse small pieces, repeat fragments like “stupid, ” “also dumb, ” and “it may be”; keep the full phrase clear in hook sections]
[Mood: cursed arcade, neon parking lot, smoked-out VHS nostalgia, funny but menacing, floating and grimy]
4:44

This is it
v5.5
electronic indy rock with atmospheric synths, pop punk undertones, cinematic textures, male vocals with a deeper tone, intimate verses, melodic chrous, polished modern production, nostalgic late-night feeling, blend of alternative rock and electronic music, vocals remain controlled even during emotional peaks, studio recording
vocals enter slightly behind the beat, dramatic pauses after important lines, avoid rushed transitions, let guitars and piano ring out naturally, cinematic pacing, dynamic builds and releases, no straining vocals
3:22

An ethereal, cinematic Dark Pop / Alternative Emo Rock / Emo track with a gritty modern edge, The production is atmospheric and heavy, driven by a distorted pulsing bassline and industrial-style percussion, The arrangement begins minimal with synth bass and electronic drums, building tension through metallic foley sounds, reverb-soaked pads, and whispered textures, Male vocals are breathy, intimate, and slightly processed, featuring layered harmonies, soft humming, whispers, and acapella moments, Heavy compression and dark hall reverb give the vocal a floating, haunted presence, and background vocals, The chorus introduces a more aggressive side-chained synth and driving kick, while maintaining a sad, hypnotic feel, Tempo ranges 75–100 BPM in C minor, The structure follows verse-chorus form and ends with a sudden clean cutoff
6:01

Industrial alt-metal / metalcore, 152 BPM, F minor, 4/4, Female lead vocal, dark alto base with real melodic range: low venomous verses, rising pre-choruses, powerful chorus belts, sharp pitch jumps, octave lifts, and layered harmonies, Spoken/half-laughed lines only as accents, not the main vocal style, Huge hook around “You breathe by permission, ” Tight low-tuned guitars, cold synth pulse, raven-wing textures, heavy bass pressure, crisp modern drums, hard chugs, cinematic tension, Choruses should feel bigger each time with stacked female harmonies, minor-key backing vocals, and final chorus octave doubles, Emotion: contempt and hatred for outsiders, fierce sheltering devotion for chosen family, No softness for strangers, no redemption arc, no male lead, ‑- male lead vocals - flat monotone vocals - talk-singing the whole song - whisper-only delivery - single-note chorus melody - weak chorus lift - emotionless AI vocal - overprocessed robotic autotune - chipmunk/high-pitched cute vocals - screamo-only vocals - constant growling - cheerful pop brightness - major-key happy anthem - acoustic ballad softness - piano-only intro - pretty fairytale strings - angelic choir wash - gothic opera - vampire waltz - medieval/tavern fantasy sound - trap hi-hat rolls - EDM festival drops - dance-pop beat - lo-fi muffled drums - muddy low end - washed-out reverb - excessive cymbal hiss - high-frequency sparkle noise - glittery shimmer textures - cute playful synths - romantic softness - public mercy / redemption feeling - heroic savior tone - generic villain theater - overly dramatic chain/prison imagery
6:15

A heavy-metal PATCHWAVE soundscape where operatic doom vocals, galloping riffs, thrash drums, plague-engine percussion, glitch-tar leads, dark choirs, bardcore war chants, industrial ratchet noise, and corrupted symphonic metal merge into theatrical chaos, Bass should feel subterranean, guitars filthy and heroic, drums like tunnel armies marching under cities, Glitches function as warpstone sparks, reality-chewing errors, plague-static, and swarm voices, Vocals shift between grand villain-opera, snarling preacher, recruitment sermon, and chanted horde response, The atmosphere feels like a corrupted crusade beneath impossible worlds: funny, feral, monstrous, majestic, and dangerously sincere, Leave space for riffs, chants, call-response, and a metal arc
4:43

breakbeat, kwaito, jungle, riot grrrl, big beat, acid house
5:07

Ripped Apart
v5.5
Genre: Blackened Thrash Metal
Tempo: 220–250 BPM
Energy: Relentless, violent, chaotic, apocalyptic
Vocals: Female fronted — savage black metal shrieks, venomous rasps, tortured screams, occasional witch-like banshee wails, No clean vocals, Drums: Constant blast beats, d-beat assaults, machine-gun double bass, rapid fills, explosive cymbal work, Guitars: Razor-sharp tremolo picking, high-speed thrash riffing, dissonant black metal melodies, chaotic solos, raw but powerful tone, Bass: Aggressive, distorted, follows guitar attacks while adding low-end menace, Atmosphere: Satanic ritual energy, burning churches, cursed forests, infernal storms, occult warfare, endless night, Production: Modern clarity with raw underground black metal aggression; huge drum presence; guitars wide and abrasive; vocals cutting through like a possessed banshee, Influences: Early blackened thrash, first-wave black metal ferocity, extreme speed metal, relentless blast-beat warfare
4:07

