Ayxo Does Suno

prog-punk, post-rock, slowcore, melancholic, lo-fi, atmospheric, haunting, DIY aesthetic, shimmering delay, hypnotic, bell-like guitars, reverberant space, breathy male, falsetto, fragile delivery, ‑worst, ‑best, ‑overproduced, ‑polished, ‑sterile, ‑generic, ‑commercial, ‑radio-friendly, ‑predictable, ‑soulless, ‑female vocals, ‑excessive compression, ‑uninspired

A burst of early rock, surf rock, and garage energy kicks off with reverb-drenched, twangy Fender guitars and tremolo flourishes atop a snare-heavy, punchy drum groove with upstroke rhythms, Bright female vocals, stacked and harmonized in a girl group, doo wop-inspired style, fill the echo chamber, Analog warmth and retro sunshine pop touches create a playful, fast-paced backyard concert feel, blending Pacific coast nostalgia and malt shop charm into every energetic chorus and verse, ‑worst, ‑best, ‑overfit, ‑oversaturated, ‑generic retro, ‑mainstream surf, ‑cookiecutte

[Dark Alternative Pop][Dry fingertap kick, rubbery 808 sub, sparse lowpassed plucks, foley creaks, reverse tails, stutter edits][Whisper-to-snarl close-mic vocals, super dry in verses, subtly widened doubles in chorus]

A slow-burning Southern-gothic track led by sparse, fingerpicked acoustic guitar soaked in deep reverb, accompanied by whispering organ drones and ambient textures that evoke damp woods at night, Low, velvety female vocals drift like a ghostly lullaby, intimate yet distant, wrapped in a dark Americana, gothic folk atmosphere, Every element is unhurried and cinematic, textures swelling subtly to create a brooding, otherworldly soundscape

Trip-hop grooves paired with a lofi kit lay down a foundation rich in crisp ghost notes and subtle ride patterns, Dusty Rhodes chords and pulsing double-bass shape a warm nu jazz palette, Tenor sax interludes flow between sections, wrapping around the expressive female vocal

Dense, eerie synth pads set a foreboding tone, with sparse, ominous piano accents, Verses introduce intricate progressive metal guitar lines and polyrhythmic drumming, building edgy tension, Deep, powerful female vocals cut through heavy, syncopated riffs, while breakdowns thicken the haunting sonic landscape

Industrial Rock, Gothic Rock, Alternative Metal, Male vocals

Progressive Rock, Ambient Soundscape, shifting cadences, fluid unpredictable rhythms, Lush evolving textures, deep synth pads, reverb-drenched guitars, spoken-word elements, soaring melodic lines

An experimental prog-rocktronica x darkwave song delivered by a deep, female voice singing English with a strong Swedish accent, The vocal is emotionally restrained but loaded with quiet tension, floating between whispered chant and cold melody, Every word is deliberate, with elongated vowels and clipped consonants, There’s no slang or casual phrasing — the cadence feels formal and slightly off-beat, Subtle vocoder and reverb edge give the voice a synthetic, slightly inhuman texture, The phrasing leaves space between thoughts, creating tension through silence, Modular synths pulse underneath with glitch textures, vinyl hiss, and analog decay, The vocal performance feels like a coded confession in a flickering cathedral — intimate, unfamiliar, and spellbinding

soulful, ballad, acoustic, pathos, indie folk, virtuoso guitar, spanish guitar, male voice, Melancholic timbre, Post-rock Influence

Industrial Rock, Gothic Rock, Alternative Metal, Male vocals

Dark pop, eerie synths, dreamy atmosphere, haunting vocals, low-tempo, whimsical

Industrial Cabaret metal, distorted guitars, eerie synths, whispered verses, screamed choruses, mechanical drum loops, haunting atmospheres w/ glitch effects, tension-building pre-choruses

