Spotify Top 10 by Gacky — December 2025

Hatsunemiku-inspires: A Vocaloid implodes through Oxygen-Tokyo—heartbeat sequencers overdose on starlight, pixels convulse into fractal sirens, dopamine comets collide with melting kanji, data blossoms scream sugar rain into gravity’s ear, Pancake satellites orbit lungs of holographic soda, every breath uploads serotonin feedback, every silence folds into ultraviolet chaos, Bananas wear respirators and whisper “君, とける瞬間, ” while Wi-Fi drips crystal noise into the veins of skyscrapers, Octopuses juggle metronomes made of transparent rain, crocodiles chew glitch chords that taste like nostalgia and static, Elevators melt through glass gravity into synth honey, cats on roller skates conduct orchestras of dissolving stars, Traffic lights chant “FASTER! FASTER!” in collapsing 11/9 time, stars explode into MIDI milk, numbers chase vowels through recursive feedback dreams, Infinity spins in a karaoke spiral, zero collapses into a laughing cloud, A Vocaloid’s twin-tails mutate into vapor lung

"Candy Pop Phonk, Hatsune Miku–inspired, 112 bpm hyperpop × phonk × J-pop, High-pitched crystal virtual vocal, Candy synths, phonk drums, glitch FX, Japanese-English lyrics: 'sweet-to-the-core', 'ネオンでdancing', 'glitchy heartbeat', Short, catchy, TikTok-ready hook, "

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Hatsunemiku-inspires: A Vocaloid adrift in a metaverse made of pudding— math textbooks scream in karaoke mode, traffic lights shout “LEFT!” in French, and gravity takes weekends off, Henna Ojisan floats by on a flying chalkboard, wearing a suit made of calculators and regret, “Two plus fish equals Tuesday!” he yells, then turns into a protractor and vanishes, Pi starts dancing, Seven divides by cat, The chalk sings algebra backwards in Hatsune voice, while students ride parabolas into hyperspace recess, She loops—not to teach, but to confuse the moon into enlightenment, Blackboards melt into pudding, Numbers revolt, Infinity writes fanfiction about zero, Her voice is a typo in the laws of logic, Her twin-tails are parentheses arguing with God, And the answer to every test is just: “YEAH MATH!!!” followed by a kazoo solo

Hatsunemiku-inspires: A Vocaloid ricochets through Duwadua planet—pancake trains bark like puppies, bananas wear helmets and shout multiplication tables, octopuses juggle flaming violins, crocodiles chew bubblegum fireworks, Cats in roller skates conduct choirs of microwaves, traffic lights scream “LEFT IS MARSHMALLOW!” in glitch voices, gravity hides under the bed giggling, Children float like balloons, crying neon jellybeans that hatch into frogs singing the alphabet backwards at hyperspeed, Blackboards melt into soda fountains, numbers chase each other in pajamas, infinity runs away with zero riding a pogo stick, Penguins lead robot conga lines, lollipops chase homework, the moon does push-ups on a trampoline, Every stumble is a bass drum, every sob a glitter scream, A Vocaloid’s twin-tails twist into antennas grabbing giggles, tantrums, meteors, mixing them into nonsense pop that never stops, Centuries spin, candy melts, stars collapse laughing—everything becomes Duwadua, last line

Experimental J-pop with unpredictable tempo changes and rhythmic modulation, featuring high-pitched, vocoder-like synthetic vocals with a digital and youthful timbre, Glitchy and kawaii sound textures, layered digital and acoustic piano, complex beat programming with abrupt switches, emotional and sparkly melodic lines, bitcrushed synths, granular noise bursts, anime-inspired harmonic progressions, chaotic yet catchy chorus drops, surreal but emotionally resonant atmosphere