Outlaw country rap, acoustic hip-hop, Southern country soul, Southern belle female hook with graceful smoky-sweet drawl, Deep gritty rhythmic Southern preacher baritone verses, Acoustic guitar, clean Telecaster, mournful fiddle, subtle 808 warmth, Let Buzern rock
4:00

Sing Me Into Nothing
Custom
Grim Salvo/Witchouse 40k-adjacent acoustic cosmic trap-rap dirge, 132 BPM, slow half-time collapse groove, massive deep black-hole sub-bass that swells like gravity breathing, sparse distorted 808s, dry minimal snares, late skittering hats, detuned acoustic guitar plucks, low occult choir drones, reversed breaths, grave wind, tape drag, distant floorboard creaks, no bright melodies, Vocals: Nezkith only, weary rap-sung melodic delivery, close-mic intimacy, half-whispered hooks, cracked pitch, layered self-doubles, ghostly harmonies made from his own voice, Mood: final track, sing me into nothing, returning to the void, no rescue, no growth, beautiful collapse, bleak but tender, cinematic and hypnotic
4:04

add messy acoustic guitar, audible finger movement, percussive messy cello, terrible beat boxing, female alto vocals - lilting, exhausted and world weary, confessional, defiant
3:21

Dark Pop Punk, Riot Grrrl, Raw Female Vocals, raspy timbre, Rhythm Guitar that follows the lead and dances around it giving it space to stand out
3:41

Hear My Slat Cry
v5.5
folk-punk, dark blues groove, punk rock chorus, dissonant fiddle, acoustic guitar strumming, bowed bass drone, harmonica wail, stomp clap percussion, snare crack, tape saturation, room mic drums, spring reverb, analog compression, 1970s grit, breakup anthem, mournful defiance, midtempo march, spoken intro
4:23

Heavenly giraffes
v4.5+
indie-chamber-folk ambient-neo-classical experimental-art-pop + + + dark-ambient-soul experimental-tape-music intimate-acoustic-ballad { { { fragile-atmosphere disintegrating-beauty submerged-texture } } } :: :: :: bowed-vibraphone-swells deep-sub-bass-pulse soft-felt-piano [ [ [ shimmering-light-texture heartbeat-rhythm muffled-hammers ] ] ] * * * nylon-guitar-picking decaying-tape-loops granular-synthesis-pads [ [ [ static-dust-texture finger-noise-texture analog-wow-and-flutter ] ] ] // // // ethereal-layered-vocals whisper-vocals spectral-string-section [ [ [ breathy-close-mic high-harmonics-only auto-tune-for-texture ] ] ] + + + reverse-piano-swells cello-drone granular-piano-clouds : [ : free-time-flow click-and-cut-percussion low-bowing ] [ [ minimal-glitch no-grid : ambient-room-tone ] ] [ _ _ vast-stereo-width massive-shimmer-reverb silence-gaps + + ] sudden-stops subtle-tape-hi, ‑indie-chamber-folk ambient-neo-classical experimental-art-pop Christmas + + + dark-ambient-soul religious Reggaeexperimental-tape-music intimate-acoustic-ballad { { political { fragile-atmosphere disintegrating-beauty submerged-texture Screamo } } } :: :: :: bowed-vibraphone-swells deep-sub-bass-pulse Breakcore soft-felt-piano [ [ [ Soundtrack shimmering-light-texture heartbeat-rhythm muffled-hammers ] Political ] ] * * Religious * nylon-guitar-picking decaying-tape-loops granular-synthesis-pads soundtrack Protest [ [ [ static-dust-texture finger-noise-texture analog-wow-and-flutter ] ] ] // // // ethereal-layered-vocals whisper-vocals spectral-string-section [ [ [ breathy-close-mic high-harmonics-only auto-tune-for-texture ] ] ] + + + reverse-piano-swells cello-drone granular-piano-clouds : [ : free-time-flow click-and-cut-percussion low-bowing ] [ [ minimal-glitch no-grid : ambient-room-tone ] ] [ _ _ vast-stereo-width massive-shimmer-reverb silence-gaps + + ] sudden-stops subtle-tap






