A vaudevillian cabaret-punk piano ballad about radical presence and impermanence, opening with sparse live-room ambiance: creaking stool, breath, and blunt piano chords, The tone is intimate and unfiltered, Verses unfold as spoken-word monologues, theatrical and self-aware, with biting humor and soft sorrow, Piano remains minimal but raw, chords dropped like truths, The chorus swells with louder, cracked vocals and clashing chords—letting the room have it emotionally, The bridge slows into a funeral-waltz moment with rasping vocals before lifting into a bittersweet refrain, Feels like watching yourself age in real time—brutal, beautiful, human

A synthwave/progressive-rock fusion track about erotic intoxication and loss of control, opening with tape hiss, muted analog pads, and a sparse heartbeat kick that sets a moody, immersive tone, Verses are sung by a close-mic’d German female voice, tense and intimate, layered over pulsing sub-bass and dry reverbs, The chorus explodes with gated snares, octave bass, and widescreen stereo pads, vocals soaring in layered harmonies, Instrumental breaks bring chorus-soaked arpeggios and sequencer riffs, adding cinematic tension, The bridge teases odd meters with 5/4 against 4/4, filtered noise swells adding progressive unpredictability, Final chorus swells into climactic annihilation with tom fills, layered harmonies, and analog warmth, evoking the sense of being consumed in a dark, erotic fire—immersive, layered, and overwhelming

Empowerment pop anthem | 128 BPM | bright major key | four-on-the-floor dance-pop groove | supersaw leads + pluck synth arps | palm-muted guitar accents | punchy sidechained kick + clap stack | modern pop bass (clean, sidechained) | wide stereo gang chants & “whoa” hooks | glossy top-line with double-tracked chorus and high harmonies | occasional vocal chops post-chorus | pre-chorus tom build → riser → impact | final chorus key lift (+2 semitones) | polished radio mix, crisp highs, controlled low-end, wide stereo field | reference vibe: upbeat, triumphant, glittery, club-ready without being EDM-heavy | reverb tails with short pre-delay, slapback on adlibs, subtle OTT on synth bus

late-70s UK punk | London sax-punk attitude | female lead: brattish sneer, nasal belt, sharp phrasing, clipped diction; shout–speak mix; tight vibrato; raw/untamed tone | shouty gang backs; chanty chorus; “whoa-oh” interjections | BPM 170, length ~2:40 | key: edgy major/minor mix, Phrygian hints | Instrumentation: alto sax leads melody; abrasive honk + overblown squeal; jagged power-chords, downstroke rhythm; pickstyle bass driving 8ths, string clank; tight, dry drums—fast rimshot snare, open hats on “ands, ” splashy crashes; cowbell + tambourine | Production: live-take energy; small club room; close-mic gritty dynamic vocal; spring splash + light plate on vox; mono-ish center-heavy, narrow stereo; tape saturation + mild hiss; high-passed low end; bright mid-forward; 2–4 kHz presence bite; mild amp grit | Arrangement: stick-click count-in; stop–start hits; chant/response; sax call/response; hard stop on final “oh

Raw indie-rock trio energy, midtempo 4/4 ~98 BPM, bass-forward groove driving the verses, quiet–loud–quiet dynamics, Dry, close-mic vocal with spoken-sung cadence that opens into gritty belt on choruses; light Aussie-leaning diction ok, Jangly clean guitar in verses → crunchy overdrive in choruses; minimal delay, short plate reverb, Drums: rimshot/snare-on verses, tom build pre-chorus, open hats and crash/ride wash on choruses; parallel-comp bus for punch, Gang “woah” shoutbacks on hooks, occasional call-and-response, Mix: center vocal, bass slightly upfront, guitars L/R wide, drums tight and present; subtle room noise/tape hiss for live feel, Master warm, not overly bright; leave headroom for dynamics, Mood: confessional, assertive, cathartic

Art-pop ballad featuring a slow, dragging 4/4 groove with intricate syncopation, Sparse, weighted felt-piano chords create dissonant undercurrents, captured with dry, close room mics, Off-kilter, conversational percussion uses snaps, rimshots, and warbly found sounds, Vocals are breathy, intimate, up-close, fluctuating between low purr and raw belt, Choruses surge with dynamic intensity, while the bridge strips back to near silence, Minimal reverb highlights the exposed, bruised textures and taut rhythmic interplay