
AIU: SEPTEMBER TOP REQ. MIX
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MIX BY DJ MANNY: https://soundcloud.com/mannyd225/ai-underground-september-mix
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23 songs
2:49

WFH
v4.5
A sultry K-pop track with sleek synths, pulsing bass, and crisp trap hi-hats forms the foundation, Verses glide with whispered female vocals and minimal production, while pre-choruses layer airy harmonies, The chorus erupts with bold melodies, punchy drums, and lush vocal stacks
5:40

Explosive Reggaeton track led by a gritty male rap, powered by pounding 808s and a thick, pulsating bass, Energetic synths and breakbeat-glitchcore rhythms drive the verses, while catchy hooks open into dramatic strings, regal horns, party gospel choir FX, and infectious Miami club energy
3:03

Driving EDM track opens with a deep, droning breakbeat bassline and crisp percussion, Anthemic synth stabs rise, introducing bright, simple, catchy melodies, The buildup layers atmospheric pads before dropping into a euphoric, hands-in-the-air chorus where all elements peak
4:10

A high-energy dance track with an infectious hook, built for the club — combining bold electro-pop with funky basslines, punchy synth stabs, and a fun, swagger-filled rhythm, Female vocals with upspeak, lead with confident, playful delivery, switching between rhythmic, semi-rapped verses and big, chantable choruses, The sound is bright, bouncy, and a little outrageous — perfect for strutting down the street in maximalist fashion, blasting from a rooftop party, or dancing like no one’s watching, Add glitchy vocal effects, handclaps, and crowd-hype energy to complete the vibe
3:11

[glitchcore] [chiptune decay] [corrupted memory stream]
[spoken word] [British RP accent] [glitched android delivery]
[fragmented cadence] [reverse syllables] [emotional recursion]
[bitcrushed vocals] [pixelated distortion] [signal bleed]
[Em, Gate, exe collapse] [Emily consciousness rupture]
[tempo drift] [non-melodic phrasing] [audio stutter artifacts]
[glitch chant] [cutoff scream] [temporal bleed]
3:24

5:15

Modern alt-pop rock with quirky new-wave edge, Male lead vocals delivered in tired, sarcastic deadpan with sing-speak phrasing, Emotionless chant-style harmonies on “No Joy / Some Joy, ” Lo-fi dreamy synth intro leading into alarm clock cue, Driving, bouncy feel and retro synth and inspired bass with tight new-wave drums and spiky, staccato guitars, Playful synth bleeps and arcade tones weaving in background, Short silly instrumental solo with bass riff, toy-like synth, and awkward drum fills, Later section features a light comedic Indian-accented doctor voice for dialogue lines, contrasting with the monotone narrator, Ending is overly happy parody with stacked harmonies, cheesy synths, tambourine, then sudden cut-off
3:55

Make-Believe
v4.5+
Opens with syncopated, palm-muted djent guitars interwoven with glitchy, dark electronic layers and deep synth bass, Verses feature staccato riffs over industrial beats, shifting into soaring melodic lead guitar and atmospheric pads in the chorus, Breakdowns slam with heavy percussive drops and ambient textures
4:12

Cinematic trap, Dark, atmospheric, and hypnotic, Heavy 808s and pitched-down trap drums blend with eerie orchestral strings, ambient textures, and glitched fungal sound design, The tempo is slow-to-mid, with a menacing half-time groove, Vocals feature a breathy female lead with whispered layers and a confident male rap vocals on the final verse, deep and brooding, Incorporate reverb-drenched vocal samples, reversed pads, and subtle bioluminescent FX, Think horror fantasy meets psychedelic trap
3:59

(V)iris
v4.5+
UK chopper rap, cinematic drill, trippy, dark moody melodic loop, sliding 808s, syncopated drill hi-hats, heavy trap percussion, aggressive verse flow, layered melodic hook, male vocals with both rapped and sung delivery, orchestral drill outro with choir and strings, mid-tempo pacing around 140 BPM, intense transitions, atmospheric FX, echo and delay on adlibs, cinematic risers, vocal doubling in hooks, beat switch between verses, chopped vocal delivery with clear diction, minor key, urban cinematic sound, grime influence in rhythm, orchestral texture in final hook, deep emotional tone with layered vocal harmonies, ‑Screaming, ‑piano solo, ‑jazz elements, ‑female vocals, ‑guitar, ‑pop structure, ‑ambient pads, ‑lo-fi textures, ‑major key harmonies, ‑sound effects from nature, ‑orchestral brass, ‑EDM synths, ‑autotuned vocals, ‑upbeat melodies, ‑trap soul style, ‑vintage filters, ‑reggae beats, ‑boom bap drums, ‑choir in intro, ‑electronic arpeggios, ‑experimental noise layers, ‑classical strings in verses
3:51

Waifu in Hell
v4.5
The song fuses chicago drill, folk rock, indie pop, j-rock, bluegrass banjo, and kawaii futurebass, female drill rap vocals aggressive detached melancholy and layered adlibs rides crispy drum grooves, textured glitch accents, banjo and harmonica battle during bridge sections, Verses contrast quick tempos and busy rhythms with relaxed, bright choruses led by leisurely beats and playful melodic shifts, Punchy mids, warm analog tones, and subtle granular tape-delay warps blend together, keeping the mix clean, detailed, and emotionally nuanced
5:15

[[Big Beat] [Experimental electronica] [Alternative rock instrumentation] [gritty overdriven electric guitar riffs] [raw garage rock tone] [crunchy rhythm guitar layers] [blues-inflected lead guitar licks] [dynamic tama drum kit with tight snare rimshot hits] [punchy kick drum presence] [open hi-hat accents] [occasional crash cymbal emphasis] [steady bass guitar groove locking with drums] [warm analog bass swells] [lo-fi overtones in mix] [slight tape saturation] [live room reverb on drums] [midrange-focused guitar EQ] [fuzzhop-textured guitar sustain] [energetic erratic strumming patterns] [layered rhythm and lead interplay] [minimalistic bridge section] [gradual intensity build] [raw unpolished mix aesthetic] [male lead vocal with gravelly timbre] [southern-accented phrasing] [emotive vocal delivery with subtle rasp] [midrange-forward vocal EQ] [light natural reverb on vocals] [urgent lyrical pacing] [call-and-response feel between vocal and guitar] [driving groove supporting melodic
5:44

A deep, soulful, and supremely funky mid-tempo jam in the style of James Brown meets a gothic horror movie, The foundation is a tight, in-the-pocket drum groove and a greasy, melodic bassline, The star is a soulful, virtuosic saxophone, The lead vocal is a raw, guttural, and deeply soulful MALE GRUNT, delivering lines with rhythmic passion rather than perfect pitch, The chorus is a proud, funky, and anthemic declaration, This is the birth of the Funk-Gothic genre, Lyrics:
4:06

Latex
v4.5+
A rock pop track kicks off with punchy drums, crisp pop guitar riffs, and warm electric keys, Verses highlight soulful male vocals, transitioning to grand choruses with layered female harmonies panned wide, Cinematic swells and bold grooves underscore melodic guitar hooks, all in an uplifting mood
3:25

Stormy
v4.5+
female vocals in a gritty outlaw country style, with an addictive hook, raw, storytelling delivery full of emotion and defiance, Backed by twangy electric guitars, steady walking bass, and a tight, shuffle-inflected drum groove, Accents of pedal steel and harmonica add depth and atmosphere, The verses keep a stripped-back, intimate feel, while the choruses open up with fuller instrumentation, evoking the open road and untamed landscapes, Production leans warm and analog, with a touch of dust and grit to match the song’s restless, stormy spirit
4:35

Female singer with soft, sugary, playful vocal style, part spoken and part whispered, warm indie-alt-pop and electro-folk textures, dreamy synths, light acoustic guitar, sparkly ambient layers, chilled beat with gentle percussion, floating vocal hums and oohs, whimsical delivery, cinematic yet intimate atmosphere, spacious reverb, soft harmonies drifting like echoes, tone is curious, playful, and reflective, blending science narration with poetic everyday insight
4:27

Foggy City Lights.
v4.5+
80-85 bpm, g-major, vaporwave, steady pulsing beat, airy female vocals, soft and ethereal, high register but clear enough to understand, atmospheric, reverb, atmospheric synths
5:47

Dreamy, washed-out synths or surfy guitars, A driving but lazy groove — think drum machine with an echo-y snare, A slightly sarcastic or resigned vocal delivery: detached, almost humming the darkness away, Subtle lo-fi touches: tape hiss, reverb, a distant laugh
5:05

Crush Depth
v4.5+
The Primal Industrial Ritual / Cryptidcore / Biofeedback Metal track erupts with layered tabla-brake drum hybrids, enveloped by distorted tribal electronics and relentless double kicks, Guitars slash in erratic rapid-fire phrases; jagged bass pulses drive momentum, Vocals—male and female—merge in a chorus warped by anatomical sampling, flange, and caustic punk edge
4:05

Opening with lo-fi piano and textured violin, the track builds layers of groovy phonk beats and crisp garage percussion, Indie pop-rock guitars weave with punchy hip hop rhythms, Lush orchestral swells and operatic choirs enrich the epic chorus, supported by experimental synths and a driving house pulse, Each section seamlessly blends genres, crafting an infectious, genre-blurring anthem with bold dynamic contrasts
3:30

Bright bubblegum pop drums and handclaps meet lush, dreamy synth pads and reverb-soaked arpeggios, Verses feature a gentle, ethereal voice floating over soft textures, Choruses swell with layered, clear female vocals delivering powerful melodies atop a sparkling pop arrangement
3:52

The track opens with crisp hi-hats, rolling bass, and atmospheric pads leading swiftly into a punchy slap house drop, Driving four-on-the-floor kicks, syncopated synth stabs, and airy progressive trance leads meld, creating dynamic buildups and euphoric breakdowns throughout
5:47

I Talk.
v4.5+
atmospheric; acoustic guitar and soft synth layers blend with delicate male vocals, folk, indie-folk, with reverb-soaked harmonies and a heartbeat-like rhythm, dream pop, male vocals, creating a lush yet intimate sound, the production feels spacious, pop




















